Guild Visits · Patterns by Elizabeth of OPQuilt

Blossom Quilts • Santa Clarita Quilt Guild

I had a great visit to Santa Clarita Quilt Guild this past week, presenting a new lecture:  Exploration Through Modern, Art and Traditional Quilts. I then taught a Workshop on 9-11 (!) using my Blossom pattern. I’ve worked with this Guild before and they are delightful. I thought I would share (with their permission) some of the quilts they made for our Follow-Up meeting about a week later.

The pattern has three sizes of blocks, and some quilters chose the smallest size, and some chose the largest, but the impact is great with whichever size was used, as the basis — the Flowering Snowball block — is really adaptable to many different fabrics.

Carol C. used the smallest size, wanting to make a quilt in autumn colors. I think those oranges fairly glow against her dark border.

Jean C. chose dark tone-on-tone batiks for her petals, and backed them with brights. I love that grayed aqua border. While you can’t really see it here, she used a flanged binding, so outside the burnt orange is the dark color again.

I think Joan used the small block again, and I love how the bright cranberry background is balanced by the soft floral petals and the muted green border.

Kristeen D. started out with a white polka dot fabric at our workshop, but by the time we met again, she’d swapped all of that out for the black/white polka-dots. That was a really great choice, along with that border.

Melissa N had pieces of three different black florals, which she combined to great effect for the backgrounds and border. Several quilters finished their quilts completely and she was one of them.

Vickie R used the smallest block in a limited palette of yellows and blues. But she finished hers into a pillow–a great use for this mini-mini quilt.

Usually we have a full week in between, but we shortened the interval to five days. Sue B. was able to get her quilt pieces cut out and arranged on the wall — I am happy to see quilts in progress in our Slide Shows, as that reflects Real Life. I love that border she chose, and it’s a perfect foil to the bright colors in the center.

Robin T. was at the Guild Meeting and once she heard that I have several videos in the class materials, she realized she could sign up even though she couldn’t attend the Workshop. She used autumn tones again, and then brought the center petals forward with her bright pop of yellow. We all liked how she stepped down from that to the polka-dotted half-petals, then out again to another muted floral fabric.

And this is my mini-mini, made in the smallest size. I had decided I’d better try the quilt myself, in preparation for teaching. I loved using the subtle stripe in the border, and rotated the corners 45-degrees so the pattern would continue around the outside. I also demo-ed on this fabric, so this is the front and a large version of the block is the back. Note: the tiny lavender flowered fabric in the outer border is one of the oldest in my stash, as I think it’s about 25+ years old, and was used in a quilt for my then young daughter.

Thank you to the women in the Santa Clarita Quilt Guild for their creativity and imagination and quick work. Hope you enjoyed the Blossom Quilt Show!

300 Quilts · Patterns by Elizabeth of OPQuilt · Quilt Finish

Merry Christmas in August: Advent • Quilt Finish

Mrs. Claus, from Berlin, Germany
133 days until Christmas
We always have nutcrackers around our house.

Advent
Quilt Number 256 • 35″ square
Blossom (pattern based on the Flowering Snowball block)

I’m teaching the Blossom pattern in a Workshop for the Santa Clarita Quilt Guild this coming month, and in celebration of finishing all three samples, shooting and uploading five videos for their workshop and figuring out how to make fancy-schmancy title cards for the videos, I’m celebrating by giving you a coupon for 20% this new pattern.

Right now. In the pattern shop.
Use the code: Blossom20 at checkout.
Expires at the end of the month, August 31st.

Blossom, version #1: Colorbright Blossom (47″)

Blossom, version #2: Advent (35″) (see above)

Blossom, version #3: Hanagasaku (23″)
They are made with different sizes of blocks, and the pattern has these three different sizes, plus three different (original) border patterns to fit.

Here’s the full line-up, available only through the workshop. Now, since I worked all day in a medium I’m not used to (video editing), and I think I don’t have any brain cells left to think, I’ll end here.

A version of the final end title on my videos, which I think might make a nice new logo.

Happy Quilting!

300 Quilts · Patterns by Elizabeth of OPQuilt · Quilts

Criss-Cross Color • Quilt Finish

Criss-Cross Color, quilt no. 233
49″ wide by 68″ high

The quilting by Kelley of Wolf Girl Quilts really looks lovely in this light.

IKEA fabric, from back in the day: a series of numbers. It was what I had.

the label

All photographs above by my husband or I, taken from a frontage road on the 680 freeway, to the west of Grizzly Bay and the Goodyear Slough, on Lopes Road near the Bay Area in Northern California. I like how the shadows are playing with the quilt in this image.

