Quilts

Quilt Stand Info

Quilt Display.jpg

Simone recently encouraged me into the quilt-stand/frame-buying business, and since she’d done the bulk of the research, I joined her online (me, at my computer and she, at her computer) to figure out the final decision.  She was in charge of the display for our church’s talent show (above) and asked to have one of my quilts displayed in it.  But I had to have a quilt stand/frame to do so.

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We both purchased the Emart Photo Video Studio Backdrop Stand, with a 10 x 12 ft dimension.  We went for this one because the tubes were a thicker diameter than other ones checked, and we liked the clamps.  (I am not an Amazon affiliate, so no pocket change is coming my way on this recommendation.)

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I’m putting these for my husband so he knows the right kind of clamps to get to help out Santa with stocking stuffers.  (Honey, I’d like about four, please.)

I was headed out of town, so I had it shipped to Simone’s house, and she sent me photos of the display.  She’s lovely like that.

Simone and I have a running joke about photos.  Both she and I have asked other people to send us photos of our quilts in different shows we couldn’t be to, and invariably the photos come back like this:

Cropped pix of quilt.JPG

It’s our quilt, but cropped and showing no context of the show it was in.  I always say thank you.  If someone is nice enough to go and hunt up your quilt, and take the time and make the effort to send you a photo, you don’t say anything but “Thank you.”  However, as Simone and I comiserated, we do know what our quilts looks like — we were hoping to see what they looked like in the show.

So when I was standing on the subway platform of the Wall Street Subway station, exhausted after a day of tramping around, feeling rather dour, I burst out laughing when she sent me the above photo, with this caption:

It looks awesome! Don’t you love it?!!!

My daughter was like, “What?  What’s so funny?” and I tried to explain it to her, but I could clearly see she lost interest after the first nanosecond and however do you explain quilter’s jokes to a non-quilter?

So anyway, the quilt stand/frame worked great, and I tried it out:

Quilt Stand

I put it up by myself and took it down by myself, and if you’ve never used a quilt stand, the trick is to set up the legs, then insert the side supports, then thread (or clamp) the quilt onto the cross bar, and only THEN do you raise the cross bar higher by means of the adjustments on the side.

Quilt Stand bag_1

I like that the case has places for the two tripod-legs, and loops for each of the bars (you have four, so you can get that twelve-foot width; I only used three of the four today).  The top really zippers open, so you can lay it out to unpack all the parts.

Quilt Stand bag_2

It’s also fairly lightweight and easy to carry in its own sturdy case. The best news is that it’s a reasonable price: $69.49 as of December 2018.  I do now feel very grown up, with my very own quilt stand.

 

 

Frivols Quilts

Frivols 12

FrivolsButton
Last one!! Last one!!

This is my last introduction to the series of small-tins-with-fabrics, called Frivols.  Although the other day, one of my non-sewing friends asked me how my Frizzles were doing.  I think she was about right. The little freebie with this tin is a couple of fabric quilt labels, seen in the lower center with the sleigh.

This is a line of blue-toned traditional fabric by a noted designer, before she left the Moda hive and jumped over to Andover.  This design doesn’t call for any extra background fabrics, and makes a smallish table runner, 15″ by 35.”  More can be seen on the Moda blog.  They manufactured these tins about two years ago, but I have it on good authority that if you are resourceful, you can find them on Etsy, Ebay and other places.

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This fabric line, Blue Barn, is beautiful, and can easily blend into my holiday decor, since it’s December.  I’ve always loved blue with Christmas decorations.Frivols 12_5

I cut up all the stars and their backgrounds, labeling each stack…

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…and tucked them in their own tin until I could get to the sewing.

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The one disappointment in this tin was how much fabric I had leftover/wasted.  I’ll have to see if I can augment the design some way to use up what I can of these extra scraps.

Okay, we’re launched!  Get out your last Frivols tin and get cutting!

