Free Quilt Pattern · Gridsters · Something to Think About · This-and-That

This and That • May 2021

This has been a busy week, with zooming and teaching at the Orange Grove Quilters Guild, but I’ve managed a few things around the edges.

This was April’s Gridster block, requested by Nancy. She sent out the blue fabric, and we chose the other, with her guidance.

This was May’s Gridsterbee block, chosen from my Sawtoothmania pattern by Allison. She also sent out fabric, but we provided the center color patches.

She had us do a wonky Christmas Tree. Allison asked for the one from another quilter, but I also have a free tutorial sheet on making little Christmas trees, too. Such a clever idea!

My husband brings me flowers every day…well, photos of flowers. This one measures about 1 inch across in real life.

I finished Vesper Flights, and went on to this one: The Midnight Library. I listen to them at the same time my mother does, but this is one I wish I had in print, so I could underline things that caught my heart and imagination. Now I’m deep into Obama’s A Promised Land. It’s moved much faster now he’s been elected, and hearing about the 2008 economic meltdown, as well as the hog-trading of politics has been interesting. I am SURE I never want to be a politician. I’m sticking with quilting.

This is a close-up of one of the panels I used on my Wealth of Days quilt backing. I was stoked that it had our city on it. I tell most people, “we are between Palm Springs and LA,” but here we are!

Fabric receipts? Now the fabric just shows up in my mailbox, like magic, or something.

Occasionally, when writing this blog, or trying to color in a design, I can’t quite make the program give me the color I want (like this background). That’s when I turn to this no-frills site which shows a ton of colors with all their hexadecimal codes. I always start with the Blues page, which is what I’ve linked you to. I just copy the #code, pop it into my software or blogware, and I’m good to go.

I love following people who know what they are doing. I love reading their blog posts, their Instagram posts, and while I’m not a total fangirl of them all, I have several favorites (there are too many to list here; see my list at the bottom of my blog). I appreciate their sharing what they’ve discovered and learned. However, recently a famous maker of absolutely necessary quilting supplies popped the above Instagram ad up on my feed. (I’ve blocked out all the identifying marks to protect the marketing department.) She may be qualified, but is she an expert?

Shouldn’t she be referred to instead, more appropriately, as an Influencer?? I like Aurifil’s word for their influencers: “Ambassadors,” which my macaron-making daughter let me know, is also used in her industry. Rather than the previous ad campaigns of simple extolling of excellence of product, we now use people for that. (In my English classes of yore, this was a type of logical fallacy, using celebrities to sell products; however, we’ve morphed from random celebrities to using established personalities in the field to sell products.) Carolyn, a sewist/sewer who I’ve read for years, knows her stuff and has an excellent post on the rise of Influencers. I love this part of the post:

My criteria is based upon:
– Can they actually sew?
– Are they learning to better their craft?
– Do their garments fit well or are they just photographed well?
– Do they have any actual fabric knowledge or are they just taking stuff because it’s free?
– Do they understand why notions are important and why they’re needed to perform a task?
– Is all of their knowledge YouTube/Internet based or have they actually read a sewing book?  Not all YouTube videos show you the correct techniques.
– Is this just a way to make them Social Media Famous?

A reminder for us creatives from Grant Snider

And lest you think I just sit around, I am working on a scrappy blues quilt, but it’s pretty shy right now and I just can’t coax it out from underneath the bed. I’ve even tried leaving spools of thread and colorful scraps to lure it into the daylight. Maybe later I can get a photo of it.

This is a quilt for a college-girl’s bed. My granddaughter shyly asked me last time I was at her house, “Grandma, will you make me a quilt for college?”

Me, inside:

Me, outside:
“Absolutely!”

We traded designs and pictures back and forth, but I quickly discovered that she is a minimalist, and likes gray. She knows I hate am not a fan of gray (generally), but she told her mother she thought I would come around after working on her quilt.

The red line in the drawing above is to approximate her queen-sized bed. I ordered yards of Painters Palette solids from Pineapple Threads, and they arrived last week. Between the shy scrappy blue quilt hiding out of sight, and this one, I’ll be keeping busy.

