300 Quilts · Patterns by Elizabeth of OPQuilt · Quilt Finish

Eris • Quilt Finish

Eris • Quilt #265
54″ wide by 48″ tall

label on the back
photos taken at the California Air Resources Board, Riverside, California
sculpture is titled: Spatial Echoes of Breath, by Tomás Seraceno, 2021

Title of Sculpture: There Are Many Idioms About Breathing And Yet
by Kameelah Janan Rasheed, 2021

Since this photoshoot was at a facility that studies the quality of our California air, it was fitting that the idea of breath, or breathing, or air, was prominent in their public art all around the building. We toured the building, picked up the swag from the vendors and displays in the parking lot, the solar panels overhead shading us from the sun. Rasheed’s artist’s statement includes this line: “As a meditation on pacing and temporality, the artwork is a form of preparedness for the hard work ahead.”

Pacing — a steady pace? Don’t overreach? Don’t run faster than you have energy for? Keep up the pace?

Temporality— the state of existing within or having some relationship with time. Lived time (as opposed to clock time or objective time). Temporality is a term often used in philosophy to express the way time is understood, often as a straightforward procession of past, present, and future.

Some background: Love us or hate us, we here in Southern California are keenly aware of our air, and the effects that pollution has on our health. Too many of us live in communities polluted by automobile exhaust that combines with the moist air that comes in off the ocean: smog. Some communities are polluted by idling train engines. We have seen a distinct uptick in air pollution due to our online shopping habits from the pandemic. An increase of warehouses built at the eastern edge of our city, only a few miles from our home means the freeways are now clogged with semi-trucks bearing goods from the ports to the ocean of warehouses that have been built in this area in the last few years.

I have an asthma inhaler in my bathroom drawer; today in the exhibits in the parking lot, one vendor displayed about 10 of these devices, encouraging us toward cleaner driving, cleaner air, and an awareness of our temporality. Keep up the pace. But maybe…move a little faster.

About a year ago, I felt as if I were drowning. I couldn’t keep up the pace. I felt disconnected from time, certainly an effect of the pandemic in our lives. I know I wasn’t alone in these feelings. I tacked a giant calendar on the wall of our garage, and took to marking it off one day at a time. Keeping track. I pared down all interactions and responsibilities to almost nothing. I was choking in sadness, bad air, political pollution, weary to the bone. I am usually the biggest Pollyanna you’ll every see, but at that time there was no breath in me.

When we are stressed, we often say Breathe in, Breathe out. Take in good, let go of that which is exhausted. Find fresh, expel the stale. I decided to make space for new things (Heart’s Garden?), to re-examine what I had in my life, and what I could let go of. I have taken steps to regain my health, and finally feel as if I’m making my way back to myself.

I also found my way back to this quilt. It has been a satisfying period of finding quilts made in a rush, and now taking time (pacing?) to sit with the quilt, find the way to quilt it, to finish it. My husband Dave always finds great places for us to photograph, and willingly holds the quilt, a support in all ways. So it was fitting to photograph this quilt at a place which is concerned with breath, with air. The title, Eris, was a parallel to my inner world last fall, and the discord seems to continue into this year as well, with its Ukranian war, the J6 Committee findings, the ongoing pandemic (and now we are returning to using our masks).

But I worked in Harmony. I appreciated the safety of Order, the constraints of Geometry, the goodness of Grace. But most of all, I acknowledge the gift from the One who loves us all: Creativity.

Take a breath!

Other posts about this quilt:

Pattern is found in my PayHip shop and includes two different sizes.

This quilt had a working title of Spectral Light.
I write about the fabric in this post, stars shining brightly.
There are other, smaller versions of this quilt: Choose Something Like a Star.
Some of the quilting was written about in this post.
The original Triad Harmony Quilt Finish (quilt #234).
I taught a workshop for Coastal Quilters, and they produced a lot of amazing Triad Harmony quilts.

You’ll probably see this design again. I made a total of five different quilts for teaching, and have quilted three of them.

Heart's Garden · Patterns by Elizabeth of OPQuilt

Heart’s Garden Mystery QAL • Part 5

Heart’s Garden
57″ square• Quilt #264

Gardens can be mysterious. In our case we planted the melons and the round cucumbers and some nocturnal visitor came and dug it all up. Will those seeds pop up somewhere else? Were they get eaten? What’s in the heart can also be mysterious, even to those who might have some experience in the matter. Are we charitable? Are we passionate? Are we kind, snarky, tough or tender?

