Gridsters · Quilt Shows · This-and-That

I can hardly waits • This and That August 2021

I open the page in my calendar for the new month and write in family birthdays and decorate the squares with a looping border, even though all the people I celebrate live far away from me and I won’t be getting together with them, singing songs and having slices of cake. Next, I write in the mundane: car service, dr. appointments, reminders for a hair cut (which lately has been a fraught experience). And then I notice: Where are my I can hardly waits?

This idea came from Annie Mumolo, in an interview in the LATimes

“My dad calls them the “I can hardly waits.” He says there came a point when he turned 40 and he felt like all of his “I can hardly waits” were over, and then what do you do? I can hardly wait to get married, I can hardly wait to have kids, whatever your hardly wait is.” 

The interview is worth the read, if only for Wiig’s and Mumulo’s description of middle-aged women who are kind of “invisible,” but I was most struck with this idea of the I can hardly waits, and by naming them, I realized mine had all but evaporated over the last two years. Yearly, my husband and I had penciled in travel dates on the calendar. We’d circled squares for visits to family, notable achievement celebrations and so on. We sorta-kinda had one coming this fall for a conference in Ann Arbor, but that’s turned into a virtual conference with the rise of the Delta variant.

Which leads me to registering for QuiltCon. (You knew I’d get here eventually.) It’s an annual ritual of controlled mayhem. The management at QuiltCon is always looking for a way to reduce the bloodshed, wailing and gnashing of teeth that happens at the moment the registration site opens. They’d changed this year to the people who manage ComicCon registration, but apparently the new people (Configio) didn’t read the specs, didn’t allot sufficient bandwith/server space/whatever and so the whole thing was The Worse One Yet. I imagine Configio treated “all those nice little quilters” much like the women in the movie Barb & Star, who are “kind of invisible,” “aren’t on TikTok” and are an “unrepresented portion of the population” (from here).

I got on at 7:00 a.m., which was our time here on the West Coast. It’s always good to have a registation buddy to rant text with, so Simone was in Northern California doing the same thing. She got through to the registration portion before me, at about 7:15ish. I tried every which way, but saw these too often:

Finally, by 7:44, I had two of my classes. I went back in three more times over Wednesday, and by the afternoon, I had all my lectures and classes. Here is my schedule, if you are interested:

Yes, I know I clipped short the foundation piecing class on Saturday to go and hear Tighe, but I figure (since I’m in the age group of Barb & Star) I’ll be sort of <all done> by the time 3 p.m. rolls around. If not, I’ll be late to the lecture, or miss it. Here is a class that made me laugh:

I actually have one of these going, stashed away in my sewing room, along with a vintage family apron for inspiration.

Many athletes had a lot of I can hardly waits with the Olympics this past two weeks. The Washington Post put up an array of photos that were fascinating. Here are a few:

This month’s blocks for our Gridster Bee are a combination of three flying geese (cut the colorful part 2.5″ x 4.5″ then snowball on two low-volume corner blocks 2.5″ square). Strips on the side were added (cut 1.5″ x 6.5″). Although Linda only asked for four blocks, once I got started in my scrap drawer I couldn’t stop.

And in ankle news, at almost 6 weeks I’m getting there, walking on it a little bit, going to get a pedicure, although I was really careful to let my pedicurist know not to touch the sore spot. We had moderate success in that goal, and I cut it short to go home. I also got a hair cut yesterday, trying to salvage the over-processed mess from the last stylist. This new person is my third to try after my regular guy moved to Florida. And yes, I know. it’s pretty pathetic if your I can hardly waits consists of a visit to a hair salon.

not mine! It’s Posh Penelope from Sew Kind of Wonderful

I looked at Road to California classes (coming in January) and thought Sew Kind of Wonderful’s Posh Penelope was lovely, but do I really want to add another project to the pile waiting to become quilts? Not really.

I have a lot of the not reallys going on lately, and not too many of the I can hardly waits. However: I have a pattern I just finished writing last night for a workshop I’m teaching in September to the Santa Clarita Quilt Guild, my very last Guild presentation and workshop. I’ll be teaching Blossom and if you are interested in seeing if they have any openings, let me know. I’ve taught for them before and they are a super guild with lots of lovely quilters. That and QuiltCon are the I can hardly waits right now for me.

