This month is what I call a supporting month in the Heart’s Garden Mystery QAL. Of course you can figure out that flowers will be planted here next go-round, and so you’ll keep that in mind as you create your garden beds for them to grow in. There are three borders: the first inner one with large blocks and corner birds; a second one of interesting bits; and finally, a third one for stability and delineation for what’s coming next. All things rest on your creation this month, but first! some eye candy from Part 2 from Joan, Lisa and Susan:
Joan has put a butterfly in the center. Lisa (middle) also fussy cut her center and the striped border is really perfect. Susan decided to create a four-patch in the background of her Part 2 as she didn’t have any one piece of fabric that she liked. I’m really enjoying the creativity of these quilters!
This month includes making four sparrows in the garden.
I made more samples out of scraps to refine the pattern, but most of the fabrics I’m working with are Sherri and Chelsi’s line of Sincerely Yours, with a lot of warm pinks, reds and fun neutrals. After seeing the quilters above, I now want to remake it in something different.
Then the rest is cutting small bits, creating a background for what comes in Part 4–easy, peasy, right? I know it’s hard to create without knowing the future of a design, and my hat is off to Joan, Lisa and Susan for giving this mystery a go. As I mentioned in the last post, it was a bit of a mystery to me, too, after I scrapped the design of what I’d been headed toward and reworked it into a medallion quilt, but now I’m full steam ahead.
Here’s the front of this month’s installment. Parts 1 and 2 have come down, but all parts will be available in a stand-alone pattern, for sale in mid-summer. Our Instagram hashtag:
[UPDATE: The pattern is for sale in my online pattern shop.] Hope you enjoy making this third part. If you can post them on Instagram they will be fun to see! P.S. If you can’t manage another project, feel free to download for another time.
Happy Quilting!
P.S. This is how I feel about Daylight Savings Time.
Not Yet Named or Quilted or given a number in the Quilt Index Current size is roughly 84″ x 95″ Top only is completed; taking it to my quilter this week
Anguish Level–Center:
The center was pretty straight forward as all the pieces were pre-cut. A bit of heart-failure when cutting directions by the designer were off for one section of the tree. Pieced it. Did the bulk of it in two days with my friends. We started December 9, 2019 and made it to Block Four. Picked it up again on December 10, but the center wasn’t finished until a couple of weeks later. Lots of piecing, but having friends there made it fun. It was pre-covid, so we didn’t worry about anything.
Anguish Level — Borders:
Hard to gauge because now we’re two years into covid and everything feels harder (really) especially design (really really). It’s also been out of my hands for two years, so I have to re-acquaint myself with this. Anguish Level is also a bit higher because I’m trying to blend in the designer’s style with my style. My first draft is above, but I realized everything was pretty tan/beige/cream. I’m replacing a red/blue/green Christmas quilt (below) and wanted something traditional and something with RED.
Construction Report:
Flying blind, so that’s always interesting. Hardest thing is to figure out fabric amounts, so I ordered a jelly roll of greens, half yards of reds/creams, and then 3 yards of red for the borders. I ended up ordering 2 more yards of red; I just hope the approximated yardage in the pattern will be okay for most people. Fun to make Border One, really fun to make Border Two (sawtooth stars, she says!), and once I got the hang of the scale of leaves and vines and figured out how I could explain what I did, the appliqué went quickly. I am really happy it’s done, and it’s ten months early for Christmas!
More Photos/Illustrations/Yammering:
Border One is Double HSTs. I learned a nifty trick from Yvonne of Quilting JetGirl about how to cut these, which made things go more smoothly.
One of those lovely late-at-night photos, but the borders are on and the quilt is growing. I am not worried about all the piecing in the background of the tree part, but my very smart friend Laurel appliquéd down her tree onto a solid piece of fabric, instead of all those cuts. And yes, I did swap out the tan fabric in the kit for something a bit lighter.
I’m in my favorite sandbox now, with sawtooth blocks.
I like all the variety of the many fabrics in the same hue.
Moment of Truth:
It fits on the bed!
Final Border Photos/Illustrations/Yammering:
Heading deep into Vines and Leaves. I cut two template shapes for the leaves: one with seam allowances (see red line) that I use to place on the bias and rotary cut around. I also cut a massive amount of leaf shapes with NO seam allowance out of freezer paper.
Photo #1: I place the dull side of the freezer paper to the wrong side of the fabric leaf. I use the iron to press the seam allowance onto the shiny side of the freezer paper, where it mostly sticks. Photo #2: Repeat with the other side. Photo #3: Prepped Leaf. Yes, I do have to pin the shapes down and mess with them sometimes, but that doesn’t bother me.
