Single Binding on a Mini Quilt

Mini Quilt Binding TutorialWe all put double layers of fabric bindings on our larger quilts, but have you thought about using a single binding on a smaller quilt?  It’s quicker, flatter, and really–are you going to wear out those edges any time soon?  And if you do, won’t you just repair them?  That idea came from Gwen Marston, in one of her last workshops.  That idea — that a quilter would just repair them if they became worn — is why she uses single bindings on all her quilts.Mini Quilt Binding_1Start by squaring up your mini-quilt.  Yes, that is a gigantor square ruler, and I use it a lot, actually.Mini Quilt Binding_2Prepare your hanging corners, by cutting a larger square (for a 24″ quilt, I use a 5 1/2″ square), folding in half, diagonally, and pinning it in the upper corners of your mini, against the back, matching raw edges to the edge of your quilt.

Mini Quilt Binding_115a(Here’s what it looks like on another quilt, as my corners just disappeared on this one.)

Mini Quilt Binding_3Cut strips of fabric (lengthwise, if you can) about 1 1/2″ wide and the size of two sides.  Pin, then stitch on, using a 1/4-inch seam.

Mini Quilt Binding_6Repeat for upper and lower edges.  Pin and stitch, but watch out that you don’t veer off on those corners (I pin them).Mini Quilt Binding_5Mini Quilt Binding_7Square up the corner, and cut off the excess, both underneath (above) and on the outer edge (below).
Mini Quilt Binding_8While this looks angular, it isn’t.  Mini Quilt Binding_9Press binding out away from quilt.  Mini Quilt Binding_10Fold up lower edge, so the raw edge of the binding meets the raw edges of the quilt.Mini Quilt Binding_11Fold it up again, covering the raw edges of the quilt. Pin in place, and then repeat with the sides:Mini Quilt Binding_12Mini Quilt Binding_13Hand stitch all the way around, or if you are a confident quilter, you can use a glue stick to affix the binding edges down, then machine stitch.  I personally don’t like the machine stitching, as I think it makes the edges too rigid, but “To each his own,” said the Old Lady as she kissed the cow.  (My Dad used to say that all the time.)Mini Quilt Binding_14Here’s the corner already on, but it’s hard to see.  I cut a dowel the width of the quilt, minus 2″ and slip it into place. Then I hang my minis, balancing it on a push pin.Mini Quilt Binding_15Mini Quilt Binding_aThanks to all who came to the Trunk Show and to all who sent their best wishes.  It was a lovely evening!  If your guild would like to see my Abecedary of Quilts Trunk Show, just drop me a note.

Oh! Christmas Tree Quilt

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Oh! Christmas Tree Quilt
Quilt #175
Began January 2016 • Finished December 2016

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It’s finally finished.  I started this once I saw the QuiltMania magazine it was featured in.  It is a pattern from Wendy Williams of Flying Fish Kits.  I had a companion in the making of this, in Wendy Welsh from New Zealand.  She was about a month ahead of me in construction and was such a great help, especially in untangling the borders dilemma.  All of the posts about the making of this quilt are referenced in the Quilt-A-Longs tab, up above.christmas-tree_2

I did finish it by my goal of December 1st, but had to find the right locale accessories, like the lumber-jack looking guy above.  (By the way, the most important man in this photo is unseen, holding up the Christmas Tree quilt.  Thanks, dear!)christmas-tree_3adetail

I had written about how I quilted the center: a meander with tiny stars here and there.

oct_fmq-for-starsAs usual, I printed out my quilt with partial transparency and doodled and doodled, coming into a dead end always.  But finally, inspired by an idea from  *here,* I chose to do swirls around my stars with a spiral in the center, linking them all together.christmas-tree_3detail

I quilted the cream background fabric around the wool felt appliqués, then in around those red triangle points, leaving them unquilted.  I did outline them in a straight stitch, helping them to stand out from the background.

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My husband Dave and I went out for a photo shoot as the sun was dimming, first hitting the tree lot at Teen Challenge (below), a charity near our house.
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And then we went looking for more evergreens for backdrops, a near herculean task in Southern California.  We finally found these pines in the university parking lot.  I told my husband that Marsha, in Vermont, could photograph hers out in the woods amid the snow, but that typical to our climate and locale, we have to pose in an asphalt parking lot.

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The back is a series of panels and fabrics from Cori Dantini from her Merry Stitches line, purchased at Quilt Market this past May and available now.  It’s fun to use them on the back.christmas-tree_front1

This quilt (or parts of it) have gone to Spain, all around my town, and then finally tucked in at home to be finished with the quilting. I took inspiration from all of those who followed along on the Quilt-A-Long and on Instagram, but am indebted to my husband for his love of my quilting and constant support.  Lastly, the design for Mary and Joseph and Baby Jesus are found here on the blog. Uusually we say that what’s important about Christmas isn’t found under the tree.

