Starry Sky Mug Rug

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This summer, my niece Abby, let me have one of her hand-thrown mugs, of which I was thrilled to get (I love hot chocolate).  I meant to send her a little quilted mug rug in return, but that project seemed to get stalled for one reason or another.  But last week, I decided not one more thing would be done until I finished it and sent it off.  (Sometimes you just have to give yourself a little talk.)

I used the Starry Sky block pattern, by Kylie Kelsheimer (a downloadable pattern from Craftsy).  In this new version of her pattern, she has three sizes, and the 6″ size is perfect for a mug rug.

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My niece likes to go hiking, and lives up in the Northwest, so I used colors of purple mountains, green hills and aqua-and-blue waters.  I bound it in navy.

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I used an agate-stone looking print for the back, one of my favorites lurking in my stash.

It took me a couple of hours from start to finish.  It’s a paper-pieced pattern, so all the star points are sharp and it goes together easily.  I kept a photo of the block near me when putting the pieces together, to keep myself straight.

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I listened to the latest Bruno, Chief of  Police book, The Resistance Man, and that kept me going.  Then I ran it to the Post Office, and off it went.  I hope Abby likes it.

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A couple of days before I’d made Simone’s blocks for the Gridsters Bee, a wee bit late, but she forgave me.

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And then I got right on October’s blocks for Joan, for the Gridsters Bee.  She asked for a black-and-white New York Beauty block, with a touch of solid color.  Hope she likes these.

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I liked this old photograph of women sewing, found on the website for the National Gallery of Ireland, reminding me of my travels (I’m finally over the jetlag).

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Here’s your reminder: the perfect is the enemy of the good, Stephan Pastis style.  As some long-time readers know, I believe in this quote and used to keep it on my syllabi when I was a teacher.  Sometimes it’s good to just be *good,* and not strive for perfection.  Hope that idea helps you “lead a sane and balanced life.”

Spring Mini Quilt-on-a-Frame

ACK!!  It was 93 degrees today!!

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My snow-covered Orangeman (or Snowman, made of oranges) has his arms thrown up in amazement/horror.  While Rachel and Carol show snow days on their IG feeds, we are already burning up out here.  My newly planted zucchini and spaghetti squash plants are wilting, and it’s only April.

The origin of this mini quilt (tutorial is here) started when I first moved here, and commuted an hour to the Orange County Quilt Guild.  We had a block swap, and the theme was snowman, and since I was a newbie, I think I got all the rejects.  Except this one…which was my own (I made one for myself).  One snowman block was a zig-zagged stitched pair of stacked circles, with two hot-glue-gunned twigs for the arms, and dots of makeup for the coal and eyes.  Yes, I threw that one away.  But in looking for another project in my Orphan Blocks Box, I found this one, and turned it into a Mini-on-a-Frame quilt.

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I bordered it with those fabulous swirls, quilted it and trimmed it up).

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I backed it, and slipped it on its stand.  Now I’m up to four of these mini-quilts-on-a-frame.  Given the success of this one, I may turn other orphan blocks into bits of art to be displayed!

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PS: Swirl fabric is by Valori Wells, “Marks,” design #16354–by Robert Kaufman.  A young mother in church yesterday asked me if I bought fabric for a single project, or if I bought it when I feel like it.  This purchase was obviously the latter.

Mad for Solids 2018…Voting Time!

March Madness 2018 FB Header

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Today is the day!  I’m over there on the right in Game 6, paired with the ever-lovely Rene.

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The name of my Painter’s Palette Solids bundle is Northern Lights.  Because why?  Because I’ve always wanted to see the Northern Lights, and because we watched a movie about surfing in Iceland, and well, because:

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So, if you like the colors of the heavens in the photo above, and feel like you want to vote to send me to the next bracket, head here:

•  Paintbrush Studios Blog
•  Paintbrush Studios on Instagram
•  Paintbrush Studios on Facebook

Voting begins at 6 p.m. CDT [Central Daylight Time, or UTC -5] on March 23rd (today) and goes through to tomorrow at 6 p.m. CDT.  I’ve timed this post to hit a bit early in the day, so please wait until the Paintbrush Studio posts go live to place your vote.

