Carrefour V: Tania Tanti, Fiona Lindsay, Janet Bear, He Ok Chang, & Quilts from Kazakhstan

February 9, 2026February 10, 2026 Elizabeth E.

This post about the Carrefour European Patchwork show 2025 covers:

• Venue 10: Chapell St. Blaise, with Tania Tanti
• Venue 11: Église St. Nicolas, with a quick look at embroideries sponsored by Guldusi
• Venue 12: Salle Des Fêtes, with Fiona Lindsay, Jenny Bear, Hae Ok Chang, Patchwork Association of Kazakhstan

I have a main Carrefour Quilt Show page that lists all the posts of all the meetings I’ve gone to, and includes the posts from this year too. If I haven’t mentioned it before, you might enjoy these posts more if seen on a desktop computer or even a tablet. Cell phones re-format the layout and can sometimes do strange things to how it looks on the screen.

If you are interested in going to Carrefour, I wrote two posts for them about our travel, and how we put the trip together. You can find them here and here. Their main website is HERE, where you can subscribe to their newsletter (scroll to the bottom).

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Now that the orientation is complete, the story is that last year my husband and I had a chance to go to the Carrefour European Patchwork Show in the Silver Valley, near Colmar France. That’s called the Val d’Argent, in France in the Alsace region, and yes, there is great food and beautiful countryside. One of the things we like about this show is that is spread out over four small towns in the valley, and they use churches and community centers and municipal buildings, so you really get a feel for being in that area.

Venue 10: Chapell St. Blaise

Venue 10 is a small little chapel, the Chapelle St. Blaise, basically a one-room church. I stood there for a long time but that man wouldn’t move from the doorway…so I erased him. (!) Let’s see if this video will embed:

Click on image to start the movie. The voice you hear is the artist, Tania Tanti, talking to some quilters about her technique. Now to see some of her quilts. Many are not pieced, but instead are painted with textile paints then quilted and embellished.

The is quilt that starts the movie, above.

Click on any photo to enlarge. I took detail shots so you could see the amazing amount of work in each of her pieces.

Please click if you want it larger.

Red, Rock, River by Tania Tanti. She writes: “I dream of flying over the red centre after a torrential rain. An aerial view of where the water wiggles its way around the earth. It feeds the ground and creates growth from the earth.” In her technique section she writes: “Procion dyes, painted, pieced, binding, trapunto, hand-stitched, sit-down free motion quilting.”

She writes: “At then beginning of this year I faced my second battle with breast cancer. As soon as I could I got back into my studio and focused on small achievements each day. This is my Recovery.” And that is the title: Recovery. Technique: Painted, free-motion quilting, hand-quilting.

Tania Tanti is on Instagram, if you’d like to keep up with her.

I looked behind the wall to see this spare room in this church.

Look carefully: a spider! (not our car)

Onward, through the valley.

Venue 11: Église St. Nicolas

Hopefully you can hear the bells. Right after this, we went for a take-out lunch from the local market. The choices were rather cleaned out, but we found something. There were a lot of quilters there — so happy to see this!

I admire and enjoy the art of these churches. The exhibit here was titled Guldisi, which is a hand embroidery program launched in 2004 (quoting from the catalogue), which “now enables 200 women in Afghanistan to support their families….Each piece will include at least one silk embroidery in the shape of a triangle, created by the Afghan Woman.

Ingrid Meier, from Germany. Title: *Aller guten dinge sind drei*, or *All Good Things Come in Threes.*

There were also many embroideries, which I found fascinating, and which included some blackwork/redwork.

These two signs were somewhere on the wall; click to read.

Venue 12: Salle Des Fêtes

We drive to the Salle des Fétes, or the Party Room…and they are having quite the party!

A gathering.

A glimpse of a quilt.

And we meet Jenny Bear! She is a renowned quilter from Australia, known for her scrappy quilts, but exquisitely put together. The catalogue called her “Happily Scrappy” and said that “Jenny’s quilts are a celebration of social history, fabric, color, frugality, and the art of making do. She loves using her stash of antique, vintage and reproduction fabrics as well as rescuing old, unquiltable or broken tops, fragments, orphan blocks and tiny scraps to make something beautiful from them. Her favorite quilts are simple, utilitarian and achievable by anyone who loves to sew.”