Happy Quilting!

Gridsters · Something to Think About · This-and-That

This and That • May 2021

This has been a busy week, with zooming and teaching at the Orange Grove Quilters Guild, but I’ve managed a few things around the edges.

This was April’s Gridster block, requested by Nancy. She sent out the blue fabric, and we chose the other, with her guidance.

This was May’s Gridsterbee block, chosen from my Sawtoothmania pattern by Allison. She also sent out fabric, but we provided the center color patches.

She had us do a wonky Christmas Tree. Allison asked for the one from another quilter, but I also have a free tutorial sheet on making little Christmas trees, too. Such a clever idea!

My husband brings me flowers every day…well, photos of flowers. This one measures about 1 inch across in real life.

I finished Vesper Flights, and went on to this one: The Midnight Library. I listen to them at the same time my mother does, but this is one I wish I had in print, so I could underline things that caught my heart and imagination. Now I’m deep into Obama’s A Promised Land. It’s moved much faster now he’s been elected, and hearing about the 2008 economic meltdown, as well as the hog-trading of politics has been interesting. I am SURE I never want to be a politician. I’m sticking with quilting.

This is a close-up of one of the panels I used on my Wealth of Days quilt backing. I was stoked that it had our city on it. I tell most people, “we are between Palm Springs and LA,” but here we are!

Fabric receipts? Now the fabric just shows up in my mailbox, like magic, or something.

Occasionally, when writing this blog, or trying to color in a design, I can’t quite make the program give me the color I want (like this background). That’s when I turn to this no-frills site which shows a ton of colors with all their hexadecimal codes. I always start with the Blues page, which is what I’ve linked you to. I just copy the #code, pop it into my software or blogware, and I’m good to go.

I love following people who know what they are doing. I love reading their blog posts, their Instagram posts, and while I’m not a total fangirl of them all, I have several favorites (there are too many to list here; see my list at the bottom of my blog). I appreciate their sharing what they’ve discovered and learned. However, recently a famous maker of absolutely necessary quilting supplies popped the above Instagram ad up on my feed. (I’ve blocked out all the identifying marks to protect the marketing department.) She may be qualified, but is she an expert?

Shouldn’t she be referred to instead, more appropriately, as an Influencer?? I like Aurifil’s word for their influencers: “Ambassadors,” which my macaron-making daughter let me know, is also used in her industry. Rather than the previous ad campaigns of simple extolling of excellence of product, we now use people for that. (In my English classes of yore, this was a type of logical fallacy, using celebrities to sell products; however, we’ve morphed from random celebrities to using established personalities in the field to sell products.) Carolyn, a sewist/sewer who I’ve read for years, knows her stuff and has an excellent post on the rise of Influencers. I love this part of the post:

My criteria is based upon:
– Can they actually sew?
– Are they learning to better their craft?
– Do their garments fit well or are they just photographed well?
– Do they have any actual fabric knowledge or are they just taking stuff because it’s free?
– Do they understand why notions are important and why they’re needed to perform a task?
– Is all of their knowledge YouTube/Internet based or have they actually read a sewing book?  Not all YouTube videos show you the correct techniques.
– Is this just a way to make them Social Media Famous?

A reminder for us creatives from Grant Snider

And lest you think I just sit around, I am working on a scrappy blues quilt, but it’s pretty shy right now and I just can’t coax it out from underneath the bed. I’ve even tried leaving spools of thread and colorful scraps to lure it into the daylight. Maybe later I can get a photo of it.

This is a quilt for a college-girl’s bed. My granddaughter shyly asked me last time I was at her house, “Grandma, will you make me a quilt for college?”

Me, inside:

Me, outside:
“Absolutely!”

We traded designs and pictures back and forth, but I quickly discovered that she is a minimalist, and likes gray. She knows I hate am not a fan of gray (generally), but she told her mother she thought I would come around after working on her quilt.

The red line in the drawing above is to approximate her queen-sized bed. I ordered yards of Painters Palette solids from Pineapple Threads, and they arrived last week. Between the shy scrappy blue quilt hiding out of sight, and this one, I’ll be keeping busy.

