This and That • February 2026

February 5, 2026February 9, 2026 Elizabeth E.17 Comments

Update on the SAHRR for 2026: The theme for Round Three was “Animal Kingdom,” so I spent a long time scrolling through my BlockBase+ software (really, it’s Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns in digital form–you should have this). I looked at all the names with something from the animal kingdom and found the one in the upper right corner: Bird’s Eye View.

After all that I sewed for last week’s double-double Round Two, I opted for SAHRR Lite. The yellow border is a sketch — to see if I like it. (I do, but I’m waiting to see what the Round Four prompt is.)

Here’s a free handout to make a 5 1/2″ finished Bird’s Eye View block, if you don’t have BlockBase+.

Handout Round 3 block Download

(I don’t have an illustration for you, but if you click on the title: Handout Round 3 block, it should pop up so you can see it. Then click the Download button to download it for free.)

I rough-cut the rays, then seamed them together. Placing the center line on the seamline, I pinned the pattern down and cut around it. I did use a giant plastic circle to help coax that outer seam allowance into place, pressing the seam allowances over it. I hand-appliquéd the circle. And yes, I didn’t end up using this version in the quilt, but instead made another.

Since this is a This and That Post, here’s the first thing for February: glasses. I’m at the three-glasses stage: one for regular walking-around-life, one for the computer (middle), and a new pair of sunglasses (they’ll come with tinted lenses). I only get the sunglasses every few prescription changes, but definitely the clock is not running backwards for my eyes. I had a new optometrist for this exam, with a brand-new machine, and I was totally impressed with her enthusiasm for All Things Eyes.

I updated my Mercantile Links at the bottom of my blog, and included Harts Fabric. They have a super selection of lots of clothing patterns (including Merchant and Mills) and this new feature if you buy fabric: they’ll pick your matching thread. Whoopee! for those of who have no decent fabric stores now that JoAnn’s is gone.

Because of SAHRR, I’m meeting some new bloggers and Ms P Designs is one. I really liked their guidelines for their PHD. You’ll have to read it to know what I mean. I participated in this kind of thing about six years ago and it really helped me clean out the backlog of projects I’d accumulated. I know there are other Linky Parties out there as well. If you are overwhelmed with Projects Half Done, join one. Because of this post, I dusted off my 2026 list:

I picked some that were new, some that are in process, and some that I need to design. One quilt is on the list because this year is the 250th anniversary of our country, and I wanted to think about how to celebrate it. Obviously with some new stamps…

…as I can certainly celebrate 250 years of the Post Office! Number 4 on my list, above, is about making a red, white, and blue flag day quilt and celebrating those things about my country that I love. I’ll be picking and choosing, and writing about them until July 2026. Here’s another set of beautiful stamps, complete with some cloth:

(You already have read about my affinity for stamps. When I travel overseas, I also buy stamps in whatever country I’m in!)

This stumped me this week. I used this (Kona Wasabi) in an earlier completed quilt and I was trying to recreate that quilt. I didn’t have any of that yellowy-green from Kona as I’ve switched to Painter’s Palette Solids.

QUILTY SOLID TO THE RESCUE!!!

Steph Skardahl, a Very Talented Quilter, put this app together and it’s a-may-zing.

So the original query was if Kona Wasabi was similar to Lemon Ice in Paintbrush Studios’ Painter’s Palette Solids:

I was able to compare it in her “Harmonies” section, which gives readouts for Hue, Saturation and Value. Thank you Steph for this really helpful app.

I have an iPhone (Apple) and this is what the landing page looks like in the App Store. So happy to have this and it’s free!

He always makes me laugh.

Another clever crocheter is here. Go read it for the comments. She asks the people responding to speak about current events as if they were talking about crocheting. I think if we all adopted this language we might not be so grumpy with each other so much.

A little HOORAY for this milestone, and yes, it is already on my 2026 Planned Makes list. I actually have made one more, but I don’t count them until I cut out the back and put it in the box. The original post, with free handout and pattern is here.

We are now eating the front yard’s mandarin oranges! It’s so hard to wait every year until February, but it is now, and we are enjoying them.

So why was I on the hunt for something similar to the Wasabi solid? I gave away one of my favorite quilts and was happy to do so, but I missed it. What made it special was the fabric for the borders, an out-of-print Anna Maria Horner (now known as Anna Maria). Gone. But as I was strolling the vendor aisles at Road to California, oh-my-goodness! There was a whole bolt of that fabric!

