300 Quilts · Free Motion Quilting · Something to Think About

Small Steps: Push-Pull

I’ve been thinking a lot about Push, and Pull.

The terms are popularly used when discussing how we interact with the internet. We receive Push Notifications, which means that someone, somewhere is sending us information or things that can be helpful. Or not. We can choose where we go, pulling information to us in terms of blogs (like this one, thank you). We can also pull information from bank sites, news sites, school and medical sites so we can gather information or read for pleasure.

We are familiar with push-pull in our own lives, aside from the internet. For example, when I go to a Guild meeting like I did this week, and have to show up early to set up the book sale, take minutes, make sure the substitute photographer is squared away (because the regular one didn’t show up), serve on the Nominating Committee (hallelujah — we got our President-Elect!), it is a push because NONE of those jobs are what I officially do (I run the website). Some activities in our lives are push-pull: volunteering, for example. Or paying attention to the weeds in the garden because you want to plant flowers.

But if I can plan an appliqué project, take a 3300-mile road trip visiting family (and grandson Alex, below) and enjoy time with my husband, I’d call it mostly a pull.

This idea of push-pull on the internet was discussed in a radio interview of Kyle Chayka with Ezra Klein. During their discussions about the nature of the internet these days, as well as Chayka’s newest book, Filterworld, I became interested in this idea. What is pushed onto me, and how does it affect how I feel about the quality of my life? And what is the effect of all that pushing? Chayka feels like it changes how we view things on the internet, and why — perhaps — our eyes glaze over quickly:

CHAYKA: “I mean, most of the encounters we have with culture online are pretty bad, I think. We do have much more choice in what we consume and all of these other possibilities surround us. But what we lack is that kind of museum-like experience or movie theater-like experience where you do have to sit with something and think about it and puzzle your way through it without flipping to get an answer.”

EZRA KLEIN chimed in: “And the problem with the push internet is it’s not really under your control, right? It’s about what the force pushing is doing. But as that became bigger, people stopped doing the things that allowed the pull internet to exist. There aren’t so many blogs anymore. Not none, but there are fewer. People put their effort — because it’s the easier way to find audience and eventually to make a living — into the algorithmic spaces. And so there’s simply less of this other thing there to explore.”

Top finished: April 2024

CHAYKA: “I think a feeling I’ve been having a lot lately is that scarcity is often what creates meaning. When you’re surrounded by infinite possibilities, when you know around the next corner is another video that might be funnier or more to your liking, you’re never going to sit with the thing that’s in front of you. You’re never going to be forced to have the patience, or the fortitude maybe, or the kind of willpower to fight through something and figure out if you truly like it or not.” ~ Kyle Chayka

Sitting with the thing in front of you.
Museum-like experience.
Algorithmic spaces.
Push is not under our control.
Scarcity creates meaning.
Puzzle our way through it.

How much of our life is a “push” experience? How much of our activities and interests are “pull”? Do we value our time at the machine, or with cloth, or with the needle because it is a “scarce” activity? Or because we had the patience and stick-to-it-iveness to finish the stitching, the quilting, the cutting?

I guess it could be both. I guess it could be all.

Final image: Made in the 1600s for one of the popes, this smallish curio cabinet is a classic example of sitting with the thing in front of you until it is finished. Although I have to admit that if I were the cabinet-maker on the other side of the centuries, it might be feeling like a push. And that’s how it goes, right? I saw this in the Getty Museum in March.

300 Quilts · Patterns by Elizabeth of OPQuilt · Publications

Santa’s Night Ride • Quilt Finish

This quilt has been on quite a ride. A Santa’s Night Ride, to be exact.

It has flown over to France, to the QuiltMania people, who publish three fine magazines: QuiltMania, Simply Moderne and Simply Vintage.

It has flown home.

And it will be making its debut in one of the QuiltMania magazines: Simply Vintage!

I know my friend Carol will like the Corgi on the bed. I do too! My quilt, Santa’s Night Ride will be in this issue, Number #49, which should be out about now. For those of you not aware of the THREE Mania magazines, let me introduce you to this one. While it says “Vintage” on the top, you might instead think of it as more traditional than vintage. It has a lot of our favorite quilt designs, as well as some new ones. I’m just pleased as punch to have my quilt published, and you can buy it from them directly here. Just click on the newest issue, with the Corgi on the front.

label

The center blocks are Foundation Paper Pieced (FPP) and they go together quickly.