These last two photos were not taken on Lopes Road, but at my brother’s, as I knew they had a picturesque playhouse from when their girls were tiny.

I listed this as Quilt #233, as I got over-eager when the quilt top was done. Kelley, a long-armer friend, did the fabulous loopy quilting texture on the quilt. It’s been a good series for me, challenging me to think differently about color, texture and size.

The pattern is sold in my pattern shop on PayHip. There is a discount running on this pattern right now, until January 15th, if you are interested in purchasing it. Details are at the pattern shop.

Other Posts about the Criss-Cross series of quilts:
Criss-Cross Color, completed top, Criss-Cross Autumn, and the follow-up to the workshop
Criss-Cross Autumn
Christmas Criss-Cross, quilt finish
Criss-Cross, the genesis

Patterns by Elizabeth of OPQuilt · Shine: The Circles Quilt

SHINE: The Circles Quilt • Collaboration with QuiltMania

SHINE: the Circles Quilt

First I’m going to tell you the short version.

Shine is going back out into the world again, this time in collaboration with QuiltMania Magazine. If you are a subscriber to their newsletter, you’ll receive access to the newly revised patterns, free, as a thank you for subscribing.

Block One: Swirlygig

Now the long version.

When Covid-19 hit the proverbial fan, one April morning in my mailbox was a heartfelt letter from Carol, writing in her regular QuiltMania Newsletter about some of the difficulties magazines like hers were facing.  I contacted them, offering my help in any way (you know I’m a fangirl).

Block Two: Sunshine

After some correspondence, it was decided that they would release SHINE: The Circles Quilt out into the world, bit by bit on their blog, and after further developments, as a thank you for subscribing to their newsletter.  I was happy with this, and thinking it would be released quickly, revised all the formerly free patterns on this blog into a new format.  I sent them to back to QuiltMania where they were translated into French.  

Block Three: Ljublana

Wondering if they’d be out by July, I started work on another set of the circles, this time in Red, White, and Blue.  You may have seen them here, here, and here.  I am still working on them, but am borrowing an idea from my friend Carol, who is also working on a Red, White and Blue quilt.  We hope to get these quilts finished in time for the Inauguration in January.  That gives me a little more time.

So here we go on a new journey with SHINE! Underneath each block is the name, and a link to where it lives on this blog. Each of these posts has detailed instructions and photos, which may prove helpful in your sewing. The full set is up above, in my header, under SHINE: The Circles Quilt.

This is how it looked on their blog this morning. 

Above is the teaser in their newsletter, which you’ll want to subscribe to.  

Here’s the scheduled release dates of the free quilt blocks from QuiltMania:
September: Blocks 1, 2 and 3
October: Blocks 4, 5 and 6
November:  Blocks 7, 8 and 9
December: Blocks 10, 11 and 12

In case you can’t wait, the complete pattern is coming soon to my PayHip shop.  Currently up up on PayHip are the last four blocks of SHINE (13 through 16) and the quilt’s finishing directions, which are written in Hobbit Elvish.  Just kidding (sort of), but certainly they are from my earliest days as a pattern writer and will soon be revised to my current format and standards. (When the new patterns drop, if you have purchased either of these, you’ll be able to download the new ones without additional cost.)

I used fabric from the Minick and Simpson recent lines of red, white, and blue, as well as other Moda and Riley Blake fabrics for the backgrounds.

Happy Labor Day this weekend. Here is a less-than-happy version of Work (Le Travail), by Pierre Puvis de Chavannes (c. 1863) from the National Gallery of Art in Washington, D. C. I am happy that they worked in a woman in “travail” down in the lower right corner. I am beyond happy that my current work of quilting doesn’t resemble anything in this picture. (Okay, maybe sometimes.)

Keep stitching!

300 Quilts · Patterns by Elizabeth of OPQuilt

Triad Harmony • Quilt Finish

Triad Harmony, quilt number 234
33″ wide by 29″ high

Annularity now has a little sister, and her name is Triad Harmony.

Triads that harmonize are found in color wheels and in music. The Oxford Dictionary of Music notes that “Zarlino was the first theorist to accept the triad as a full-fledged consonance. Not only did he accept it, he dubbed it the harmonia perfetta—the ‘perfect harmony.’ He rationalized giving the triad this suggestive name not only on the basis of the sensory pleasure that triadic harmony evoked” but also because of reason and mathematical theory.