She “has been making quilts for more than 40 years….and after her exhibition here, she hopes that her quilt making will return to hobby level and that there may again be time for housework and gardening” (from catalogue).

Everyone was busy, but I loved that quilt on the table.

And on another table, it looked like she was creating something new:

Such a rich tapestry of fabrics and piecing…it just glows.

This was a favorite, but I do love stars.

Simple, yet so powerful in its design.

My orphan quilts never look like this.
This is Sweet Georgia Brown, from 2023. She writes: “Using antique fabrics dating from around 1840 to 1910, this hotchpotch of oddment blocks was inspired by an early twentieth century piece featured in “Unconventional and Unexpected” by Roderick Kiracofe, a book that has inspired many a quilt of mine. Many of the blocks were gifts from friends or purchased from Jane Lury and David Hubert. It is indeed happily scrappy.”

A giant block-swap brought Under the Greenwood Trees to life.

Last one of Jenny’s is Scrappier Bennington Baskets. It is made by Jenny Bear, and quilted by Karen Terrens. The title card says: “This is a scrappier version of Linda Collins’ “Bennington Baskets” featured in her book with Quiltmania “Treasures from the Barn.” The basket block is traditional but the setting is quite quirky, especially with the row of oddment blocks at the top in the original, but at the bottom in my version.” Mixing blocks is a great idea, one to try for sure.

She’s on Instagram if you want to see more.

Right next to Jenny’s was the Kazakhstan quilts, a collection brought to Carrefour by the Kazakhstan Patchwork Association. This was founded in 2013, and has over 180 members “dedicated to promoting and developing ethnic-style patchwork (Kurak) and art quilts. The organize workshops, competitions, and the annual Orient Bazaar Festival.” The catalogue goes on to say that “this exhibition merges historical tradition with modern outlook in Kazakh quilting. At its heart is Tuskiiz-traditional wall coverings reflecting Kazakh nomadic culture.”

How many of us have made house-block quilts? Here’s one, using their traditional home, a yurt. A house quilt, but from a different land.

A quilt we are familiar with, but the motifs are all germane to their culture and country.

Click to enlarge.

Natalya Mametniquazova Tamara Stroscherer (at least I think that’s her name, or their names?) made a series of four garments, titled “Four Seasons Chapan Series” with Spring, Summer, Fall and Winter.

A couple more from this country:

There were several artists in this Party Room. We have two more to go, if you are still with me!

Hae Ok Chang, South Korea

Hae Ok Chang, from South Korea, blends Korean and Western influences in a style that ranges from contemporary to traditional. One of her more well-known quilts has snowflakes on a traditional pieced quilt:

Here is another Snowflakes quilt, Snowflakes_04.

She writes: “Hesitating to start a large piece as my strength waned with age, I began a joint work with my daughter. She created the background, I made the snowflakes. Inspired by the night sky over St. John’s Catholic Church, it evokes angel wings and a chorus of family and friends” (from title card).

It is heavily quilted by machine, with hand-embroidered snowflakes.

She also makes more traditional quilts, such as this one, inspired by pear blossoms.

This was inspired by a trip to the Paducah Quilt Show.

Titled Husband, Chang says she “wanted to weave my retired husband’s neckties into a story. Moments of joy and pride as he walked our daughter down the aisle, welcomed a daughter-in-law, celebrated with friends, and shared hardships. Days of work, success, and failure. I keep his devotion, love, hope, and sorrow close to me. Made in 2007.

This quilt was made in 2012, after her husband passed away. Title: Time and Seasons.

She writes: “After my husband passed away in 2012, I couldn’t bring myself to do anything for a while. I had started this quilt earlier, but left it unfinished. Eventually, I returned to it, intensely embroidering each octagonal block with meadows, flowers, birds, animals, wind, and trees. As I followed the seasons, life slowly returned, and I felt grateful to still have work to do.”
Technique: Machine pieced, hand appliquéd, embroidered and quilted.

Title: Wildflowers 01, by Hae Ok Chang
Title Card: “We three sisters spent hours together knitting, sewing, and making clothes. My eldest sister did everything well, the second was precise and skilled, and I, the youngest, just tried my best. As I embroidered this work, I often thought of them and our time together.”

I have three older sisters, so this one was especially meaningful to me, although we don’t sew together.

Title: Serene Glory

Unfortunately, I didn’t get a good photo of the title card. You can find her on Instagram, too.

