200 Quilts · 300 and Beyond · 300 Quilts · Patterns by Elizabeth of OPQuilt · Quilts · Red, White and Blue · SAHRR 2026 · Sawtooth Stars · Shine: The Circles Quilt · Tiny Quilts

Time Flies Whether You Are Having Fun or Not

(from here)

Because I’m a traditional American, a put-out-my-flag sort of gal on the 4th of July, with maybe adding a rootbeer float and maybe a hot dog to go along with it, I’ve been thinking about how I want to celebrate the 250th of our founding of our country.

And yes, I want to make another quilt, and thought I’d throw out a couple of red, white and blue ideas for you and your 250th celebration.

It’s a long story, but this is the red, white and blue version of my EPP quilt, made during covid. The title is I Hear American Singing and references all of us, our differences and how we all sing the song that is America (minus the bad guys, of course). Most all of the block patterns are free here on this blog, so have fun downloading them. The page that has all this info is An EPP Quilt: Circles. Each pattern has a corresponding blog post that’s a tutorial, if you need it.

This hot mess was a Friends Quilt, but I like the idea of a bunch of stars. Very cool background, I must say, but this was in the days when I thought a bunch of random blocks equaled a quilt. I mean, it kind of does…in a way.

This is a better example of what a quilt of many blocks can/should be: Carol Gillen’s Sacajawea quilt; pattern by Minick and Simpson.

Carol’s pup on a red, white and blue: pattern is This is Land That I Love, by Amy Smart. If you can’t tell, Carol’s kind of my go-to for red, white and blue quilts.

My friend Susan designed a star quilt using blue and white stars, called Under Southern Skies (she’s from Australia). She has a free tutorial, if you’d like to make it.

I also like wee red, white and blue quilts. The free instructions are on this post.

Free Pattern and How-Tos

Two links on this one: Head here to get the Free Worksheet to make the quilt, and a look at the final quilt finish: Betsy’s Creation.

I have two quilts for this 250 Celebration I’m dithering between:

I saw this at Carol’s “Celebration Station,” a little display she changes out every month. It’s from Timeless Traditions, and is titled Flag Day. It finishes at 36″ square, so not-too-big. And I already have the pattern!

Another idea is just making a ton of star blocks in different sizes and arranging them.

from here

Erica Jackman just did a Quilt-A-Long on this last year, another pattern I already have.

Anja showed this on her blog, and I love the randomness of this, as well. You can read about it here. If I were to do this, I might throw in a few of my Sawtooth Blocks from my pattern, as I like the different centers:

from here

And of course, there are millions of Quilts of Valor designs out there on the web. I also plan to read a book in tandem with my historian sister Susan, someone who can guide me through understanding about just what our Founding Fathers were trying to get to. The one we’ve chosen was featured in an interview that Judy Woodruff from PBS did the other night.

There are many good books to read about our early history, and of course plays to see, parades to go to, quilts to stitch up.

But another aspect of How Time Flies has to do with the SAHRR 2026 quilt-a-long I’ve been a part of. As always, thanks to the organizers and hosts!

We’ve reached the last prompt, and it was “Quilter’s Choice.” I think Anja has experience in these, because Prompt #6 was just what I needed after a mad smash to get all the words created and stitched on to the four panels surrounding the quilt.

(bad lighting…we are both tired)

My choice right now is to rest, and get ready for the Top/Quilt reveal on March 25th. I have a couple of simple borders in mind to tie everything together. I am so happy you all encouraged me to keep going, go forward in stitching down the words. I love how they look!

The Stay At Home Round Robin 2026 schedule:
*January 14: Center Blocks, led by Gail and shared by each co-leader
*January 21: 1st Round:   Brenda @ Songbird Designs
*January 28: 2nd Round: Kathleen @ Kathleen McMusing
*February 4: 3rd Round: Emily @ The Darling Dogwood
*February 11: 4th Round:   Wendy @ Pieceful Thoughts of My Quilting Life
*February 18: 5th Round:  Gail @ Quilting Gail
*February 25: 6th Round:  Anja @ Anja Quilts
[An asterisk* means that prompt has been posted.]

This has been a sprint, but to think that just six weeks has passed since we started and there are so many lovely quilts to be seen. I’ll include the final Linky party when my quilt is complete, but for a taste, here’s a couple I loved:

Left is Emily, from The Darling Dogwood, and on the right is Wendy from Pieceful Thoughts. Many more, later.

