I’ll be speaking and giving a workshop locally, at the Citrus Belt Quilters Guild. The lecture, titled Abecedary of Quilts, will be on Friday morning, October 25th. The Workshop, which is a Two-for-One class (Home, Sweet Home and Merrion Square) will be Thursday, October 24th. This is my last local presentation, and the last for this year; I’m excited to meet all the quilters at the Citrus Belt Guild!
Now on to PIQF: Pacific International Quilt Festival. I’d been reading Gillian Travis’ blog for some time, enjoying her small quilts, generated from her photographs from her travels abroad. When Susan took her class at Road, and recommended it, I wrote to Gillian, asking if she ever taught in the States (she’s British). Why yes, she replied. I’m teaching at PIQF. I hopped on the computer and registered for her class.
One of the first quilts she showed us in class, was the one above, based on a visit to Burano, Italy. I had similar photos, and was really excited to make this (the above is a composite of several photos).
Gillian provided patterns for us to work on smaller versions of Burano, or smaller version of a Yorkshire Village. I chose Burano, and above you see my progression from tracing to placing to fusing down. I got so far as to fuse it to my background (the blue in the upper left corner), and right now, it’s still folded up in my bag, still unpacked. I’m looking forward to unfurling it and getting back to work on it. We pinned our class’ versions up on the wall:
Some even got to making the white frames around the windows.
I really enjoyed this class, and was happy to move from there, to her lecture that night, where we enjoyed more visions of her work and her stories. My friend Leisa and I also attended two more evening events: David Taylor’s lecture on Wednesday night, and the Fashion Show of Creative Garments on Friday night (photos are up on IG), which we both really enjoyed (especially the narration by Rachel Clark).
Leisa (L) and Tracy (R): we went around on Thursday and looked at the show together. And how about that PINK ribbon, behind their heads. Now there’s one I could covet.
Here’s the one that everyone wants: a blue ribbon.
And Tracy won this for her quilt Sew She Did, which she designed, pieced and quilted. Congratulations, Tracy!
A closeup of one of the blocks.
On Saturday morning, I went and said good-bye to my two quilts that were in the show. Annularity (above) was in a nice placing, all by itself in good lighting.
Ladybird (above) also was placed well, with okay lighting. I talked to one woman who gave me a full (and lovely) critique of what was going on in my quilt. It was nice to talk shop with a complete stranger. I also saw (and got a photo with) Roberta Horton, who really launched me from beginning quilter to serious quilter. I’d taken classes with her at Houston, and I was a complete fangirl when meeting her.
As someone who has traveled to Houston, QuiltCon, Road to California, Palm Springs, and Virginia shows, the last two Mancuso Brothers shows, as well as to Long Beach, I have to say that some venues have real difficulty with lighting (all the Mancuso shows and the Long Beach). The entire show felt like it was in a greenish cast, and not nearly bright enough. My husband told me he could see it in the photos I posted on Instagram. That first night, halfway through, everything all of a sudden went brighter, and I realized they hadn’t “warmed up” the lights. So none of the photos I took at the beginning are any good.
One of my quilt heroines, Tanya Brown, whose work I have followed for many years, had Cranky Claus hanging in the show, along with Life Nouveau, but they were horribly placed. She gets into Houston every time, so I was suprised where they’d hung her quilts. It made me belive that maybe the organizers/hangers didn’t know who she was? My friend Lisa has helped hang Road to California for several years, and I know the effort that show goes to in displaying each quilt to its best. Their lighting is very good, as well.
The other issue I had was that some quilts got hung that shouldn’t have been: poorly designed, poorly made, odd choice of materials or subject. When speaking with one of the Mancusos, I asked how many quilts were submitted: “Roughly 450.” How many quilts are accepted? “Those that meet our standards.” (evasive) I pressed on, asking, How many quilts are rejected? “2-5%.” So then you hang nearly everything. He mumbled something about that standards business again, but I had my answer. I did smile when I saw that their webpage listing their award winners didn’t use the photographs from their contest venue. (I saw most all of these.)
I decided I would focus on the fact that my quilts hung in the same show as Tanya Brown and Tracy Cox, rather than my quilts hung in the same show as the fleece-lamé-fur-shells beginner’s quilt, above. I was there once, at the place where this quilter was, and for many years, every entry of mine into quilt shows was rejected. I appreciate it when the judges a) limit the number of entries, and b) jury the quilts into the show. It appears that this year at PIQF there was very little jurying going on, which makes for an uneven show quality.
Last Whine: when are these older shows going to come into the modern age and put Instagram names on the placards? QuiltCon has done this for years, and it makes it easy to tag people when posting. Okay, on to the fun.
One highlight was going to the show Friday late afternoon when everyone had cleared out. We had the vendors to ourselves, and got to spend some time talking with Edyta Sitar and her husband. We may have purchased the pre-cut kit to make Tannenbaum, but also vowed not to pressure ourselves to get it done for 2019.
Edyta Sitar and I: fangirl moment!
We also participated in the Bernina giveaways, the vendor mall (where I saw some old favorite booths — hi Cecile!), and met and chatted with new quilters. We enjoyed the evening lectures/fashion show and came away with new projects to sew, as well as good memories. I need to go and unpack and sort and pre-wash my bright tangerines and indigo blues (I was on the hunt for these fabrics) and decide what to do with my length of kantha fabric, but I wanted to get a post up quickly, while it’s still fresh in my mind.