Art Muses/Art Musings

Everyonce in a while it’s good to leave your tribe and take a look at what other artists are doing.  It also helps to be in recovery from shoulder surgery so when that rabbit hole in Instagram opens up, you have too much time are free to follow where it leads.

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Photo: Polly Apfelbaum assembling “Mojo Jojo,” Pérez Art Museum Miami, 2013. (from DrawingCenter on IG)

I first followed the Polly Apfelbaum hashtag.  She is an artist about my age, and still producing interesting and thoughtful works of art, many which seem to intersect my world of quilting. I grabbed this screen shot from DrawingCenter, who also had a series of quotes from her, which I loved:

“Her interdisciplinary approach is most notable in her floor pieces that she refers to as “fallen paintings,” the series of work that she best known for. Laid on the floor in intricate and somewhat psychedelic patterns and forms, the paintings are made of fabrics that have been dyed brilliant hues. The striking use of color aligns her work with abstract expressionism, but rejects the hypermasculinity of the style through the use of fabric and horizontal orientation. Apfelbaum explains that “[the] floor was a place that was inclusive but I could also be reverent.” By installing on the floor, viewers are able to walk around the art making the piece more fluid and approachable.”

She goes on to say “that she wanted “a relaxed sense of form, a form that was more abstract, a form that could kind of be chameleon-like, it could go from talking about minimalism, but could also talk about maximalism…and to craft.” Indeed, the dialogues around her hybridized work are wide-ranging and include feminism, religion, outsider art, and domesticity.”

Loved the “hypermasculinity” idea, reminding me of when I proposed a show of quilts to my Art Professor in college.  “Over my dead body,” he said.  It was then I realized that quilts were essentially, in his mind, NOT art, but I daresay they might be called “hyperfeminine” with the use of fabric, of soft construction.

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Apfelbaum also works by creating shaped woodcuts, which are then inked in vibrant colors, then placed in a design.  Of course I think it looks like a quilt. More images, below:

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This last one is especially quilt-like, I think, in terms of the shapes.  Is the quilting world is having an impact on others?  They probably don’t know we exist, but I do believe in the idea of cross-pollination:

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These last two are by Luis Zerbini, a Brazilian artist.  The second one is definately an Orange Peel block, or a Wedding Ring variant, if you ask me.  Even housework can inspire art:

Lynn Aldrich‘s Coral Landscapes made from house cleaning items; the one on the left is titled Marine Preserve.  I wonder if the one on the right is a wannabe Lynn Aldrich?

Anyone for some Nine-Patch?  With pieced sashings? Start cutting up your solid scraps into squares.

The art world can also be an interesting way to learn about value, a classic part of creating an interesting quilt.  I’ve tried to include the sources so you can go and have a look:

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Bringing this to a workshop would certainly get everyone’s attention about the impact of using those light-to-dark values.

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I’m pretty sure she does this with make-up.

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A screen shot of my Saved images from this morning.  I’ve started making categories and put some of these in the Random Color/Art category of my saves.  Just after you hit that little ribbon to save, the prompt comes up: Save to Collection.  Tap that, and then either direct the save into a category, or make a new one.  It helps in finding things.

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You might want to try to what I call “focused browsing” if your eyes are glazing over after looking at three billion quilts in your feed, and you’ll scream if you see another heavily curated shot with threads and scissors everywhere where you feel like you are trapped in the Dungeon of Cute.

Color theory and effect

a screen shot of the #colortheoryandaffect hashtag on IG

Some of the hashtags I followed were #gridart, or #hardedgepainting, or the names of the artists themselves. @DurhamPress also had some interesting images. Sometimes I would go to an artist, click on the name of the gallery they were showing at, then look at what the gallery had.

Yes, a little focused browsing might just clear the mind a little.

Blwyddyn Newydd Dda

Happy New Year 2019

That saying in the title is Welsh for Happy New Year, and one custom is that the children in old Welsh villages would “rush around the village visiting as many houses as possible to collect sweets and money. The visits had to be made before midday, so it was often a race against the clock!”  The gifts were called calennig, and often referred to a skewered apple that the children would carry around.

I have no gifts for you, other than myself.  But then you aren’t rushing around knocking on my door, either.

I have some new readers, and thought I’d re-introduce myself at this time of Happy Old Year Ending • Happy New Year.  (I first learned to say Happy Old Year ending from a well-traveled friend, who said it was from somewhere on the African continent, and although I’ve never been able to corroborate that, I still like the idea of being happy with an ending.)

