Single Binding on a Mini Quilt

Mini Quilt Binding TutorialWe all put double layers of fabric bindings on our larger quilts, but have you thought about using a single binding on a smaller quilt?  It’s quicker, flatter, and really–are you going to wear out those edges any time soon?  And if you do, won’t you just repair them?  That idea came from Gwen Marston, in one of her last workshops.  That idea — that a quilter would just repair them if they became worn — is why she uses single bindings on all her quilts.Mini Quilt Binding_1Start by squaring up your mini-quilt.  Yes, that is a gigantor square ruler, and I use it a lot, actually.Mini Quilt Binding_2Prepare your hanging corners, by cutting a larger square (for a 24″ quilt, I use a 5 1/2″ square), folding in half, diagonally, and pinning it in the upper corners of your mini, against the back, matching raw edges to the edge of your quilt.

Mini Quilt Binding_115a(Here’s what it looks like on another quilt, as my corners just disappeared on this one.)

Mini Quilt Binding_3Cut strips of fabric (lengthwise, if you can) about 1 1/2″ wide and the size of two sides.  Pin, then stitch on, using a 1/4-inch seam.

Mini Quilt Binding_6Repeat for upper and lower edges.  Pin and stitch, but watch out that you don’t veer off on those corners (I pin them).Mini Quilt Binding_5Mini Quilt Binding_7Square up the corner, and cut off the excess, both underneath (above) and on the outer edge (below).
Mini Quilt Binding_8While this looks angular, it isn’t.  Mini Quilt Binding_9Press binding out away from quilt.  Mini Quilt Binding_10Fold up lower edge, so the raw edge of the binding meets the raw edges of the quilt.Mini Quilt Binding_11Fold it up again, covering the raw edges of the quilt. Pin in place, and then repeat with the sides:Mini Quilt Binding_12Mini Quilt Binding_13Hand stitch all the way around, or if you are a confident quilter, you can use a glue stick to affix the binding edges down, then machine stitch.  I personally don’t like the machine stitching, as I think it makes the edges too rigid, but “To each his own,” said the Old Lady as she kissed the cow.  (My Dad used to say that all the time.)Mini Quilt Binding_14Here’s the corner already on, but it’s hard to see.  I cut a dowel the width of the quilt, minus 2″ and slip it into place. Then I hang my minis, balancing it on a push pin.Mini Quilt Binding_15Mini Quilt Binding_aThanks to all who came to the Trunk Show and to all who sent their best wishes.  It was a lovely evening!  If your guild would like to see my Abecedary of Quilts Trunk Show, just drop me a note.

Christmas Tree Block Swap

xmastreeswap

My friend Leisa saw a Christmas Tree Block Swap that was going on online, and said “Why don’t we do one like this with our group?” Sure, why not?  We don’t have anything else going on, do we? (right)xmastreeswap_1

I drafted a pattern, just drawing this way and that, then made up a test block.  My graphic design guru Simone approved it, and we were off.  I transferred my dimensions to Quilt Pro, my quilt software program and here it is for you to download: christmas-tree-gdhrtqltrs-swap_pattern  That’s FREE, no charge, but as usual, please don’t print off one for your mother or your sister, but instead, send them here to get theirs.  Many thanks.

printer-settings

AND…as a reminder.  Please be sure to set your scale to 100%, as shown above in the red oval.

Now, the tutorial.  I apologize in advance for the pitiful lighting.  Chalk it up to working on a deadline, because our swap is in a a week and a half, and I need to get this to my quilt group for our Flash Mob Quilt Night.  (I hope they bring Christmas cookies to share…just saying…)

I also apologize for filling up your mailboxes with two posts so close together.  But then again, you might need this too, to spread a little holiday cheer around your sewing room.xmastreeswap_2

This tutorial is for one block.  It took me a grand total of about one minute to make one block.  Choosing and cutting the fabrics took a little longer.  For our trees we are using clear bright tones/prints, such as green, yellow, pink, aqua, purple/lavender, orange, red.  For the backgrounds, we are using black or white prints.  For the tree trunk: something trunkish, please.  Here are all the pieces laid out. xmastreeswap_3(Thank you Mary, for my cool board.)