But in the case of the QAL for Heart’s Garden, the mystery is now solved!

This is the final free pattern for the 2022 Mystery Quilt-A-Long. I will have a Part 6 that will show some embellishments, but that will be a post, and not a pattern release. Heart’s Garden Part 5 will remain free until early June 2022 when all the patterns will be combined into one that can be purchased.

I’m sure you’ve seen these images of Part Four on Instagram. Joan’s quilt is a brilliant range of hues from yellows to pinky purples. Lisa has used a wonderful selection of blues, pinky reds and tans to great effect. Linda’s quilt took a different turn when she used the borders from my Evergreen, Ever Life quilt, amending them to fit the center, and Susan (on Instagram or at her blog) has also made changes, using five flowers on two sides. I love them all! [As I receive updated photos, I will post them.]

Heart’s Garden finishes up with a row of heart blocks, like a happy picket fence around our garden. Generally I used medium-dark fabrics with a scrappy low-volume background. All fabrics are by Sherri and Chelsi, from their Sincerely Yours line. I love the brightly colored prints from peach to purple and think this makes a really happy quilt. Sherri is a friend of mine (we both taught English Composition classes) and I think this quilt would also be great in her newest line, Seashore. One reason I love showing all the quilts at the beginning of the post is for you to think of different colorways for your quilt than the one on the front of the pattern.

And speaking of the front of the pattern, Part Five is ready for a free download at my PayHip shop. (Reminder: In case you didn’t get any of the other parts, they are there for sale as well.) But, again, in early June all the parts will disappear to be replaced with a complete Heart’s Garden Sew-A-Long pattern for sale. Now let’s talk construction.

I started with the corners, making a Log Cabin block with darker outside corners.
Then I discarded this block and made the ones you see in the quilt. That’s why I have a full box of orphan blocks!

I like to sew Log Cabin blocks from measurements, but in case you like paper piecing, that option exists for you as well in this pattern. In fact, I made up FPP options for all parts of this border: the log cabin corners, the heart block bottoms and heart block tops.

I ended up using the paper piecing for the heart block tops and was happy I did.

There is a slightly different proportion on these hearts than usual, as I wanted a certain look for the border. I cut out backgrounds and tips and triangles. Detailed instructions for how to do this accurately and carefully are in the pattern. (Tips to make wonky hearts are also there.)

I smoothed out the center onto my design wall, then as I made hearts, I arranged them around the quilt.

There’s always this moment that you wonder: was this quilt worth it? I had only seen it inside, in my room and a lot of time I was sewing at night during winter.

But when I took it outside and saw the natural light hitting all those fun hearts and flowers and birds and patchwork, I was really glad I persevered. And I love the stained-glass photo of the quilt from the back. Sigh. I was content.

When the top was finished, I sent it off to Krista of KristaStitched, who used the Bebop e2e panto at my request. I used a neutral backing and Soft and Bright polyester batting. She did a great job. I bound it with a narrow strip of the geranium color that was in the fabric line. I did have to send away for the half yard, as I’d pretty well used up all my fabrics.

I have one more post about this quilt, showing a few more bits in Part Six, but there won’t be a download for that one–it will live here on my blog. So head over to my pattern shop and get your free pattern. If you don’t have time to sew it now, feel free to save it for later. But please–do not share the patterns with your friends or families. I did this free sew-a-long as a thank you to all my blog readers, and do want you to download your patterns in my shop, not post or share them without permission. Thank you 🙂

For those who have been following along, I hope you’ve enjoyed this Heart’s Garden Mystery QAL. See you soon for Part Six!

Hope you can occasionally piece and quilt–

Heart's Garden · Patterns by Elizabeth of OPQuilt

Heart’s Garden • Mystery QAL Part 3

This month is what I call a supporting month in the Heart’s Garden Mystery QAL. Of course you can figure out that flowers will be planted here next go-round, and so you’ll keep that in mind as you create your garden beds for them to grow in. There are three borders: the first inner one with large blocks and corner birds; a second one of interesting bits; and finally, a third one for stability and delineation for what’s coming next. All things rest on your creation this month, but first! some eye candy from Part 2 from Joan, Lisa and Susan:

Joan has put a butterfly in the center. Lisa (middle) also fussy cut her center and the striped border is really perfect. Susan decided to create a four-patch in the background of her Part 2 as she didn’t have any one piece of fabric that she liked. I’m really enjoying the creativity of these quilters!