Fiona Lindsay, from Australia

Fiona Lindsay is our last quilt artist for this post, but not the least! as they say. Also showing in Venue 12, her quilts were a veritable flower garden, a theme of hers, chosen carefully, as she loves sewing and she loves gardening.

She was so fun to talk to, and agreed to let me record her talking about her ideas about color and stitching and practice and quilting. It runs about a minute.

Now, for her garden of flowers!

As a reminder, all the quilts are very well lit up, but the shadows can be very strong. I tried to crop them out/edit them out as best as I could.

Those teensy seeds on the blossom, and the wonderful shape and proportions of this quilt: loved it!

(Click to enlarge.)

Those border vines have an energy all their own.

By now you can see that she can put together fabric combinations and colors with such skill, that she makes it look easy. I love the balance of the stems and the shapes of the flowers, too.

One reason why I do these posts from Carrefour is not only to introduce you to new quilting artists, and to let you glimpse the passions from around the world (which Carrefour is so good at bringing together), but also as sort of a reference book for our own designs. Who would have thought to put a Baltimore-style urn of flowers together (above) with a wild vine running free from tiny pots in the corners? Yet it all works with that pieced border and the wild orange Kaffe fabric sashing. Here’s a closer look:

It was great to see a close-up of her work:

Okay back to the quilts.

And now for the favorite from the last post withf Janet O’Dell’s quilts: the antique quilt, but given a Fiona twist:

In pink! With color!

And now I know the maker of that antique quilt: Ann Marker, from nearly 200 years ago. This truly is free and fabulous appliqué — the joy in these shapes just radiates.

Thank you, Fiona, for all your beautiful flower quilts. You can find her on Instagram.
And thank you to all the other quilters and artists.

I know this was a really really long post, but again I hope you’ll treat it like a reference, as well as a delight. I think I have at least one or two more post in me before finishing; it will come soon. Very soon. (Teaser: next up is Racheldaisy, from Australia.)

300 and Beyond · BlockBase+ · eQuilt Universe · Free Download · Quilts · SAHRR 2026 · This-and-That · Tools of the Trade

This and That • February 2026

February 5, 2026February 9, 2026 Elizabeth E.13 Comments

Update on the SAHRR for 2026: The theme for Round Three was “Animal Kingdom,” so I spent a long time scrolling through my BlockBase+ software (really, it’s Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns in digital form–you should have this). I looked at all the names with something from the animal kingdom and found the one in the upper right corner: Bird’s Eye View.

After all that I sewed for last week’s double-double Round Two, I opted for SAHRR Lite. The yellow border is a sketch — to see if I like it. (I do, but I’m waiting to see what the Round Four prompt is.)

Here’s a free handout to make a 5 1/2″ finished Bird’s Eye View block, if you don’t have BlockBase+.

Handout Round 3 block Download

(I don’t have an illustration for you, but if you click on the title: Handout Round 3 block, it should pop up so you can see it. Then click the Download button to download it for free.)

I rough-cut the rays, then seamed them together. Placing the center line on the seamline, I pinned the pattern down and cut around it. I did use a giant plastic circle to help coax that outer seam allowance into place, pressing the seam allowances over it. I hand-appliquéd the circle. And yes, I didn’t end up using this version in the quilt, but instead made another.

Since this is a This and That Post, here’s the first thing for February: glasses. I’m at the three-glasses stage: one for regular walking-around-life, one for the computer (middle), and a new pair of sunglasses (they’ll come with tinted lenses). I only get the sunglasses every few prescription changes, but definitely the clock is not running backwards for my eyes. I had a new optometrist for this exam, with a brand-new machine, and I was totally impressed with her enthusiasm for All Things Eyes.

I updated my Mercantile Links at the bottom of my blog, and included Harts Fabric. They have a super selection of lots of clothing patterns (including Merchant and Mills) and this new feature if you buy fabric: they’ll pick your matching thread. Whoopee! for those of who have no decent fabric stores now that JoAnn’s is gone.

