Patterns by Elizabeth of OPQuilt · Red, White and Blue · Shine: The Circles Quilt

Happy New Year with Shine Block 20

This is the second of the three last posts for the Shine quilt done in red, white and blue, and these last three are all new blocks, found in the Nine More Blocks from Shine pattern in my pattern shop on PayHip. And yes, I know I put Block 21 before Block 20, but in spite of that I still think I’m doing pretty well these days. I have named this block Dresden Rosette, for every creation needs a name.

It all always starts with this, doesn’t it? I started Block 20 by doing the quick method of EPP, as described in the General Instructions: I pieced a couple of the fabrics together in strips, then laid out the pattern and cut/glued that to the paper. There are some tips in all the blocks, but I also think I did this in Block 19: Compass Star. Here I’ve paired up the Dresden-looking pieces:

The pairs were joined up to make a foursome, then the pieced diamonds were added to them, with one extra kind of hanging out there on the end.

Nothing prettier than a Dresden Rosette. But we’re not done yet. I’ve stitched the three sets together, but if you look at the photo at about 1-o’clock on the dial, you can see I’ve left one complete seam open. Trust me when I tell you it’s easier to sew the outer wedges on, if you have not sewn it into a circle.

Outer Wedges: On!
Final Seam: Sewn!
Now to hunt around for a middle…

Found the middle I wanted, and now am trying to decide between the two arrangements. You can which one I went for at the top of this post.

I’m sure you noticed all those little bits of seam allowances at all the tips. How do I handle those? Here’s three photos to show you. I first fold over and tuck under one side (#2), then fold and tuck under the second little bit (#3). Finally I stick a pin there, or quickly put in a couple of stitches.

Before
Photo #2
photo #3 (sorry about the color–I was outside and the sun shifted)

After it is all stitched down, I press. First I press from the top, then I set the circle on a well-padded surface, and really give some heat and steam to those protruding seam allowances. They usually fall nicely in line.

On onward to the last of the Shine Blocks. Again, I have turned off the comments for this post, too, as I’m doing them in such quick succession. My contact info is above in About Me, if you need to send me a note.

Gridsters · Patterns by Elizabeth of OPQuilt · Red, White and Blue · Shine: The Circles Quilt

Happy New Year with Shine Block 21

Something short and sweet for you today: how to make block 21. I’m posting these last few blocks of Red, White and Blue SHINE in quick succession, so others can these posts for references.

The going is quicker, so I swiftly moved from the above, to the layout below.

This is an easy block to start with, if you are just a beginning EPP-er. This block can be found in Pattern 121, the final nine new circles, and is available in my PayHip shop. The quick trick is explained in the General Instructions, as well as in other Shine Block instructions (on this website).

Follow the steps on the pattern. You can see I made the inner circle first, then added on the red/white star points. Then next is making the outer wedge-point-wedge units. Sew them in between the star points. Applique a small circle on the center. Appliqué the circle to the background square, deciding if you want the red/white star points UP, or the blue smaller points UP. You can tell from the first photo which one I chose.

We’ve just had Christmas, come through the bulk of 2020, and I thought a short and sweet post would be best. It’s touch and go as to whether I get the top finished by the Inauguration in January, but a girl can dream, can’t she?

In other news, I finished the feather for Jen in our Gridster Bee for December. She wanted organic-looking batiks for the feather part, and solid black for the feather’s shaft. You can see a whole bunch of the feathers here. The pattern was a free download from ZenChic designer Brigitte Heitland.

I have turned off comments for this and the next two posts, as I am finishing up the SHINE block construction information; hope you won’t mind. If you want to get ahold of me, my email can be found on the About Me tab, above.

300 Quilts · Patterns by Elizabeth of OPQuilt · Sawtooth Stars

Sawtoothmania • Reflections on Fertile Ground

Sawtoothmania, Quilt no. 239

All the signatures of the Gridsters, who contributed blocks to the quilt top.

the label

All photographs above by my husband or I, taken from a frontage road on the 680 freeway, to the west of Grizzly Bay and the Cordelia Slough, off Lopes Road near the Bay Area in Northern California. We just can’t resist those Northern California hills, as he and I have significant history there.

