NMAI • Top Finished! (Twice)

October 11, 2026October 10, 2026 Elizabeth E.9 Comments

I nearly always put the finished quilt top at the beginning of the post.

Not this time.

I’m putting the Finish, Before I Really Finished It, at the top of the post. Here it is:

This is the finished layout from the 2026 quilt-a-long project from the Smithsonian’s National Museum of the American Indian, with a few tweaks. As I mentioned in my BlueSky post, I absolutely am not a fan of piano key borders. You know those ones with a million little pieces that NEVER FIT? Sure you do.

And this was a type of piano key border, but the bits were subdivided to mimic a step design, seen on baskets from the designer’s region and people. I can honor that, but I was not keen about making it. That’s why you see two extra bands of yellow on top and bottom, as I’m trying to get that border to fit somewhat. I finally gave up because I knew I was going to do this:

(That fun figure I purchased in Northern Arizona is helping to show off my Really Finished quilt top.)

I got rid of all the inner borders, swapped out my sun symbol block for the hand, and tried to set the design to balance as well as it could. In her narrative about the basket inspiration used for the final border, Margaret Wood noted that the break in the design always points East. I intimated at this with my one yellow spacer, pointing to a traditional east.

So I consider this a successful finish.

(Early version)

But let’s talk about that final block.

Which leads me to ask, what is the real point of this quilt-a-long? Past all the designs, past all the paragraphs and aspirations? At first I viewed it as another traditional quilt-a-long, you know: get a free pattern, make a block, repeat.

But when I hit this one all that process abruptly ceased for me, because there was no way I was going to make that block. I went away for a couple of weeks (here, and here…always good for the quilty soul), and while gone saw another quilter on BlueSky make hers, changing it to suit her.

And then I started reading and reading; I read about the Yup’ik people. I read about their designs, where they lived. I found other artists in other venues. I searched for “Ellam Yua,” which is the black symbol floating over that random wave up there. And then I found this:

This hand-carved mask, from Jennifer Angaiak Wood of the Yup’ik people shows the river flowing from the upper right to the lower left. Things fell into place. Instead of that ocean wave representing water, I’ll do a river flowing over mountains.

The Yup’ik live in this area of the world where there are rivers, and oceans and mountains. After I borrowed Ms. Wood’s idea the creating began for me. I was — I think — finally catching the spirit of this adventure: learning about the native peoples who lived here before America was even a glimmer of an idea; perhaps that’s why the National Museum of the American Indian (Smithsonian) was doing this for the America 250 celebration.

And if you haven’t been to that museum, please do put it on your list. We were in Washington, D.C. when it opened and it was just a party of different peoples from all over the American Continent (north and south) with a parade, food, programs. A good memory. And here’s a slideshow of that day, with all the amazing dresses (I love the Ojibwa Jingle Dress, slide 11) and regalia of the different nations. The first slide is a partial glimpse of the museum itself. The last three slides are inside the atrium, with the rainbows shining through the windows and down the walls.

Here’s a free pattern of my version of the final block for you to download. Please do not post this on your own site, but send others here to get it for themselves. Thank you. (This is already up on my pattern site, and eventually I’ll take this one down and the pattern will live over there.)

Yup’ik Block_opquilt Download

Okay, a quick review of how I made the block. I like using freezer paper when I do appliqué that has a tricky edge.

I pressed the raw edge (clipping at the curves) over the freezer paper. NOTE: please do pin your piece to the freezer paper as there is a tendency for it to move as you press.

Once cool, I removed the freezer paper, then put it into place on the “mountain” triangle, matching straight edges. I appliquéd it down, then cut out the excess behind. I chose to use hand appliqué but if you are familiar with using monofilament thread and a small zig-zag stitch, it would work well in this instance.

Similar process for the inner ring (the red center was appliquéd first, then I did cut out behind that). I trimmed the pattern piece on the lines, cutting away the seam allowances. Then, using a small-tipped iron, I pressed the clipped seam allowances over the edges of the waxy side of the freezer paper pattern. I pinned it to the block, then stitched down the inside of that first smaller ring. Then I removed the freezer paper, pinned it down again and went around the outside edges with my stitching.

Same steps. I clipped into the corner when the lines poke out from the circle, and tucked the raw edges under the shape.

I was in Scotland and England when researching this Ellam Yua shape and found it interesting that there were echoes of it where I was: a circles with the four points jutting out:

I learned a lot on this block, really enjoying my exploration of the Yup’ik art. And I learned a lot with all the other blocks and borders, too — expanding my horizons while doing a good challenge. Many thanks to the Smithsonian’s National Museum of the American Indian, and thanks to Congress’ America 250 Committee, which contrtibuted to this.

