300 Quilts · Patterns by Elizabeth of OPQuilt · Something to Think About

Crossroads

What is the difference between achievement and accomplishment? asked Adam Gopnick. That question has set me thinking about it ever since. We quilters work hard to get our quilts finished, our patches pieced and all the little scraps of fabric marching in order toward our vision. Are we achieving? Or are we accomplishing?

class taught for South Bay Quilters

Achievement,” writes Gopnick, “is the completion of a task imposed from outside — the reward often being a path to the next achievement. Accomplishment is the end point of an engulfing activity we’ve chosen, whose reward is the sudden rush of fulfillment, the sense of happiness that rises uniquely from absorption in a thing outside ourselves.”

“Our social world often conspires to denigrate accomplishment in favor of the rote work of achievement,” write Gopnik, and many of us are “perpetually being pushed toward the next test or the “best” grammar school, high school or college they can get into.” The result of this is that we drive the young (and maybe ourselves) toward achievement, toward “tasks that lead only to other tasks.”

Guild challenge fabric in front

Our Guild recently handed out their yearly challenge fabric, chosen by someone who loves purple:

While the challenge (due in September) is divided up into four categories (wallhangings/runners, quilts, wearables, bags/totes), for me the real challenge was working with this fabric.

Challenge accepted. When I was in Utah, I stopped by The Quilters Lodge and they helped me pick out some hues not readily observable, as well as a bold and sassy turquoise polkadot. Was this merely another task that led onto a task, “the point of it all never made plain,” as Gopnik asks?

I remember that Bonnie Hunter, master of the scrap quilt, always said that if a fabric is ugly to you, then you haven’t cut it up into small enough pieces. I didn’t find the fabric ugly — no Philip Jacobs fabric ever is, to my way of thinking. But the colors were definitely a challenge. So…I cut it up small. I chose one of my older patterns that I’d had previously published in Simply Moderne to be my guide through this. It has never been published as a stand-alone pattern, and I knew it was really versatile and strong enough to handle any fabric thrown at it. And it was fast and easy…also a requisite for this Guild challenge, to my way of thinking.

This could have been a series of exercises, dictated-from-the-outside, as so many guild challenges are. I’ve seen some so constrained that it really is ridiculous: how many of you have done the “crayon” challenge, or the “scraps in paper bag” challenge, or the “page number in a magazine” challenge? (However constraining, I happen to like that one.)

But on the other hand, says Gopnik, we’ll head towards accomplishment by looking at this big self-assigned task and “breaking it down into small, manageable tasks” that later lead to the final result. This experience of breaking down, then building up can also inform later professional work, even leading to a vocation. And my guess is that Gopnik meant these as self-directed tasks, with enough time and little enough direction, so that we can roam far and wide and back again in order to find that accomplishment.

“Self-directed accomplishment, no matter how absurd it may look to outsiders or how partial it may be, can become a foundation of our sense of self and of our sense of possibility. Losing ourselves in an all-absorbing action, we become ourselves.” (from here)

I spent the better part of a day cutting, arranging, sewing, finishing the top in a short amount of time. I recognize that I now have the opportunity to do that, and the support of my family. It was not always so easy, and when I was in graduate school (can we say “outside task” to “outside task” to “outside task”?) trying to get a degree so I could launch my professional life, I didn’t sew or quilt for two years. But I returned to it, and when I retired from teaching, my days of quilting — coupled with my education — allowed me to move into teaching Guilds, and writing this blog (“inside” tasks).

“Pursuit of a resistant task, if persevered in stubbornly and passionately at any age, even if only for a short time, generates a kind of cognitive opiate that has no equivalent. There are many drugs that we swallow or inject in our veins; this is one drug that we produce in our brains, and to good effect. The hobbyist or retiree taking a course in batik or yoga, who might be easily patronized by achievers, has rocket fuel in her hands. Indeed, the beautiful paradox is that pursuing things we may do poorly can produce the sense of absorption, which is all that happiness is, while persisting in those we already do well does not.”

So what is achievement? What is accomplishment? Maybe the words don’t fully articulate the slender difference, but we know it when we push through something hard, to end with something beautiful. We know it when that pursuit doesn’t end, although we may leave and come back to it after a time. We know it when we finally finish the quilting or the binding or the label, having worked our way through color choices and fabric choices and design and cutting and stitching, and hang up that quilt and stand back to look.

We most certainly know it then.

Other posts about Crossroads

Its Inception, long ago
Guild Visit, and a little stitching for NASA’s JPL Mars
Do You Tweet?
Crossroads & Simply Moderne Magazine

The pattern is now on sale in my PayHip shop.
Did you notice the new cover design? Just freshening things up a bit around here.

Gridsters · Patterns by Elizabeth of OPQuilt · Quilt Finish

Autumn Leaves • Quilt Finish

“When all that cautions the eyes toward the imminent
slide of autumn to arctic winds, the canopy of English elm
and sycamore leaves like colored coins fall and widen
a hole letting more light spill in, heaven’s alms
to earth…”
~from the poem “Washington Square,” by Major Jackson

And Denise Levertov’s poem asks Autumn: “can you pull me / into December?”

