300 and Beyond · PatternLite · Patterns by Elizabeth of OPQuilt · Quilt Finish · Quilt Patterns · Quilts

Pursuit of Craft with Spring Dots & Stripes • Quilt Finish

One of the challenges in our modern life is to deal with disruptions, distractions, and never letting us have a minute without someone telling us the five steps to a better life, to better breathing, to being a better whatever. Or as tech, culture and political writer Derek Thompson observed on his podcast Plain English, these voices tell you “everything is figureoutable. And if I just listen to these five steps, I can figure out all my life’s problems” (from here).

But for me, I escape to quilting to not figure everything out. I mean, yes, sometimes just cranking out on a pattern and whipping up a quilt is a good time and I like that as much as anyone. But hopefully, as Thompson noted, “you can have intimacy with a craft.” The challenge “is if we are constantly being distracted or interrupted, it’s hard to find that intimacy. It’s hard to get into the slipstream or the pocket of a creative project” (same source as above).

I like my pursuit of my craft. Of taking a well-known-to-me pattern like my Blossom, and seeing what I can do with it that sends me into discovery, of finding a new way to see what I’ve seen before. Because, really, haven’t we all seen it all before: make a cut, stitch a seam, sew it together, quilt it, and don’t forget the label?

For this quilt (Spring Dots & Stripes), I chose to work with just two elements:
• dots and stripes (had to be white dots on bright colors),
• Tula’s Tent Stripes (in only four colorways).

It was this challenge that coaxed me into flow.

What is flow? The Czech psychologist Mihaly Csikszentmihalyi coined the word “flow” to refer to the psychological state of optimal performance.

“He recalled in an interview how he would watch painters in their studios and how he was fascinated by their ability to forget everything while working. He was also surprised by what happened when they were done: They’d finish a work of art, and instead of enjoying it…they would put it against the wall and start a new painting. They weren’t really interested in the finished painting. What these artists were after, Csikszentmihalyi realized, wasn’t the finished work itself but the experience of full immersion and absorption in the act of creation” (from here).

To understand it better, I watched several videos online, and liked the one from John Spencer, titled “What is Flow Theory?” He highlighted it like this (click arrows to advance):

Since no matter what I tried, the slides kept getting out of order, the basics are:

  1. The task has to be intrinsically rewarding;
  2. The task has to have clear goals and a sense of progress;
  3. Clear and immediate feedback is critical;
  4. It’s a balance between the challenge of the task and the set of skills needed to complete it; and
  5. The person in the flow state has an intense focus on the present.

I cut out pieces in certain colors — the ones I thought I would want — and started putting them up on the design wall. And then in an a-ha! moment, I could see that I could group them differently to create a pattern of interest. Maybe that came from trial and error, maybe it came from being in the flow? I was able to discover a different way as I grouped the petals into colors, cutting and discarding and pinning up and sewing, as I ignored all that was going on around me.

I took the finished quilt out into the garden for some photos this week.

Side Note: I’ve decided there are two categories of fabric design that I don’t like on the front of my quilts: the first is sharp things, like anything on this fabric. The second is insects, so these often end up on the back. (Cute small bee prints are the exception.)

I needed a mini-quilt of just the right size to fit in a specific space (photo near the end), and it needed to be spring colors.

So when I turned to the Blossom pattern (which in turn has it beginnings in the traditional Flowering Snowball block), I didn’t have the right size. Because…

…last spring I discovered that over half of my computer files were corrupted. Not a virus. Just gone (it’s complicated). And 50 percent of those were my more recent pattern files. So many patterns that I’d written could never be updated. Unless…unless…I recreated all the missing, corrupted files to revise the pattern. Like this one:

So I have been busy re-drawing the files I lost, and while I was at it, adding a new size (7″ block), and re-writing the pattern. If you’ve purchased Blossom from me before, you can go to the email you received with the pattern and re-download it. And for those who haven’t made one of my patterns, and want to try it, I put it on sale for a few days if you want to grab it now in my pattern shop.

