Gridsters · Guild Visits · Mini-quilt · Patterns by Elizabeth of OPQuilt · Quilt Patterns · Quilts · This-and-That

Happy August 2019 • This and That

When I looked outside in my garden today, the zucchini plant had wilted from the heat, mirroring how I felt inside.  However, unlike my spectacularly unproductive zucchini plant [we’ve only had ONE], I’ve been pretty productive.  Just not on quilts.

I’ve been working on prepping my upcoming Guild Workshops, getting the kits together (in wax paper bags instead of plastic, given my attempt to cut down on plastic where I can), and cute touches like place cards, so I know whose spot is whose once the class gets going.

Spectrum Pattern Revise
The pattern cover with thumbnails showing the pattern pages and revisions. Now it’s a pretty good guide to EPP.

I also revised a couple of patterns, the first one being Spectrum.  Inland Empire Quilters Guild contacted me for a program for their evening meeting, then they got together a group of women for a workshop who wanted to learn English Paper Piecing.  So I changed some things up in the pattern, added more content, and put it back up for sale up on PayHip.

EPP Spectrum Bag

One thing I made for a sample was this tote bag, splitting the main pattern in half and placing it on either side of the bag.  I wanted to show that a person can do more with a pattern than simply make a quilt.  That version of Spectrum is one of the variations in the pattern (bag pattern not included; I used the one in the October 2019 issue of American Patchwork and Quilting by Kristyne Czepuryk).

Kansas Sunflower Minimini

I also made a mini-mini to show them how to do the basics.  I’ll be passing out this pattern for a Kansas Sunflower block in class, show how to “batch-cut” pieces, glue and prep them.  They can then move on to Spectrum, or stay sewing up their mini-mini.  We’ll also do one hexie flower, because what’s a class in EPP without a hexie flower?

Hexie Flowers July 2018
(We’ll only do one; these are from my Field Flowers quilt.)

Merrion Square Pattern Revise

Another class I have coming up is Merrion Square and Far Away Doors, teaching it for the Pass Patchers Quilt Guild nearby.  For ages, I’d hand out the instruction sheet to Far Away Doors when the class was taught, but adding it to the original Merrion Square pattern was one of the revisions I wanted to make, in order to get all the variations in one place.  I took it offline, revised it, and now it’s back up for sale on PayHip, if you want all three versions in one pattern. [Note:  If you’ve purchased Merrion Square and haven’t received Far Away Doors from me in a workshop, please contact me and I’ll get it out to you.  Proof of purchase is required.]

Of course, all this is made easier by the fact that I’m getting the hang of the three pieces of Affinity Serif software that I purchased last fall: Affinity Photo (replacing Adobe’s Photoshop), Affinity Designer (replacing Illustrator) and Affinity Publisher (instead of InDesign).  I’m getting quicker at each one, knowing where the tools are and how to use them.

Low Sugar Strawberry Jam

I also made three batches of low-sugar strawberry jam, after I tasted Laurel’s.  Laurel and her husband grow their own strawberries, but the ones from the market in our neighboring town worked well for us.  To go with it, I made a batch of zucchini bread with cranberries and left out half the flour (!).

My saintly husband declared it just fine, and takes chunks of this incredibly dense bread in his lunch every day.  He makes me look good, even on my very bad days (of fighting asthma), wilting in the heat (like the zucchini plants outside), and trying to get all the guild workshop stuff lined up from here to eternity.  I have to remind myself to take it one Guild and a time, and enjoy the process, which I genuinely do.

I finished The Night Tiger (I can recommend highly) and have started Little Fires Everywhere (so far enjoying it, but don’t give a recommendation until I finish).

I decided I was done waiting to start on this Halloween Banner project.  I layered the panel (if your store doesn’t carry it, it’s available here), quilted it, and cut out the flags.  I cut 1-1/4″ strips of stripey fabric from this line (called Costumer’s Ball by J. Wecker Frisch) cutting it across the stripe and bound the edges of the flags, sewing the strips first to one side of the flag, then the other.  After trimming the bottom edge, I folded it up and glued it all down with my trusty friend, a regular old gluestick.  Then I pressed and folded in the binding on the sides, again using my gluestick to keep it in place.  (Be sure to press after gluing in order to distribute the glue).

gluesticks
Hit those back-to-school sales, people!

