NMAI Quiltalong – OccasionalPiece

Can I just get this off my chest? I am not a fan of AI, even though — it appears — that we will all soon be swimming in it if we aren’t already. This ad is from a prominent mail-order quilt shop. Love the three parts of the glasses in the front: the lenses part, the eyeglass arms…and the other eyeglass arm, sticking out from the right. Every fat quarter fabric is a perfect shape-replica of the one underneath it/above it.

And then there’s this:

Should I be honored that the Giant Vacuums of AI have hoovered up (if you know the reference, you are showing your age) my blog, the thing that I’ve spent years writing and creating and making quilts and talking and thinking up? And if they’ve come for mine, they’ve come for yours, as well as the text in your gmails, the fun stuff on Instagram and Threads and anything that is online. And now, to make money to pay their data center loans, they are selling MY content back to the world?

Yes, I’m a bit ragey when I think about this. In my last post, I wanted to grab a picture of a baby crawling. Fifteen years ago, that would have been no problem. I was happy to share my images with others, and they shared their with me. But now every illustration is AI. I don’t want to put AI on my blog — I want it an AI-free zone. So I went back in my personal photo archives and pulled up a picture from long ago of my child, knowing that by putting it on my blog, I was now subjecting it to the Giant Vacuums of AI (I should copyright that phrase) and now it will also become AI by the very fact that it’s been published online. All my quilts are not now “my” quilts. And if you’ve posted online, yours aren’t either.

Ok, rant over. Sigh. Do I feel any better? Please be assured that I don’t use ANY AI to generate any writing either here on the blog, or in the emails I type back to you.

Moving on…A random shot from Moda’s display at Market a couple of years brings joy to my heart: look at these amazing (mostly) two-color quilts! We generally think in red/white, or blue/white, but definitely I want to make a periwinkle/white quilt now! (Add it to the list, she hollers!)

For a mere $5,000, you, too, can wear a Gee’s Bend Jacket made out of old jeans. Don’t forget your $3,000 tote bag!

In a recent social media post about screaming children on airplanes, I read this:

“Inside thought just broke containment,” may apply to those paragraphs at the beginning of this blog. I apologize.

Recently an artist covered the Pont Neuf Bridge in Paris in order to make it look like a big mountain.

And inside, you could walk through tunnels to some interesting soundscape music. Please click on the Instagram of @kristinetghardeberg to listen. And thank you to her for posting!

This is why that is so fascinating to me: here’s the guy sitting at his (industrial) sewing machine, cranking it out. Oh, I’m sure those belts and geegaws also played a part.

I don’t know about you, but this is more my speed this summer. I did finish up a couple of quilts, but the energy overall has been so incredibly low, for some reason. Good thing I make quilts to nap with! And of course, that’s a screen shot from somewhere and I don’t know who to give credit to. When I did a Google Search, a whole lot more really fun “confetti” quilts pop up. Now I have lots more ideas of what to do with all those leftovers squares from my Oh! Granny quilt.

I don’t know who Poliana Araújo is, but really? She spent “so long picking out these green and blue prints?”

And even though I have this declarative statement on my website? Happily my wonderful readers saw the stolen quilt images and connected it to this one that Riley and I made some years ago, and called her out on it. Hmmm. Is this the early version of the Giant Vacuum of AI? Link to her ill-gotten Facebook post.

BACKGROUND UPDATING IN PROGRESS!

Apparently the “Classic Block” is being phased out. So I’ve been busy updating all my posts to the recommended “Block” style. Besides working on that, I’ve also been working on updating the Blog Index that shows a photo from every blog post, as well as a little bit of the writing.

Here’s a video showing a page from far back…and right in the middle of it is Riley, making his quilt! (Sure hope this works on your computer/browser/whatever.)

These represent the blog Four-in-Art blog on Blogspot/Blogger, as well as the Mid-Century Modern blog. I was supposed to delete them several years ago, but just now (sadly) said good-bye. Here’s a record of the quilts I made in the Mid-Century Modern, as well as other bees. The Four-in-Art quilts are scattered through the Quilt Index, above, or you can do a search by typing that phrase into the cute little box, above right.

As I’m starting to distribute my quilts more frequently now, I *need* this label! Clever way to tack down a binding, too.

As my husband and I are taking a trip to Scotland soon, I’ve been looking at what connections I can make there with quilters. I’m a bit too late for this one!

However, I did find a quilt shop in Edinburgh, as well as a tartan shop (or twenty).

I was named for two “Elizabeth” great-grandmothers. One of them was my great-grandmother who came from Haddington, Scotland. (The other great-grandmother was born in England). Because of this, I’m figuring out bus routes and times, so I can pay a visit to that village, as my mother did when she visited Scotland some time ago. My husband’s forebears also immigrated from the Edinburgh area, so we have another small village to visit for his relatives, too.

I’ve been doing my searching on Family Search, an online archive of lineage and memories. You can find your relatives, too, by going there and setting up an account. I’m not a genealogist, by any stretch, but my friend Dayna is and she’s teaching me how to use it. I’ve got so many things I want to upload on my relatives’ pages, to “make them known to their grandchildren,” as Dayna says. Maybe I’ll bring back a photo or two of her Scotland for her page?