This a photo of another quilt, Aerial Beacon, that is stuck in re-write-land. I was about a month away from the release when I discovered the corrupt files. Talk about a way to stop the flow! I’ve slowly been re-creating this one, too. (Slowly is the operative word here, but it’s coming.)

Yes, I should have had it done by now, but this is what I call a “reverse flow” task. All those glowing ideals in the list in the beginning have their counterpart: discovering and ferreting out and crying inside over lost work and then redoing the lost work, I would say are just about the opposite of the bliss of being in the flow.

Since I was in the Blossom flow, I re-made the larger 12-inch block version as well, especially since I found that outer border fabric at Road to California this year. It’s in the needs-to-be-quilted stack.

Quilt #316 • 28″ square, shown in that space where I needed a quilt

I’ll let this paragraph from Mihaly Csikszentmihalyi’s book, flow The Psychology of Optimal Experience, close up this post:

I wish you all a week of flow, of enjoyable quilting, and a most happy Easter–

Other posts about Blossom, the pattern and quilts:

The newly updated Blossom Pattern (on sale), can be purchased in my pattern shop.

6″ block version: Hanagasaku, made in honor of the Olympics held in Japan

Hanagasaku: Flowering Rings • Quilt Finish

For a while I was a traveling quilter, teaching and visiting at Guilds in Southern California. During the covid shutdown, I taught several classes of this pattern, and the one above is Robin’s quilt — a study in the tones of autumn — a very successful one! You can read about her quilt here, and more, if interested.

Lastly, a post about how I moved from the simple traditional block to the larger quilt is found in this post.

I think Easter is a good time to sit in the garden.

New York Beauties · Patterns by Elizabeth of OPQuilt · Quilt Shows · Quilts · Road to California

Road to California Quilt Show 2026 • Part 1

The Road to California Quilt Show was held January 20-24, 2026 in Ontario, California — a location about 45 minutes to the east of Los Angeles. It is close to the Ontario California airport, so we attract many attendees from all over California, the Mountain West, and others who may drive or fly in.

I’ve been attending for many of these years, and aside from the blows of Covid-19 in 2021 and 2022, it’s a strong show with many international entries. Road is a juried show, allowing just three entries per person, so those that are accepted have already self-edited their choices. This show also has multiple special exhibits.

I can’t show you all the quilts I saw, nor would you want to sit here and read through that kind of blog post, but I did want to write about some of the ones that caught my eye, although (again), there are many more wonderful quilts here. In the second post, I’ll focus on group exhibits, show you a bit of the flavor and people I met and visited with. Come on out — it’s a wonderful show!

First up are my two quilts: Mercato Square and New York Beauties — for Barbara.

Mercato Square was accepted, and as is the usual with Road, they showed it with all the red and white quilts. (Yes, all the animal quilts are shown together, all the moderns are shown together, and so on. It’s a bit of a visual tic that has been going on for a while, so we just expect it now.) My husband and I went up on Opening Night to see the show, and he was a great help in photographing quilts, and cheering me on (thanks, honey!).

The second quilt accepted was New York Beauties — for Barbara.

It was lovely to see it hanging here! Their title cards:

They omitted the quilter’s name on Mercato Square, so I wrote it on: Jen Boyer. The original posts about these quilts can be found here and here.

I don’t know if you’ve ever entered a quilt show, whether it be nationally ranked (like this one), or a local guild show, but no matter what the show, it’s kind of a big deal, as this is our “art gallery” or “museum” for quilters. So I celebrate all the following quilters and a hearty congratulations to them!

This quilt was my neighbor on the right: a scene from Cuzco, Peru.

(Click to enlarge.) Lynn Jurss: Cuzco Fruit Stand (I’m writing out the maker and title to make it easier for searches.)

And this was my neighbor to the left: a gorgeous Star of Bethlehem.

Jean McElherne: Red Radiance • Quilter: Vicki Ruebel

Stunning thread painting, all the way from Spain.

Isabel Muñoz: Beyond the Seas

I loved how the maker combined an image and appliqué.

Great detail of the shell. This isn’t a huge quilt, but the little details are charming, especially the sea star in his back pocket.

