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Oh, Granny! • Granny Square Sewalong 2026

Head’s Up: Tutorial Ahead!

Just for fun’s sake, I decided to do an Instagram search for samples of the ever ubiquitous and pretty famous Granny Squares quilt because the marvelous Carol Gillen and I wanted to do another quilt-a-long with each other in 2026. (I think this will be our fourth?) Come along if you want. First up: the eye candy. I put a conglomeration of links afterwards, and each image is named with the Instagrammer (right-click on any photo to see it in a new tab, and you’ll see the “name” that way, along with the number showing what slide it is).

I think there must have been a lot of Granny Square quilts made in 2020, as a lot of the pictures are from around then.

A bunch of Instagram links that have the quilt, but which don’t necessarily correspond one-to-one to the above gallery:

jandideanolieandevieshesewsseamssatomi_quiltssugarbeequiltszbinden6 prairiequiltcolatimerlanequiltstiltingplanetlyrebird_lambgina_tell_threadgraffitihappylittlecottage1penelopehandmadepdxanniepdxannie (again)alisongamm (tiny blocks)quiltingkarosimplegirlsimplelifesharonhollanddesignssekephart (a new method)maureencracknell (block) • maureencracknell (full quilt)

From what I saw, there are two basic kinds: the three-squares-across version and the four-squares-across version — an iteration of the original. (Ignore the photo above with six blocks across; that maker may be an overachiever and she freely admits she only made this one block. And while I admire the quilter who did hers by EPP [shown in the top row], we’re doing Old School Piecing.)

The “OG” Granny Square is the block on the upper left. We also call the one on the upper right a Granny Square, but the original name (according to Brackman) is the Garden Patch block, published in Quilt World in the mid-1970s; the color placement does differ slightly.

I saw a lot of posts, and websites, and perused videos, but I never found the source of the urban legend that says that the center of the block represents the baby, the next row represented the mother (the baby had four mothers?) and the next row was the grandmother (now this child has 8 grandmothers?). Wherever that came from it certainly wasn’t on the radar of quilt historian Barbara Brackman. The block in her book (the Bible of quilt blocks) is called Grandmother’s Pride, and hails from around the 1930s, from a mail order source called Home Art Studios.

crocheted granny square, from here

Another blogger had it the other way: the center is the grandmother, the four surrounding blocks are her daughters, and then on to grandchildren. Okey, dokey. I think the origin of this quilt square might have come from a quilter who was trying to mimic the ubiquitous crocheted granny squares whose first origins are from the 1880s, but I have no way of knowing.

On to the making. Here’s a slideshow with pictures of my first test sample:

Three-square row blocks using 2 1/2″ squares trims out to be 9 1/8″ which is a block size I can work with.

Here’s the test sample for the 4-square block, again using squares cut to 2 1/2″ EXCEPT FOR THE WHITE BACKGROUNDS, which I cut differently (info in the free handout, below):

The dimension after trimming is 12″ square. Again, while it feels counter-intuitive to not know the finished size of a block when you begin, it’s probably easier to figure out what size square you want to work with and cut those, and then figure out the dimension of the final block once it’s all trimmed up.

I give you more dimensions and block sizes in the PatternLite Download, which for a while, is free. After that, it will move to my Pattern Shop and will probablymaybepossibly retail for less than a fancy drink in your favorite restaurant.
So download it now, while it’s free.

Another Hint: color is the thing. Decide what you want in the middle (light, dark?) and in each surrounding row. I did like the quilts that had different colorations, so sometimes you could see crosses going across the block. Two ways to put it together: sashed? Not sashed? A million different tutorials out there in Quiltland. Once Carol and I get rolling, we’ll probably post up our ideas, but for now, let’s just get started on making blocks.