This final image is of a mask that Jen Wood made and put up online. In the text she notes that “the blue with white dots on the forehead represents the sky and stars, as well as our ancestors.” I liked the idea of this, so maybe the dots for my backgrounds evoke the same idea?

Thanks, Jen.

Happy Stitching!

What I Did This Summer (Blossom to Blossom)

August 31, 2026September 17, 2026 Elizabeth E.

Summer specializes in time, slows it down almost to dream. — Jennifer Grotz

Early Summer Slideshow (beginning Memorial Day Weekend):

Japanese Honeysuckle
Quilt for America’s 250 Birthday
Oh! Granny
Singing Hymns
Ate too many Sugar Bomb cherry tomatoes
Sewed the final version of Aerial Beacon in RWB
Finished sewing Squircles Blocks
Sewed the Whittaker Jumper

Middle Summer Slideshow

Blue Morning Glory
Summer of Sawtooth Blocks
Moon and planets during sunset
My Mother’s strawberry china for Father’s Day
Visited the San Diego LDS Temple Open House
Made a log cabin block
Visited LACMA
Visited LACMA
Driving in LA
Celebrate 4th of July
World Cup Soccer and seeing all our worldwide cousins

Halfway through a Quilt-Along for the Smithsonian National Museum of the American Indian

Late Summer Slideshow

Peacock Flower
Violet-backed Starling: Being on BlueSky has presented me with beautiful bird photos
Discovered my new favorite kind of instant ramen noodles
Reading to travel
As before, but this is a Jambu Fruit Dove (see https://bsky.app/profile/joycomes.bsky.social)
Ordered new roll of quilt batting
Making my favorite summer soup
Ah, yes. Cleaning out.
At the beach with some of my favorite people
It’s been hot.

This summer I also learned how to cook mushrooms. Finally. Place washed and chopped mushrooms in a dry pan over medium heat. Toss until they are looking cooked in some places (3-4 minutes). Sprinkle over some good quality salt (kosher, or that jar you picked up from France) — about 1/2 to 1 teaspoon? Keep tossing. When they look cooked, add 1 pat of butter. Toss some more, then remove from heat. If you add some thinly sliced and cooked marinated bulgogi meat to the ramen (shown in one of the slideshows) — along with some of these mushrooms — it’s a perfect summer meal.

I also sewed two skirts and this Dukke blouse. I loved the blouse and have already ordered some more fabric to sew another.

And now with Labor Day — the end of summer — a crowning bouquet from my husband.

From Blossoms
BY LI-YOUNG LEE (1986)

From blossoms comes
this brown paper bag of peaches
we bought from the boy
at the bend in the road where we turned toward
signs painted Peaches.

From laden boughs, from hands,
from sweet fellowship in the bins,
comes nectar at the roadside, succulent
peaches we devour, dusty skin and all,
comes the familiar dust of summer, dust we eat.

O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into
the round jubilance of peach.

There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.

Appliqué · Free Download · PatternLite · Patterns by Elizabeth of OPQuilt · Quilt-A-Long · Quilts · This-and-That

This and That for JulyAugust 2026

August 16, 2026August 15, 2026 Elizabeth E.14 Comments

Can I just get this off my chest? I am not a fan of AI, even though — it appears — that we will all soon be swimming in it if we aren’t already. This ad is from a prominent mail-order quilt shop. Love the three parts of the glasses in the front: the lenses part, the eyeglass arms…and the other eyeglass arm, sticking out from the right. Every fat quarter fabric is a perfect shape-replica of the one underneath it/above it.

And then there’s this:

Should I be honored that the Giant Vacuums of AI have hoovered up (if you know the reference, you are showing your age) my blog, the thing that I’ve spent years writing and creating and making quilts and talking and thinking up? And if they’ve come for mine, they’ve come for yours, as well as the text in your gmails, the fun stuff on Instagram and Threads and anything that is online. And now, to make money to pay their data center loans, they are selling MY content back to the world?

Yes, I’m a bit ragey when I think about this. In my last post, I wanted to grab a picture of a baby crawling. Fifteen years ago, that would have been no problem. I was happy to share my images with others, and they shared their with me. But now every illustration is AI. I don’t want to put AI on my blog — I want it an AI-free zone. So I went back in my personal photo archives and pulled up a picture from long ago of my child, knowing that by putting it on my blog, I was now subjecting it to the Giant Vacuums of AI (I should copyright that phrase) and now it will also become AI by the very fact that it’s been published online. All my quilts are not now “my” quilts. And if you’ve posted online, yours aren’t either.