Laura Golden: Ocean Rescue

This was across the way from Mercato Square; I loved it.

Sherry Priest: Core Memory

A beautifully colored Sarah Fielke design.

Renee Miles: Coming Home

I love that we are still seeing quilts made during the Covid experience.

Robbi Eklow: A Bit Garish

You saw some of Vicki Ruebel’s quilting earlier, on the Star of Bethlehem. Here is one of her quilts.

Makers: Vicki Ruebel, with her mother, Judy: The 95

What a gorgeous bouquet of a quilt!

Gareth Griffin: Spring Bouquet
Her quilting was worth studying, and was so detailed.

Here’s another quilt, full of beautiful quilting, which won the Outstanding Machine Quilting (Stationary) Award.

Caryl Bryer Fallert-Gentry: Tricuspid Biomorph #1

I’m still trying to get used to digital prints being “quilts” but I’m making progress on accepting tri-layered, quilted rectangles as quilts, no matter how they started. Seeing some of the entries in the Carrefour Patchwork Show in France this past year helped me on this journey.

I noticed, also, how many “layered” quilts there were this year. I’ll be showing more later, but this one is more modern, and is not raw-edge appliqué. Stunning work.

Here’s an almanac of quilt stitches for you.

Sandy Curran: Survivor

Amy does it again, with her beautifully worked miniatures.

Amy Pabst: Pink Lemonade

I’m always curious: when she says they were foundation pieced, does this mean she did it over a fabric or non-woven that stays in, as I would hate to think of her having to take out all those teensy bits of paper. (As always with these smaller gallery images, click to enlarge.)

This was just down a bit from my New York Beauties quilt. I saw Cassandra putting up the blocks on her Instagram feed while she was making it.

Cassandra Beaver: 100 Days of Apple Cores

From apples…to eggs.

Nikki Castro: All My Eggs. Quilter: Isabell Prado

Loved the repetition here, of boys pretending to fly and the quilting.

Katie Henrich: Flight of Wonder

You can read more about Sacred Threads online. Here are a few of the quilts that were in Road this year.

Patricia Caldwell: Connections
(As always on these groups, click to enlarge.)

Living within driving distance of the Manzanar Internment Camp, we took a drive one weekend to visit, gaining an appreciation for what these citizens suffered. If you haven’t had a chance to see one of these camps, I hope you can do so in the future.

Patty Kennedy-Zafred: Tagged

Given that we quilters are so dependent on our eyesight, this quilt’s story was sobering.

Susan Price: Insight

These simple shapes evoke history.

Bonnie Bowman: Striped Stripes

Christine Vinh: A Quiet Oasis

We had a few quilts from the QuiltCon traveling exhibit here, too.

Lucy Engels: Fugue

Did you see that? HAND-appliquéd circles!

Nora Bauser: Dot Your Eyes

This was from a different exhibit, but for some reason, I only have just this quilt.

Janice Willis: Connecting With Your Roots

A very interesting exhibit, but one that had a lot of comments from visitors. I was there on Saturday, shortly after the Alex Pretti shooting in Minneapolis, and many of the pieces in this exhibit resonated with the visitors.

Kathryn Pellman: The Revolution Kind (2025)

Kathyn Pellman: My Thank You to Hillary Clinton (2017)

I was interested in the choice to use writing to illustrate some points in these free speech pieces. While Pellman could have gone abstract with shapes and colors and design, the very fact that she’s chosen to use speech dovetails with the subjects of her quilts, and also gives a nod to the idea that freedom of speech is protected in our Constitution, although sadly that weekend, we witnessed the betrayal of that freedom.

Kathryn Pellman writes out the First Amendment to the Constitution on this piece. The title is Donald Trump Made In China Owned by Putin (2025).

MartyO: Weight of Letters (2025)

MartyO: Scrubbed

Kelly Hartigan Goldstein: OLD BABY, MAD KING – July 4th (2025)

So much in this exhibit to think about, such as, is a paper “quilt” a quilt as we think about it? I don’t know, but that’s trivial compared to the issue being raised. The fact that it is cut out from a single newspaper is remarkable.