Sew the Upper Background piece onto the tree.  Leave that tiny wedge of 1/4″ goodness at the bottom right corner (shown in the red circle), and let the top of the upper background just hang off the tree.  Stitch 1/4″ seam.

xmastreeswap_4Backside of that piece.  Now the 1/4″ wedge of goodness is at the lower left, and the extra background is at the top.  Press seam towards the tree.xmastreeswap_5 xmastreeswap_6

Repeat with other side.  xmastreeswap_7

Trim off the extra point.  Press towards tree (see below).xmastreeswap_8 xmastreeswap_9

Seam the Lower Background pieces on either side of the tree trunk.  Press towards the trunk.xmastreeswap_10 xmastreeswap_11

Line up the tree trunk with the tip of the tree, to get it on straight.  I’ve left a bit extra on either side, so if you want it wonky, feel free.xmastreeswap_12

Press all seams toward tree.  You can see here the extra I’ve left you so you can adjust the trunk as needed.
xmastreeswap_13

Trim the block to 6 1/2″ by 7 1/2″ like this: Leave space above the tree tip, roughly 3/4″.xmastreeswap_14

Then whack off the bottom, so the total height is 7 1/2″.  This tree will finish at 6 by 7″.xmastreeswap_15

Fussy cutting is always encouraged.xmastreeswap_16

Now if you want to cut out a lot of Upper Backgrounds at once, do this:

1-Layer two pieces of fabric with wrong sides together (like it comes off the bolt).

2- Cut a square 5 1/4″ by 6 1/8″.

3- Measure up 1 1/8″ on opposite sides, and draw or cut a diagonal line.  It should be the same size as your piece B or D.

Remember that these pieces are opposite of each other, so don’t layer up your fabrics with all right sides up, or this won’t work.

xmastreeswap_final1

Here’s my first batch.  Now I’ll go do this some more.

Have fun making a forest!

tiny nine patches

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My blogging software puts ads here so I can use their site for free. 
I do not know about, nor choose, the content, nor do I receive any money from these ads.
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Lanyard Tutorial for Quilt Shows

lanyard_hangingI didn’t have a lanyard last year at QuiltCon, and my pins slipped and slid everywhere, beside the fact that I jingle-jangled as I walked.  I wanted one of those spiffy ones, where I could pin on my pins.

lanyard_1

I patchworked up a strip 3 3/4″ wide and 37″ long, took it to my ironing board and pressed it in half, lengthwise. lanyard_2

Open it up, and to one side of the center fold, lay down a 1″ wide by length-of-lanyard strip of fusible interfacing; iron that into place. lanyard_3

Fold both raw edges in, almost to the center, but not quite.  The side with the interfacing should be folded over that interfacing, and the side without interfacing should match when all folded up.  With the interfacing UP (not to the feed dogs), stitch first along one long side about 1/4″ away from the fold, then the other.  Make sure you’ve caught all the folded edges when you stitch it down.  Then stitch down the center. lanyard_4

Arrange the strips so that it will hang around your neck (see top photo), then mis-align the lower raw edges, setting the top one 1/4″ beyond the bottom strip.  Slip on the lanyard clasp. lanyard_5

Zigzag the extended top strip over the bottom strip, to hold it in place. lanyard_6

(View from the underside)

Again, for ease in wearing, slightly splay the two strips apart, then stitch along the finished ends (refer to photos). lanyard_7

(View from the top side)

lanyard_heartYes, I’m headed to QuiltCon West 2016 this week (held in Pasadena, California), along with some friends from the Good Heart Quilters, the small monthly sewing group I belong to here (which is why there is heart fabric on our lanyards).

1QuiltCon2016Classes

That Friday night class is taught by Jacqueline Sava.  I hope to meet a lot of my online friends, trying to make “real” the digital friendships I’ve enjoyed.  There should be more than a few a whole mess of photos on my Instagram feed (button is to the right).  If you are going, find me and swap me a button!

Button for QuiltShows

Oh, The Places I’ve Been!

Well.  I’m exaggerating a bit.

Saperstein

I went into Los Angeles to meet my sister, who was accompanying her husband for his treatments here, in the Saperstein Center, at Cedars Sinai Hospital.  I’m including this photo so my mother will know what it looks like.  It’s a comfortable room, with private bays all along the sides of the main room.  My sister and I curl up in the comfy chemo chairs (that aren’t being used, of course) and talk while we wait to visit with him.  But this time while he was in treatment and couldn’t be visited, we first went to lunch at a favorite place of mine:

Sycamore Kitchen Yummies

Sycamore Kitchen, which has very inventive and delicious food.

Then to The Grove, where we hit Barnes and Noble because I was looking for Quilty Magazine, because I’d just hit print:

Gingham Quilt

My gingham quilt was featured in “Girls on Film,” paired with Dorothy in the Wizard of OZ.

Gingham Quilt front

Here’s a better look at it, and here’s the blog post about it.  We didn’t find the magazine; my issue came a couple of days later in the mail.

HighHeeledShoes

And then Nordstrom’s where just seeing these makes my feet hurt.  The heels on the left remind me of my mother’s “spectator” pumps, worn for years and very stylish.

Tennies

Better.

Then back to the hospital.  We later had dinner at a lovely little Italian place, then it was home for me, as we were both tired and she had to drive to her hotel.

Students

Another place I’ve been is my local community college, where school started.  (The white blobs are where I whited out each student’s name.)  This ought to give you a representative sample of who is in my classroom. I finally have a great class! (Intro to Literature) and I’m more excited to teach this semester than I have been in a while.