I shape the bias-tape vines on an old piece of fabric atop my ironing board, so I could draw the guidelines, and pin into it while pressing the curvy shape into the strip. Worked pretty well!
See the creases pressed into the borders? I tell you how to measure these guides properly. I’m working on my design wall now, as the quilt’s kind of big and I’m trying to see how to shape these vines/leaves. It’s not hard. Just fiddly, as the Brits and Australians say.
After I arranged one set of vines/leaves the way I liked it, I used Becky Goldsmith’s plastic overlay technique. I unpinned it from the design wall and laid it on the ironing board. I had purchased the plastic by the yard from JoAnn’s, then laid it out over the first set. I traced it, and then used it as a template for the other two, working with them one by one on the ironing board, and pinning down like crazy using small appliqué pins from Clover. I nudged the pieces into place here and there; that overlay is such a great help.
Nighttime photo of all three!
The first two borders are sewn on the sides. I knew I was going to miter the lower two corners because they are more prominent on our bed. But the top border would just be sewn straight.
We took it out for a beauty shot one early morning. Thanks, dear, for holding it up!
The “snowy” photo. The only way we can look like a winter wonderland is if the spring popcorn blossoms are out on the trees.
Overall Assessment:
I’m now going to do some easy piecing for a while. Maybe even sew a skirt or two (had the fabric for longer than I care to admit). Keep working on Heart’s Garden. Enjoy Spring. Plant tomatoes.
Note: I do have a pattern for the outside border, but the famous designer made me stop selling it (long story). I can send it to you, free of charge, if you are interested.
I received a stack of fat eighths as a gift from my friend Sherri last fall, from her new line of Sincerely Yours, and the question of what to do with this yummy range of fabrics has been percolating in my head ever since.
A Sew-A-Long? A Mystery? A Freebie Pattern? How about all three? So yes, this is a sew-a-long, mystery, free pattern that should run for several months. I thought it was only four, but then I had another idea, so I had to add an extra month. I will put the patterns up on my pattern site, one month at a time. The usual caveats apply: Don’t print them off for your mother or eighteen of your closest friends; instead send them to my pattern shop to download their own.
The pattern is found here. (The free pattern timeframe has elapsed.)
Follow the directions and print off four pages of Page 4, then cut them apart on the lines. Prep them for English Paper Piecing {see this post (which uses thread basting) or this post (which uses glue basting) for some tips}, then start stitching them back together in the units.
I’ve placed small colorful dots to help guide you in getting the pieces sewn. Follow the guidelines on the pattern.
I like to sew it in two sections, as it is easier to hold it. I also like to take stitches across the seam points on the outside curved edge, for stability. For example, I join one G1 to the F point, then add the G2, taking an extra stitch at that outer point. It will make more sense as you sew it.
Once I’ve gotten this far, I sew those last two seams.
I always love the look of these from the back. One trick I use for the inner circle is that I don’t glue down the inner curve, instead leaving it flat. This helps when you go to stitch on the center circle.
I write about how I do the center circle in this post, and I will again express my undying love for Karen Kay Buckley’s Perfect Circles: both sizes. Sometimes I put the circle on first, then appliqué it the background. Other times I appliqué it to the background square, then sew on the center circle.
For this round, do the center circle first.
Then cut a large square the size mentioned in the pattern. I always iron creases: fold in half, iron; fold in half the other way; iron. You’ll have a giant cross so you get your circle centered. Pin it evenly around the circle while on a flat surface. Then start to sew it down.
Yes, I’ve been doing the EPP-circle-bit a while now, and there are lots of tips and tricks under the tab SHINE: The Circle Quilt (found above). And yes, I’ve probably made millions of mistakes, but after sewing over three dozen EPP circles, I’m getting the hang of it.
Here it is, sewn to the background. Don’t trim this yet. If you are curious, your circle will probably measure about 12 1/4″ in diameter, largely due to the thickness of all those fabrics spreading it apart. We will deal with any variations in the next post, coming mid-month February.
I use several methods of construction: piecing, appliqué, English Paper Piecing for starters. While the theme is Heart’s Garden, there aren’t a billion hearts on this quilt, so you could make it in other palettes or groupings of fabric or from scraps. I started with one fat-eighth stack of Sincerely Yours, from Sherri and Chelsi, then purchased four one-yard lengths of the lights (always good for the stash, if I don’t use them all). I also bought two half-yards of the strongest colors; perhaps that is overkill, but I didn’t want to let this line get away from me. I am happy to have this great inspiration, so thank you Sherri and Chelsi!