Sandra Mollon: Crossing the Mkuze River
This quilt won the Stevii Graves Memorial Director’s Choice Award.

Sandra Mollon had more than one quilt in this show, and several of her students also had quilts; I liked that all the photographs were attributed. In addition, Road hosted a special exhibit of some of her landscape quilts. They were all so beautifully rendered.

Sandra Mollon: Toroweap Overlook

I’ve always wanted to make one of these, but they look so daunting!

Sandra Mollon: Valley View Yosemite

This holds a special fascination for me, as this valley is where my husband proposed to me.

Sandra Mollon: Smoky Mountain Vista

Sandra Mollon: Boulders at Lower Yosemite Falls

Ricki Selva: Isbjørn

They had lights shining upwards underneath the quilts, so the value on this is slightly changed: the entire quilt was richly hued.

Angie Tustison: Cathedral Trees

Ricki Selva: Emerald Miles

Another amazing quilt by Ricki Selva (and great story).

Mimi Ghauri-Young: Stag’s Leap

The detail in the lower river was quite perfect.

Are your eyes crossing yet? So many beautiful quilts, and I know this has been a long post. Just a few more until next post, when I show just a few more.

Kestral Michaud: Echoes of Time and Magic

Similar techniques, but such a different flavor of quilt.

How about this for a change of pace?

Anne Kobus: Let’s Get This Party Started!

More color!

Carlton Brown: Destiny Calling 2

Robyn Phelps: Jasper

Made from Maggie Walker fabrics, which inspired her design. Gorgeous quilting, too.

Last one for this post.

Ricky Tims: The Visitation (loved the quilting in the background).

Time to end!

I’ll link over the next post when I get it written. Hope you enjoyed seeing these quilts!

(It’s been windy here for several days!)

200 Quilts · 300 and Beyond · 300 Quilts · Patterns by Elizabeth of OPQuilt · Quilts · Red, White and Blue · SAHRR 2026 · Sawtooth Stars · Shine: The Circles Quilt · Tiny Quilts

Time Flies Whether You Are Having Fun or Not

(from here)

Because I’m a traditional American, a put-out-my-flag sort of gal on the 4th of July, with maybe adding a rootbeer float and maybe a hot dog to go along with it, I’ve been thinking about how I want to celebrate the 250th of our founding of our country.

And yes, I want to make another quilt, and thought I’d throw out a couple of red, white and blue ideas for you and your 250th celebration.

It’s a long story, but this is the red, white and blue version of my EPP quilt, made during covid. The title is I Hear American Singing and references all of us, our differences and how we all sing the song that is America (minus the bad guys, of course). Most all of the block patterns are free here on this blog, so have fun downloading them. The page that has all this info is An EPP Quilt: Circles. Each pattern has a corresponding blog post that’s a tutorial, if you need it.

This hot mess was a Friends Quilt, but I like the idea of a bunch of stars. Very cool background, I must say, but this was in the days when I thought a bunch of random blocks equaled a quilt. I mean, it kind of does…in a way.

This is a better example of what a quilt of many blocks can/should be: Carol Gillen’s Sacajawea quilt; pattern by Minick and Simpson.

Carol’s pup on a red, white and blue: pattern is This is Land That I Love, by Amy Smart. If you can’t tell, Carol’s kind of my go-to for red, white and blue quilts.

My friend Susan designed a star quilt using blue and white stars, called Under Southern Skies (she’s from Australia). She has a free tutorial, if you’d like to make it.

I also like wee red, white and blue quilts. The free instructions are on this post.

Free Pattern and How-Tos

Two links on this one: Head here to get the Free Worksheet to make the quilt, and a look at the final quilt finish: Betsy’s Creation.

I have two quilts for this 250 Celebration I’m dithering between:

I saw this at Carol’s “Celebration Station,” a little display she changes out every month. It’s from Timeless Traditions, and is titled Flag Day. It finishes at 36″ square, so not-too-big. And I already have the pattern!

Another idea is just making a ton of star blocks in different sizes and arranging them.

from here

Erica Jackman just did a Quilt-A-Long on this last year, another pattern I already have.