We’ll probably start somewhere in May-ish? We haven’t decided yet. We’ll put it up on my least favorite-which-used-to-be-a-favorite social media, Instagram. Here are our addresses: Carol and Elizabeth. I’ll also post my blocks up on BlueSky, too, and Carol has Threads. Which block am I going to sew? I’m learning towards the 4-square version, although the 3-square version is also tempting.

Final Throught: Hashtags appear to be pretty useless now in Meta’s world However, I will be tagging my posts for organizational reasons: #ohgrannysquare2026 It might be easier just to follow us on Instagram, Threads or BlueSky or type in the words Oh Granny Square and let’s hope for the best!

And just for the record, Granny Squares seem to be making a comeback. Here are two I saw while in France last week:

Happy Sewing!

What Were The Other Sew-A-Longs?

Oh! Christmas Tree was made by several of us who hung around at that time.

Pumpkins, 2021

Posh Penelope, where all three of us (Carol, Linda and I) nearly lost our minds, 2025

300 and Beyond · PatternLite · Patterns by Elizabeth of OPQuilt · Quilt Finish · Quilt Patterns · Quilts

Pursuit of Craft with Spring Dots & Stripes • Quilt Finish

One of the challenges in our modern life is to deal with disruptions, distractions, and never letting us have a minute without someone telling us the five steps to a better life, to better breathing, to being a better whatever. Or as tech, culture and political writer Derek Thompson observed on his podcast Plain English, these voices tell you “everything is figureoutable. And if I just listen to these five steps, I can figure out all my life’s problems” (from here).

But for me, I escape to quilting to not figure everything out. I mean, yes, sometimes just cranking out on a pattern and whipping up a quilt is a good time and I like that as much as anyone. But hopefully, as Thompson noted, “you can have intimacy with a craft.” The challenge “is if we are constantly being distracted or interrupted, it’s hard to find that intimacy. It’s hard to get into the slipstream or the pocket of a creative project” (same source as above).

I like my pursuit of my craft. Of taking a well-known-to-me pattern like my Blossom, and seeing what I can do with it that sends me into discovery, of finding a new way to see what I’ve seen before. Because, really, haven’t we all seen it all before: make a cut, stitch a seam, sew it together, quilt it, and don’t forget the label?

For this quilt (Spring Dots & Stripes), I chose to work with just two elements:
• dots and stripes (had to be white dots on bright colors),
• Tula’s Tent Stripes (in only four colorways).

It was this challenge that coaxed me into flow.

What is flow? The Czech psychologist Mihaly Csikszentmihalyi coined the word “flow” to refer to the psychological state of optimal performance.

“He recalled in an interview how he would watch painters in their studios and how he was fascinated by their ability to forget everything while working. He was also surprised by what happened when they were done: They’d finish a work of art, and instead of enjoying it…they would put it against the wall and start a new painting. They weren’t really interested in the finished painting. What these artists were after, Csikszentmihalyi realized, wasn’t the finished work itself but the experience of full immersion and absorption in the act of creation” (from here).

To understand it better, I watched several videos online, and liked the one from John Spencer, titled “What is Flow Theory?” He highlighted it like this (click arrows to advance):

Since no matter what I tried, the slides kept getting out of order, the basics are:

  1. The task has to be intrinsically rewarding;
  2. The task has to have clear goals and a sense of progress;
  3. Clear and immediate feedback is critical;
  4. It’s a balance between the challenge of the task and the set of skills needed to complete it; and
  5. The person in the flow state has an intense focus on the present.

I cut out pieces in certain colors — the ones I thought I would want — and started putting them up on the design wall. And then in an a-ha! moment, I could see that I could group them differently to create a pattern of interest. Maybe that came from trial and error, maybe it came from being in the flow? I was able to discover a different way as I grouped the petals into colors, cutting and discarding and pinning up and sewing, as I ignored all that was going on around me.

I took the finished quilt out into the garden for some photos this week.

Side Note: I’ve decided there are two categories of fabric design that I don’t like on the front of my quilts: the first is sharp things, like anything on this fabric. The second is insects, so these often end up on the back. (Cute small bee prints are the exception.)