So head over now to my pattern shop on PayHip, and download your pattern. At the end of this series, I will combine all the sections into one pattern, and will list it for sale in the same place. Feel free to stash the pattern until you see the end, or to just pick up a little piecing here and there as we go. [UPDATE: Pattern is now available.]
Confession: I got caught up in Fall Color. A few particular trees in Southern California and even the leaves on my wisteria arbor are turning yellow, getting ready to drop. In addition, we put together another round of Gridster Bee, and those of us who were experienced thought we should get sample blocks up on the spreadsheet as an example.
I have been hanging on to this screenshot (see how old those IG icons are?) for some time, as I’ve always wanted to do it in a bee. The pattern is a variation of Maple Leaf:
To be precise, it’s Maple Leaf–Brackman #1740, which originally debuted in Aunt Martha’s booklets in the 1930s. Like the Flickr group, above, I changed out the stem so it could be pieced. And is my wont, I wondered if anyone else was interested in this block. I certainly I had a few words to say about how to make up a leaf in autumn colors, so I put it all into a PatternLite, and then up in my PayHip Shop. I also included how to make a Four-at-a-Time Flying Geese block, giving away the secret formula, freeing you from charts forever.
PatternLite Patterns, if you are new here, are not-quite-all-of-a-pattern, for not-quite-all-of-the-price. They are less than a fancy pink drink at Starbucks. They are cheaper than a slice of pizza from that place around the corner from you. They are for those quilters who can see a block and take off with it in their own way, and don’t need comprehensive instructions on construction. But I did do up a couple of sketches for what can be done with this block:
How about a table runner for your holiday table?
Or a quilt? It’s there now in the shop, if you want to grab it.
I had some other ideas, but I will let time work them out for me, or sleep as John Steinbeck noted:
“It is a common experience that a problem difficult at night is resolved in the morning after the committee of sleep has worked on it.”
This may take me more than a few nights, I think.
And then there’s this, that’s been rattling around in my head:
“Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something.” (Steve Jobs)
Lately, I’ve been concerned with sameness, or the inability to make connections between two different things, because so much is all the same.
an “un-same” landscape
If we are mostly in our houses, with our same stashes, in the same room, making those same projects we dreamed up some time ago, where are the differences that allow us to make connections? I think many of us get it through social media, but beware:
from a recent Honors symposium my friend attended
I had been sort of dependent on my Instagram feed for variety and for seeing new things, until I realized that over time the random things I had selected had become more of “the same”–repeating back to me the images I had selected precisely because they were new and different. What with the algorithm changing how we interacted with that media, and the selectivity with which it feeds us our friends’ posts on our feed, what had once fed my need for new and novel things just came unraveled.
When you are traveling in a new space, trying to juggle all that’s coming at you, you make new connections. Perhaps you discover a different way to think about a dilemma, or even how to navigate physical space:
I did eventually make it to TechnoPark-ro, and enjoyed all that I saw. This has been on my mind because of what I’ve noticed in my correspondence, that there’s been a refrain of not feeling enthusiastic about what you used to do. Some describe it in that time-honored way of “lost my sewjo.” I could also describe it as longing for the thunderbolt of a new idea, one that just grabs you and has you on the run to try to express it.
Because I feel like drowning in sameness is a situation to escape, my tactic of late has been to look for old quilt blocks to explore in new ways (hence, Autumn Leaves). I also like seeing new fabrics, other than the same three designers carried by my quilt shop, so recently I went to Fat Quarter Shop to their pre-cuts and read ALL 38 pages of it, learning about what’s coming. I vary my walks around my neighborhood, cook new recipes:
What I call Sushi in a Bowl: sushi rice, salmon, cucumbers, slaw, avocado and dressing
Right brain? Left Brain? Anna Abraham begs to differ: “The brain’s right hemisphere is not a separate organ whose workings can be regarded in isolation from that of the left hemisphere in most human beings. It is also incorrect to conclude that the left brain is uncreative. In fact even the earliest scholars who explored the brain lateralization in relation to creativity emphasized the importance of both hemispheres.” A high level Q & A with her is here.
“As strange as it sounds, creativity can become a habit,” says creativity researcher Jonathan Plucker, PhD, a psychology professor at Indiana University. “Making it one helps you become more productive.” Read about it here.
A quote from an article from my favorite resource, 99U: “Creativity is a skill that allows you to draw understanding of the world around you, connect those observations to your existing knowledge reservoirs, and imagine new applications of your knowledge on the world.” Read it here.
Keep at it, find the new and novel, and keep quilting!
OccasionalPiece--Quilt! 