Because of SAHRR, I’m meeting some new bloggers and Ms P Designs is one. I really liked their guidelines for their PHD. You’ll have to read it to know what I mean. I participated in this kind of thing about six years ago and it really helped me clean out the backlog of projects I’d accumulated. I know there are other Linky Parties out there as well. If you are overwhelmed with Projects Half Done, join one. Because of this post, I dusted off my 2026 list:

I picked some that were new, some that are in process, and some that I need to design. One quilt is on the list because this year is the 250th anniversary of our country, and I wanted to think about how to celebrate it. Obviously with some new stamps…

…as I can certainly celebrate 250 years of the Post Office! Number 4 on my list, above, is about making a red, white, and blue flag day quilt and celebrating those things about my country that I love. I’ll be picking and choosing, and writing about them until July 2026. Here’s another set of beautiful stamps, complete with some cloth:

(You already have read about my affinity for stamps. When I travel overseas, I also buy stamps in whatever country I’m in!)

This stumped me this week. I used this (Kona Wasabi) in an earlier completed quilt and I was trying to recreate that quilt. I didn’t have any of that yellowy-green from Kona as I’ve switched to Painter’s Palette Solids.

QUILTY SOLID TO THE RESCUE!!!

Steph Skardahl, a Very Talented Quilter, put this app together and it’s a-may-zing.

So the original query was if Kona Wasabi was similar to Lemon Ice in Paintbrush Studios’ Painter’s Palette Solids:

I was able to compare it in her “Harmonies” section, which gives readouts for Hue, Saturation and Value. Thank you Steph for this really helpful app.

I have an iPhone (Apple) and this is what the landing page looks like in the App Store. So happy to have this and it’s free!

He always makes me laugh.

Another clever crocheter is here. Go read it for the comments. She asks the people responding to speak about current events as if they were talking about crocheting. I think if we all adopted this language we might not be so grumpy with each other so much.

A little HOORAY for this milestone, and yes, it is already on my 2026 Planned Makes list. I actually have made one more, but I don’t count them until I cut out the back and put it in the box. The original post, with free handout and pattern is here.

We are now eating the front yard’s mandarin oranges! It’s so hard to wait every year until February, but it is now, and we are enjoying them.

So why was I on the hunt for something similar to the Wasabi solid? I gave away one of my favorite quilts and was happy to do so, but I missed it. What made it special was the fabric for the borders, an out-of-print Anna Maria Horner (now known as Anna Maria). Gone. But as I was strolling the vendor aisles at Road to California, oh-my-goodness! There was a whole bolt of that fabric!

It was karma, as I already had a stack of AMH/AM at home, so I was good to go. (I will post about Road in the next couple of weeks, never fear.) And now, with a bunch of petals of Lemon Ice cut, within a couple of days, I was cooking:

Hmmm. Missing one.

I finished it just as the sun went down and rushed out to my back patio to try and catch the last few rays of sun.

On the patio. It’s from my pattern Blossom:

(The original quilt, above.) I also want to make a spring version in a smaller size. The pattern has three sizes of this block, with two different borders. It can be found in my pattern shop, and for this February, it is on sale…and without a coupon! It expires at the end of February. Okay, we are almost finished with this post.

Another wonderful quilter, discovered through another online collaboration, Janine of Rainbow Hare made this wonderful combination of wee blocks. She is also in SAHRR. We have a lot of quilty friends out there!

Sometimes I forget to hold space for my quilting, for creativity. I tend to pack things in, rushing from one thing to another. While the thought above relates to how we treat those close to us, I think sometimes giving my creativity a chance without harsh judgement can be a challenge. Sometimes I need to relinquish control and let serendipity find me, as the Queen Anne fabric found me at Road to California, on a day I was just feeling less than subpar, overwhelmed by all the beautiful quilts as well as by the current events in our country. And then, just like that — the spark came, the space opened, and a quilt was made.

Find your people. Find your creative space. Find those quilts that touch your heart —

The schedule:
*January 14: Center Blocks, led by Gail and shared by each co-leader
*January 21: 1st Round: Brenda @ Songbird Designs
*January 28: 2nd Round: Kathleen @ Kathleen McMusing
*February 4: 3rd Round: Emily @ The Darling Dogwood
February 11: 4th Round: Wendy @ Pieceful Thoughts of My Quilting Life
February 18: 5th Round: Gail @ Quilting Gail
February 25: 6th Round: Anja @ Anja Quilts
[An asterisk* means I finished that section.]

300 and Beyond · Free Quilt Pattern · Quilt-A-Long · Quilts · SAHRR 2026

SAHRR 2026 • Border Two

January 31, 2026February 4, 2026 Elizabeth E.18 Comments

We Stay-At-Home Round-Robiners are now on Border Two, and the prompt, from Kathleen McMusing was ““Make It A Double.”