Ok, rant over. Sigh. Do I feel any better? Please be assured that I don’t use ANY AI to generate any writing either here on the blog, or in the emails I type back to you.

Moving on…A random shot from Moda’s display at Market a couple of years brings joy to my heart: look at these amazing (mostly) two-color quilts! We generally think in red/white, or blue/white, but definitely I want to make a periwinkle/white quilt now! (Add it to the list, she hollers!)

For a mere $5,000, you, too, can wear a Gee’s Bend Jacket made out of old jeans. Don’t forget your $3,000 tote bag!

In a recent social media post about screaming children on airplanes, I read this:

“Inside thought just broke containment,” may apply to those paragraphs at the beginning of this blog. I apologize.

Recently an artist covered the Pont Neuf Bridge in Paris in order to make it look like a big mountain.

And inside, you could walk through tunnels to some interesting soundscape music. Please click on the Instagram of @kristinetghardeberg to listen. And thank you to her for posting!

This is why that is so fascinating to me: here’s the guy sitting at his (industrial) sewing machine, cranking it out. Oh, I’m sure those belts and geegaws also played a part.

I don’t know about you, but this is more my speed this summer. I did finish up a couple of quilts, but the energy overall has been so incredibly low, for some reason. Good thing I make quilts to nap with! And of course, that’s a screen shot from somewhere and I don’t know who to give credit to. When I did a Google Search, a whole lot more really fun “confetti” quilts pop up. Now I have lots more ideas of what to do with all those leftovers squares from my Oh! Granny quilt.

I don’t know who Poliana Araújo is, but really? She spent “so long picking out these green and blue prints?”

And even though I have this declarative statement on my website? Happily my wonderful readers saw the stolen quilt images and connected it to this one that Riley and I made some years ago, and called her out on it. Hmmm. Is this the early version of the Giant Vacuum of AI? Link to her ill-gotten Facebook post.

BACKGROUND UPDATING IN PROGRESS!

Apparently the “Classic Block” is being phased out. So I’ve been busy updating all my posts to the recommended “Block” style. Besides working on that, I’ve also been working on updating the Blog Index that shows a photo from every blog post, as well as a little bit of the writing.

Here’s a video showing a page from far back…and right in the middle of it is Riley, making his quilt! (Sure hope this works on your computer/browser/whatever.)

These represent the blog Four-in-Art blog on Blogspot/Blogger, as well as the Mid-Century Modern blog. I was supposed to delete them several years ago, but just now (sadly) said good-bye. Here’s a record of the quilts I made in the Mid-Century Modern, as well as other bees. The Four-in-Art quilts are scattered through the Quilt Index, above, or you can do a search by typing that phrase into the cute little box, above right.

As I’m starting to distribute my quilts more frequently now, I *need* this label! Clever way to tack down a binding, too.

As my husband and I are taking a trip to Scotland soon, I’ve been looking at what connections I can make there with quilters. I’m a bit too late for this one!

However, I did find a quilt shop in Edinburgh, as well as a tartan shop (or twenty).

I was named for two “Elizabeth” great-grandmothers. One of them was my great-grandmother who came from Haddington, Scotland. (The other great-grandmother was born in England). Because of this, I’m figuring out bus routes and times, so I can pay a visit to that village, as my mother did when she visited Scotland some time ago. My husband’s forebears also immigrated from the Edinburgh area, so we have another small village to visit for his relatives, too.

I’ve been doing my searching on Family Search, an online archive of lineage and memories. You can find your relatives, too, by going there and setting up an account. I’m not a genealogist, by any stretch, but my friend Dayna is and she’s teaching me how to use it. I’ve got so many things I want to upload on my relatives’ pages, to “make them known to their grandchildren,” as Dayna says. Maybe I’ll bring back a photo or two of her Scotland for her page?

Lest you think I’m a total slacker, this has been patiently waiting for me while I run around like a chicken with her head cut off…wait…wrong image…while I laze around like a woman in August, trying to beat the heat and keep her sanity. (Better.)

Remember these? It’s the Smithsonian’s National Museum of the Indian’s quilt-a-long for our 250th celebration. I made their August 2026 block:

I liked it. I just didn’t love it. So I combed the artist’s Instagram account, looking for other motifs I might like better.

And this was it. I widened the strips, made a different motif for the center. As a quilter, I’m always considering how the subsequent blocks in a quilt-a-long will play with the first few blocks. I feel like this will play a little bit better, to my way of thinking. I may end up using both? Stay tuned.