But in this case, it is.

I hope your Christmas season is merry and bright and filled with the love of our Savior.

Not Waving, but Drowning

notwavingdrowning_front2Not Waving, But Drowning
Quilt #173
39″ high by 43″ wide

This quilt began its life in a quilt block I designed, which I call Semaphore.   My friend Cindy saw that and made a version for a fabric manufacturer, who then put it on a world tour (see a photo at the end).  I saw it again at Quilt Market in May 2016, and decided I wanted one myself, only larger.

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I purchased several charm packs of solids, and arrayed them all out by color family and from dark to light, using several color groupings.  There were many duplicate squares, but after I felt I had a good amount, I went to work.  More information about the layout and design ideas as well as how to quilt this can be found in the pattern, for sale on Craftsy.

I titled the block Semaphore, but always in the back of my mind while I was working on this quilt was the poem titled “Not Waving, but Drowning,” by Stevie Smith, about a man who gets in trouble while out in the waves.  He drowns because people think he was waving, but in reality, he was signaling for help.

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I think the half-square triangles look like a series of nautical flags, waving in the wind.  I decided to quilt it also in a wavy pattern, but didn’t want a tightly controlled wave.

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I wanted those waves loose and lanky, wild and woolly, just like those ones that come up and splat you in the face when you are wave-jumping in summer.

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I love the colors in this quilt, and the up and down fluid movement of the quilting. It calls me to remember that our lives, like the ocean, can lift us high, can hit us in the face, can overwhelm (as in Stevie Smith’s poem), yet also can bring a lovely memory of a summer’s day. In a nutshell, it reminds me that life is full of ups and downs, a blend of dark and light.  It’s also a reminder that, in spite of what we post on Instagram and Facebook, we all aren’t having tons of fun and radiantly happy all day long.  But we also don’t want to be drowning when we are in reality signaling for help.  So, take care of your loved ones and friends, and please please…take care of yourself.

And keep quilting.

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Cindy’s quilt at Quilt Market, using the Semaphore block.

 

(NOTE: This post has been updated with different content after original publication.  It was originally about depression.  Thank you all for your comments; I have them saved and will reread them often.)

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My blogging software puts ads here so I can use their site for free. 
I do not know about, nor choose, the content, nor do I receive any money from these ads.
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Illusion of Colors, based on a design by Kevin Umaña

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Illusion of Colors Quilt, #172
24″ square

This was the second of two designs I made using Uppercase Fabrics and designs from artist Kevin Umaña, who now lives in New York City.  I first wrote about him when we started our collaboration, and he was a delight to work with and has great punchy graphic designs that translate well to quilts.  illusionofcolors_2 illusionofcolors_3

I had this pinned up and awaiting quilting for the longest time.  You all know that my shoulder has been giving me trouble (wah wah wah) and last week when I went for a 3-month check-up, the doctor said don’t do anything that hurts.  Well…sleep hurts.  Getting dressed hurts.  Sitting quietly can hurt.  And then I thought if I can’t do anything that hurts, I may as well suspend myself in green Jello or something.  Or, since everything hurts, I’m going to quilt.  That night, I finished off Kevin’s great design.illusionofcolors_4

Of course, sitting quietly, sewing on the label hurt my shoulder.  (eye roll)  So I apply a lot of this:

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Brenda thinks I should get a real ice pack, but this seems to work okay.  I’m on my second one.  And yes, I’m still going through doctor hoops, hoping one day to do stuff without hurting too much.  But I will keep quilting, because if I can’t quilt, what can I do? (No need to supply answers).

I’m just happy to have finished up Kevin’s quilt.  I’m mailing off to him as a thank you for sharing his designs.

 

 

 

tiny nine patches

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My blogging software puts ads here so I can use their site for free. 
I do not know about, nor choose, the content, nor do I receive any money from these ads.
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Shine: The Circles Quilt, finished

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Shine: The Circles Quilt
Quilt #170
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This quilt finally finished, I took it out for a photography session with the help of my husband.3shinecirclesquilt

I started sewing the first block in June of 2014, and finished the top a year later.  The quilting was finished at the end of September, but it wasn’t until now that I could get time to take it up to our university’s Botanic Gardens to get some photographs.
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My husband’s favorite block.  As some of you know, many of these blocks were inspired by art in a church in Slovenia, as well as designs from our travels.  Most of the patterns and accompanying tutorials are free on this blog, found *here* as well in a tab labeled Shine: The Circles Quilt.  4shinecirclesquiltl 5ashinecirclesquilt

This shows the quilting.  I was trying out double batting (polyester with wool), and found it was a challenge to move the heavy quilt around on the machine.  It took me nearly 4 months to quilt this thing, as I was hobbled with a shoulder injury.  But I was able to finish it!7shinecirclesquilt_label

As I quilted, I thought a lot about my brother-in-law Tom, who passed away a little over a month ago.  He maintained a beautiful small garden in his backyard, and so in one of the corners I quilted in a flower in his memory (shown below).  Many offered advice and help while I was quilting: thank you, everyone.6shinecirclesquilt shinecirclesquilt_detailback

detail of quilting from the back

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This closes a chapter in my life.  Lovely to see you here, Shine!