This month includes making four sparrows in the garden.

I made more samples out of scraps to refine the pattern, but most of the fabrics I’m working with are Sherri and Chelsi’s line of Sincerely Yours, with a lot of warm pinks, reds and fun neutrals. After seeing the quilters above, I now want to remake it in something different.

Then the rest is cutting small bits, creating a background for what comes in Part 4–easy, peasy, right? I know it’s hard to create without knowing the future of a design, and my hat is off to Joan, Lisa and Susan for giving this mystery a go. As I mentioned in the last post, it was a bit of a mystery to me, too, after I scrapped the design of what I’d been headed toward and reworked it into a medallion quilt, but now I’m full steam ahead.

Here’s the front of this month’s installment. Parts 1 and 2 have come down, but all parts will be available in a stand-alone pattern, for sale in mid-summer. Our Instagram hashtag:

[UPDATE: The pattern is for sale in my online pattern shop.] Hope you enjoy making this third part. If you can post them on Instagram they will be fun to see! P.S. If you can’t manage another project, feel free to download for another time.

Happy Quilting!

P.S. This is how I feel about Daylight Savings Time.

Happy Old Year Ending (Wrap-up)

Happy Old Year Ending 2021

All the smartie pants people who Know Stuff say we’ll be shuffling through covid for quite some time, and that we just need to practice keeping going. So my usual at this time of year is a round-up of quilts, a way to say, well I wasn’t quite a total slouch in 2021. Evidence follows.

I made nineteen quilts:

Here’s the listing in my Quilt Index–300 Quilts. I thought the photo above of me at our Guild Meeting, wearing a mask and holding the 19th finish (A Tiny Spritz of Elements) was appropriate. We’re back to virtual meetings for the next three months with the Omicron Covid-19 outbreak.

I spent a lot of the time at the computer, writing up eleven new patterns. Sometimes I’d write a Pattern Lite pattern, then keep adding things until it became a full pattern. That happened with Flowering Snowball growing up into Blossom. Others were old patterns, previously released, that needed extensive revision and clarification.

I took only TWO loads to the thrift store, and then they wouldn’t accept a couple of pieces of small furniture. I cooked so much the first year of the pandemic, that I was more hit-and-miss this year, but still averaging 3-4 home-cooked meals a week. We are partial to Vietnamese, Korean, Japanese and whatever can be found in the open-this-bag-and-cook-it aisle of the grocery store.

If I take into account all the “ifs” (Covid-19 rates, masking, health, how the world is turning), I’ll be at Road to take a class and see my quilts in January. Ditto for February’s QuiltCon in Phoenix. Beyond that, you’ll find me in my sewing room, stitching away, writing some more patterns, keeping a difficult balance.

If you are new to this blog, you can find out more about me by reading another Happy Old Year Ending post.

Happy 2022. Happy Quilting!

Love Calls Us to the Things of This World

BY RICHARD WILBUR

A favorite poem from grad school, it is thumbtacked over my washer. My wash doesn’t hang out on the lines between buildings, nor does it ever look like angels, but I think we all are trying to keep a difficult balance.

The eyes open to a cry of pulleys,
And spirited from sleep, the astounded soul   
Hangs for a moment bodiless and simple   
As false dawn.
                     Outside the open window   
The morning air is all awash with angels.

    Some are in bed-sheets, some are in blouses,   
Some are in smocks: but truly there they are.   
Now they are rising together in calm swells   
Of halcyon feeling, filling whatever they wear   
With the deep joy of their impersonal breathing;

    Now they are flying in place, conveying
The terrible speed of their omnipresence, moving   
And staying like white water; and now of a sudden   
They swoon down into so rapt a quiet
That nobody seems to be there.
                                             The soul shrinks

    From all that it is about to remember,
From the punctual rape of every blessèd day,
And cries,
               “Oh, let there be nothing on earth but laundry,   
Nothing but rosy hands in the rising steam
And clear dances done in the sight of heaven.”

    Yet, as the sun acknowledges
With a warm look the world’s hunks and colors,   
The soul descends once more in bitter love   
To accept the waking body, saying now
In a changed voice as the man yawns and rises,   
    “Bring them down from their ruddy gallows;
Let there be clean linen for the backs of thieves;   
Let lovers go fresh and sweet to be undone,   
And the heaviest nuns walk in a pure floating   
Of dark habits,
                      keeping their difficult balance.”