But wait, Denise. I’d like to stay here awhile, and enjoy the recent fall color all squeezed into this quilt:

Autumn Leaves • Quilt #269 • 50″ square

This was a group effort from Gridster Bee, a collaboration, much like when the forests in winter climates all talk to each other: “You do red this year,” says one. “I’ll do gold and brown. How about you do crimson?” and so on until the forest is “liked colored coins” that will eventually fall and widen. While more blocks than shown arrived, I had to widen the quilt to let that light spill in, so some are saved for another project, letting heaven’s alms fall to earth in more than one spot.

It started with these two, and morphed into a Pattern Lite, which you can grab here for under the price of a slice of pizza or a basket of beignets at our local beignet place. While you are there, don’t forget to snag the SpiderWeb pattern, which is free until the end of October.

Pattern Shop: PayHip.com/opquilt

Last year around this time, I had a different quilt slung on the fence, and was working on two autumn-themed pillows Mr. Pumpkin and Crossed Lillies; seems like working with these colors is an annual festival.

The back, showing all the signatures of my beemates: Patti, Shelley, Bren, Carlene, Laurie, Melanie, Robin, Susan, Carolyn, Ramona, and Meredith. I am so grateful they all contributed. And gosh, I know I’m missing a label (coming soon), and double-gosh, the back almost looks like a Modern Quilt!

Portfolio of Group Quilts

And to honor — and catalogue — all the collaborations I’ve done, I added a new category to My Quilt Index tab, above: Portfolio of Group Quilts. I only have my quilts listed (not the group’s quilt), although I have done posts about the others in the past.

Here’s to roads diverging into yellow woods, and copper woods, and crimson–

300 Quilts · Patterns by Elizabeth of OPQuilt · Quilt Finish

Eris • Quilt Finish

Eris • Quilt #265
54″ wide by 48″ tall

label on the back
photos taken at the California Air Resources Board, Riverside, California
sculpture is titled: Spatial Echoes of Breath, by Tomás Seraceno, 2021

Title of Sculpture: There Are Many Idioms About Breathing And Yet
by Kameelah Janan Rasheed, 2021

Since this photoshoot was at a facility that studies the quality of our California air, it was fitting that the idea of breath, or breathing, or air, was prominent in their public art all around the building. We toured the building, picked up the swag from the vendors and displays in the parking lot, the solar panels overhead shading us from the sun. Rasheed’s artist’s statement includes this line: “As a meditation on pacing and temporality, the artwork is a form of preparedness for the hard work ahead.”

Pacing — a steady pace? Don’t overreach? Don’t run faster than you have energy for? Keep up the pace?

Temporality— the state of existing within or having some relationship with time. Lived time (as opposed to clock time or objective time). Temporality is a term often used in philosophy to express the way time is understood, often as a straightforward procession of past, present, and future.

Some background: Love us or hate us, we here in Southern California are keenly aware of our air, and the effects that pollution has on our health. Too many of us live in communities polluted by automobile exhaust that combines with the moist air that comes in off the ocean: smog. Some communities are polluted by idling train engines. We have seen a distinct uptick in air pollution due to our online shopping habits from the pandemic. An increase of warehouses built at the eastern edge of our city, only a few miles from our home means the freeways are now clogged with semi-trucks bearing goods from the ports to the ocean of warehouses that have been built in this area in the last few years.

I have an asthma inhaler in my bathroom drawer; today in the exhibits in the parking lot, one vendor displayed about 10 of these devices, encouraging us toward cleaner driving, cleaner air, and an awareness of our temporality. Keep up the pace. But maybe…move a little faster.

About a year ago, I felt as if I were drowning. I couldn’t keep up the pace. I felt disconnected from time, certainly an effect of the pandemic in our lives. I know I wasn’t alone in these feelings. I tacked a giant calendar on the wall of our garage, and took to marking it off one day at a time. Keeping track. I pared down all interactions and responsibilities to almost nothing. I was choking in sadness, bad air, political pollution, weary to the bone. I am usually the biggest Pollyanna you’ll every see, but at that time there was no breath in me.

When we are stressed, we often say Breathe in, Breathe out. Take in good, let go of that which is exhausted. Find fresh, expel the stale. I decided to make space for new things (Heart’s Garden?), to re-examine what I had in my life, and what I could let go of. I have taken steps to regain my health, and finally feel as if I’m making my way back to myself.

I also found my way back to this quilt. It has been a satisfying period of finding quilts made in a rush, and now taking time (pacing?) to sit with the quilt, find the way to quilt it, to finish it. My husband Dave always finds great places for us to photograph, and willingly holds the quilt, a support in all ways. So it was fitting to photograph this quilt at a place which is concerned with breath, with air. The title, Eris, was a parallel to my inner world last fall, and the discord seems to continue into this year as well, with its Ukranian war, the J6 Committee findings, the ongoing pandemic (and now we are returning to using our masks).