I needed a mini-quilt of just the right size to fit in a specific space (photo near the end), and it needed to be spring colors.

So when I turned to the Blossom pattern (which in turn has it beginnings in the traditional Flowering Snowball block), I didn’t have the right size. Because…

…last spring I discovered that over half of my computer files were corrupted. Not a virus. Just gone (it’s complicated). And 50 percent of those were my more recent pattern files. So many patterns that I’d written could never be updated. Unless…unless…I recreated all the missing, corrupted files to revise the pattern. Like this one:

So I have been busy re-drawing the files I lost, and while I was at it, adding a new size (7″ block), and re-writing the pattern. If you’ve purchased Blossom from me before, you can go to the email you received with the pattern and re-download it. And for those who haven’t made one of my patterns, and want to try it, I put it on sale for a few days if you want to grab it now in my pattern shop.

This a photo of another quilt, Aerial Beacon, that is stuck in re-write-land. I was about a month away from the release when I discovered the corrupt files. Talk about a way to stop the flow! I’ve slowly been re-creating this one, too. (Slowly is the operative word here, but it’s coming.)

Yes, I should have had it done by now, but this is what I call a “reverse flow” task. All those glowing ideals in the list in the beginning have their counterpart: discovering and ferreting out and crying inside over lost work and then redoing the lost work, I would say are just about the opposite of the bliss of being in the flow.

Since I was in the Blossom flow, I re-made the larger 12-inch block version as well, especially since I found that outer border fabric at Road to California this year. It’s in the needs-to-be-quilted stack.

Quilt #316 • 28″ square, shown in that space where I needed a quilt

I’ll let this paragraph from Mihaly Csikszentmihalyi’s book, flow The Psychology of Optimal Experience, close up this post:

I wish you all a week of flow, of enjoyable quilting, and a most happy Easter–

Other posts about Blossom, the pattern and quilts:

The newly updated Blossom Pattern (on sale), can be purchased in my pattern shop.

6″ block version: Hanagasaku, made in honor of the Olympics held in Japan

Hanagasaku: Flowering Rings • Quilt Finish

For a while I was a traveling quilter, teaching and visiting at Guilds in Southern California. During the covid shutdown, I taught several classes of this pattern, and the one above is Robin’s quilt — a study in the tones of autumn — a very successful one! You can read about her quilt here, and more, if interested.

Lastly, a post about how I moved from the simple traditional block to the larger quilt is found in this post.

I think Easter is a good time to sit in the garden.

300 and Beyond · Free Download · Free Quilt Pattern · PatternLite · Patterns by Elizabeth of OPQuilt · Quilts

Our Quilty Neighborhood • Free Pattern

dreaming in color, from here

We quilters love to make house quilts.

Changes, from here

We love to make landscape quilts. We love to make pictures of our pets, our people. We love to use traditional blocks as well as fly far away from our roots and use modern blocks.

Merrion Square, from here

We — all of us quilters — like our neighborhood.

But where has it gone? I came across Nic’s blog (from NZ) and they mentioned that so many blogs had shut down or stopped publishing. Recently I was updating my Reading Library (at the very bottom of this blog: just scroll, scroll, scroll and you’ll get there). I had to create a category called Sadly, in Hiatus. I keep their links because I know what treasures are in their blogs, and what great conversations are to be found, and interesting stories to be told, so feel free to stroll that (now, quieter) neighborhood, too. Yes, there are some Instagram pages in the Reading Library from friends who don’t maintain websites and blogs. If you know of a good quilty blog (maybe yours?) that should be there, leave me a comment at the end of this post.