Until then, maybe give a wee thought about how you will celebrate the 250th celebration of our country? Part of it I will endeavor to work to ignore the noise and chaos generated artificially by pronouncements or tweets or truths or influencers. I will think about what I love about being an American, and how living here has shaped me, changed me, helped me. I will think about ways I can help others to see the beauty and joy (and work to change the things that are ugly or that make me angry).

This belongs to the quilt at the top of the post. Pretty funny to see what I wrote, since it was during our current president’s first term. I guess turmoil and chaos goes with his presidency!

EPP · Heart's Garden · Patterns by Elizabeth of OPQuilt · Quilt-A-Long

Heart’s Garden Sew-A-Long

I received a stack of fat eighths as a gift from my friend Sherri last fall, from her new line of Sincerely Yours, and the question of what to do with this yummy range of fabrics has been percolating in my head ever since.

A Sew-A-Long? A Mystery? A Freebie Pattern? How about all three? So yes, this is a sew-a-long, mystery, free pattern that should run for several months. I thought it was only four, but then I had another idea, so I had to add an extra month. I will put the patterns up on my pattern site, one month at a time. The usual caveats apply: Don’t print them off for your mother or eighteen of your closest friends; instead send them to my pattern shop to download their own.

The pattern is found here. (The free pattern timeframe has elapsed.)

Follow the directions and print off four pages of Page 4, then cut them apart on the lines. Prep them for English Paper Piecing {see this post (which uses thread basting) or this post (which uses glue basting) for some tips}, then start stitching them back together in the units.

I’ve placed small colorful dots to help guide you in getting the pieces sewn. Follow the guidelines on the pattern.

I like to sew it in two sections, as it is easier to hold it. I also like to take stitches across the seam points on the outside curved edge, for stability. For example, I join one G1 to the F point, then add the G2, taking an extra stitch at that outer point. It will make more sense as you sew it.

Once I’ve gotten this far, I sew those last two seams.

I always love the look of these from the back. One trick I use for the inner circle is that I don’t glue down the inner curve, instead leaving it flat. This helps when you go to stitch on the center circle.

I write about how I do the center circle in this post, and I will again express my undying love for Karen Kay Buckley’s Perfect Circles: both sizes. Sometimes I put the circle on first, then appliqué it the background. Other times I appliqué it to the background square, then sew on the center circle.

For this round, do the center circle first.

Then cut a large square the size mentioned in the pattern. I always iron creases: fold in half, iron; fold in half the other way; iron. You’ll have a giant cross so you get your circle centered. Pin it evenly around the circle while on a flat surface. Then start to sew it down.

I give you the tips in this post.

Yes, I’ve been doing the EPP-circle-bit a while now, and there are lots of tips and tricks under the tab SHINE: The Circle Quilt (found above). And yes, I’ve probably made millions of mistakes, but after sewing over three dozen EPP circles, I’m getting the hang of it.

Here it is, sewn to the background. Don’t trim this yet. If you are curious, your circle will probably measure about 12 1/4″ in diameter, largely due to the thickness of all those fabrics spreading it apart. We will deal with any variations in the next post, coming mid-month February.

I use several methods of construction: piecing, appliqué, English Paper Piecing for starters. While the theme is Heart’s Garden, there aren’t a billion hearts on this quilt, so you could make it in other palettes or groupings of fabric or from scraps. I started with one fat-eighth stack of Sincerely Yours, from Sherri and Chelsi, then purchased four one-yard lengths of the lights (always good for the stash, if I don’t use them all). I also bought two half-yards of the strongest colors; perhaps that is overkill, but I didn’t want to let this line get away from me. I am happy to have this great inspiration, so thank you Sherri and Chelsi!

So head over now to my pattern shop on PayHip, and download your pattern. At the end of this series, I will combine all the sections into one pattern, and will list it for sale in the same place. Feel free to stash the pattern until you see the end, or to just pick up a little piecing here and there as we go. [UPDATE: Pattern is now available.]

Happy Heart’s-Garden-ing!

300 Quilts · Patterns by Elizabeth of OPQuilt · Shine: The Circles Quilt

I Hear America Singing • Quilt Finish

Where does patriotism come from? The title for my quilt, “I Hear America Singing,” is from a poem by poet Walt Whitman. Today he might have been considered a type of patriotic American — one who saw and acknowledged the multitudes of regular Americans — and heard them sing their song of daily work (poem is at end of post).