Good Friday: Four-in-Art Challenge • May 2016

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Good Friday
Quilt No. 164, May 2016
#2 in the Color Series: MusicFourinArtMay16_2 FourinArtMay16_3

This quilt was inspired by time spent in Antonio Gaudi’s magnificent creation of La Sagrada Familia, a basilica in Barcelona, Spain.  We visited there in March of 2016, on Good Friday of their Santa Semana (Holy Week).  It was a fitting capstone to our visit to Spain, and to other of Gaudi’s architectural buildings, and from the moment we walked in, we were overwhelmed.  Gaudi based a lot of his structures on natural elements, curves inherent in draped forms, local mountains, rock and nature.  So I took my cue from the same, as well as trying to weave in a representation of my experience there with color, music and the Spirit.FourinArtMay16_SagradaChristIn most of the Catholic churches we visited on our trip, the center crucifix of Christ was based on what we perceived as physical pain: the suffering that Jesus as a mortal man endured on the cross for all those many hours of the crucifixion, his head bowed, the expression on his face, agony. Yet in Gaudi’s church, Christ was under a canopy that appeared almost like upside-down blossom of a trumpet flower, surrounded by a vine laden with clusters of grapes, the expression on his face transcendent, his eyes focused upward.FourinArtMay16_La Sagrada FamiliaAnd high above him, nearly 200 feet in the air, is a golden arrow or tree that points to a further high point, a representation of his ascension to heaven.  The symbolism is rich and layered for those who are familiar with the story of Good Friday.  I sat down in the chairs in the nave to think and to let myself fall into what I was seeing, and surprisingly, hearing.  As I sat there I became aware of music, just below the level of hum of the crowd.  It was hard to decide what the score was, whether it was some oratorio like the Messiah, or a choral rendition, such as Ave Maria (which was later played at noon).  The beauty of the stained glass, the unique and thoughtful Christ in the unusual baldacchin, the representation of the Resurrection by this golden motif pointing upward and the music were a fitting celebration of the events of Good Friday.

FourinArtMay16_SagradamotifLaSagradaFamilia_13 LaSagradaFamilia_12On a more practical level, during our entire trip I had been puzzling what I would make for our May Four-in-Art art quilt, with its dual themes of color and music; I knew that day that I wanted to attempt to recreate some portion of what I had experienced, however puny my attempt might be.FourinArtMay16_5

This is my third try at this structure.  I had started out with the swirly pink, yellow and blue batik, but first used a yellow solid.  Then when we went to visit my son in San Diego, I found a fabric store that sold silk shantung, and a bit of the glistening crisp fabric came home with me.

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I worked those diamonds multiple ways, but finally had to settle for a tepid reference to the intricacies of Gaudi’s design.  I’m not too happy with the blue pieces, wishing I had instead something more grayed to bridge the swirling pastel batik to the outer gray, but again, I was aiming for a representation of the experience.
FourinArtMay16_7 FourinArtMay16_8Because of the lattice shape, the dimensions of this quilt are quite different than the usual 12 inch square quilts I’ve been making in this series.

FourinArtMay16_9I backed it with more of the batik, quilted it up on my new quilting machine, and bound it in more batik, wishing to let the edges flow, not constrain, the design.
FourinArtMay16_10 FourinArtMay16_11 FourinArtMay16_12 FourinArtMay16_13 FourinArtMay16_14I was surprised when I laid it out on my flagstone for a photograph in the sun, how the sheen of the silk echoed the glinting bits in the rock underneath it.  The label reads: “The intense spiritual experience of Good Friday in Barcelona, as I sat in the nave, with color, sound and Spirit blending around me, prompted this quilt: an attempt to recreate one of Gaudi’s motifs.”

Perhaps to someone who wasn’t there, it may seem puny or very far from that design motif high above the nave.  I agree.
But it will do.

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Please visit the other quilters in the Four-in-Art group, so named because we work towards quarterly challenges (next challenge will be August 2016):

Betty         https://www.flickr.com/photos/toot2

Camilla     http://faffling.blogspot.co.nz/

Catherine    http://www.knottedcotton.com

Janine         http://www.rainbowhare.com

Nancy         http://www.patchworkbreeze.blogspot.com

Rachel         http://www.rachel-thelifeofriley.blogspot.com

Simone       (sitting out this round–her daughter’s getting married)

Please also visit our blog: Four-in-Art Quilts.

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5XmasTreeMaySee you tomorrow for STEP FOUR of the Oh Christmas Tree QAL.