Square-in-Square Blocks

I’ve also found a few minutes to spend in the sewing room.  No, I’m not playing in the Economy Block Sew-a-Long.  The pretty pink, yellow and chocolate square-in-a-square blocks are for a friend’s baby quilt, and I’ve already sent them to the quilter who is putting it all together.  We used Red Pepper Quilt’s tutorial *here.*

Into the Woods front

I’ve  already made a quilt out of the (officially known) Square-in-a-Square block, in my quilt “Into the Woods,” (number 103 on the 200 Quilts list, shown below), so I’m squared out. The block in my quilt above is 9″ square, larger than the baby blocks, and I drafted it in my quilt software, QuiltPro.

ABL Jan14 block

This is the block for January for the Always Bee Learning Bee.  Toni of Hoosier Toni wants to make Christmas quilts for her children’s bed, and I thought her choice of the SpiderWeb block was great.

ABL Block with extra Jan14

This is like the one we made a couple of months ago for another bee; the tutorial is found *here.*

MCM January14 Block

This is for the Mid-Century Modern Bee, for Linda of Buzzing and Bumbling.  Her house burned to the ground right before Thanksgiving last year, so we were happy to make her house blocks to help her re-create her life in a new fashion.  This is my own design.  I’ve got a PDF file of the templates here: *Hyde Park House*, but I have to warn you that since it’s a 12″ block finished, some of the templates “fall” off the page, and you’ll have to figure it out the measurements.  What I did was measure the templates, then write the measurements down on the paper.  Then I used that as a guide for cutting out the pieces.  Somehow I ended up short on the height and had to add another strip of green on the bottom.  Just don’t be too precious about this and you’ll get through.  Hey, it’s free and untested, so Buyer Beware.

Screen Shot 2014-01-17 at 5.08.48 PM

Lastly, my mind has been in Budapest, Croatia and Slovenia, places I hope to go to this summer.  The challenge is when you are in lots of places, it’s sometimes hard to figure out where you need to be.  Today I needed to be here in my sewing room, finishing up the Amish With A Twist 2 quilt top (next post).

And often when you are too distracted with your head in many places, you fall into the procrastinating habit.  I had a student from my last class write to me, as she was worried about trying to overcome her habit of procrastination (although her habit is very slight, truthfully). I told her I sometimes ask myself “What do I want to have done before this day ends?” and sometimes that helps.  Other times it is just not wanting to face that dreaded task every day, so you finally find the resources to get it done.

Although you might think this doesn’t really apply to us quilters, I think it does.  Sometimes we put off tackling the really hard tasks and instead do our bee blocks (Ahem.)  Other times we have sketched out a terrific quilt, but are seduced by the latest trend on Instagram (Economy Blocks) and let that pull us away from doing the hard work of designing and figuring out the quilt in our head.

An article in the New Yorker noted that “The essence of procrastination lies in not doing what you think you should be doing, a mental contortion that surely accounts for the great psychic toll the habit takes on people. This is the perplexing thing about procrastination: although it seems to involve avoiding unpleasant tasks, indulging in it generally doesn’t make people happy.”

So I’m trying to figure out which place I should go next, which direction I should head in my quilting.  Shall I fall back on something easier to do than what I have to (“we often procrastinate not by doing fun tasks but by doing jobs whose only allure is that they aren’t what we should be doing”) , distract myself by buying more fabric (judging from the recent Instagram De-Stash, a lot of people have been doing this one!), or simply surf the web some more to get so many ideas, I can’t possibly make them all in my lifetime (“many studies suggest that procrastinators are self-handicappers: rather than risk failure, they prefer to create conditions that make success impossible, a reflex that of course creates a vicious cycle”).

Ultimately, it comes down to Getting The Work Done: “Since open-ended tasks with distant deadlines are much easier to postpone than focussed, short-term projects, dividing projects into smaller, more defined sections helps.”  And aren’t most of our UFOs the result of procrastination?

So get yourself a notebook, break down the quilt you want to make into smaller steps, and check them off as you go.  It also helps to set a deadline–try the Finish-A-Long if you need a little help with that; because of that I finished several dead-in-the-water quilt tops, surprising even myself with twenty-four completed quilts in 2013.  Not all of these were begun and finished in that calendar year, but that’s when they came alive.    I’ll close with some lines from one of my son’s favorite books, “Oh the Places You’ll Go,” by Dr. Seuss:

On and on you will hike
and I know you’ll hike far
and face up to your problems
whatever they are.

You’ll get mixed up, of course,
as you already know.
You’ll get mixed up
with many strange birds as you go.

So be sure when you step.
Step with care and great tact
and remember that Life’s
a Great Balancing Act.

parr

Happy Quilting!