“The United States themselves are essentially the greatest poem,” said Whitman, and the poem, written in 1860 and published shortly before Lincoln’s inauguration, was a celebratory poem, lauding you and I — she and him, and those people over there. Karen Swallow Prior, in an article from The Atlantic, makes the observation that “Whitman’s claim stemmed from a belief that both poetry and democracy derive their power from their ability to create a unified whole out of disparate parts—a notion that is especially relevant at a time when America feels bitterly divided.” She goes on to say that:

“Notably, Whitman’s grammar (“the United States are”) signals his understanding of the country as a plural noun—not one uniform body, but a union of disparate parts. Whitman was centrally concerned with the American experiment in democracy and its power to produce “out of many, one,” even at as great a cost as the Civil War and the faltering Reconstruction. Whitman thus celebrates in his work the many kinds of individuals who make up a society as well as the tensions that bring individuals together in a variegated community.”

As Whitman asserts later in the preface to his Leaves of Grass:

The genius of the United States is not best or most in its executives or legislatures, nor in its ambassadors or authors or colleges or churches or parlors, nor even in its newspapers or inventors … but always most in the common people.

We often think that the ideal of “patriot” has an affiliation with war: the machines of war, the fighting and dying and the slogans and the confrontations, which leads in the end to the cemeteries of war, with honoring our war dead. We make that connection easily because we honor those who fought for our freedoms. I acknowledge them and am grateful for them. However, if it is defined only this way, it’s easy to feel separated from the idea of being a patriot, from patriotism, and make “them” responsible for the well-being of our country.

So on this Fourth of July, I wanted to emphasize a different sort of connection to patriot. That it is not found in going to war. It’s not in defined battles. It’s in us, the people. It’s in our going out of our way to take care of our neighbors, with their varied songs and carols and labor and daily work. It’s in going to that daily work, from the work of masons and shipbuilders and deckhands and mothering and washing and sewing: “Each singing what belongs to him or her and to none else.”

Stephan Cushman noted, “Although we hear the words “patriot,” “patriotic,” and “patriotism” all around us … we do not have many useful public models for combining genuine celebration of the United States with constructive criticism of it.”  Cushman gives a nod to the idea that “patriot” is a formal label that can be worn on one’s chest. But after noting that Whitman used that word sparingly in his volume of poetry Leaves of Grass, Cushman goes on to say:

“Different readers might offer different explanations for the paucity of direct references to patriotism in Whitman’s writing, but one that feels plausible to me is that someone so deeply engaged in celebrating various aspects of the United States, and in identifying himself with his image or images of an American ethos, had little need or ability to separate himself from that celebration and objectify it with an abstract term like “patriotism.” Or, to put the matter more bluntly and reductively, Whitman was too busy celebrating himself and his country, and insisting on the connections between them, to spend much time crowing self-righteously about how patriotic he was and how deeply he believed in the value of patriotism.”

Perhaps the greatest patriotism is in seeing each other, in realizing how alike we are and how dissimilar we are, making us figure out how to negotiate, how to keep the peace, how to be respectful. This is why one reason my husband and I photographed this quilt at our county’s 1903 Courthouse, a place administering and honoring those laws that are part of the the thousand daily comprises we make to keep our country stable and thriving. We also chose this place because it’s also really beautiful, with its craftmanship intact; this place generates in me that old-fashioned kind of feeling of pride, and yes, of patriotism.

As I have traveled around the world, I have found patriots in all countries, loyal to the carols they hear around them, fiercely proud of what makes their country the best one ever. It would indeed be a great world if we could all think like that, seeing this similarity as something that can unite.

Finally, Swallow Prior brings another gentle affirmation for this idea of America as a poem by mentioning Harvard professor Elaine Scarry, who “describes the importance of multiple viewpoints, arguments, and counterarguments to ‘political assembly,’ [and wonders] how ‘will one hear the nuances of even this debate unless one also makes oneself available to the songs of birds or poets?’ The basis of poetry is precisely those connections forged between different elements, different voices, and different perspectives. In envisioning the United States as “the greatest poem,” Whitman links the essence of poetry, which is unity within diversity, to the essence of democracy.”

I am a patriot of the singing kind, the poetry kind. I will always love America. And so I present to you my quilt, I Hear America Singing, a celebration of that great American poem that Whitman believed us to be.