He went to UC Berkeley for his doctorate in Environmental Health Sciences (aka Toxicology), and when he wasn’t in the lab or studying his brains out, he was out in his vintage Dodge Dart exploring the Bay Area, Muir Woods and other areas. I, on the other hand, spent my teenage years in Portola Valley on the other side of the Bay, my father a professor at Stanford. We’d just come back from two years in Peru (and how we got there is another story about the life my charmed parents lived) and instead of returning to the mountain-west states, our family landed here. That was when houses were dear, but not astronomical, and somehow they pieced together a way to get a house on a professor’s salary. I grew up in the wooded hills, the large California Oaks standing alone in the the golden grasses in autumn, just like they were this day, when we went hunting for a place to photograph my quilts.

One of my children was born not too far from this place; however, my husband and I didn’t know each other then. As we drove down to my brother’s house from the Sacramento area (where this same Mr. Claus took this Mrs. Claus to get her Christmas present…more on that later), I narrated where I used to drive this child to the orthodontist, where he went to the surgeon to correct his cleft lip and palate, where I visited the attorney for my divorce. Then my husband took his turn in narration: the place where he used to go to school, his tale of arriving for grad school on a Friday, then heading to San Francisco on Saturday, to see what was there, all before beginning his studies on Monday. We drove by the Oakland Temple, of the Church of Jesus-Christ of Latter-day Saints, where we first met on a hot July evening, and gradually fell in love, sitting on the low stone wall around the property on summer nights, just talking, and watching the shimmer of lights from across the bay as we figured out how a newly-divorced woman with four children could fall in love with a single, brilliant young man, and about how they could take the leap together into a new life, the fertile ground of the northern California hills under their feet.

And so we did leap: into a life of raising children, of tracking the academic life, of quilting, of learning. It’s been a good journey, with lots of love, a few intense discussions, a life of forgiveness and kindness, a happy and creative life together…all of this reminiscing while finding a place to photograph a few Sawtooth Stars.

Other Posts with Sawtoothmania:
Sawtoothmania! – the beginning of this quilt
Some Thoughts on Our Nation’s Milestone — where Sawtoothmania makes an appearance at the end
stars shining brightly — a sister to this quilt
The Ides of March — where a few blocks show up after we build a new design wall, and I write about possessions, and an old recipe held together with a straight pin
Tiny Envelope & More Blocks — where I wrote you a free tutorial to make those very cute signature blocks on the back of the quilt

The quilts above, are Criss-Cross Color and Sawtoothmania, both available in my pattern shop.

300 Quilts · Patterns by Elizabeth of OPQuilt · Quilts

Criss-Cross Color • Quilt Finish

Criss-Cross Color, quilt no. 233
49″ wide by 68″ high

The quilting by Kelley of Wolf Girl Quilts really looks lovely in this light.

IKEA fabric, from back in the day: a series of numbers. It was what I had.

the label

All photographs above by my husband or I, taken from a frontage road on the 680 freeway, to the west of Grizzly Bay and the Goodyear Slough, on Lopes Road near the Bay Area in Northern California. I like how the shadows are playing with the quilt in this image.

These last two photos were not taken on Lopes Road, but at my brother’s, as I knew they had a picturesque playhouse from when their girls were tiny.

I listed this as Quilt #233, as I got over-eager when the quilt top was done. Kelley, a long-armer friend, did the fabulous loopy quilting texture on the quilt. It’s been a good series for me, challenging me to think differently about color, texture and size.

The pattern is sold in my pattern shop on PayHip. There is a discount running on this pattern right now, until January 15th, if you are interested in purchasing it. Details are at the pattern shop.

Other Posts about the Criss-Cross series of quilts:
Criss-Cross Color, completed top, Criss-Cross Autumn, and the follow-up to the workshop
Criss-Cross Autumn
Christmas Criss-Cross, quilt finish
Criss-Cross, the genesis