I’m Elizabeth Eastmond and I am the sole writer of this blog.

 

I first began writing in 2007, sliding quilty posts in amongst my then regular blog, OccasionalPiece, which at this point, is resting (it’s been resting for several years).  The blog name, OccasionalPiece, morphed into OccasionalPiece~Quilt, then I dropped the tilde (~).  When I started trying to find a web address, I shortened it even further to OPQuilt, because who wants to try and spell Occasional or Piece?

Piece originated not in the term “piecing” but from the fact that at the time I started writing online, I was in Graduate School, getting my degree in Creative Writing.  We called our writings “pieces” as in a “short story piece” or “a piece of my novel.”  In my mind it expanded to include my cloth piecings, and any slice of my life–so that’s why you’ll see some travel, some family, current events, cooking, and yes, an occasional piece of writing.  Oh, and art.  We’ve got to have art!

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Sculpture on the High Line; the birds perched there, but they are not a part of this piece of art

I keep a listing of my quilts–or as we say in Creative Writing, a catalogue of the body of my work–up above on 100 Quilts, 200 Quilts, and am starting on the 300 Quilts list.  Everything is linked, but not illustrated, and I’m sorry about that.  I would like to have a listing of photos, but that’s in my Someday category.

While it’s traditional on this week to do a year-end round-up of Quilts I’ve Made or lists of Hope I Finish These This Year, and while I love other people’s inventory, this year I found my own lists and write-ups pretty boring (really, can we stand one more look at Frivols?) except, perhaps, for the lovely one below, gifted at a new baby shower:

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Personal stats: I have four lovely and clever children, eleven brilliant and handsome grandchildren, a perfectly amazing and wonderful husband. Our last family photo, since we are scatterered over four states was two years ago, and one was missing even then.  I like the word lovely and use it a lot. I’ve been divorced, remarried, had two major surgeries, a scattering of small ones, but consider myself healthy, and try always to follow my grandmother’s advice to keep my whines to myself, with the caveat that if something interrupts the output of quilting, I might put it up on this blog.  I make mistakes.  I cherish my faith and crave harmony.  I love going to quilt shows.  I like to sing, mostly to the stuff coming in off my playlist.  I am not totally in love with Smart Technology (still having fights with our new Christmas gift: “Siri, why are you singing in the middle of the night?”), but adore my mobile phone and its capabilities. I like to laugh, have a fairly honed capacity for snark, and cry in tender and emotional scenes in movies. In short, I am like you.  I am not like you.  But I hope to count myself as someone who writes something that you’d like to read.

But generally, this blog is about quilts.  Quilting.  Our quilting world.  Things that pertain to it.  It might be about a quilting personality, or quilting commerce.  It is not a newsletter.  It’s my calennig, my gift to you.

Happy Reading.

Happy New Year!

Frivols 8 • August 2018

 

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September’s box is Frivols #8 and is a tin from American Jane, with a whole host of fancy and fun prints.  The Moda blog notes that:

“There is a correction to the pattern – Background, Sashing, and Borders.  The first line should say 3 – 5 1/2″ x width of fabric strips.  From the strips, cut 18 – 5 1/2″ squares.”

Duly noted. I’ll figure it out when I get there.

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Here’s the layout of prints from their blog–colorful and charming. And I was happy to see that there are fewer half-square triangles in Sandy Klop’s quilt design.

The freebie for this Frivol is a sweet little tin with this month’s quilt design, that is just about the size of a charm square, perched up there by the bigger tin.  I also love the quote on this month’s card: “Be yourself.  Everyone else is already taken.”  While it is attributed to Oscar Wilde, this attribution — as in so many other quote attributions — is a little squishy.  For more discussion on this, visit the Quote Investigator.  In fact, if you read this article, it seems like Wilde was a bit more pessimistic about this whole idea of authenticity:

It is tragic how few people ever “possess their souls” before they die. “Nothing is more rare in any man,” says Emerson, “than an act of his own.” It is quite true. Most people are other people. Their thoughts are some one else’s opinions, their lives a mimicry, their passions a quotation. (c. 1900)

I happen to like the Thomas Merton version:

“In an age where there is much talk about “being yourself” I reserve to myself the right to forget about being myself, since in any case there is very little chance of my being anybody else. Rather it seems to me that when one is too intent on “being himself” he runs the risk of impersonating a shadow.” (c. 1967)