Anja showed this on her blog, and I love the randomness of this, as well. You can read about it here. If I were to do this, I might throw in a few of my Sawtooth Blocks from my pattern, as I like the different centers:

from here

And of course, there are millions of Quilts of Valor designs out there on the web. I also plan to read a book in tandem with my historian sister Susan, someone who can guide me through understanding about just what our Founding Fathers were trying to get to. The one we’ve chosen was featured in an interview that Judy Woodruff from PBS did the other night.

There are many good books to read about our early history, and of course plays to see, parades to go to, quilts to stitch up.

But another aspect of How Time Flies has to do with the SAHRR 2026 quilt-a-long I’ve been a part of. As always, thanks to the organizers and hosts!

We’ve reached the last prompt, and it was “Quilter’s Choice.” I think Anja has experience in these, because Prompt #6 was just what I needed after a mad smash to get all the words created and stitched on to the four panels surrounding the quilt.

(bad lighting…we are both tired)

My choice right now is to rest, and get ready for the Top/Quilt reveal on March 25th. I have a couple of simple borders in mind to tie everything together. I am so happy you all encouraged me to keep going, go forward in stitching down the words. I love how they look!

The Stay At Home Round Robin 2026 schedule:
*January 14: Center Blocks, led by Gail and shared by each co-leader
*January 21: 1st Round:   Brenda @ Songbird Designs
*January 28: 2nd Round: Kathleen @ Kathleen McMusing
*February 4: 3rd Round: Emily @ The Darling Dogwood
*February 11: 4th Round:   Wendy @ Pieceful Thoughts of My Quilting Life
*February 18: 5th Round:  Gail @ Quilting Gail
*February 25: 6th Round:  Anja @ Anja Quilts
[An asterisk* means that prompt has been posted.]

This has been a sprint, but to think that just six weeks has passed since we started and there are so many lovely quilts to be seen. I’ll include the final Linky party when my quilt is complete, but for a taste, here’s a couple I loved:

Left is Emily, from The Darling Dogwood, and on the right is Wendy from Pieceful Thoughts. Many more, later.

Until then, maybe give a wee thought about how you will celebrate the 250th celebration of our country? Part of it I will endeavor to work to ignore the noise and chaos generated artificially by pronouncements or tweets or truths or influencers. I will think about what I love about being an American, and how living here has shaped me, changed me, helped me. I will think about ways I can help others to see the beauty and joy (and work to change the things that are ugly or that make me angry).

This belongs to the quilt at the top of the post. Pretty funny to see what I wrote, since it was during our current president’s first term. I guess turmoil and chaos goes with his presidency!

300 and Beyond · Patterns by Elizabeth of OPQuilt · Quilt Finish · Quilt Shows · Quilts · SAHRR 2026

Two Quilt Finishes, SAHRR, and The Abyss

Flowers for Madilyn was delivered to my granddaughter Madilyn this week, so now it can show up on the blog for reals. I love sunset photos, with that golden sunlight. When I get a photo of her with her quilt, I’ll put it up. She’s a charming young woman, nearly graduated from high school, with a life full of adventure ahead of her.

I stitched in some hearts here and there. Hope she finds them!

Thanks to my husband, Dave, for being a Quilt Holder, par excellance! This is quilt #313. If I’d written a normal label, it would have looked like this, but instead I went with a smaller one, sewn near the top.

Stars for Baby • Quilt Two

I mailed this one off in early January, but not like this.

Stars for Baby (quilt #314) went to my friends Camryn and Landon, who are expecting their first child in a couple of months. Camryn and I had planned to get together so I could teach her quilting, but then he got a new job, and it RAINED A TON on the day she was supposed to come, and then Christmas and New Year’s, so we’ll get together after her wee boy comes and we’ll work on the teaching part then.