It was karma, as I already had a stack of AMH/AM at home, so I was good to go. (I will post about Road in the next couple of weeks, never fear.) And now, with a bunch of petals of Lemon Ice cut, within a couple of days, I was cooking:

Hmmm. Missing one.

I finished it just as the sun went down and rushed out to my back patio to try and catch the last few rays of sun.

On the patio. It’s from my pattern Blossom:

(The original quilt, above.) I also want to make a spring version in a smaller size. The pattern has three sizes of this block, with two different borders. It can be found in my pattern shop, and for this February, it is on sale…and without a coupon! It expires at the end of February. Okay, we are almost finished with this post.

Another wonderful quilter, discovered through another online collaboration, Janine of Rainbow Hare made this wonderful combination of wee blocks. She is also in SAHRR. We have a lot of quilty friends out there!

Sometimes I forget to hold space for my quilting, for creativity. I tend to pack things in, rushing from one thing to another. While the thought above relates to how we treat those close to us, I think sometimes giving my creativity a chance without harsh judgement can be a challenge. Sometimes I need to relinquish control and let serendipity find me, as the Queen Anne fabric found me at Road to California, on a day I was just feeling less than subpar, overwhelmed by all the beautiful quilts as well as by the current events in our country. And then, just like that — the spark came, the space opened, and a quilt was made.

Find your people. Find your creative space. Find those quilts that touch your heart —

The schedule:
*January 14: Center Blocks, led by Gail and shared by each co-leader
*January 21: 1st Round: Brenda @ Songbird Designs
*January 28: 2nd Round: Kathleen @ Kathleen McMusing
*February 4: 3rd Round: Emily @ The Darling Dogwood
February 11: 4th Round: Wendy @ Pieceful Thoughts of My Quilting Life
February 18: 5th Round: Gail @ Quilting Gail
February 25: 6th Round: Anja @ Anja Quilts
[An asterisk* means I finished that section.]

300 and Beyond · Quilt Finish · Quilts · Something to Think About

Summer Flowers • Quilt Finish • Etc.

October 11, 2025 Elizabeth E.12 Comments

The title of this quilt pattern is Posh Penelope, and as one commenter said, “That is a name that needs to be changed.” So I did.

Summer Flowers is quilt #307 and measures 80″ tall by 69 1/2″ wide.

At first we tried this building for the photographs (click to enlarge). Love the building, but it’s not really working. And I had my QHH (Quilt Holding Husband) grab it by the side. Whoops! (This is how I knew the label was sewn on sideways.)

It only took me seven pieces of fabric to audition for the binding, and I sewed it on by machine. There are times when you just have to get it done.

We got the direction correct on this photo. Even though I sewed the label on the wrong way, I’m not changing it. So, this is finished!

You are all aware, no doubt, of the corrupted digital files saga in my life (see the highlighted pink, above.) After multiple calls to Tech Support, I have resigned myself to the fact that all the files with little down-arrows are pretty much gone, and these date from last month to way back into my history of making little digital files.

So when I’m on Low Energy (lately, that’s been a lot), I sit and go through them, dumping them one-by-one, then when the trash on my computer gets filled up, I dump them. Gone. Never to be seen again.

It looks like I’m fully in the Age of Subtraction, my Dad would say. For years I created and compiled and wrote. Now I’m dumping all that unceremoniously. I lost about half of my journal files. The ones I could recover, like when I had four teenagers in the house, were hard to read, frankly. They were filled with sturm und drang (aka “storm and stress”), and nobody wants to remember that time of life. Reading backwards into my life has triggered some realizations.

One: I chose well in deciding to be someone who makes things, if that can be a choice. I have donated dresses I made long ago, but they served their purpose and maybe someone, somewhere is walking around in them. My family now runs when they see me coming, but I have managed to give away quilts, too. That work lives on until it doesn’t, but at least I won’t have to be the one dumping them in the trash.