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You Can Be A Winner

More information on how you can be a winner is on found on a previous post. So here’s my story about this fabric and why you’re going to want some.  I was at Guild on Tuesday night.  In Show and Share, I showed my Improv Appliqué quilt that I’d demo-ed at QuiltCon.  My seat mate, Angie, commented that the borders “were like black velvet,” so rich and saturated was the color.  And that’s how everyone reacts when seeing these fabrics.

I participate in these little contests for one reason only: I love these solids and want them to be everywhere, on everyone’s stash and retail shelves.  Come and join us in using Painter’s Palette Solids!

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I’ve been playing around in QuiltPro and making blocks with these colors.  If I head to the next bracket, I’ll have a mini quilt to show.  So, thanks!

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A Tiny Quilt for Autumn

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So, one day I just had to do some creating.  Not following a big-deal pattern with billions of pieces, but a little project that just allowed me to follow a simple set of instructions and play with fabric.

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I had saved this paper pieced pattern from Chase of the blog Quarter-Inch Mark.  It’s a free download, and since I was just playing, I printed it out at 100% which made it about a 6-inch pumpkin.  I think if I were doing this again, I’d go up to 125% or so, trying to get the pumpkin a bit bigger.

I just cut strips and went to it, and in hindsight, should have put the shaded strip on the outside, but since this was for a little quilt, and I was just playing, I shrugged and kept going.

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I am following the tutorial for another tiny quilt I made, which you can find here.  It’s little quilt that fits onto a plastic picture frame that I bought at Wal-Mart for a buck-fifty ($1.50).

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See the other tutorial for how big to make this (I added strips to the pumpkin to make it large enough), and how big to make the sleeve that goes on the back.  All instructions are on that post.Tiny Pumpkin Quilt_binding1b

I like to do single-fabric bindings on my mini quilts.  Cut a strip 1-1/2″ wide, stitch RST, first the right/left sides of the quilt, then the top/bottom.  Fold up the raw edge of the binding, to the raw edge of the quilt.

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Use a glue stick to help you out, as you do the next step, which is folding the folded edge over your stitching that attaches the binding.  See both sides done (below):

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Now do the top and bottom, folding in the raw edges, and then the folded edge over that (orange) line of stitching, which attaches the binding.

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Because you’ve used a glue stick to help you out, the top-stitching (from the top) is easy-peasy.

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Slip the quilt over the plastic frame (above and below).

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I hope to make several of these mini quilts so I can change them with the seasons.

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Now I have a summer tiny quilt and an autumn tiny quilt!

Home, Sweet, Home Mini-Quilt Class

 

HomeSweetHomeClassRecently I taught a class for my Home, Sweet, Home mini quilt.  I snapped these photos as they were working; they’d all mostly prepped up their pieces before coming, and it made the class go quite smoothly.  I loved all the different ways that people did their blocks (shown here at our Guild Meeting):

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Here are most of them (some didn’t bring them to Guild):

It wasn’t until posting these up that I found two errors in these quilts.  Isn’t it funny that you don’t see things…until you do?  (Hint: it’s in the bushes.)  I love the rainbow quilt made by my friend Lisa.  I may have to make one for myself.

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(Breaking News: Melissa finished hers!)

Eclipse: Final *Four-in-Art* Art Quilt

 

Eclipse_fourinart_frontEclipse • Quilt #189
Four-in-Art, Series Four: Light
12″ square

Click to enlarge any photo.

This is the final post of our Four-in-Art Art Quilt group.

Our group had its genesis when I saw the Twelve-by-Twelve group at a quilt show. Rachel and I emailed back and forth about maybe trying to make some art quilts.  I think we had done tons of regular quilts, and were looking for something new.  The idea was to put out a theme, create a quilt around the theme and maybe try a new technique while we were at it.  It started with just four quilters who wanted to try something, so we called ourselves Four-in-Art, and I made up a logo, incorporating the idea of four:

Sometime later, we added four more quilters, then switched the scheduling to four times a year, so we were still Four-in-Art.  We created a blog to post our quilts, for once you archive, you are real.