Lest you think I’m a total slacker, this has been patiently waiting for me while I run around like a chicken with her head cut off…wait…wrong image…while I laze around like a woman in August, trying to beat the heat and keep her sanity. (Better.)

Remember these? It’s the Smithsonian’s National Museum of the Indian’s quilt-a-long for our 250th celebration. I made their August 2026 block:

I liked it. I just didn’t love it. So I combed the artist’s Instagram account, looking for other motifs I might like better.

And this was it. I widened the strips, made a different motif for the center. As a quilter, I’m always considering how the subsequent blocks in a quilt-a-long will play with the first few blocks. I feel like this will play a little bit better, to my way of thinking. I may end up using both? Stay tuned.

Here’s the free PatternLite Handout of what I did. I’m calling it Sunrise on the Prairie. Please don’t sell, don’t steal, and if your pals want one, send them over here to download their own from my website. That is very appreciated. And please don’t tell AI this is up here (haha).

Sunrise on the Prairie_OPQuilt Download

I hope for you gorgeous sunsets at the end of the day, or sunrises at the beginning.

(In honor of the recent eclipse)

Occasionally in Adam Mastroianni’s substack there are these fascinating-makes-me-think-or-go-aha sorts of observations. His missive this week happened to coincide with two other events: a couple of days at the beach and the making of a Hawaiian quilt block.

First, the quilt block. I posted I was starting this Hawaiian style of quilting and immediately a couple of quilters commented that it was a total fail for them, didn’t like it, tried and never doing it again. But it was Block Two of the Smithsonian’s National Museum of the Indian quilt-a-long and since I already had finished the first block, I was determined to try the second. I also have never attempted a Hawaiian Block.

Second, the days at the beach came about because one of my sons was bringing his family to Oceanside, and I asked if my husband and I could tag along for part of their trip, and then the other son, who lives in the area, also joined us. Their dog Misa is above; she hated their pool when they first moved in to their new house, but now, she loves it. (Misa, too, is a part of this.)

Back to Mastroianni. He writes “The internet gives every social trend a pair of rocket-powered roller skates, speeding it toward its…final form. On Twitter, for instance, memes go from punchy to passé in a matter of days rather than decades. But if we could play culture on 1x speed rather than 10x speed, if we had time to screw around with different strategies before the game reached its cutthroat stage, we might have discovered different paths entirely….Instead, in a hyper-competitive marketplace of ideas, we end up with the same few memes, all done to death” (source is above).

We quilters have also been subjected to this rocket-powered roller skates. How many rainbow-ordered quilts have you seen in the last few years? How many quilts have you seen that really don’t need a pattern because they are so simple — but somehow they are everywhere and we all make one? Sometimes it is because we all read the same Instagram posts, or that the pattern writers are counting on the viral effect of social media to send sales skyrocketing. Fair. It’s a marketplace. But I can’t tell you how many guild show-and-tell nights I have sat through where every quilt somehow resembles the one before it, or the one before that.

Mastroianni calls this “de-frictioning.” He describes it like this: “We’ve forgotten how much time people in the past spent consuming content that they didn’t actually want to consume: the unskippable clunker of a song that came in the middle of an album, the late-night infomercial that you sat through because there was nothing else on, the magazine you read cover-to-cover in the waiting room….Each new media technology reduces this friction…they all allow us to spend more time with the content that we supposedly desire. And what happens when this friction goes away?”

Two Russian artists, Kolmar and Melamid, decided to find out, and interviewed people in many countries about what their most wanted painting was, and what was their least wanted painting. Here’s USA’s (source via Mastroianni):

If you were to interview quilters what their most wanted quilt block was, and what their least, what would we see? We would probably see what they were seeing the most. If they saw a lot of printed panel quilts, they may be looking for their favorite panel. If you were at a modern guild, you might get something abstract or perhaps boldly colored. We tend to go with what we see, what we are used to.

The weird thing was that so many people’s “most” pictures were similar, but their “least” pictures were quite different and interesting. Mastroianni notes that “people are capable of acquiring more interesting tastes, if you give them the chance. This is the work art does for us—it stretches our desires, rather than merely satisfying them.”

And this is the work that the little bit of friction of a new project can also do.

So what to do when a quilt-a-long comes into your view and it is a Hawaiian quilt block? Or you are moved into a house that has a swimming pool and you have never been in one before?

Or you go to the beach and get out of your regular routine and you see a group of beginning surfers feel the friction in the few inches of whitewater high up on the shore?

Then instead of sitting there like a lump, you reach into your bag and carefully pull out the pinned Hawaiian block, and really get going on it. No, it’s not perfect. You probably won’t make it again. But you don’t want to read the magazines you brought, the family is all at lunch and you are guarding their stuff, so you thread your needle and get going, and by the end of the day, and after good conversations and an occasional walk on the beach, the block may have a certain coconut suntan-lotion fragrance and perhaps some sea salt spray, but it’s mostly finished.

Another deviation from my usual.

And here’s where I got my quilter roller skates on and skated right into the sameness, but this time, happily so. More info here, and how to get her free pattern. Audrey is looking for more, so make one and send it off!