But that’s not why I named it that. I don’t really know why I named it this, other than my triad block is the basis of the design. Sometimes names just drift in out of the heavens, and there they are.

I was asked to speak to the Coastal Quilters Guild about a year ago, and my friend Susan wanted to make Annularity. When we all were switching to Zoom, I thought I should try to create a smaller version of that quilt, as small quilts are more easily created in a workshop setting. And I promised her I’d try it in Kaffe fabrics, her first love. So here it is, but it’s so hot off the press, that I haven’t had a chance to quilt this version. (Coming soon, and with a different name, I promise.)

The pattern is finished and can be purchased on PayHip, my pattern site.

I also drew up a bit larger version and I loved seeing some of the drafting details, so I took a screen shot. It is also when I found a significant error in my first quilt, but I doubt you’ll find it so I’m not going to tell you where it is. Humbling moments come at me from every direction.

It’s been an intense two weeks filled with smoke from fires in my lovely California, watching most of the Democratic convention and parts of the Republican convention, worrying about people I love, dealing with asthma and a reaction to a Shingles vaccination, writing up this pattern, quilting the first quilt, cutting and sewing the Kaffe version, moving my in-person Guild Visits to Zoom visits, trying not to be cranky when we had ten days of 100+ temperatures, along with the usual.

I didn’t have to deal with sending children back to school in masks, a stressful essential job where I had to risk the covid-19 virus, money troubles (thinking about my early days when I didn’t have two quarters to rub together in my pocket), locating a good fabric shop, teenagers, car or computer troubles.

I have some observations about the conventions, a thought or two about some of the other things, but today I am tired, so I’ll close it out here.

Take care, everyone. Keep quilting. Keep bringing the beautiful into your lives, one stitch at a time.

Giveaway · Live-Online Classes · Patterns by Elizabeth of OPQuilt · Quilt Patterns

Criss-Cross Autumn Quilt Top

I’m getting ready to do a live-online presentation and teaching at Glendale Quilt Guild next week, and a deadline always sends my I-should-try-this into overdrive. So while I have the Criss-Cross pattern up online, and I thought I was pretty settled, a little voice in the back of my head said I should try some autumn colors in the largest size block in the pattern.

Okey-dokey. So I pulled a group of red-orange, purple, gold, orange, yellow fabrics and I was cooking along, pretty happy with the choices I’d made, but when I was looking for another darkish to put into what was up on the design wall…

…this fell out of a bin. It was Jennifer Sampou’s Chalk and Charcoal fat quarter stack, purchased some years ago. I used to have it out on a surface, just because I liked the colors so much, but had never opened it. (I’m sure you have never done this.)

So, in a flash, all the previous choices were down from the wall, and I had cut and was arranging all the new choices up there. The last image is adding in the strips.

So here is Criss-Cross Autumn, a 35″ square wall hanging. And since we don’t live in a climate that has a lot of rusts, golds, purples, reds in the tree canopies, but we do live in a climate that at the end of summer has a lot of golds, browns and yellows, my husband and I took a drive out in the countryside to shoot some photographs.

We were out in Hemet, by the golden San Jacinto mountains (shown above). One writer once compared the California hills to a tawny mountain lion. I grew up in the Bay Area, where in autumn, the golden grassy hills are interspersed by giant spreading oaks. What we have mostly now is not native, as I discovered when reading this essay, but like the author, I do love the colors.

Now, what to do with that other almost-quilt? How about I give it away? I’ll send you the almost-quilt (already cut!) and its strips (also, already cut, although I have to tell you that once you get adding and subtracting, you may find yourself adding more). There are also a few extra pieces in there, in case you have a different vision. I will also include a hard copy of this new pattern, with multiples sizes and variations.

Leave me a comment at the end, tell me about what colors are in your landscape around you right now, and how you feel about those colors. I’ll pick a winner using the husband-draw-a-paper-out-of-hat method, and let the winner know by email. Here are some image/photos of Criss-Cross Quilt, done in Christmas fabrics:

I’m looking forward to live-online teaching this quilt at the Glendale Quilt Guild next Saturday!

Criss-Cross Autumn, Quilt Index No. 232

UPDATE: Just thought I’d add this to the post. I finished the quilt a few days later, using a simple straight-line quilting pattern, varying the directions. It will be perfect for hanging up during September, when autumn arrives.

UPDATE: Comments are now closed. Winner will be contacted via email on Monday, August 10, 2020.

P.S. There’s a coupon code for the pattern, good for 25% off Criss-Cross Quilt through the end of August. The code is listed on the PayHip page.