But I worked in Harmony. I appreciated the safety of Order, the constraints of Geometry, the goodness of Grace. But most of all, I acknowledge the gift from the One who loves us all: Creativity.

Take a breath!

Other posts about this quilt:

Pattern is found in my PayHip shop and includes two different sizes.

This quilt had a working title of Spectral Light.
I write about the fabric in this post, stars shining brightly.
There are other, smaller versions of this quilt: Choose Something Like a Star.
Some of the quilting was written about in this post.
The original Triad Harmony Quilt Finish (quilt #234).
I taught a workshop for Coastal Quilters, and they produced a lot of amazing Triad Harmony quilts.

You’ll probably see this design again. I made a total of five different quilts for teaching, and have quilted three of them.

Heart's Garden · Patterns by Elizabeth of OPQuilt

Heart’s Garden Mystery QAL • Part 5

Heart’s Garden
57″ square• Quilt #264

Gardens can be mysterious. In our case we planted the melons and the round cucumbers and some nocturnal visitor came and dug it all up. Will those seeds pop up somewhere else? Were they get eaten? What’s in the heart can also be mysterious, even to those who might have some experience in the matter. Are we charitable? Are we passionate? Are we kind, snarky, tough or tender?

But in the case of the QAL for Heart’s Garden, the mystery is now solved!

This is the final free pattern for the 2022 Mystery Quilt-A-Long. I will have a Part 6 that will show some embellishments, but that will be a post, and not a pattern release. Heart’s Garden Part 5 will remain free until early June 2022 when all the patterns will be combined into one that can be purchased.

I’m sure you’ve seen these images of Part Four on Instagram. Joan’s quilt is a brilliant range of hues from yellows to pinky purples. Lisa has used a wonderful selection of blues, pinky reds and tans to great effect. Linda’s quilt took a different turn when she used the borders from my Evergreen, Ever Life quilt, amending them to fit the center, and Susan (on Instagram or at her blog) has also made changes, using five flowers on two sides. I love them all! [As I receive updated photos, I will post them.]

Heart’s Garden finishes up with a row of heart blocks, like a happy picket fence around our garden. Generally I used medium-dark fabrics with a scrappy low-volume background. All fabrics are by Sherri and Chelsi, from their Sincerely Yours line. I love the brightly colored prints from peach to purple and think this makes a really happy quilt. Sherri is a friend of mine (we both taught English Composition classes) and I think this quilt would also be great in her newest line, Seashore. One reason I love showing all the quilts at the beginning of the post is for you to think of different colorways for your quilt than the one on the front of the pattern.

And speaking of the front of the pattern, Part Five is ready for a free download at my PayHip shop. (Reminder: In case you didn’t get any of the other parts, they are there for sale as well.) But, again, in early June all the parts will disappear to be replaced with a complete Heart’s Garden Sew-A-Long pattern for sale. Now let’s talk construction.

I started with the corners, making a Log Cabin block with darker outside corners.
Then I discarded this block and made the ones you see in the quilt. That’s why I have a full box of orphan blocks!

I like to sew Log Cabin blocks from measurements, but in case you like paper piecing, that option exists for you as well in this pattern. In fact, I made up FPP options for all parts of this border: the log cabin corners, the heart block bottoms and heart block tops.

I ended up using the paper piecing for the heart block tops and was happy I did.

There is a slightly different proportion on these hearts than usual, as I wanted a certain look for the border. I cut out backgrounds and tips and triangles. Detailed instructions for how to do this accurately and carefully are in the pattern. (Tips to make wonky hearts are also there.)

I smoothed out the center onto my design wall, then as I made hearts, I arranged them around the quilt.

There’s always this moment that you wonder: was this quilt worth it? I had only seen it inside, in my room and a lot of time I was sewing at night during winter.

But when I took it outside and saw the natural light hitting all those fun hearts and flowers and birds and patchwork, I was really glad I persevered. And I love the stained-glass photo of the quilt from the back. Sigh. I was content.

When the top was finished, I sent it off to Krista of KristaStitched, who used the Bebop e2e panto at my request. I used a neutral backing and Soft and Bright polyester batting. She did a great job. I bound it with a narrow strip of the geranium color that was in the fabric line. I did have to send away for the half yard, as I’d pretty well used up all my fabrics.

I have one more post about this quilt, showing a few more bits in Part Six, but there won’t be a download for that one–it will live here on my blog. So head over to my pattern shop and get your free pattern. If you don’t have time to sew it now, feel free to save it for later. But please–do not share the patterns with your friends or families. I did this free sew-a-long as a thank you to all my blog readers, and do want you to download your patterns in my shop, not post or share them without permission. Thank you 🙂

For those who have been following along, I hope you’ve enjoyed this Heart’s Garden Mystery QAL. See you soon for Part Six!

Hope you can occasionally piece and quilt–