I have to say my favorite instance of this idea is from Gordon B. Hinckley, an earlier president of my church.  He writes about discouragement when he was called on a church mission at age nineteen, feeling like he could never do what was required of him:

I wrote a letter to my father and said, “I’m wasting my time and your money. I don’t see any point in my staying here.” And in due time a letter came back from him in which he simply said: “Dear Gordon. I have your letter of [such and such a date]. I have only one suggestion: Forget yourself and go to work. With love, your father.” [from here]

So often we can focus too much on ourselves, and how we feel from moment to moment. While this aesthetic — to “forget yourself and get to work” — seems to hail from another era, I like to think about it sometimes, when I often can’t find the energy to finish up the chore, to get the work done, to complete the task.  I felt that way with Frivols #7, as you probably know.  And somedays I have to ask myself: “What do I want to have done by the end of this day?”

Perhaps all this seems so far from the supposed Wilde quote of “being yourself,” but for me they are linked.  Perhaps the work is me, the getting done is the shaping of who I am.  And hopefully, in forgetting myself and getting to work, I will become my best self.

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Onward!

 

Practice Makes Perfect • Frivols #6

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Practice Makes Perfect
Quilt #204  • June 2018
26″ by 31.5″

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The requisite shot of the X-ed out Frivols tins show that I’m now halfway done with my goal.  I try not to set goals, as they just give me angst, but there’s just this lingering expectation: finish all the Frivols.

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I call this Practice Makes Perfect, as I’ve been thinking about the nature of work, and how much of it is repetitive, boring even, but repetition appears to be a necessary step on the way to mastery.  I think I can handle churn dashes, but it was learning the finer points of free-motion quilting loops that needed my attention.  Frivols6_PracticeMakesPerfect3

The freebie for tin #6 was this strawberry label with barely any room for a person with two long names.  It would have been better if my name were Dot Smith or something.Frivols6_PracticeMakesPerfect1Mothers Luncheon

I had started on this quilt at the end of May, after a long month of travel and serving and caring for people in my life, culminating with an intimate luncheon celebrating my mother’s 90th birthday in Ogden, Utah.  We rented a small conference room at a local hotel, and had the hotel cater the meal.

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We’d done this two years earlier for my father’s birthday, and had only my brother and sisters and parents there, with no spouses or great-grandchildren.  We were worried then (I was wondering) if if it would work without the supporting members, but we did fine two years ago, and again this year too.  The feelings expressed to my mother were tender, kind, showing her (and my father’s) careful influence in our lives.  Because of them there are amazing individuals in my family: strong men and women, who are good men and women, too.

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Some of you know that I’d been up in Utah earlier that month caring for my sister for a week; it was good to see how much progress she’d made in getting around with her crutches and wheelchair.  From L to R, around the table: Mom, Dad, Susan (child #3), Scott (#6), David (#5), Cynthia (in gold jacket, child #2), Christine (#1), and Andy (#7).  I’m child #4, yes, that infamous “middle child.”

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I had little bottles of specialty olive oil etched with the saying “Olive you forever” and “Happy 90th Barbara” (my mother’s name).

We drove home and two days later I quilted this, finishing  it the next day.  I was still putting away what I’d gathered on my trip, but needed a break, and Practice Makes Perfect was the tonic for what ailed me.

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John Piper wrote: “Work is a glorious thing. And if you stop and think about it, the most enjoyable kinds of leisure are a kind of work. Both these facts are true because the essence of work, as God designed it before the Fall, was creativity — not aimless, random doing, but creative, productive doing….
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“If you are starting to grow lazy, I summon you back to joy. God made us to work. He formed our minds to think and our hands to make. He gave us strength—little or great—to be about the business of altering the way things are.

“That is what work is: seeing the world, thinking of how it could be better, and doing something—from the writing of a note to the building of a boat; from the sewing of what you wear to the praying of a prayer.
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“Come, leave off sloth and idleness. Become what you were made to be. Work.”

excerpted quote found on @TheSmallSeed

Quilting as Part of Our Life Story

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Happy Almost May with Frivol #5!

I’m beginning this post by talking about my ongoing goal to make up all the Mode Frivols tins.  I had signed up when they first came out (as I am a total fangirl for Carrie Nelson) and every month one would arrive, and I’d stack them up neatly.

As I mentioned before, it’s been a good experience to try something new, to work with fabrics that weren’t generally found on my shelves, and Frivol Tin #5 is just that sort, as its filled with French General.  I’ve used French General before, but it was lighter and airier, when I made a quilt for my sister:

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After receiving the quilt, she repainted her room to match.  Now if that’s not undying love from a sister, I don’t know what is.