I can’t believe I signed up for this, but I swear it was because they come in cute little boxes. I do have some undressed pillow forms around her that need some clothes, and these seemed to call out to me (although if you know me, it won’t surprise you that I’ll be changing up some of the designs…looking at you Miss Christmas). But I’m excited to get a little fun package every month in the mail. (Guess this means I’m in covid-recovery–that I’m actually planning into the future.)

Lastly, I listened to/watched this show about the writer Amy Tan, called “Unintended Memoir.” It gave me so much to think about as I worked on the shy scrappy quilt, and now I want to go back and read her books again from her first, Joy Luck Club. She speaks movingly about her mother, and Tan chronicles their relationship as well as the writing of her novels. It lasts about 90 minutes; I recommend it.

Happy Quilting!

Gridsters · This-and-That

Rounding the Corner into Spring: This and That for March 2021

I’m leading with this photo, the green leaves just beginning to bud out on the airy branches at the park where I walk most days. It’s three laps, 2.2 miles, almost 4 km, then a stretch of the legs and I drive back home.

Sometimes I walk around the neighborhood, like my husband, who loves to photograph flowers (above). But this Spring, so many are tired:

So I am happy to bring you this one, that I found on an walk.

I also saw this sticker on the ground. I didn’t get a sticker. Did you get a sticker?

To thoroughly give you seasonal whiplash, this month Marsha had us rummaging around our Christmas stash to make her block. She found the free pattern online from a fabric manufacturer, but I morphed it into a handout for a single block. You can download a free PDF of the directions ifi you want to make a wreath block:

She determined the overall tonality of the fabrics we would use, as she sent us the fabric for the banner across the wreath, the ribbon and the background. Then we could choose what we wanted to for the rest, staying within traditional colors.

I became confused when figuring out what to cut, as there are a lot of moving parts, so I wangled up this schematic to help me keep track.

It really didn’t take that long. I read about one of the quilters in the BeeSewcial group this month who spent twelve hours on her block for their group (it’s stunning–I always love her blocks). In our GridsterBee, we kindly request to keep it under a few hours. I’ve done a block once that took me 12 hours in a bee, and I swore never again.

Three more SHINE blocks have come back home. They are free EPP downloads, if you are interested. Start HERE.

My friend Cindy, of LiveAColorfulLife who found this photo, says “You have arrived. You have been ripped off.” Oh, boy. Here’s the original quilt:

I laughed because it looks like they used this EXACT PICTURE on their website. Not only are they thieving the quilt design, they are thieving the picture, too.

UPDATE: The website actually has two of my quilts. Go and see if any of yours are there, and then write them a letter telling them off, or something. So what do you think? I imagine that they just print the picture on a square of polyester, then quilt it. Interestingly in this second one, they rotated the photo and didn’t make it very large, so it’s a bit hard to see. The original is here.

Almost done clearing out the This and That box. Two things left — hang on for the finish.

I’ve been asked to keep making the graphics for the Inland Empire Modern Quilt Guild. The top one is the general info graphic about how to follow us and get the news. The lower one is the announcement for our Guild Challenge: Sounds and Voices. My entry is all done and submitted, so I’m looking forward to our meeting on Saturday to see the other entries. Here’s a teaser:

I had gifted one of my other small quilts that had the pop cans on the back, so when I put this one together, I used some more of the pop can fabric. It’s a favorite. I’ll show that in the next post.

Okay, I promise that this is the last thing. The fine people over at Electric Quilt have been revamping and changing and making a whalloping good piece of software to go along with the Encyclopedia of Pieced Quilt Patterns by Barbara Brackman. I was able to be a beta tester, and will be doing a giveway of the software (both Mac and PC) the week of April 18th, as well as a couple of my observations (and a handout for a pattern) about the software (I love it) and how it can be used. Just wanted to give you a heads up.

And that’s it! Thanks for staying for the This and That Show, and thank you all very much for your comments on my last post. I loved reading about what you think about Craft (both noun and verb), and the assurances that you will keep riding your craft horse into the sunset.

Looking forward to this tomorrow!
And yes, I need to get this quilted.
Also: notice the watermark, bolder than I usually plant on my photos, thanks to the theives, above.
Gridsters · Quilt Finish · This-and-That

This and That • February 2021

Little three-year-old Gio came to live with my son Chad and his wife Kristen last year, and when this February rolled around, I decided that he had become, in effect, my grandson, and in my world grandchildren get quilts. I rustled up a stack of Hungry Animal Alphabet fabric by J. Wecker Frisch, figuring that my daughter-in-law was probably working with this little guy on his alphabet.