I Hear America Singing
Quilt #252
68″ square
Many of the English paper-pieced blocks for this quilt are available free here on this blog. Other blocks and the finishing instructions are in my pattern shop.

The backing was a printed sateen cotton from the designers Minick and Simpson, using the prints from the front of the quilt. The label was attached later and is not visible.

There’s a lot of quilting in this quilt!

Other posts about this quilt, and the blocks that I designed, are found above in the tab Shine: The Circles Quilt.

I Hear America Singing, by Walt Whitman

I hear America singing, the varied carols I hear,
Those of mechanics, each one singing his as it should be blithe and strong,
The carpenter singing his as he measures his plank or beam,
The mason singing his as he makes ready for work, or leaves off work,
The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck,
The shoemaker singing as he sits on his bench, the hatter singing as he stands,
The wood-cutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown,
The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing,
Each singing what belongs to him or her and to none else,
The day what belongs to the day—at night the party of young fellows, robust, friendly,
Singing with open mouths their strong melodious songs.

Happy Fourth of July, everyone!
The above Instagram post is from July 2020, when I began this journey.
#ihearamericasinging_quilt

Guild Visits · Quilts

Inland Empire Quilters Quild

EPP Workshop.jpg
Inland Empire Workshop Group

The classroom behind me was abuzz as I set up my Shine quilt on its frame.  I turned around to see that the room had filled up with women from the Inland Empire Quilters Guild, who had come to take my class on English Paper-Piecing (EPP).  I have many Guild visits coming in the next year, but only one group has chosen EPP.  So I challenged myself to come up with something unusual and interesting that would provide a chance for them to learn a variety of skills.

EPP Picture 2
IQSC Collection: Clyde E. and Joan B. Shorey Collection IQSC Object Number: 2006.056.0012

First I gave them a brief history of EPP, showing them quilt pictures from the International Quilt Museum in Lincoln, NE.

EPP Picture 1
International Quilt Study Center, 2006.043.0143, Ardis and Robert James Collection

The International Quilt Museum calls these types of quilts “mosaic” patchwork quilts, and they write: “The earliest examples of mosaic patchwork, from 1700s England, were typically made from lighter-colored silks. Later, during the third quarter of the 1800s, dark-colored silks predominated. Their availability, and the paper-piecing technique, spread widely throughout the United States.”

The three tasks I designed for the Inland Empire Quilters were:

  • baste fabric to hexies and then sew them together
  • learn how to work with paper EPP patterns (batch-cutting, glueing and sewing)
  • work with color and value in creating Spectrum, a circular mini quilt
EPP Workshop_0 hexies

Sue worked diligently on her hexie flower, finishing it up.  Most others shifted off to the mini-mini quilt: a Kansas Sunflower variation, shown at the top of this post.

I was impressed with their designs and the variety of colors they used.

EPP Workshop_5

After lunch, we shifted full gear into working on Spectrum, with collections of Kaffe Fasset fabrics being displayed on tables everywhere.  I was most impressed with the generosity of these women, who shared different colors with each other, helping their fellow quilters get all the hues they needed.

At the end of class, Carol went down to the car and brought up this old EPP quilt, with the papers still in it.  We pulled out a few stitches, removed a few papers and decided it was from the 1930s as the papers were really postcards from a Chicago hotel.  What tales this quilt could tell!

Inland Empire Quilt Guild Meeting_2Monday night, I returned to present a program for them, and at the beginning, those who had made progress on their projects held them up for everyone to see.

I snapped photos of some who came up to show me (including Vicki and Terri).  That’s Cynna’s Spectrum color wheel taking shape, above left, and Paula’s Kansas Sunflower (variation) and small hexie quilt below left.  I was very impressed with everyone’s work.

Susan, the Program Chair, was busy at her table, but she and others had worked hard to show their projects for the meeting.  She has arranged a visit by a noted designer next year and was busy taking sign-ups for that workshop to be held in March.  Program Chairs are critical to a Guild’s success, and this Guild has a wide array of interesting presentations for their members.  They also have engaged chairs for Charity, Outreach, and other, but most of those are discussed at their other meeting (they have two per month).  This month was also the kick-off for their Block of the Month, which looks really fun.

Inland Empire Quilt Guild Meeting_1

One of the best sounds ever is the cheery voice of quilters greeting each other, which you can hear in this video.  I had a wonderful time visiting the Inland Empire Quilters Guild.  Thank you for inviting me!