Here’s the free PatternLite Handout of what I did. I’m calling it Sunrise on the Prairie. Please don’t sell, don’t steal, and if your pals want one, send them over here to download their own from my website. That is very appreciated. And please don’t tell AI this is up here (haha).

Sunrise on the Prairie_OPQuilt Download

I hope for you gorgeous sunsets at the end of the day, or sunrises at the beginning.

(In honor of the recent eclipse)

Quilt Patterns · Quilt-A-Long · Quilts · Something to Think About

The Friction of a Hawaiian Quilt Block

July 12, 2026July 10, 2026 Elizabeth E.9 Comments

Occasionally in Adam Mastroianni’s substack there are these fascinating-makes-me-think-or-go-aha sorts of observations. His missive this week happened to coincide with two other events: a couple of days at the beach and the making of a Hawaiian quilt block.

First, the quilt block. I posted I was starting this Hawaiian style of quilting and immediately a couple of quilters commented that it was a total fail for them, didn’t like it, tried and never doing it again. But it was Block Two of the Smithsonian’s National Museum of the Indian quilt-a-long and since I already had finished the first block, I was determined to try the second. I also have never attempted a Hawaiian Block.

Second, the days at the beach came about because one of my sons was bringing his family to Oceanside, and I asked if my husband and I could tag along for part of their trip, and then the other son, who lives in the area, also joined us. Their dog Misa is above; she hated their pool when they first moved in to their new house, but now, she loves it. (Misa, too, is a part of this.)

Back to Mastroianni. He writes “The internet gives every social trend a pair of rocket-powered roller skates, speeding it toward its…final form. On Twitter, for instance, memes go from punchy to passé in a matter of days rather than decades. But if we could play culture on 1x speed rather than 10x speed, if we had time to screw around with different strategies before the game reached its cutthroat stage, we might have discovered different paths entirely….Instead, in a hyper-competitive marketplace of ideas, we end up with the same few memes, all done to death” (source is above).

We quilters have also been subjected to this rocket-powered roller skates. How many rainbow-ordered quilts have you seen in the last few years? How many quilts have you seen that really don’t need a pattern because they are so simple — but somehow they are everywhere and we all make one? Sometimes it is because we all read the same Instagram posts, or that the pattern writers are counting on the viral effect of social media to send sales skyrocketing. Fair. It’s a marketplace. But I can’t tell you how many guild show-and-tell nights I have sat through where every quilt somehow resembles the one before it, or the one before that.

Mastroianni calls this “de-frictioning.” He describes it like this: “We’ve forgotten how much time people in the past spent consuming content that they didn’t actually want to consume: the unskippable clunker of a song that came in the middle of an album, the late-night infomercial that you sat through because there was nothing else on, the magazine you read cover-to-cover in the waiting room….Each new media technology reduces this friction…they all allow us to spend more time with the content that we supposedly desire. And what happens when this friction goes away?”

Two Russian artists, Kolmar and Melamid, decided to find out, and interviewed people in many countries about what their most wanted painting was, and what was their least wanted painting. Here’s USA’s (source via Mastroianni):

If you were to interview quilters what their most wanted quilt block was, and what their least, what would we see? We would probably see what they were seeing the most. If they saw a lot of printed panel quilts, they may be looking for their favorite panel. If you were at a modern guild, you might get something abstract or perhaps boldly colored. We tend to go with what we see, what we are used to.

The weird thing was that so many people’s “most” pictures were similar, but their “least” pictures were quite different and interesting. Mastroianni notes that “people are capable of acquiring more interesting tastes, if you give them the chance. This is the work art does for us—it stretches our desires, rather than merely satisfying them.”

And this is the work that the little bit of friction of a new project can also do.

So what to do when a quilt-a-long comes into your view and it is a Hawaiian quilt block? Or you are moved into a house that has a swimming pool and you have never been in one before?

Or you go to the beach and get out of your regular routine and you see a group of beginning surfers feel the friction in the few inches of whitewater high up on the shore?

Then instead of sitting there like a lump, you reach into your bag and carefully pull out the pinned Hawaiian block, and really get going on it. No, it’s not perfect. You probably won’t make it again. But you don’t want to read the magazines you brought, the family is all at lunch and you are guarding their stuff, so you thread your needle and get going, and by the end of the day, and after good conversations and an occasional walk on the beach, the block may have a certain coconut suntan-lotion fragrance and perhaps some sea salt spray, but it’s mostly finished.

Another deviation from my usual.

And here’s where I got my quilter roller skates on and skated right into the sameness, but this time, happily so. More info here, and how to get her free pattern. Audrey is looking for more, so make one and send it off!