MFA graduate picture and a post with some reflections on my life

Two: I also chose well when I decided to chronicle my life in writing, which is a choice. You are perhaps used to my public-facing writing from reading this blog, but I have come to learn that personal writing is something done just for yourself. That in this kind of writing, we struggle on the page to capture an event, and to write it for our future selves, or for our families, if they don’t throw it all in the trash (just trying to be realistic here). And now that I’m way beyond the baby-toddler-children-teenager stage, I’m glad I have some writings to remind me of how busy a mother of one (or few) can be. I’m glad I have some written evidence of that to which I gave several decades of my life.

taken at a time when I started doing Zoom workshops

Three: Taking photos has surpassed the writing. Is it because we always have our phones on us? When I first started shooting photos of my life as a young mother, it would take three months to use up one roll of 24 shots of film. That was by design, as film was a cost, and developing was a cost, and I was always broke. Now we can capture 24 images on a walk around the park in the morning and compile thousands of photos in our digital drives. Interestingly, I didn’t lose any photographs in this Great Subtraction, as they were not part of the save-to-drive-that-may-have-been-corrupted-which-was-then-uploaded-to-the-cloud-which-was-probably-a-faulty-process-in-itself.

Four, and last: Quilts last. Scrubbing the house doesn’t. Laundry doesn’t. Our digital lives won’t. Our real lives will someday end and fade away, but a grandchild or someone who is the recipient of our charitable work can wrap themself in a quilt and know that someone’s hands made this, a transfer of self via cloth and stitches.

Keep quilting–

Too Many Other posts about this quilt:

Road to California 2022 • Part I
Writing Poetry
Incomplete
Don’t Ask Me — they all just crept in!
March 2025 This and That
If I Do This, Can I Do That? April 2025
Flying Through Rainbows
This and That: No June Gloom, please.
The Zeigarnik Effect: the Power of the Unfinished
Summer Flowers (aka Posh Penelope)

Thank you, dear!

300 and Beyond · New York Beauties · Patterns by Elizabeth of OPQuilt

New York Beauties • Quilt Finish

September 7, 2025September 7, 2025 Elizabeth E.12 Comments

New York Beauties took a long time to get here: about three years. Started in 2022 from the spark of an idea, with a pillow of four New York Beauty blocks, it quickly morphed to quilt size, with a series of block tutorials. Then it moved from there to the new rage of freezer-paper piecing, tired as we were of ripping off papers from the back of our precision piecing.

While that took some time, to get all those blocks designed and drafted, then figure out a tutorial, then make the required number — it seemed to take longer to quilt it myself. Every block called for a new idea, a new way to outline the rays, or fill in the backgrounds, or sculpt the arcs. Many times I seriously doubted I was up to the task.

I unpicked some areas and re-did them. I’m still not sure about some of them, but it’s time to let this rest.

Quilt #300
Started June 2022 • Finished September 2025, with the label being sewn on this afternoon.

I’ve learned a lot about what colors are my favorites (butter yellow seems to be right up there, along with a bluey aqua).

I found out my machine’s limitations. Neither it — nor I — are high-precision longarm machines, although we do our best.

I remembered that sometimes simple borders are best, and that a ruler and a disappearing marker can get those designs sewn into cloth.

I thought about my very own New York beauty, born in the Empire State. She has fallen in the love with the Big Apple (New York City’s nickname) and tries to go there often. This quilt is for her….

…from me, her mother.

I was stitching the binding down while we were at her house this past week, so yes, you do see little binding clips. Kinda’ adds to the color, don’t you think? But I didn’t want to leave without a picture of her with this quilt, since the full title is:

Usually I do a round-up of blog posts at the end of a Quilt Finish, but this time I’ll just send you up to the New York Beauties page with everything listed, including a free block or two. The rest of them are in the pattern, found in my pattern shop on PayHip.

I will say that the border was cut 5″ wide, then mitered on. I will probably update the pattern at some point in the future, complete with new photos, etc. If you have purchased it, you can re-download it. I’ll announce it on here.

Lastly, I am now working on a visual index for my quilt blog. It’s called Blog Index, and it’s up at the top.

Take a look!

300 and Beyond · Quilt Finish · Quilts · Something to Think About

Duck Creek • Quilt Finish

February 17, 2025August 23, 2025 Elizabeth E.9 Comments

Duck Creek • quilt #302

I know you are really here to see the info on this beautiful mural. It’s by Rosy Cortez, and was done under her guidance by a team of helpers. (Links point to her Instagram page as well as to the website for the mural.) I really love that it’s three different ages/stages of women, honoring our local native tribes. I’ve been two of these ages, and am now in the third (hint: I’m not pregnant).