Because I was thinking of a beginner quilt, I designed this pattern so a newbie could navigate it. In this pattern, they’ll learn these blocks:

  • a simple border with cornerstones
  • pinwheel block
  • nine-patch block
  • stitch-and-flip block
  • basic flying geese block
  • Sawtooth Star block

I also (as is typical) include another option. Since I was writing this during the holidays, it’s a red/green version:

This is where the Stitch-and-Flip corners come in (we used to call them “snowball corners”). I’ve simplified the centers of the larger Sawtooth Star block for this version.

I like to put this size out as a table topper during the year.

It’s a good pattern for teaching, and it makes up quickly if you are an experienced quilter. You can find the pattern already uploaded in my pattern shop on PayHip, and it’s a Pattern Lite.

Those of you who have been around for a bit, know that my Pattern Lite patterns sell for cheaper price than regular patterns. So grab yourself a bargain and make some small quilts, or teach a friend!

I’ve been at Road to California this week, where I saw my two quilts hanging up with a lot of other beautiful quilts. I visited some vendors, and a full write-up is coming.

SAHRR • Round One

Last week, in my Emergency Blog Post, I introduced the SAHRR: Stay at Home Round Robin, and thought I had a month to get the next bit together. Oh, no! This group is really cooking along, so the first prompt (hourglass) already dropped and the next one is a week after that. So you’ll see this SAHRR morph quickly.

I dug though my Orphan Block box and found a handful of hourglass blocks, so that determined the direction I was going to go. And the colors. But I usually like to put a coping strip in between my medallion borders to help stabilize and strengthen the quilt, so I sketched out two more possibilities:

The top one is the hourglass borders sewn right up against the center block. The one just above on the left has a wider coping strip, and the one on the right has two (1″ and 1/2″), in different colors. I studied them for a long time. I liked the top one, with the hourglass right next to the center, as they interacted with each other. The wider coping strip — necessary because the blocks were 3″ finished — looked as if the center was floating, a bit adrift. So I went with the two colors (and my partner-in-crime, my husband, agreed).

Wild, says the husband. Yep, and it will get wilder, says the wife (me). I’m trying to use up the blocks in the orphan box, so here’s the tally so far:

Four blocks: the center
Six blocks: hourglass border, and then I made some more to fill out the border, and now I have five leftover. I’m not making too much progress here.

The schedule:
*January 14: Center Blocks, led by Gail and shared by each co-leader
*January 21: 1st Round:   Brenda @ Songbird Designs
January 28: 2nd Round: Kathleen @ Kathleen McMusing
February 4: 3rd Round: Emily @ The Darling Dogwood
February 11: 4th Round:   Wendy @ Pieceful Thoughts of My Quilting Life
February 18: 5th Round:  Gail @ Quilting Gail
February 25: 6th Round:  Anja @ Anja Quilts
[An asterisk *means I finished that section.]

I first wrote this post on Friday, and ended at this point with a cheery and chirpy little bit about what I was looking forward to next week. And then I went to Road to California.

And while I was there on Saturday, taking photos of beautiful quilts and hoping to capture some of them to show you, I accidentally flipped to Instagram and the news of Alex Pretti’s murder at the hands of ICE agents in Minnesota. I went out to the hallway to collect my thoughts (not doomscroll) and remembered the exquisite Cherrywood exhibit I’d seen that morning, an exhibit titled The Abyss.

One image stuck out. That of a young bearded man, sitting slumped over in a sea of deep dark, a small pink butterfly reaching out, perhaps to bring him some light, some hope. I post this now in honor of Mr. Pretti, a bearded nurse who was trying to help a bystander when he was ruthlessly killed. Be skeptical of the narratives you are hearing. Search out the truth yourself; watch the videos if you are able.

I leave you now with three images from the quilt exhibit The Abyss.

Reaching Out, by Becky Grover
I Think It Sees Us, by Shannon Muench
Charybdis, by Jennifer Ward

I will be figuring out to speak out about the recent deaths in Minnesota, seeking comfort in my home and quilting, and working, phoning, writing in order to extract our beloved nation from the horrific abyss where it currently finds itself.

Stay safe, everyone, and help your neighbors — ALL of them.

Low Hanging Fruit, by Katherine McCormick.
She writes: “This piece is commenting on the ICE raids. Low hanging fruit is the first picked. First they came for…”