I top-stitched down the striped binding, and am now waiting for the fabric to arrive to make the top part so I can get the banners all ready for October 1st.

August Gridsters_2019 trees

Lastly, I finished up August’s bee blocks for the Gridster Bee, using an original pattern designed by my talented beemate Kelley.  She’s getting ready for Christmas early!

I think my holidays are all mixed up, because I’m working on Christmas blocks, Halloween Banners, and my Fourth of July quilt just came back from the longarmer, needing binding.  I hope you are able to keep your days and events and sewing projects straight.  Happy Quilting!

300 Quilts · Quilt Finish

City Streets • Quilt Finish

City Streets_1

Recently my husband and I took my latest quilt, City Streets, out to a small branch library in our town for some photos.  It was a deserted Sunday afternoon, perfect for us to find interesting shadows and backdrops.

City Streets Quilt_1a
City Streets_2
City Streets_front

City Streets, 2019
Quilt No. 224, 47″ square

City Streets_3

I made this with a fat quarter stack of Vanessa Christensen’s ombre confetti dots: I wanted to see if it was possible for me to work with one line of fabric.  I almost made it, but pulled in some white grunge and a solid to offset the colorful squares.  I quilted it on my Handquilter Sweet 16 using Art Studio Color 101, which looks like gold, but it’s not a metallic thread.  I did the background using So Fine color 401, which is a white, but not stark white hue.  I only mention these details because our last guild meeting had a speaker who emphasized this point: we should tell people what thread  and fabric we quilt with.

City Streets_5
City Streets_back

The back, and the label:

City Streets_label
Ginza Scramble

Maybe my original design was inspired by this scramble intersection in the Ginza area of Tokyo, or by this view of Tokyo from the Government Building (below)?

Tokyo Skyline
City Streets_4

Thanks to my ever-supportive husband for holding quilts, and helping find great locations for photography. Pattern coming soon.

Sewing

Mending

I’ve had mending on my mind and wanted to write about all forms of mending, but hadn’t been able to find a way in until I saw this:

Mending3.png
“The Opposite of Hate is Mending,” by Kate Sekules

Mending1
boro stitching

kintsugi-piatto-blu1
kintsugi

Mending 2a

I’m a long-time mender.  I recently fixed a favorite purse for my mother, replacing the torn pocket with some vivid yellow lining.  I stitched up a few other ripped places, re-glued the lining into the frame and sent it back to her; she was pleased as punch to have her little purse back in working order.

ChristAdulteress_0I always look for handsewing in pieces of art, and found it in this image by David Habben, in a recent art exhibit in Salt Lake City.  It depicts Jesus and the adulteress with her angry mob of accusers.  The clenched fists with rocks, the tortured shapes, and the vile expressions in the background convey the tension in this well-known scene.

ChristAdulteress_1

In the foreground, Christ kneels and writes on the ground, this thread looping around his other hand.  This puzzled me, as I knew it wasn’t in the original story.

ChristAdulteress_2

I found gold stitching in areas of the woman’s veil, clues to my small mystery.  My sister, viewing this with me, provided the connection: calmly drawing in the dust with his finger, the accusers slinking away after his measured rejoinder, Christ was mending.  The accused woman may have stitched her clothing, but now He would mend her soul.

A mended surface can carry a scar.  In the case of boro, or of artful kintsugi, we appreciate the addition.  But more often that not, we humans don’t want imperfections, or wrinkles, or sadness, death, old age, or any evidence of a rent place.  We want happy.  We want life to go on with daisies and sunshine and lollipops: no fights or bad diagnoses or mistakes that reverberate for generations.

For years I’ve taken comfort in Eugene O’Neill’s line: “Man is born broken.  He lives by mending. The grace of God is glue.”  Are we broken? Certainly we only have to the watch unbelievable tragedies of this past weekend trickle in a headline at a time on our screens, to know that broken and torn places are piling up somewhere in a onslaught of rage.  I turned away from the yet-again, awful headlines, not knowing what to do.