 Here is an overview of my quilts: (By the way, I am following the newspaper convention of captioning underneath my photos, so look there for details.
Year 1: Nature

We took turns coming up with the overarching theme for the year, then again, turns for the quarterly challenges.  The challenges are, from the upper left: Queen Anne’s Lace, Tree(s), Fire, Owl.  It was liberating to craft this way, without getting out too many rulers or drafting things on the computer (see below for a glimpse of my journal).

Year2_FourinArtYear 2: Urban  Quarterly Challenges (from upper left): Maps, Structure, Landmarks, Contrast, Light (we seem to like this topic).Year 3: Literature  —  We could choose what segment of literature to focus on.  Some did a series of novels, Nancy did a series of children’s books’ titles, which she then donated to her local library, and I did a series of poems.  I love the poems, pretty much hate these quilts, for a variety of reasons.  Year 4: Color, and the challenges (again, from upper left): Microscopic, Music, Purple Passion, and I’ve Got the Blues.

And this year’s, with the yearly theme of Light.  The quarterly challenges were: Shimmer,  Light in the Darkness, Stained Glass Shadows, and Illumination.

It’s very satisfying to notice the growth, the steps backward, the consequence of leaving things to the last minute, and how having enough time impacts what you can create.  I also learned new techniques, new ways of doing things, new ways to incorporate design beyond the grid and have it mean something.

A few pages from my notebook/sketchbook.  It really helped to keep one of these, and not just for the journaling.  I was often able to arrive at an idea for my quilt through drawing out (that old mysterious hand-brain connection) and writing out my feelings about the theme and the challenge.

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(I came back in later and pasted in the four quilts we did under that theme.)

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It was also a place to keep patterns, those bits and pieces of paper that led me to the final quilt, as well as notes and thoughts while on the run:

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Pages about this quilt (the second page is digitally pasted on top of the first).  You can see the rejected ideas.

This little quilt, Ted and Maurice at Lorinc Pap Ter, is my favorite, not only for the idea of Contrast which it expresses (and was our challenge for this 12″ square quilt), but also because I learned how to print photos onto fabric [making my own photo-ready fabric, not buying it] and had a great time doing this.

I have more than one that qualifies for the Least-Favorite-Maybe-Even-Hate, so I won’t tell you which ones.  But I can share the why: when I was trying to be too “artsy” and didn’t let the idea drive the design, or when I forced the design, or when I was new at this and just had no clue how to execute the idea.

Four-in-Art Index

I used to have a dedicated page for all the Four-in-Art quilts, but recently I was cleaning out around here and filed them away in the Master Index to my quilts.  Now they are all on the 200 Quilts page, making them easy to find.  Slowly I’m going through the posts, adding the tag “Technique” to those pages that show how I tried a new way of doing things, or a new method.  I hope they will be helpful for you (use my search engines to the right–Wordpress has outstanding search capability).

It’s been a wonderful journey, these past five years, and my hat is off to those who started — and stuck — with me: Rachel and Betty.  They were some of the best companions to have alongside me as I traveled this road.  Other travelers were Leanne (SheCanQuilt), Anne (SpringLeaf Studios), Amanda, Carla, Jennifer, Nancy (Patchwork Breeze), Simone (Quiltalicious), Susan (PatchworknPlay), and Camilla.  Finally, Catherine (Knotted Cotton) and Janine (Rainbow Hare), who were also members, will be carrying this art quilt group forward, through their Endeavorers.  Click on their links to be taken to their blogs. And thank you for reading this WHOLE thing.

Now, please enjoy the final round of quilts for the Four-in-Art group!

Betty        Blogpost on Four-in-Art

Catherine         http://www.knottedcotton.com

Janine         http://www.rainbowhare.com

Nancy         http://www.patchworkbreeze.blogspot.com

Rachel         http://www.rachel-thelifeofriley.blogspot.com

Simone         http://quiltalicious.blogspot.com

All of our blocks are on our blog, Four-in-Art.

 

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