Y-Seam Tutorial

During Thanksgiving Week, I thought it was time to re-post this tutorial from Leanne’s blog, from the Third Quarter Finish-A-Long Tutorials. As background, I’ve been sewing and quilting for more years than I should admit to, and during that time have completed over 120 quilts.  So I’ve faced down more than my share of the Dreaded Y-seams.

In June of this year, I made this quilt for my sister.  As you can see there are lots of peaks and valleys in this thing–lots of Y-seams going both ways (some people call them Y-seams and V-seams) but really, let’s keep it simple.

They are called Y-seams because the V-part of the letter Y usually has fabric with no seam, and the tail of the Y has a seam. I’ve marked the Y for you in red in the picture on the left.  The picture on the right is the other type of Y-seam.  I’ll show you both.

Let’s start with the first type of Y-seam, where the “tail” of the Y is facing toward you and the “V” of the Y is underneath.  Place a pin at the 1/4-inch mark through the seam, and into a spot that would be the peak of the 1/4″ seamline, if you could draw it on and imagine it.

Most beginners want to pin that seam to death.  Run screaming in the other direction.  The success of the Y-seam depends on the “float” of the fabric.

I sometimes will place one pin on either side of the seam, just to anchor it as I get going, then another pin or two along the starting point.  Then I take out the (above) pin.  I want my fabric to float — don’t want to anchor that second half of the seam too much, as I need it to pivot.

Start sewing from the left edge, as the seam faces you, using a 1/4″ seam allowance. Fold the seam toward you, and as you approach the seam, slow down and use a bit smaller stitch.  You are trying to anchor the stitching a bit.

When you get to the seamline, when you are on top of the thread marking that other seam, STOP.  Make a tiny stitch on top of the one before to anchor, but DON’T GO OVER THE SEAM LINE.

Lift your needle out of the cloth.  I pulled it away to show you what I mean, but you don’t need to do that.  Just give yourself a little room to smooth the (green) seam allowances out of the way, and to find the place to insert your needle again.

Re-insert your needle just on the other side.  Then line up the next two raw edges, smoothing the fabric away from the needle and your presser foot.  Sounds more confusing than it is.  Take a few tiny stitches to anchor, then change your stitch length back to normal.

Another shot of my needle placed just on the other side of the seam allowances (which I flipped to the back of my presser foot).

Depending on the amount of cloth in your Y-seam, and if you just feel better about it, go ahead now, and pin those raw edges together and stitch the rest of the seam.

When you are through sewing, clip the thread if it is restricting the ability of the seam allowance to open up and lay flat.  If you left a bit of thread there (pulled it away from the needle as in my photo above) there should be no problem. 

Press, keeping the tail of the Y-seam open.

From the front, it looks like this.

Now we’ll tackle the other kind of seam–where the seam of the Y’s tail is underneath, and you see the “V” part of the Y.

First locate the valley of the one-quarter-inch seamline and put a pin there.

Snip to within a couple of threads of the pin.  Leaving the pin there insures that you won’t cut too far.  If that happens, curse a little.  You can sometime rescue the piece with a bit of fusible interfacing.  Better to not cut too far.  Half of the seam (1/8″) is all that’s needed.

Find the 1/4-inch peak of the seam below, and poke the pin in to anchor.  You can leave in that center pin to hold it, and if you are afraid it will slip, it’s okay to put one pin on the backside.  If you can, try to avoid that pin on the right.  Again, the success of a Y-seam lays in the ability of the fabric to move and pivot.

Just as in the first type of seam, start stitching from the left side of the seam, towards that center pin.

When you get to the pin, STOP with your needle down in the fabric.  Remove the pin, then pivot the fabric so that you can match raw edges.  Move the first seam out away from you, as you align the new sides.  It may feel a bit bulky under your foot, but smooth any excess fabric out away from you.

Here you can see that I’ve pivoted, repinned the new raw edges together and am starting down the other side of the seam.

This is what it looks like from the back. That deep fold is the V part of the Y-seam.

The front.  Give it light press.  Resist the urge to saturate it with your pressing goo and mash it flat with your iron.

Sometimes your seam gets a little jig-jaggy.  As long as it’s not too bad, it will be fine.  I did the same kind of stitching process on this one: shorten your stitches as you approach the point, then lengthen them out on the other side.

A better point.  All of these work fine in the quilt, because you haven’t a) stitched it to death, and b) murdered it with your iron.

You can see one type of Y-seam where I joined the green roofs to the yellow houses.  And you can see the other type where I joined the purple roofs to the sky.

Now you know all my dressmaker/quilter tricks: never be afraid of Y-seams again!

One more time, thanks to Leanne, of She Can Quilt, for hosting a series of guest tutorials for the Finish-A-Long Motivational Program.  (Just kidding on the name of it, but it does help get those UFOs out of the closet and onto the bed.  Or wall.)