I could mention something wonderful about every blog on my list, both those on hiatus and those that are active, so I don’t really want to single anyone out, but I will credit Flourishing Palms from Linda Hungerford as an inspiration for a quilt on my 2026 Want To do List:

from here

And Yvonne’s Quilting Jetgirl has just tempted me with the SAHRR project, first seen on Janine’s blog, Rainbow Hare, last year. And I also have the Plaidish quilt, from Erica’s Kitchen Table Quilting on the list. I’ve signed up for a few of her QALs, but they always hit at a bad time, but this quilt is sort of her signature quilt. You had a link last week to Gladi’s blog, always with some mention of the seasons. Mary, of Zippy Quilts, always has great ideas of what to do with my orphan blocks…I could go on and on, but I’ll stop here.

I also keep a category called Mercantile, with some more commercial blogs on it. You’ll also find there are some clothing pattern sites and sources for fabrics, as my sister Susan got me more into sewing recently.

What Inspires When the Spark is Gone is a category of frequently updated links, that I read for inspiration when the doldrums hit, or the sew-jo is missing.

I’ve also asked for recommendations of blogs, and a reader sent forward a vote for Debbie’s A Quilter’s Table, which I’ve read for years, too. We used to be in a couple of bees together, and in strolling through Debbie’s blog, I found this:

from A Quilter’s Table, link to post

Which led to this:

And good news, all these little birds all came from one Charm Pack (5″squares). Here’s some cutting tips:

From the charm pack, choose 16 prints you like, and then find their duplicates. Divide them into two equal piles. From the first pile, cut the block in half diagonally, making two triangles. Put one set aside, and from the other, cut the birds’ heads, as shown. You can discard the triangles on the side, or save them for another use. Now pick up the pile with the matching fabrics.

You’ll make two cuts in through each five-inch square. Make the first cut but don’t move them. Then make the second cut, so you’ll have four bits. Keep the 3″x3″ block. Discard the 2′ x 2″ block, or save for your scrap box.

Then sew along the long edge of the 2″ x 3″ blocks to make a larger patch; trim to 3″ square. Or, just do what I do:

Draw a line diagonally across one of your background squares. Plop it on top of the extended square. Stitch on either side of the line, 1/4″ away from the line, then trim off the edge, and cut on the line. Standard HST-procedure except for that blob on the right. Then press to the dark side, then trim to 2 1/2″ square. You’ll need four of these per bird.

I’ve stacked up a few pieces before I start batch-sewing.

Sew the triangles on either side of the head, then sew to the body. Press, then trim to 4 1/2″ square.

Sew two HSTs together, then two more. Sew the first set to the body. Sew the second set to the white square in the lower left. Stitch everything together. (See photos, above.)

Two Reminders:
• Trim the body/head square to 4 1/2″ and then, after assembling,
• trim the whole block to 6 1/2″, please.

This is what it looks like from the back. On most of them I put one seamed HST in each wing-set, but here I have them both on one side. Now take your sixteen blocks and have fun arranging them.

Working Title: His Eye is on the Sparrow. It’s 24″ square, with two-inch borders and cornerstones.
I’d been thinking about someone I know who has been having a rough go. I mean, we all take turns at that wheel, but now it was their turn. I had tried turning the darkest bird, but it was too much and too obvious. The pink sparrow, the one we all don’t notice all the time and who is quite possibly having the toughest time, is the one we need to keep our eye on.

The other title I thought of was Murmuration, when the birds fly in a huge swirling artful array in the sky. I rarely see them myself in nature, but I love videos of that effect. However, I went with the above.

This is my freebie for you, a wee gift. Click to download.

I was able to cut and sew this thing in no time flat. I have a huge project I’m about to tackle and maybe I just needed a little something to get my sewing warmed up? I had fun making it, and hope you enjoy it.

I’ve read some take a Slow January, but this month we threw away the 50-year old workbench in the garage, and bought one of those fancy new rolling ones. We’ve cleared out lots of junk, and my car is loaded for a trip to the hazardous waste facility–who knew what we could accumulate in paint and pesticides over all this time! Happily, we found a new Fixit Guy, and he’s helping us with replacing switches and light fixtures, drywalling and painting. I think it will all be done by the 31st.

