Prepping the Quilts 2018

Road to California Logo

Thank you all for the lovely words of encouragement you wrote in response to my last post.  I’m making my way through them, and will answer them.  However, everything I have done lately…is done lately.

Annularity_May 2018LabeledNorthern Lights Medallion on bench

These two lovelies were juried into Road to California 2019, and so I spent a morning prepping them to head off:

Prepping for Road_1

Now you see the bit of errant blue quilting thread…

Prepping for Road_2

…and now you don’t…Prepping for Road_3

…thanks to these trusty friends.  This is an old quilter’s trick, mentioned in several older books I have.

Names on labels are covered up. I also had to make sure my name and contact information are included on the quilt, and I do that in a label near the hanging sleeve, and that’s covered up, too.

Quilts into a clear plastic bag, into their box, and off to Road to California, not to be seen until January 2019, in the show!

QuiltCon 2018 Wrap-Up

Quiltcon_good morning.jpg

QuiltCon is so many things: a quilt show, a conference with great speakers and classes, shopping–complete with short demonstrations going on, a chance to meet Famous Quilters, a chance to hang out with friends and people you don’t see much, and most of all, it’s quilts.  Lots and lots of quilts.  And fabric–did I mention that, too?

I arrived with Leisa Wednesday night in time for the beginning of the conference on Thursday, February 22, 2018.  I stayed until Sunday afternoon, about 10 minutes before they rolled up the rug and kicked us all out.  It was inspiring, exhausting, stimulating and I had a great time.

Three of my local quilt buddies came with me: Simone, Lisa and Leisa, and we met so many others at different lunches and dinners:

QuiltCon2018meal_1

from l: Joan, Mary, Leisa, Lisa, Cindy, me, Stephanie, Janice, Simone

QuiltCon2018meal_2

from l: Leisa, me, Mary, Joan (end of table), Cindy, Jenn and Heidi

QuiltCon2018_AnnularityII

I was able to see my quilt hanging up Paintbrush Studios’ booth.  In the circles above (click to enlarge) it’s evident the booth was busy (center circle), and Deena, Amy Barickman and her mother were so kind and helpful.

I had TOO many classes, and generally I learned something new from almost all of them: QuiltCon 2018 ESE Classes.png

(Click on any circle to enlarge.)

I love the pencil case of my seat-mate in my Boho Embroidery Class.  I wonder what Angela would say about that sign (!), and you see the beginning of my printing.  Thank you to my daughter for the Amazon Gift Card which became a great squeegee.  My umbrella is crying–we need rain!

QuiltCon2018steadycam

Famous Quilter had a Craftsy film crew wherever she went and even in our class.  I thought the operator of the Steady Cam deserved a photo.

QuiltCon2018_Pineapple Fabrics

Pineapple Fabrics booth at QuiltCon 2018

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I had was asked by the kind people of Paintbrush Studios to do a demo using their Painter’s Palette Solid fabrics, and since I love those solids, I knew it would be easy to talk about them…

QuiltCon2018demo1

…until I saw that the cozy 20-seat demo space had been replaced by a large screen and 80 chairs.  My husband talked me down off the ledge, and Leisa cracked jokes to make me laugh and forget I was terrified.

QuiltCon2018demo3

(photo by Leisa Plocher)

The first demo was difficult for a variety of reasons, but at the second demo on Sunday morning, I had a great time.  Thanks to everyone who came and I hope you were all early enough to get a kit.

 

QuiltCon2018_demokit
Instructions can be found here and here (where you can also right-click to download the instruction card) in case you want the info.

 

PaintersPalettesamples.jpg

I also have a few samples from QuiltCon that I’m happy to share.  Leave a comment below if you’d like to try Painter’s Palette Solids.  I’ll pick one winner from the comments.  If you are a follower, leave me a second comment stating that, and you’ll have twice as many chances!

Giveaway is closed now.  Thank you!

Quiltcon Goodnight

I’ve been posting a ton of quilt images on Instagram, and will continue to do so for a while.

FYI: QuiltCon will be in Nashville in 2019, and back to Austin in 2020.  See you there!

Rainbow Gardens and Quilt Mascot?

RainbowGardens2017_front

My Rainbow Gardens has made its way out into the world.  I was contacted by the Victoria Quilter’s Guild in Victoria, B.C. (Canada) to ask if it was all right if they used my quilt for their poster.  The theme of the quilt show and sale is the City of Gardens, which is one of Victoria’s names, according to the website for the city: “Victoria – otherwise known as the “City of Gardens” – is home to a number of spectacular gardens that range from formal to heritage, exotic to west coast, and multi-themed to mostly rhododendron.”

So, a quiet and reserved “YESSSSS!” was my response.  I soon will have the poster in my possession, which I plan to tape up on the door to my sewing room studio.