I carried this fully into my life when we decided to rip out the ceiling in the main bathroom and get rid of the fluorescent lights (replaced with LEDs) AND, making it a double, decided to revamp the garage laundry room. Here’s the before and after. We also ripped out the linoleum flooring, and I kind of like the rough, crazy pattern, so we’re leaving it for now. I can only do just so much doubling in one week.

So while hammering, sawing, sheet-rocking, mudding, painting, electrical stuff was going on, I was trying to concentrate on the week’s SAHRR prompt. Kathleen suggested blocks with the word or idea of double. So I created a double block border:

I was inspired by Yvonne’s border last week, with how she spaced out the hourglass blocks, and decided to try something similar. Just sort of simple: a double-block spaced out with low-volume strips. And then I made up a PDF Tip Sheet for you all. Underneath this illustration is a PDF file to download:

SAHRR 2026 Tip Sheet Border Two Download

Click to download the PDF file. Note: the original post did not include the correct Tip Sheet with the trees. This one, that has the word “Two” at the end, does. Please download it again if you don’t have the complete handout.

But, yeah. Not quite happy with stopping there, and I remember that Kathleen DID say to make it a double, so I went on to think about a second border — a doubling up on this round.

I worked up a little sketch in my Affinity Designer program (free, from Canva), kind of thinking about the idea of round robins and going around the neighborhood. I used to teach at a lot of Quilt Guilds in Southern California (where I live), from Before Covid Time and Through Covid, and taught this pattern to a lot of guilds:

I pinned it up on my design wall, and kept it there while I worked on the houses. These are slightly bigger than what’s in my pattern (but the instructions are all in there, plus a version of Far Away Doors). But this version needed a tree, or four. So in the free tip sheet above, are instructions for some of the trees in this border, too.

I have a climbing tree, and a nesting tree, and a pine tree in the Tip Sheet.

In process. Remember last week when my husband said it was wild, and I said it was going to get wilder? Yep.

Here’s where I left it (approximate size: 38″ square). I will sew the neighborhood to the slender green border, but I’m missing something for that upper corner. I had an idea (see the sketch at the top of the post), but after a week of double-construction and double-double borders, I was ready to let it rest, and see what our prompt is for Week Three.

The schedule:
*January 14: Center Blocks, led by Gail and shared by each co-leader
*January 21: 1st Round: Brenda @ Songbird Designs
*January 28: 2nd Round: Kathleen @ Kathleen McMusing
February 4: 3rd Round: Emily @ The Darling Dogwood
February 11: 4th Round: Wendy @ Pieceful Thoughts of My Quilting Life
February 18: 5th Round: Gail @ Quilting Gail
February 25: 6th Round: Anja @ Anja Quilts
[An asterisk* means I finished that section.]

Two remaining thoughts:

I was also thinking about neighbors and neighborhoods and was impressed with how carefully and quickly the Minnesotans came to stand by each other as they are going through these difficult times. And we were asked to take dinner to a friend whose husband grabbed the business end of a live 220-volt electrical wire; they are also going through difficult times. I’m trying to be a good neighbor where I live.

Lastly, l’m looking forward to reading all of your posts in the next couple of days. Can’t wait to see what you all are doing.

300 and Beyond · Patterns by Elizabeth of OPQuilt · Quilt Finish · Quilt Shows · Quilts · SAHRR 2026

Two Quilt Finishes, SAHRR, and The Abyss

January 24, 2026January 25, 2026 Elizabeth E.16 Comments

Flowers for Madilyn was delivered to my granddaughter Madilyn this week, so now it can show up on the blog for reals. I love sunset photos, with that golden sunlight. When I get a photo of her with her quilt, I’ll put it up. She’s a charming young woman, nearly graduated from high school, with a life full of adventure ahead of her.

I stitched in some hearts here and there. Hope she finds them!

Thanks to my husband, Dave, for being a Quilt Holder, par excellance! This is quilt #313. If I’d written a normal label, it would have looked like this, but instead I went with a smaller one, sewn near the top.

Stars for Baby • Quilt Two

I mailed this one off in early January, but not like this.