But this coming week is Road to California! Even though it is a national quilt show, it’s also our “local” quilt show — only 35 minutes from my house on a good LA freeway day. I’ll be going up several times to see the quilts, find out what the vendors brought, hang out with friends, and then it will all be over for another year. So, no. January is never slow around here, but we do hibernate in the dead of summer. At that point, I’ll be inside with with the A/C on (set to a responsible temperature) and sewing away. But for us Southern Californians, we play our January away!

Your neighbor,

300 and Beyond · Free Download · Free Quilt Pattern · PatternLite · Quilts

Did Vasarely get there first?

Maybe. Maybe Victor Vasarely got there first in the art world, but I’m guessing the origin of circles on squares, or even squircles on squares, may have come from all the mending the first woman did on her children’s clothes. Just a hunch. I really have no way of knowing this, but when my friend Dot mentioned the artist Vasarely as being reminiscent of our #backtosquircles project, I believe she was on to something. Have fun looking at his art.

My Tips and Tricks

Caveat: If you would rather fold laundry or scrub out the bathroom than do hand appliqué, I have a post on how to do nearly invisible appliqué on machine, using monofilament thread. It’s quick! It’s easy!

To cut out the shape: I would often iron on my freezer paper version of the pattern (I just printed it directly from the pattern). Other times I would just use a pin. Always I used my rotary cutter to slice around the fabric, and usually I was working with four layers of one polkadot fabric. (I learned in this project how many many many polkadot fabrics I have.)

In my past appliqué lives I have always cut out a bunch of the shapes out of freezer paper and pressed the fabric onto that. I would place shiny side up, and nudge the edges onto the shiny stuff and they would generally stick. When it was cool, I would take the pattern out and use it again.

This time I tried Old School Methods: spray some spray starch into the lid, and using a small brush, stroke it around.

Like this.

You can just see where it’s damp from the starch. Don’t use too much. I always lay down a piece of cloth on my ironing board to catch the dribbles.

Place a template (here I used mylar and punched holes in it — more on that later), pressing the corners and sides up over the template. The starch should dry and hold it in place. Let it cool, then remove the template. Duh.

I finger press some marks at the centers.

Then I arrange the cooled, pressed squircle by eye and pin it down. Sorry if this is repetitive for you experts — feel free to leave a comment if you have more tips; this is always helpful!

Sometimes you’ll get a little bump out. That just means underneath the seam allowance has its knickers in a twist. As you stitch along to this spot, with your needle, sweep the seam allowance away from the bump (in the directions of the arrows) and it should ease up and smooth out.

Sometimes I just put four pins.

Other times that squircle isn’t going anywhere.

I use the Thread Conditioner from Riley Acres, and I like the Super Bobs Bright Thread Collection. Rachel uses her own bees’ beeswax to make the conditioner, and I like how it feels, and it never gets hard.

I’ve sort of started evaluating my polkadots for this project. The ones on the left are rejects. The ones in the middle I was thinking about, but in the end, I only used the ones on the right: regularish-shaped dots, with not too much else going on.

Twenty-two done. I’m ahead of schedule, happily.

I made you a chart to keep track of our squircles. I added it to the pattern, and tweaked the pattern a bit, if you want to download it again:

Okay, that’s it for my squircle tips and tricks.

The mylar sheets can be found on the Great Store in the Sky, and I just slipped the pattern underneath and traced it off with a fine Sharpie marker. The Mylar cut easily with scissors. I punch holes in my Mylar so the steam doesn’t build up and warp the template. Although with the starch, I didn’t use steam this go round.

This little project will sink into the background for a while, so I promise, no more squircles posts for a while. But the pattern (free!) and the tips and tricks will stay here on the website for your use.

keyword search term on this site: squircles
hashtag on Instagram: #backtosquircles

I could listen to Rose talk about her job in the hardware store every day.