I can’t believe I signed up for this, but I swear it was because they come in cute little boxes. I do have some undressed pillow forms around her that need some clothes, and these seemed to call out to me (although if you know me, it won’t surprise you that I’ll be changing up some of the designs…looking at you Miss Christmas). But I’m excited to get a little fun package every month in the mail. (Guess this means I’m in covid-recovery–that I’m actually planning into the future.)

Lastly, I listened to/watched this show about the writer Amy Tan, called “Unintended Memoir.” It gave me so much to think about as I worked on the shy scrappy quilt, and now I want to go back and read her books again from her first, Joy Luck Club. She speaks movingly about her mother, and Tan chronicles their relationship as well as the writing of her novels. It lasts about 90 minutes; I recommend it.

Happy Quilting!

Patterns by Elizabeth of OPQuilt · Software

Thoughts on Constructing a Quilt Block

Note: This post has been updated (March 2024), with notes on the pattern and the quilt. See below.


Recently I had a chance to do some beta-testing on BlockBase+, which is a revised version of Electric Quilt’s original software. I will write about the sofware next month when I host a giveaway for this software, but this post is about the process of making. In our beta-testing, we were asked to make test quilt blocks, check for spelling issues, functionality, etc. so I thought I would try out a new-to-me quilt block.

Every block in BlockBase+ has a name and a number, based as it is on the Barbara Brackman Encyclopedia of Pieced Quilt Patterns. I thought this looked cute, so I went for it.

I printed out the templates, labeled them as to the color I wanted, then got to work.

This whole thing was a little tricky, trying to get the petals seamed around the blocks and little triangles. But I really really liked the design I had cooked up (coming soon), so I persisted.

You can see the finished quilt block above, but all I could think was, how did this quilter in the early part of the 20th century put this thing together? But some early quilters did, as I found in a search online:

The blurb describing it says: “Antique Vintage Triple Sunflower Quilt Top in 1930’s prints beautifully hand and machine stitched.  This measures about 33 x 47.5 inches and is in very good as found vintage condition with 8 places that need to be resown.” NOTE: It sold for $26 this past September 2020.

I had not seen those antique quilts when I started this block. So on the second round, I decided to try using English Paper Piecing in putting it together. Many sections went together more easily, like the petals: crisp and sharp.

This long stem was less fun.

The back. I think it’s always fun to look at the reverse side of EPP.

Done. This took me about two days of pretty constant piecing, but I did get to watch a few episodes of Ted Lasso on Apple TV (colorful language alert).

Side by side, back and front.

But there was a clue! And what was the clue I garnered from the antique blocks?

Okey-dokey. This would have made things so much faster and easier. There is also a lot of variety on the stems and leaves, all hand-appliquéd after the four blocks were assembled. And I was able to really enlarge the green-bordered block to see the grain of the background pieces: the grain is not all straight of grain, so while I don’t know if they did a lot of EPP at that time, they might have. Or they might have used odd bits from their scrap bags.
(I don’t know about you, but I wish some fabric designer would do a replica of the lower right petals of the blue sunflower block at the bottom, with those cool alternating blue-white half circles.)

Overall: putting in a seam on the rectangles and the center squares would make it easier to construct. However, I do like the long stem in one piece…pieced-in, rather than appliqued.

Stay tuned for more updates.


March 2024: Thought you might like an update on the finished quilt.

I finished Sunny Flowers, and while it has always been available in my pattern shop as a PatternLite pattern, I recently did an major overhaul on the pattern, adding in bits that I hadn’t before (like the borders), and yes, I changed the pattern to include a seam between the flowers, as you can see in the blue-dotted block in the lower left.

If you purchased one of the earlier versions, you should be able to download the revised pattern for no charge. (If there is a problem, please contact me.)

Now, back to our originally scheduled blog post.


Regarding the giveaway for the Walk book: the Husband Random Number Generator picked a winner, and I’ve notified the winner by email. Thank you to all who wrote. I had the best time reading all your springtime descriptions, and felt like I was visiting different areas of the country and world. I laughed at many, and got warm feelings on others. You are all amazing writers and quilters. Thank you for reading.
Happy Quilting!

P.S. Happy Pi Day. Since I’m not making a pie, enjoy these random pie charts from The Internets.