Kristen and Chad had first taken Gio’s mother under their wing some years ago (a complicated story), but soon Gio’s mom decided to go out on her own; it was heartbreaking. Fast forward two years, and Chad and Kristen got a call to come and get this cute energetic little boy. Without a moment’s hesitation, they did, and now he is in a secure home with a family that loves him.

This past Thursday, I had hit the Pandemic Wall, (and here, too) so we grabbed the quilt and jumped in the car and headed to the beach to take some photographs. Let’s go places, indeed.

Of course, this is my favorite block. That’s totally me, there, eating raspberries with racoons and a quail on my shoulder and a quilt on the table.

The back is an alphabet toss of black letters on white. I quilted it in a meandering stipple, bound it in red (Gio’s favorite color), and signed the back and sent it off that afternoon. Gio’s Quilt is quilt #244. It measures 45″ wide by 55″ high and I hope it makes Gio smile.

from Surfside Quilters Guild website, February 2021

This past week I was also able to present and teach at Surfside Quilters Guild, out of San Clemente area (California).

I recently got a new laptop and am now able to use virtual backgrounds when on Zoom. I used to have to set up a quilt stand and clamp on a quilt as my backdrop, and one afternoon when I was auditioning backgrounds, Dave magically appeared. I ended up using the lower image with Plitvice and the backdrop of California poppies. I still think my hair looks like –and moves like — a bowl of Jello when a virtual background is used, but it’s easier than setting up quilt stands.

Surfside Quilters Guild is a collection with many powerful, talented and well-known quilters. I fall in love with every guild where I go and teach, but it was fun to circle back around to this one, and have Nancy Ota in my class (I took one from her when I first moved to Southern California). Nancy mentioned that she’d just heard news of the death of Roberta Horton, a silver star of a quilter. (I wrote about Roberta Horton here.) In 2019, when I’d gone to PIQF, I saw Roberta and she graciously agreed to a photograph together. The news of her death blew me away, much as the news of Gwen Marston’s had done a couple of years earlier.

Horton’s books: I have all but the Stained Glass Quilting Technique.

Roberta Horton is one of a collection of BIG quilters, meaning Before Instagram. Before Facebook and before social media. You learned about these quilters — Roberta, her sister Mary Mashuta, Gwen Marston, Nancy Ota, Ruth McDowell, among others — by reading magazines, seeing which quilt shows where they would be teaching, and then trying to get there. The edges of our quilting universe seemed a lot farther away then and I was a roaming fangirl. I learned a lot from the women in that cohort, who, regretfully seem invisible to this new crop of younger quilters, quilters who somehow believe they sprang fully formed out of the social media earth without any quilting mothers. I have always believed that we quilters are richer for our heritage, and hope we won’t forget these giants.

Because Surfside began in 2009, and because their website is a strong compilation of their history as a guild, I had fun exploring their Blocks of the Month. I chose their Freddy Moran Garden Lady block (2012-2013) for my block this year for the Gridster Bee, and hope to make many of the accompanying sewing-related BOM blocks for a quilt in 2022. [Freddy Moran is another heritage quilter, seen here and here.]

This block, however, is not from Surfside, but is the block one of my beemates chose for her turn as Queen Bee, and is a free pattern from Heidi Staples of Fabric Mutt. I am doing all my blocks for the above quilt with red backgrounds, so tried it out in the block you see above.

These are what I made for Susan. The scissors are there for scale (blocks finish at 3 1/2″).

And last but not least, here are some textures drawn by Mother Nature and her helping flock of seagulls, seashells and edges of waves. If you need more beach, I put a Beach Highlight on my Instagram; make sure the sound is on for full effect. I plan to keep my finger on that play button often in the next few weeks, trying to get through pandemic life, and as I get my second dose of vaccine this morning.

It’s nice to feel a bit of hope again around the edges of life. I wish this for you, as well.

Happy Valentine’s Day Quilting!

Gridsters · Patterns by Elizabeth of OPQuilt · Red, White and Blue · Shine: The Circles Quilt

Happy New Year with Shine Block 21

Something short and sweet for you today: how to make block 21. I’m posting these last few blocks of Red, White and Blue SHINE in quick succession, so others can these posts for references.

