Quilts

A Quibble and A Muse or Two

Santa Quilt measuring

To prove to my Mid-Century Modern Bee, that I am on task, getting ready for their blocks, I decided to start on the center Santa.  And instead of raw-edge fusible applique, I went with needle-turn hand applique.  The directions are sketchy, at best, on this center square, just the big piece of art (shown in disguise, above) and a note to cut the finished center piece to 24 1/2″ square.  I didn’t catch that one at first, and started appliqueing.

Santa Pieces

I traced the pattern, in reverse (taped up onto a window) onto freezer paper, which I then ironed onto the top of the fabrics, and cut 1/4″ around. This pile was where I started on Saturday morning, while I listened to our church’s General Conference, a respite in the wild and crazy world.

Chopping off the Top of the Tree

I was pretty far along when I realized that the picture was too big for the alloted measurement, by 1/4″, and that was with no seam allowances.  So I cut the top of the tree off.

Santa Center appliqued

This is where I am tonight.  I must have really gotten excited about shrinking this as it now measures 22″ top-to-bottom approximately, but now I have enough room for a smaller inner border of red.  That’s the quibble.  Now to the Muse(s).

Grandchildren_1

My grandchildren came for the weekend.  This is the first set (4 girls) –well, three of the first set.  We made cookies that we later decorated when the second set (4 boys) arrived.  I’ve made each grandchild a quilt, so you could say their very arrival on this earth served as inspiration.

Men Ready for Meeting

The father of the four sons, Chad, is on the left and the father of the four daughters, Matthew, is on the right, flanking my saintly husband.  While they look fully grown to you, in my mind, their are young boys, scrappily fighting in the upstairs bedroom over who gets the Transformer toy, like Chad’s boys in our front room shortly after they arrived.  Boys will be boys, and that always involves a bit of wrestling around.

Sisters

I was the muse for my sister Susan, when she made me this beautiful shawl/scarf, which I’ve already used a couple of times to keep me warm while grading.  A noted historian, she writes comments on my blog like:

“I find the names of these blocks quite interesting in their historic nature. Fifty-four Forty or Fight refers to the battle over the Oregon boundary between US and Great Britain. It was a campaign slogan in 1844. Clay’s Choice no doubt refers to the great Whig politician Henry Clay, who helped broker the Missouri Compromise that would set back the sectional conflict until the eruption of the Civil War in 1861.”

I love her and was glad to learn about my quilt blocks!

Caitlin's Quilt Top

My quilt group is also inspiring–we’ve been going strong for about fifteen years, and Caitlin (above) is a new member with her first quilt top, just finished last Friday night.

Greek Fest Cross

I saw this when we went to Greek Days at the local church, just a couple of miles from us.  It reminded me of the Marcelle Medallion, which has been so popular around the web, and I can’t tell you how many pictures of stone floors I have from around Europe, quilt patterns in all of them.

Greek Fest Visit

I was quite impressed by the stories told by the priest, as he led us through his sanctuary, telling us of connections both modern and ancient, and it was an interesting point and counterpoint to the thoughtful talks I listened to in my church’s conference, as all these things remind me that we are more alike than different in our hearts and our minds, whether or not we worship the same.

Sunrise October

This morning, we tiptoed out of the house, the grandchildren still asleep before their big day at Disneyland, to see this glorious sunrise.  We stopped to take it all in, then moved on, pausing at each street, savoring the changing colors.  This, too, is a muse of grand proportions.

It seems that every time I hit a rough patch, it stills me enough so that I can move in a new direction.  Who would have thought that after finishing Kaleidoscope, with all its fussy English Paper Piecing, I would be appliquing a Santa down to a new square of cloth?  But this is the direction the Muses have beckoned me to follow.

I am always frustrated by the rough patches and I can hear my parents chuckling in the background, as they know I like things to always be still and placid and never, ever, in turmoil.  I’m a harmony junkie, if you will, not only in relationships, but everywhere in my life.  “This too will pass,” my father used to say to me when I’d come to them in tears, upset by something or another, yet I always found it hard to believe their soothing counsel.

But I feel quite enriched this weekend, in spite of the chaos of an afternoon of eight children.  I savored their noise and games, hoping it would never end, but of course realizing (that for sanity’s sake) it needed to.  The trip to the Greek Days Festival on a hot October’s day.  A visit to my sister last week.  A new sewing project.  Thoughtful and touching messages to the heart.  And last, but not least, the best inspiration of all: the anniversary of our first kiss, twenty-five years ago.