EPP

Millefiore Quilt Update

Millefiore mood board

It all began here, with my Millefiore mood board, drawing on colors from the National Park in Croatia, Plitvice Lakes.  I had decided to jump in and go with all of Quilting America that year and join the The New Hexagon Millefiore Quiltalong.  I was pretty much nuts to do this.  This was photographed on January 19, 2015.

Millefiore first sewing

First glued-up paper pieces: January 19, 2015.

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First public appearance for Rosette #1: March 14, 2015.

All Rosettes_OPQuilt

Last public appearance for quilt, mocked up in Photoshop: July 15, 2018. That’s over three years, if you are doing the math.

As you know, I hated the crenellated edges on this particular quilt.  So the quilt sat in the corner until this week.  Then suddenly it was do or die time, and I picked up making little sections to fit into the cut-outs.

Millefiore Center_2

And here it is today, all edges filled in.

Millefiore Working Mess

I pretty much used all the papers I’d taken out of the rosettes — once they were sewn together — and categorized these pieces into bags, using paper clips and rubber bands to keep them organized.

Millefiore numbering cutouts

To keep track, I took a photo, and numbered the half–hexies I was making.  I ended up not needing to do this for every corner, as I used long triangles that fit into the zig-zaggy sides (#5-12)  in a variety of darker fabrics (taking cues from the adjacent blocks).

Millefiore place tryout

I kept one half-hexie out on my cutting mat and tried different “puzzles” of what could go in that shape.  I had pretty much determined that I was not going to use a full half-hexie; I’d seen others and to me they looked bland, like they didn’t add anything to the quilt.  I did end up using one, but the fabric had a print that just worked.

Millefiore pinning

I used triangles and a variety of other shapes to fill in, always letting the adjacent fabrics dictate what I’d use for the fill-in fabrics.

Because I like to keep records, and because I’m hoping this will help others when they try this technique, here are all the filled-in shapes and the marked spaces (scroll past fast, if it doesn’t interest you):

Millefiore Fillins_1Millefiore Fillins_1A

I did my own thing on this rosette.

Millefiore Fillins_3Millefiore Fillins_3A

I liked how I was able to complete the “bird points.”

Millefiore Fillins_5Millefiore Fillins_5AMillefiore Fillins_6Millefiore Fillins_6A

The half-hexie on the lower left is the only one cut from one piece of fabric, but I think it reads as more complex.

Millefiore Fillins_7Millefiore Fillins_7AMillefiore Fillins_8Millefiore Fillins_8A

I used a floral Kaffe fabric from deep in the interior (just barely out of sight on the middle left).

Millefiore Fillins_9Millefiore Fillins_9A

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Stained Glass View

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This is the rosette that started it all, and I still like it.

Quilt Stand

More info on my new quilt stand, coming in a couple of weeks.  But now I have my final Frivols to attend to!

Travels

Visit to Andover Fabrics and New York City

ESE in New York 

I had a chance to travel to New York City this past month, where I joined my daughter Barbara for a long-awaited long weekend.

We stayed midtown Manhattan, so I walked past M & J Trimming many times, a happy spot on my walks.  Anne Brousseau, a good friend who used to work in this industry, arranged a visit for us to Andover Fabrics, and of course I said “YES!”

Fashion Dist_4

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Cliff Quibell, the Vice President, gave us a tour of the different processes and departments, from design development to printing to editing.  We were able to see an artist hand-painting a new design, but of course, no photos were allowed.  There is so much involved to getting one bolt of fabric to our local quilt shops!  We appreciated Mr. Quibell taking time for us, given the fact that they had just returned from Quilt Market.

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He introduced me to Gayle, who works for Andover, and hanging in her office is this amazing quilt, made from old clothes from when she lived overseas in Tunisia.  Her sister, Elizabeth Porter, made this quilt for her as a memory quilt.  (I think I got those details correct!)

Fashion Dist_4c

There was so much there that I couldn’t photograph, but he did allow a shot of their bookshelves.  I would have loved to have browsed those titles and made notes.