I take comfort in O’Neill’s wisdom, and Christ’s golden thread.   Rather than join the fury, I can fix a torn pocket, a broken heart, work through a quarrel, listen to someone who is trying to heal a shattered life. Whether at the epicenter of the current bad news or in our own homes, we can do our part to draw together the gaping edges, mending them with careful, even stitches.

Free Quilt Pattern · Gridsters · Quilt Bee · This-and-That

Wonky Hearts Aflutter

Wonky Hearts_7

How do I make nearly 60 wonky, improv-y hearts and not go crazy? Now there’s a challenge.

Wonky Heart Illustration

I started here, with a rough pattern of how big I wanted my “improv” wonky heart to be. The free PDF file is available for download.  It finishes roughly at 5 1/2″ wide by 7 1/2″ tall.

Click here: Unfussy Wonky Heart

Wonky Hearts_2

I started with the heart pieces. I layered up seven pieces of different pink and red fabrics, pinned on the heart pieces and placing my ruler along their outer edge, I cut around them with a rotary cutter: it wouldn’t really matter if I was hyper-accurate…close enough would do.  I repeated this nine times.

Wonky Hearts_2a

Then I did the same thing with the background pieces, but was careful with my directional fabrics: I kept the pieces oriented as they would sew into the heart block.

Wonky Hearts_1

Everything’s stacked up.

Word Quilt in Process
These photos were taken over two weeks’ time, as I tried to fit all the words together. Words were made in The Spelling Bee, from 2016.

I shuffled the fabrics so no two fabrics would be together, and made a sample heart (at the top of the post). I pinned it next to the quilt of words I’d been working on, closed up the machine, turned off the iron, and enjoyed the sunset:

Sunset July 2019

Word Quilt Mock-up

When I woke up in the morning, I decided to try a digital mock-up of the quilt with the hearts as a border, as I wondered if the hearts were too big.  I sent the photo to my two of my quilting buddies and they gave me two thumbs’ up.  I’ll probably try to sneak in a narrow red/pink border between the quilt center and the outer border of hearts.

 

I’ve become braver about being wonky and improv-like, skewing seams, overlapping, cutting off points, generally going at it easy, instead of pristine.

Wonky Hearts_5

I have a few more hearts, now, and while the widths vary from 5 1/4″ to 5 1/2″ (I just trim them where it feels right), I’m forcing them to 7 1/2″ tall (that’s before seaming).  Because I am tired of cutting off the points, I’ll now be cutting about 1/2″ off the bottom heart section before I seam it to the top part.

This is one of two long-term UFOs that haunt me in my dreams.  The other one is Small World, which I keep in parts in a basket in my shelves.  I do have hopes on finishing that one, too.  I signed up for a Jen Kingwell class at Road to California in January; I suppose one goal would be to have it finished so she could sign it?  Right.

July Gridsters Block 2019

In other sewing news, I finished July’s Gridster Bee blocks for my beemate Linda and sent them off.

 

And I’m trying this new type of tomato, developed for scorching temperatures.  This year we were almost chilly and foggy until June, then the temps shot up high.  I haven’t had good luck with my garden in three years, after a stunning first year of beginner’s luck.  But hope is a thing with feathers, said Emily Dickensen, or my case, tomatoes.

 

I’ve also started quilting City Streets, a quilt of my own design.

Quilting City Streets_5

I’d picked up this Magnifico-cousin (same type of thread) when I visited Superior Threads last time.  It’s color 101, and it looks like a gold thread, but isn’t a metallic thread:

Quilting City Streets_4

I hope I don’t run out before I finish this quilt.

Random Quilter

Finally, in my discussion about how the internet irritated me, I read a ton of blogs, some of which I can’t quite remember.  But I did take a screen shot of this gem, a featured quilter on a truly dedicated quilter’s blog. (Given what he says about his favorite fabric color, I don’t think he would like my gold thread.)  However, I leave you with the hope that you, too, have started quilting several times, as well as the ability to make the quilts in your head.