May your muses find you this week.  Happy Quilting!

Quilts

Queen Bee for Mid-Century Modern

Queen Bee

As Susan, one of our the members of our Mid-century Modern Bee says, I’m the Queen Bee this month.

And I’ve chosen to have my bee-mates help me on my Christmas Quilt.  But so that the copyright gods won’t be mad at me, I’m not showing the picture of the pattern and I’ve also chosen different green and cream blocks for my bee-mates to make, plus I made downloadable templates from my quilt program to serve as a guide for these 12″ blocks  (finished measurement–raw edge measurement should be 12 1/2″).  Below are the blocks, plus their templates for downloading.

Caution: These template prints out the correct size on my printer, but I don’t know what they’ll do on yours.  A general guide for making a half-square triangle block is to cut the finished measurement, plus 7/8 inch, before stitching on the diagonal and cutting apart.  So, I’d use that as a general gauge for how things ought to look when you print out your templates.  (In other words, for the corner squares for this first block, cut one white square and one green square to measure 4 and 7/8 inches.)

54-40 or fight

Fifty-four Forty or Fight • Template: 54-4o or fight

54-40 or Fight, version 2

Fifty-four Forty or Fight, version 2 • Template: 54-40 or Fight_version2

Clays Choice Variation

Clay’s Choice Variation • Template: Clay’s Choice Variation

Ohio Star

Ohio Star • Template: Ohio Star

Swamp Angel

Swamp Angel • Template: Swamp Angel

Peace and Plenty

Peace and Plenty • Template: Peace and Plenty

Mock Eight Point Star

Mock Eight-Point Star • Template: Mock Eight Point Star

Memory

Memory • Template: Memory

Martha Washington Star

Martha Washington Star • Template: Martha Washington Star

Flying Geese Block

Flying Geese • Template: Flying Geese Block

Double Star

Double Star • Template: Double Star

Crosses and Losses

Crosses and Losses • Templates: Crosses and Losses

Bird in the Air

Birds in the Air • Template: Birds in the Air

Autumn Star

Autumn Star • Template: Autumn Star

For my bee-mates, I’ve listed the blocks you’ve chosen on our Flickr group site, for reference.

Giveaway Banner

And congratulations to Carla for winning Anne’s very cool pattern.  If the rest of my lovely entrants would like a pattern for their own, please visit SpringLeaf Studios, and you can download one instantly.  I have purchased both of hers, as I like buying quilt patterns that make me reach for new fabrics and new ideas.  (I hope to put her Cascade pattern on my To-Do for next spring.)

Many thanks to Anne for donating her pattern to this giveaway!!!

200 Quilts · Quilt Finish · Quilts

Juxtaposition • Quilt Finish

Juxtaposition_front

I finished my quilt, and I’ve titled it Juxtaposition.  Every quilt teaches me something, and this one taught me to try again, to not get discouraged, to discover new ways of doing things.

Quilt Juxtaposition_front

This photo of the quilt, shows less of the texture–the quilting–and more of the color and pattern.  I love the pattern.

Facets Pattern-cover

It is Facets, from Anne of SpringLeaf Studios and as a lovely part of this quilt, she will be offering one pattern for a giveaway.  (UPDATE: Giveaway is closed.)  I only did one of the several versions of this pattern; mine was the simplest, but all of her directions are clearly written and easy-to-follow.

Juxtaposition_corner

The easy punch of the graphic design drew me to this, and I knew that the fabric I chose, Charleston Farmhouse, would be a perfect fit.  I just didn’t anticipate the difficulty of quilting that central square, but it didn’t take away my fondness for this pattern.  I’m already planning to make it again, using the blocks idea shown on the front of the pattern.

Juxtaposition Quilt Center drawings

I wrote about the frustration I experienced in quilting this, but sitting in my hotel room one morning (we were away at a conference), I realized that if I didn’t tackle and finish, this quilt, I probably would pitch it in the thrift store bag.