Rainbow Gardens Poster

While the real life poster should arrive here soon, I was sent this image of the poster by a an observant reader of mine, who saw the poster and sent me a photo of it.  If you are up in that area, put it on  your calendar — I would love to go to a quilt show that has live music.

Japan Tokyo 2020 Logo

Since we’ve all just finished watching the Olympics in Korea, I thought I would get you prepped up for the Tokyo 2020 Summer Olympics, by showing you their patchwork-like logos.  Can we make quilts like this?  They are auditioning their mascots now, because no matter where you are in or what you are doing in Japan, there is a mascot for it.

I think we need a quilt mascot.

Lady Liberty in Quilts

I made this image in my very first Digital Art Class; the other students thought I was pretty much a nut-case, but I still like Lady Liberty draped in a quilt.  But now as we are more international, we need a cute little quilty creature (I vote patchwork with some appliqué) to carry forward our message.

Go to it, you creatives!

Winter Pines • Finished!

 

Winter Pines
Quilt No. 193
73″ high by 64″ wide

You saw the sewing of Winter Pines and I’m back to tell you it’s finished.

The backing is an oldie from the stash; I deliberated whether or not to use it as I was “saving it for just the right quilt” but am so glad I decided to use it.  I love it with the wintery theme of this quilt — just the right colors.

My quilter did a great job, using one of my favorite edge-to-edge patterns: a swirling loop-de-loop.

I’m sewing the binding on another quilt that I’ve kept under wraps for nearly six months.  It will hang in a booth at QuiltCon, so the time is getting closer to showing you all, but first I have to make the label and get that sewn on.  Soon, very soon.

PS: Very windy day to photograph a quilt.

Road to California 2018

Ready, set, go into a busy week:

Tuesday: Cynthia England’s class with Lisa, my pal, who has moved away to Utah.  That’s Cynthia’s class sample, above.  I loved taking a class with Cynthia as I was there in Houston the year her quilt won the Best of Show and launched her career.  Upshot? Here’s another UFO for my collection, but I’m glad I took the class and learned the technique.

Wednesday was a day off: I picked up my new glasses, blocked a quilt I’m working on for Paintbrush Studios’ booth for QuiltCon in a month, cleaned the house, and did the laundry.

Thursday: I went in early with Leisa, another pal, and killed time until the show opened, and when it did, made a beeline to find my two quilts.

Here’s Shine hanging in its cubby with a dazzler gem quilt, which quite overshadowed it.  (See below for the link to Instagram, where I did post a lot of the quilts and their names/makers.)  But the fun was being juried into Road!

Then to find the second quilt: Oh! Christmas Tree, hanging with its buddies.  Again, a real thrill to see it there.

Now to tackle the shopping.  The layout, above.

First stop, Pineapple Fabrics, where they stock my favorite solid fabric: Painter’s Palette Solids, by Paintbrush Studio.  Even though I learned about these solids by designing a quilt for Paintbrush Studio, I’m quite in love with their solid fabric and needed a few colors.  Pineapple Fabrics sells them at the best price of anyone out there.

After Pineapple, I started out in the “Pavillion” which is really just a monster-sized commercial tent with awkward lighting.  The first row facing the courtyard was well-lit (above, a Kaffe booth that has a great selection), but as soon as you round that corner, the booths are less well-lit.  Actually I found the lighting overall to be a problem in the main ballroom, too.  It was fine in the small ballroom.  Turn up the lights, Road!

I zipped over to see Dora Cary of OrangeDot Quilts, as I follow her on Instagram, and love her work.

For some reason, this show seems to attract the scooter/walker/cane crowd.  At the entrance they have about 40 of these scooters lined up to rent. Here are some scooters parked alongside a booth.    Will I stop coming to these when I hit this stage?  Who knows, but I am counting on the fact that the online presence will be so strong that I can stay home and hit the vendors that way.

Here is “saw-though-the-head” and “scissors-through-the-head.”  I also saw “hairbrush-through-the head.”  I suppose, as a vendor, you’ll do anything to make your booth stand out.

Fun to see a bee-mate’s quilt hanging up in the Ventura Quilt Guild’s booth.  It looks great, Joan!  And here’s the instructions and the place to send the blocks if you want to contribute to the Thomas Fire Relief Quilts.

I didn’t just shop or take classes (more coming up), but I also took time to look at the quilts.  The one made from a Wendy Williams pattern (above) caught my eye.  I have a lot of the quilts, plus the placards that tell about the quilts, up on my Instagram feed beginning here.  Use the right arrow to advance through them, and I apologize again if you follow me on IG and I blew up your feed.

I had many favorites and wrote about them on Instagram, but I also kept looking at the quilting, trying always to improve my FMQ.