Hotel California Pie Chart
300 Quilts · Patterns by Elizabeth of OPQuilt · Quilts

Criss-Cross Color • Quilt Finish

Criss-Cross Color, quilt no. 233
49″ wide by 68″ high

The quilting by Kelley of Wolf Girl Quilts really looks lovely in this light.

IKEA fabric, from back in the day: a series of numbers. It was what I had.

the label

All photographs above by my husband or I, taken from a frontage road on the 680 freeway, to the west of Grizzly Bay and the Goodyear Slough, on Lopes Road near the Bay Area in Northern California. I like how the shadows are playing with the quilt in this image.

These last two photos were not taken on Lopes Road, but at my brother’s, as I knew they had a picturesque playhouse from when their girls were tiny.

I listed this as Quilt #233, as I got over-eager when the quilt top was done. Kelley, a long-armer friend, did the fabulous loopy quilting texture on the quilt. It’s been a good series for me, challenging me to think differently about color, texture and size.

The pattern is sold in my pattern shop on PayHip. There is a discount running on this pattern right now, until January 15th, if you are interested in purchasing it. Details are at the pattern shop.

Other Posts about the Criss-Cross series of quilts:
Criss-Cross Color, completed top, Criss-Cross Autumn, and the follow-up to the workshop
Criss-Cross Autumn
Christmas Criss-Cross, quilt finish
Criss-Cross, the genesis

Patterns by Elizabeth of OPQuilt · Shine: The Circles Quilt

SHINE: The Circles Quilt • Collaboration with QuiltMania

SHINE: the Circles Quilt

First I’m going to tell you the short version.

Shine is going back out into the world again, this time in collaboration with QuiltMania Magazine. If you are a subscriber to their newsletter, you’ll receive access to the newly revised patterns, free, as a thank you for subscribing.

Block One: Swirlygig

Now the long version.

When Covid-19 hit the proverbial fan, one April morning in my mailbox was a heartfelt letter from Carol, writing in her regular QuiltMania Newsletter about some of the difficulties magazines like hers were facing.  I contacted them, offering my help in any way (you know I’m a fangirl).

Block Two: Sunshine

After some correspondence, it was decided that they would release SHINE: The Circles Quilt out into the world, bit by bit on their blog, and after further developments, as a thank you for subscribing to their newsletter.  I was happy with this, and thinking it would be released quickly, revised all the formerly free patterns on this blog into a new format.  I sent them to back to QuiltMania where they were translated into French.  

Block Three: Ljublana

Wondering if they’d be out by July, I started work on another set of the circles, this time in Red, White, and Blue.  You may have seen them here, here, and here.  I am still working on them, but am borrowing an idea from my friend Carol, who is also working on a Red, White and Blue quilt.  We hope to get these quilts finished in time for the Inauguration in January.  That gives me a little more time.

So here we go on a new journey with SHINE! Underneath each block is the name, and a link to where it lives on this blog. Each of these posts has detailed instructions and photos, which may prove helpful in your sewing. The full set is up above, in my header, under SHINE: The Circles Quilt.

This is how it looked on their blog this morning. 

Above is the teaser in their newsletter, which you’ll want to subscribe to.  

Here’s the scheduled release dates of the free quilt blocks from QuiltMania:
September: Blocks 1, 2 and 3
October: Blocks 4, 5 and 6
November:  Blocks 7, 8 and 9
December: Blocks 10, 11 and 12

In case you can’t wait, the complete pattern is coming soon to my PayHip shop.  Currently up up on PayHip are the last four blocks of SHINE (13 through 16) and the quilt’s finishing directions, which are written in Hobbit Elvish.  Just kidding (sort of), but certainly they are from my earliest days as a pattern writer and will soon be revised to my current format and standards. (When the new patterns drop, if you have purchased either of these, you’ll be able to download the new ones without additional cost.)

I used fabric from the Minick and Simpson recent lines of red, white, and blue, as well as other Moda and Riley Blake fabrics for the backgrounds.

Happy Labor Day this weekend. Here is a less-than-happy version of Work (Le Travail), by Pierre Puvis de Chavannes (c. 1863) from the National Gallery of Art in Washington, D. C. I am happy that they worked in a woman in “travail” down in the lower right corner. I am beyond happy that my current work of quilting doesn’t resemble anything in this picture. (Okay, maybe sometimes.)

Keep stitching!