Facets Quilting_1(original quilting)

So I drew up two ideas for the center; both were generated by a comment of a reader who said that my ferns in my original design were facing the wrong direction.  I thought a long time about what she said, and as I drew, took in her ideas.  I let my husband and my quilter friend Beth vote on the one they liked, and I went to town.  I used a blue marking pen to assist me, but didn’t trace the leaves, as I still wanted that organic look to the quilting.

Quilt in high relief

After I finished, I had my quilt in one hand, camera in the other, walking around the hotel looking for places to take its picture.  This shot was taken in full sun, laying on the grass in the late afternoon and the texture of the quilting really pops. I used a faced binding again on this quilt, and I like how it looks.

Juxtaposition and CypressIt was lovely to come home with a finished quilt.  This is quilt #121 on my 200 Quilts Index.

FinishALong Button

It is also part of the Third Quarter Finish-A-Long, and I’m happy to say I finished one more quilt on my list!

FAL Tutorial Header

And also today, my tutorial on Y-seams posted at Leanne’s blog here, if you need a little help in that direction.

Giveaway Banner

To win a copy of this pattern (it’s a downloadable PDF), tell me about the hardest quilt you ever made, that really challenged you, but one that stuck with until the end.  Are you glad you finished it?  Do you hate the quilt?  Love it for what it taught you? Gave it away as soon as you could?

Leave a comment and I’ll pick a winner on Thursday evening.

Drawing is now closed.  Thanks for participating.

Quilts

Sand, Sea, Schnibbles and Y-seams

Joyce Carol Oates, the very prolific American novelist and writer was asked what she did when she finished a novel.  Did she go on vacation?  Did she stare into space? “I read poetry,” she said. “I find it is good to let the mind rest a bit from the ardors of a novel.” Well, at least that’s how I remember it, when I attended her lecture as a graduate student at our local University of California.

Sea and Sand Quilt Top Schnibbles

After last week’s wrestling of the difficult quilt (coming up), this is my poetry after a novel, say, The Brothers Karamasov, or something.  I missed last month’s Schnibbles outing–too busy with the beginning of the school year, but I was pretty determined to do one this month.  It was a squeeze play, especially after I started reading the directions.  I couldn’t make heads or tails of them, as it was a pattern geared strictly to pre-cuts, which I don’t generally buy.

Back Sea and Sand

(I like the back with its little open four-patches seam allowances.)

I stormed downstairs all lathered up about my frustration, but luckily my sister Susan had given me a treat to assuage the raging quilter within: some delicious cookies from Joan’s on Third in Los Angeles.  It rescued me, and I went back upstairs, figured out how to cut strips from my fabric and get going.  If you are not a pre-cut user, you have been warned.  However, there is a nifty method for making those pieced triangles/checkerboards in the corner, so Miss Rosie’s pattern company was redeemed again.  (Still think there should be directions for those of us who use fabric-by-the-yard!)

Mercerie

The original pattern’s name is Mercerie, and they do it in many different fabrics, hence, the need for charm pack directions.

And the Y-seams?

FAL Tutorial Header

On Tuesday, I’ll be doing a guest-blog post about how to sew the Dreaded Y-seam.  Stop by Leanne’s, of http://shecanquilt.blogspot.com to see the secrets.

In the meantime, read some poetry.  Here’s one from the Poetry Daily website:

On My Seventieth Birthday I Try to Skinny-dip in Boston Harbor
by Sandra Kohler

I cover my nakedness this morning
with an outsize purple tee, “Outrageous
older woman” scrawled in pink across
the chest. A gift from my son, daughter-
in-law. Beneath it, the only part of
my body where my skin fits me still,
unmarred by time—my shoulders.

Sunrise, ebb tide, half an inch of water
covering Tennean Beach’s pebbles, mud
I sink into as soon as I step out toward
dawning sun. Planning this baptism I
forgot to check tide charts: I’d have to
wade through seventy feet of muck to get
my feet wet: no quick strip and dip here.

Turning seventy: I never imagined this.
Years ago, when I’m visiting my eighty-
something mother-in-law, she’s gossiping
about a neighbor, calls her “an old lady”
—stops herself, says, “I know I’m old
too, but not inside.” Inside, what age
am I? Thirty, eighty, fourteen?

Will sinking into this muck renew me?
On the drive home, passing a shallow
wetland between abandoned factories,
I see a flash of white: two egrets gingerly
wading, stepping, spreading their wings
in the risen light over a brood of hatched
fledglings, as new as aging is to me.