Leisa finished her class with Gyleen Fitzgerald on Pineapple Quilts, and on the way home we stopped by Blaze Pizza for an early dinner (and to catch up with our non-quilt-show lives), because we had…

…Caitlin’s baby shower to attend that evening.  I was the gift scribe, and being the oldest of the bunch I needed a translation program that spanned several decades.  For example, I would write “squeaky toy” and Caitlin would say “Thanks for the teether.”  I would then line out “squeaky toy” and write down what she called the plastic giraffe.  This happened over and over, and left me certain that I was waaaaaay past the child-bearing years.  The language was so different, it was like a different world.  The favors were tiny succulents, the food was divine (I need to get the recipes) and we took a marker and wrote a message on the diapers in the wire basket, above — messages that Caitlin would read at those midnight diaper changes.

Okay, back to the show.

Friday: Lisa, Leisa and I took the Mystery Triangles Class from Jenny Doan.  Another class where I chose it for the person teaching it, as Jenny Doan is fabulous.  This was the most relaxed class, and I really enjoyed it.  The quilt above is all the techniques/options rolled into one quilt.

Lisa finished a baby quilt top, using Christa Watson’s new line of fabrics, that have a lot of wow-factor.  Cute!

We ate lunch every day upstairs overlooking the dramatic hallway with the hanging quilts, and I loved this quilter’s bag, made for her by her daughter, who asked her what were the four most important things in her life.  I agree, except I’d have to make room for my husband’s name on there.  (Maybe leave off gardening?)

We did some shopping, then headed over to El Torito. where our little quilt group gathered for our annual dinner.  Some years we’ve been fewer in number, and some years we’ve been higher in number; this time Lisa’s friend Margaret from Idaho joined us (in the red).  Then we all hightailed it back to the show, where we took in Jenny Doan’s Trunk Show that night.  It was fun and funny and good to be there with everyone.

Saturday: I walked all the vendors one more time, then about noon, Leisa and I left.

Sunday: I had to pick up my quilts at 4:30 so I went early.  My experience has taught me that the show is pretty emptied out near the end, and I could walk the quilts and look at them one more time, taking photographs without any people in them.

I re-visited the Cherrywood Fabrics booth with all the Van Gogh-inspired fabrics and snapped these two panorama shots (which distorts the photo–it’s really quite rectangular).  Next year the theme is Prince, with purple fabrics, if you want to jump in.  They’ve had three collections so far: Lion King, Wicked, and Van Gogh.  I have loved them all. Click to enlarge the above two photos.

The dates for next year’s Road to California are January 17-20, 2019.  Make plans now to come to a terrific quilt show!

SAQA in France: Studio Art Quilt Associates

This is one in a series of posts I’ve written about the Carrefours European Patchwork Show held in September of 2017, in the Alsace region of France.  This exhibit was titled My Corner of the World — Canadian Quilts, and is by a variety of artists.  As I mentioned in the last post, I was giddy with the ability I had to photograph these, as SAQA usually has big NO signs up everywhere, barring us from photography in shows in the United States. Here they are in no particular order:

EPM_SAQA1

37″ wide 30″ long

Washday Blues, Northfield Drive by Millie Cumming, 2017

EPM_SAQA2

27″ wide 30″ high

You’ve Got Mail by Susan Tilsley Manley (2017)  I may get some of the names not quite right, as they had reversed the first names and last names on all the cards.

EPM_SAQA3

22″ x 23″

Rocks on Lake Huron by Hag Gunnel (2017)

EPM_SAQA4

22″ x 29″

Good Morning, Canada by Toni Major (2017)  Detail, below.

EPM_SAQA4a

EPM_SAQA5

28″ x 48″

Looks Like a Nice Day Up There, by Phillida Hargreaves (2017)

EPM_SAQA6

27.5″ x 22″

Beaches #1 by Mardell Rampton (2017)

EPM_SAQA7

23″ x 34″

Poplar Point, by Jaynie Himsl (2017) Detail, below.

EPM_SAQA7a

EPM_SAQA8

29″ wide 20″ high

Ted’s Garage, by Robin Laws Field (2017)

EPM_SAQA9

20″ x 37″

Albert Cote’s All I Need is a Garden and a Chair (2017)

EPM_SAQA10

37″ x 28″

Ann Fales’ The Blueberry Patch (2017)

EPM_SAQA11

38.5″ x 28″

Reflections of the North, by Arja Speelman (2017) You can tell I really liked this quilt and the way she constructed it, judging by the two detail shots below.

EPM_SAQA11aEPM_SAQA11b

EPM_SAQA12

22″ x 20.5″

Down on the Farm, by Shirley Bailey (2017)  This handmade, homespun-looking piece is not one I’d usually expect to be in a SAQA show, but I thought it wonderful.

EPM_SAQA13

28″ x 21″

Janet Scruggs’ Looking Down (2017)  Detail, below.

EPM_SAQA13a

It appears to be raised and embossed, but most of that was done with color and contrast and quilting.  Very cool effect.