I also made the border with FPP, and here you see my favorite roller. Instead of running to the ironing board, just use this tool, an automotive tool, with ball bearings — I prefer it to the old wooden one I used to use, and it’s $cheaper$.

I always print out a light version of my quilt and map out my quilting. Then I will often use a disappearing pen to transfer my ideas to the quilt.

I even sewed on the binding by machine. It seems like every December, when I’m deep in the Christmas season, I get the bug to make a quilt, but I always finish it up in January. Not this one! This is Quilt #272 in my Quilt Index.

Some tips on using scraps: Keep them in similar values for the center blocks. All my blocks are different, but they “read” the same because I used the same red/white for the inner triangles, and while I used four different greens for the large triangles, they are distributed evenly throughout each block.

Go for one fabric for the light background for both the center blocks and the outside little tree-triangles in the border, as it helps tie the quilt together. You can see above all the different fabrics I used in the outer tree-triangles: cut loose and cut from your scraps.

This has been in the works for nearly a year, so while you may have had a glimpse or two of this small quilt, I was waiting for the day when I could share the happy news, of this publication.

Happy almost December!

Other QM published quilts:
Riverside Sawtooth (in QuiltMania)
Elizabeth’s Lollipops (in QuiltMania: a photograph from a quilt show, but I’m counting it!)
Crossroads (in Simply Moderne)

During the pandemic, I agreed to let them share my blocks with readers of the QuiltMania newsletter. The patterns have now come home to stay, and most are free (see tab, above).

300 Quilts · Patterns by Elizabeth of OPQuilt · Something to Think About

Crossroads

What is the difference between achievement and accomplishment? asked Adam Gopnick. That question has set me thinking about it ever since. We quilters work hard to get our quilts finished, our patches pieced and all the little scraps of fabric marching in order toward our vision. Are we achieving? Or are we accomplishing?

class taught for South Bay Quilters

“Achievement,” writes Gopnick, “is the completion of a task imposed from outside — the reward often being a path to the next achievement. Accomplishment is the end point of an engulfing activity we’ve chosen, whose reward is the sudden rush of fulfillment, the sense of happiness that rises uniquely from absorption in a thing outside ourselves.”

“Our social world often conspires to denigrate accomplishment in favor of the rote work of achievement,” write Gopnik, and many of us are “perpetually being pushed toward the next test or the “best” grammar school, high school or college they can get into.” The result of this is that we drive the young (and maybe ourselves) toward achievement, toward “tasks that lead only to other tasks.”

Guild challenge fabric in front

Our Guild recently handed out their yearly challenge fabric, chosen by someone who loves purple:

While the challenge (due in September) is divided up into four categories (wallhangings/runners, quilts, wearables, bags/totes), for me the real challenge was working with this fabric.

Challenge accepted. When I was in Utah, I stopped by The Quilters Lodge and they helped me pick out some hues not readily observable, as well as a bold and sassy turquoise polkadot. Was this merely another task that led onto a task, “the point of it all never made plain,” as Gopnik asks?

I remember that Bonnie Hunter, master of the scrap quilt, always said that if a fabric is ugly to you, then you haven’t cut it up into small enough pieces. I didn’t find the fabric ugly — no Philip Jacobs fabric ever is, to my way of thinking. But the colors were definitely a challenge. So…I cut it up small. I chose one of my older patterns that I’d had previously published in Simply Moderne to be my guide through this. It has never been published as a stand-alone pattern, and I knew it was really versatile and strong enough to handle any fabric thrown at it. And it was fast and easy…also a requisite for this Guild challenge, to my way of thinking.

This could have been a series of exercises, dictated-from-the-outside, as so many guild challenges are. I’ve seen some so constrained that it really is ridiculous: how many of you have done the “crayon” challenge, or the “scraps in paper bag” challenge, or the “page number in a magazine” challenge? (However constraining, I happen to like that one.)