Stars for Baby (quilt #314) went to my friends Camryn and Landon, who are expecting their first child in a couple of months. Camryn and I had planned to get together so I could teach her quilting, but then he got a new job, and it RAINED A TON on the day she was supposed to come, and then Christmas and New Year’s, so we’ll get together after her wee boy comes and we’ll work on the teaching part then.

Because I was thinking of a beginner quilt, I designed this pattern so a newbie could navigate it. In this pattern, they’ll learn these blocks:

a simple border with cornerstones
pinwheel block
nine-patch block
stitch-and-flip block
basic flying geese block
Sawtooth Star block

I also (as is typical) include another option. Since I was writing this during the holidays, it’s a red/green version:

This is where the Stitch-and-Flip corners come in (we used to call them “snowball corners”). I’ve simplified the centers of the larger Sawtooth Star block for this version.

I like to put this size out as a table topper during the year.

It’s a good pattern for teaching, and it makes up quickly if you are an experienced quilter. You can find the pattern already uploaded in my pattern shop on PayHip, and it’s a Pattern Lite.

Those of you who have been around for a bit, know that my Pattern Lite patterns sell for cheaper price than regular patterns. So grab yourself a bargain and make some small quilts, or teach a friend!

I’ve been at Road to California this week, where I saw my two quilts hanging up with a lot of other beautiful quilts. I visited some vendors, and a full write-up is coming.

SAHRR • Round One

Last week, in my Emergency Blog Post, I introduced the SAHRR: Stay at Home Round Robin, and thought I had a month to get the next bit together. Oh, no! This group is really cooking along, so the first prompt (hourglass) already dropped and the next one is a week after that. So you’ll see this SAHRR morph quickly.

I dug though my Orphan Block box and found a handful of hourglass blocks, so that determined the direction I was going to go. And the colors. But I usually like to put a coping strip in between my medallion borders to help stabilize and strengthen the quilt, so I sketched out two more possibilities:

The top one is the hourglass borders sewn right up against the center block. The one just above on the left has a wider coping strip, and the one on the right has two (1″ and 1/2″), in different colors. I studied them for a long time. I liked the top one, with the hourglass right next to the center, as they interacted with each other. The wider coping strip — necessary because the blocks were 3″ finished — looked as if the center was floating, a bit adrift. So I went with the two colors (and my partner-in-crime, my husband, agreed).

Wild, says the husband. Yep, and it will get wilder, says the wife (me). I’m trying to use up the blocks in the orphan box, so here’s the tally so far:

Four blocks: the center
Six blocks: hourglass border, and then I made some more to fill out the border, and now I have five leftover. I’m not making too much progress here.

The schedule:
*January 14: Center Blocks, led by Gail and shared by each co-leader
*January 21: 1st Round: Brenda @ Songbird Designs
January 28: 2nd Round: Kathleen @ Kathleen McMusing
February 4: 3rd Round: Emily @ The Darling Dogwood
February 11: 4th Round: Wendy @ Pieceful Thoughts of My Quilting Life
February 18: 5th Round: Gail @ Quilting Gail
February 25: 6th Round: Anja @ Anja Quilts
[An asterisk *means I finished that section.]

I first wrote this post on Friday, and ended at this point with a cheery and chirpy little bit about what I was looking forward to next week. And then I went to Road to California.

And while I was there on Saturday, taking photos of beautiful quilts and hoping to capture some of them to show you, I accidentally flipped to Instagram and the news of Alex Pretti’s murder at the hands of ICE agents in Minnesota. I went out to the hallway to collect my thoughts (not doomscroll) and remembered the exquisite Cherrywood exhibit I’d seen that morning, an exhibit titled The Abyss.

One image stuck out. That of a young bearded man, sitting slumped over in a sea of deep dark, a small pink butterfly reaching out, perhaps to bring him some light, some hope. I post this now in honor of Mr. Pretti, a bearded nurse who was trying to help a bystander when he was ruthlessly killed. Be skeptical of the narratives you are hearing. Search out the truth yourself; watch the videos if you are able.

I leave you now with three images from the quilt exhibit The Abyss.

I will be figuring out to speak out about the recent deaths in Minnesota, seeking comfort in my home and quilting, and working, phoning, writing in order to extract our beloved nation from the horrific abyss where it currently finds itself.

Stay safe, everyone, and help your neighbors — ALL of them.

Low Hanging Fruit, by Katherine McCormick.
She writes: “This piece is commenting on the ICE raids. Low hanging fruit is the first picked. First they came for…”