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But this tin is a bit darker, filled with lusciously colored deep reds, for the tin was originally placed in the shops in December, a month when we typically sew with those kinds of colors.

First up, this note from Moda:

You can find more about this tin on their blog (including how they turned it into a tin for hand sewing supplies), but for me, I’m dying to open it:

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The fabrics in this tin are from French General, which makes me happy, as I love their fabrics.  And their store.

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It will be a table topper, or even a doll quilt as it’s even tinier that what is printed on the tin (see note, above).  However, that means it will sew up quickly.

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As I mentioned in last month’s overview, there is always a treat in a tin, and this time it is a beautiful woven ribbon in red and white.Frivols 5_3

Continuing on, I also received news in my Yahoo mailbox about new ownership of that enterprise, including Flickr.  So went over to Flickr to see what I would lose if I just ignored that whole thing forever.  The newest activity in any Flickr group was over a year ago.  Most activity was much older than that, which told me that a lot of other quilty peeps have abandoned that site.

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My masthead, but I think that “Joined 2009” thing is when I opened a yahoo email account.

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Here’s my first set of photos on the site: March 2012, with my EPP quilt Kaleidoscope.

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And my last set, in uploading photos for the Mid-Century Modern Bee, which ended that year.

I used to belong to seven groups, most of them Bees, had several Galleries.  I got rid of the Galleries, and unjoined all groups that weren’t a bee I had participated in.

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I was hunting for this gem (4 blocks, shown together–this one is not mine): a wild and crazy star block.  The links to the original pattern are all gone now–funny how quickly that happened, but here’s my PDF for it, if you want to download one for yourself.  I tried to track down the original owner and have not been successful; I would hate for this pattern (which was a free download) would get lost to the quiltiverse forever, hence my posting it here for your download: Starry Sky by Kylie Kelsheimer

UPDATE: Dot wrote me a note with the following info:  

“The Starry Sky pattern is still out there on Kylie’s Dropbox account. I did some searching around with Google and the Internet Archive’s Wayback Machine and found an archived copy of Kylie’s website, with a link to her Dropbox page. To get the pattern, you need to have (or create) your own free Dropbox account, and log in to your account. Then you can paste this link into your browser, and download the file!

Here’s the Wayback Machine link to her old website:

https://web.archive.org/web/20170507123558/http://aperseveringmom.com/starry-sky-block-get-the-pattern-here/

Thank you, Dot!

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This one was mine.

So I guess I’m saying that it feels weird to have the history of the quilt world on the internet go missing after such a short time, and it feels equally weird to be erasing some of my own history as well.

It reminds me of some of the things I read in The Gentle Art of Swedish Death Cleaning: How to Free Yourself and Your Family from a Lifetime of Clutter (really, it’s a great little book by Margareta Magnusson): “If someone has lived in a home for many years where children, grown-ups, relatives, and guests have stayed and felt welcome, that same someone is often so busy that they never think of reducing the number of things in the household. And so the number of possessions grows and collects quickly over the years. Suddenly the situation is out of control and the weight of all those things can begin to seem tiring.”

My home and my digital media sites and my blog and Flickr are all like guests that have stayed and felt welcome, I guess.  Unlike the woman in the Swedish Death Cleaning book, not only will we have garages and drawers and closets full that we’ll need to deal with, we’ll also have digital universes that need clearing out, too.  That thought ought to cheer you up, right?

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Which leads me, finally, to this a wonderful video about Ken Burns, the historian and documentarian, who sent a lot of his quilts to be exhibited in Nebraska at the International Quilt Study Center and Museum.  If you want to see them, they will only be on exhibit for a couple of more weeks, but the museum does have a good gallery of the quilts online, from which I excerpt these:

Ken Burns Flag w Crosses.pngMy favorite is the American Flag, with all the crosses surrounding it.  So many terrific quilts, and thankfully, someone, some where, did not clean them out and throw them away.  Someone did not think they were household junk to part with.  Thank you, Mr. Burns, for sharing your wonderful collection and thoughts:

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“Ann Lee, who founded the Shakers, said ‘Do all your work as if you had a thousand years to live, and as you would if you knew you would die tomorrow.’  The things we leave behind — our children, our land, the environment, but also these made things, the art — will commend us to posterity.”  ~Ken Burns