The going is quicker, so I swiftly moved from the above, to the layout below.

This is an easy block to start with, if you are just a beginning EPP-er. This block can be found in Pattern 121, the final nine new circles, and is available in my PayHip shop. The quick trick is explained in the General Instructions, as well as in other Shine Block instructions (on this website).

Follow the steps on the pattern. You can see I made the inner circle first, then added on the red/white star points. Then next is making the outer wedge-point-wedge units. Sew them in between the star points. Applique a small circle on the center. Appliqué the circle to the background square, deciding if you want the red/white star points UP, or the blue smaller points UP. You can tell from the first photo which one I chose.

We’ve just had Christmas, come through the bulk of 2020, and I thought a short and sweet post would be best. It’s touch and go as to whether I get the top finished by the Inauguration in January, but a girl can dream, can’t she?

In other news, I finished the feather for Jen in our Gridster Bee for December. She wanted organic-looking batiks for the feather part, and solid black for the feather’s shaft. You can see a whole bunch of the feathers here. The pattern was a free download from ZenChic designer Brigitte Heitland.

I have turned off comments for this and the next two posts, as I am finishing up the SHINE block construction information; hope you won’t mind. If you want to get ahold of me, my email can be found on the About Me tab, above.

Gridsters · This-and-That

Sweet November 2020 • This and That

Okay, I love giveaways but I hate choosing the winner. So many of you had the best Christmas wishes, from fabrics to new sewing rooms, to visiting your left kidney (thank you Allison in Alabama), to the all-time favorite: visiting with family and friends with Covid no where to be seen. But I decided to play it straight, enlisting Google’s random number generator:

I don’t want to argue with you whether or not I should have put a one there. I always feel sorry for whoever is #1, because Random Number Generators never choose them (and I’m always that person, just so you know).

I won’t bore you with how I figured out who should win between the IG and the blog commenters (some of you figured out you could do it in both places–good for you), but there is a paper with calculations for proof: the winner is Susan, of Patchwork N Play in Australia. Congratulations!

Thank you to all who wrote and who made my day with your comments. I would have to say my Christmas wish would be seeing family again, so many of you really touched my heart. My husband wanted me to choose Allison of Alabama, but because it was too hard to choose, I had to do the number generator.

Please don’t hesitate to get yourself the book on pre-sale, if you really want one. You will use it a ton. I remember being somewhere when Barbara Brackman was speaking, some years after the publication of the book I have. She said she’d give up an awful lot to have a case of those early books in her closet, but they went out of print really quickly and if you wanted one, you could get it on Amazon:

Only 80 bucks for a used one, and over $200 for a new one.

In other news, I finished my bee block for Lisa, and sent that off. And before I turned my sewing room upside down and dumped it into boxes, I also made November’s block for Allison:

I love the first one of November’s with the use of ombré fabrics, which — as you know — has been on my mind lately. I usually link you over to our #gridsterbee home on Instagram at this point, but apparently they’ve removed all “recent” tags from Instagram because of the election in two days. I don’t understand how the bots thought that quilt blocks from one to four years ago were “recent” but I do hope they come back. We have lots of good blocks we’ve made! Chalk it up to another 2020 weirdness.

I started the Pumpkin-a-Day Challenge with Carol G, and so far have been able to make one per day. Sometimes I was finishing it late at night while I watched Judy Woodruff on the PBS Newshour, a comforting end to our anxious news days. Carol has done machine appliqué but on that first one I was too tired to figure it out, so have been doing hand stitching.

I’m using the older Voysey line from Moda fabrics, a line that uses designs from the Victoria and Albert Museum’s collections. You can still find some of on ETSY, if you are looking.

I’d been saving it to use for this project, and when Carol saw my photo of the packed bathroom (we put a lot of sewing room stuff in there), she circled my pattern in red so I could find it again. It’s by Laundry Basket Quilts, if you want to jump in.

This Apple Galette was our Halloween treat.

Since I’m finally unpacked and most of the house is put away after our home renovation project, I am feeling like myself again. We still need to find shelves to put in that closet, or build some, but for now, they’ll rest there, and not in our bathtub.

Thank you again for all your entries. I want to have you all to lunch when we get back to normal. Please say you’ll come!

Happy Quilting!