But on the other hand, says Gopnik, we’ll head towards accomplishment by looking at this big self-assigned task and “breaking it down into small, manageable tasks” that later lead to the final result. This experience of breaking down, then building up can also inform later professional work, even leading to a vocation. And my guess is that Gopnik meant these as self-directed tasks, with enough time and little enough direction, so that we can roam far and wide and back again in order to find that accomplishment.

“Self-directed accomplishment, no matter how absurd it may look to outsiders or how partial it may be, can become a foundation of our sense of self and of our sense of possibility. Losing ourselves in an all-absorbing action, we become ourselves.” (from here)

I spent the better part of a day cutting, arranging, sewing, finishing the top in a short amount of time. I recognize that I now have the opportunity to do that, and the support of my family. It was not always so easy, and when I was in graduate school (can we say “outside task” to “outside task” to “outside task”?) trying to get a degree so I could launch my professional life, I didn’t sew or quilt for two years. But I returned to it, and when I retired from teaching, my days of quilting — coupled with my education — allowed me to move into teaching Guilds, and writing this blog (“inside” tasks).

“Pursuit of a resistant task, if persevered in stubbornly and passionately at any age, even if only for a short time, generates a kind of cognitive opiate that has no equivalent. There are many drugs that we swallow or inject in our veins; this is one drug that we produce in our brains, and to good effect. The hobbyist or retiree taking a course in batik or yoga, who might be easily patronized by achievers, has rocket fuel in her hands. Indeed, the beautiful paradox is that pursuing things we may do poorly can produce the sense of absorption, which is all that happiness is, while persisting in those we already do well does not.”

So what is achievement? What is accomplishment? Maybe the words don’t fully articulate the slender difference, but we know it when we push through something hard, to end with something beautiful. We know it when that pursuit doesn’t end, although we may leave and come back to it after a time. We know it when we finally finish the quilting or the binding or the label, having worked our way through color choices and fabric choices and design and cutting and stitching, and hang up that quilt and stand back to look.

We most certainly know it then.

Other posts about Crossroads

Its Inception, long ago
Guild Visit, and a little stitching for NASA’s JPL Mars
Do You Tweet?
Crossroads & Simply Moderne Magazine

The pattern is now on sale in my PayHip shop.
Did you notice the new cover design? Just freshening things up a bit around here.

Gridsters · Patterns by Elizabeth of OPQuilt · Quilt Finish

Autumn Leaves • Quilt Finish

“When all that cautions the eyes toward the imminent
slide of autumn to arctic winds, the canopy of English elm
and sycamore leaves like colored coins fall and widen
a hole letting more light spill in, heaven’s alms
to earth…”
~from the poem “Washington Square,” by Major Jackson

And Denise Levertov’s poem asks Autumn: “can you pull me / into December?”

But wait, Denise. I’d like to stay here awhile, and enjoy the recent fall color all squeezed into this quilt:

Autumn Leaves • Quilt #269 • 50″ square

This was a group effort from Gridster Bee, a collaboration, much like when the forests in winter climates all talk to each other: “You do red this year,” says one. “I’ll do gold and brown. How about you do crimson?” and so on until the forest is “liked colored coins” that will eventually fall and widen. While more blocks than shown arrived, I had to widen the quilt to let that light spill in, so some are saved for another project, letting heaven’s alms fall to earth in more than one spot.

It started with these two, and morphed into a Pattern Lite, which you can grab here for under the price of a slice of pizza or a basket of beignets at our local beignet place. While you are there, don’t forget to snag the SpiderWeb pattern, which is free until the end of October.

Pattern Shop: PayHip.com/opquilt

Last year around this time, I had a different quilt slung on the fence, and was working on two autumn-themed pillows Mr. Pumpkin and Crossed Lillies; seems like working with these colors is an annual festival.

The back, showing all the signatures of my beemates: Patti, Shelley, Bren, Carlene, Laurie, Melanie, Robin, Susan, Carolyn, Ramona, and Meredith. I am so grateful they all contributed. And gosh, I know I’m missing a label (coming soon), and double-gosh, the back almost looks like a Modern Quilt!

Portfolio of Group Quilts

And to honor — and catalogue — all the collaborations I’ve done, I added a new category to My Quilt Index tab, above: Portfolio of Group Quilts. I only have my quilts listed (not the group’s quilt), although I have done posts about the others in the past.

Here’s to roads diverging into yellow woods, and copper woods, and crimson–