Sometimes the title of this mural, We Are Still Here, reminds me of all my quilter friends. We cut and piece and hang out in our sewing rooms, studios, basements, garages, spare bedrooms. Every once in a while we pop up with another quilt top finished, the binding on another, and still another in stages of quilting. Dedicated, we follow in the way of artists everywhere: we have the vision. We have to see it through.

Recently an article titled “The Art of the Steal,” discussed the number of original book plots possible. In 330 B.C. Aristotle thought there might be just two: “simple (change of fortune) and complex (in which the change of fortune is accompanied by setbacks and reversals)” (by Emily Eakin, link above should allow you to read the entire article). By 1892, Rudyard Kipling thought there were 69 plots. Between Kipling and our current day, the number fluctuated, and by 2004, Christopher Booker proclaimed there were just seven: “the quest, vanquishing the monster, rags to riches, voyage and return, comedy, tragedy and rebirth” (Eakin, ibid). Not to let the number lay there, another group used a computer in 2016, and proclaimed that the “world’s stories boiled down to ‘six basic shapes‘ (Eakin, ibid.)

So how many original quilts are there in our quilting world? Like the novelists, do we have just six basic shapes?

Two of these are triangles, the rectangle is just a stretched-out square, and the curved wedge is just a segment of a circle. We have rectangle triangles, skinnier triangles, ray-shaped triangles. You’ve used them, I’ve used them. Are we like novelists then? Taking a few basic shapes (boy meets girl, etc.) to make our quilts? I have a child who really likes triangles. Another of mine just likes big quilts, bypassing design altogether. Another likes red quilts, and the last child just wants them all (bless her).

I can satisfy all their requests, for sure. And like my children, some of us are attracted to medallion quilts (my hand is the air), others like samplers, and still others would be happy making intricately pieced quilts for the rest of their lives in a blissful sort of who-cares-about-shapes-let’s-throw-them-all-in-at-once attitude, and come out with spectacular pieces of art. The reality is we take, we borrow, we steal, we adapt, we climb on top of, we turn it around, and then make it ours. Here’s one of my recent favorites, from Linda Hungerford, of Flourishing Palms.

*Feelin’ Groovy*, by Linda Hungerford (used with permission)

So the bottom line is for me, at least, I think there may be very few original quilt designs. No one gets to claim copyright on a triangle, or a circle; we all know that. But where our creativity comes in, and why we are still here, sewing machines humming, has to do with how we use those shapes, those fabrics, and how big we make it and how small we make it.

I have two copies of Barbara Brackman’s Encyclopedia of Pieced Quilt Shapes, and I also have her version of that for Appliqué. Sorry to say that I feel the same about appliqué: most of us are imitating the vines, swirls, flowers, stars and animals of the appliqué world that we’ve seen before. I have twice had famous quilters threaten me with a lawsuit because they believed I was making money off their designs (seriously?). One was well-known for pinching other people’s designs, too. I pulled that pattern, and have made it free for those who are interested, for who needs a lawsuit? The other quilt I never went far with, but I’ve seen variations of it. One last episode of being accused of plagiarism left me shaken, and I lost a good friend over it, even though the design was available freely online. I really hate run-ins with famous territorial quilters, as most of the time I’m just in my tiny world, doing my thing.

The Duck Creek quilt is made of Cat’s Cradle blocks, sashed with cornerstones and pieced rectangles, and it is the design of Lisa Alexander & Susan Ache, from their book Celebrate with Quilts. I saw this pattern at our Guild night, when Char brought her book to show a couple of us. I was hooked on this design, bought the book and went for it.

The subtitle of the Times’ article has the phrase “Copy that” as in, we get it. But sometimes we quilters seem to be the least able to “get it,” I think. I have seen some incredibly original and interesting quilts this last year, and yes, most all used the shapes above. But they are originals because of the way they used the shapes, colors, negative space and so on; maybe we don’t need to get so territorial about our shapes? We quilters can be “original” even when working with those basics, like Linda’s amazing Feelin’ Groovy.

Nobody can “copy that!”

Keep making, keep quilting, keep being here–and have fun at QuiltCon this week, everyone!

UPDATE: Some truly unique and original quilts were hanging this year at QuiltCon 2025. Here’s a post that will show them off. And here. And here. And here. And here. And here. And here. And here.