300 Quilts · Free Motion Quilting · Something to Think About

Small Steps: Push-Pull

I’ve been thinking a lot about Push, and Pull.

The terms are popularly used when discussing how we interact with the internet. We receive Push Notifications, which means that someone, somewhere is sending us information or things that can be helpful. Or not. We can choose where we go, pulling information to us in terms of blogs (like this one, thank you). We can also pull information from bank sites, news sites, school and medical sites so we can gather information or read for pleasure.

We are familiar with push-pull in our own lives, aside from the internet. For example, when I go to a Guild meeting like I did this week, and have to show up early to set up the book sale, take minutes, make sure the substitute photographer is squared away (because the regular one didn’t show up), serve on the Nominating Committee (hallelujah — we got our President-Elect!), it is a push because NONE of those jobs are what I officially do (I run the website). Some activities in our lives are push-pull: volunteering, for example. Or paying attention to the weeds in the garden because you want to plant flowers.

But if I can plan an appliqué project, take a 3300-mile road trip visiting family (and grandson Alex, below) and enjoy time with my husband, I’d call it mostly a pull.

This idea of push-pull on the internet was discussed in a radio interview of Kyle Chayka with Ezra Klein. During their discussions about the nature of the internet these days, as well as Chayka’s newest book, Filterworld, I became interested in this idea. What is pushed onto me, and how does it affect how I feel about the quality of my life? And what is the effect of all that pushing? Chayka feels like it changes how we view things on the internet, and why — perhaps — our eyes glaze over quickly:

CHAYKA: “I mean, most of the encounters we have with culture online are pretty bad, I think. We do have much more choice in what we consume and all of these other possibilities surround us. But what we lack is that kind of museum-like experience or movie theater-like experience where you do have to sit with something and think about it and puzzle your way through it without flipping to get an answer.”

EZRA KLEIN chimed in: “And the problem with the push internet is it’s not really under your control, right? It’s about what the force pushing is doing. But as that became bigger, people stopped doing the things that allowed the pull internet to exist. There aren’t so many blogs anymore. Not none, but there are fewer. People put their effort — because it’s the easier way to find audience and eventually to make a living — into the algorithmic spaces. And so there’s simply less of this other thing there to explore.”

Top finished: April 2024

CHAYKA: “I think a feeling I’ve been having a lot lately is that scarcity is often what creates meaning. When you’re surrounded by infinite possibilities, when you know around the next corner is another video that might be funnier or more to your liking, you’re never going to sit with the thing that’s in front of you. You’re never going to be forced to have the patience, or the fortitude maybe, or the kind of willpower to fight through something and figure out if you truly like it or not.” ~ Kyle Chayka

Sitting with the thing in front of you.
Museum-like experience.
Algorithmic spaces.
Push is not under our control.
Scarcity creates meaning.
Puzzle our way through it.

How much of our life is a “push” experience? How much of our activities and interests are “pull”? Do we value our time at the machine, or with cloth, or with the needle because it is a “scarce” activity? Or because we had the patience and stick-to-it-iveness to finish the stitching, the quilting, the cutting?

I guess it could be both. I guess it could be all.

Final image: Made in the 1600s for one of the popes, this smallish curio cabinet is a classic example of sitting with the thing in front of you until it is finished. Although I have to admit that if I were the cabinet-maker on the other side of the centuries, it might be feeling like a push. And that’s how it goes, right? I saw this in the Getty Museum in March.

Free Motion Quilting · Something to Think About · Temperature Quilt · Travels

This and That: October 2023

Of course I took my quilt titled Annularity up to the Annular Solar Eclipse, and took its photo while the eclipse was going on.

And my new Eclipse quilt also got a photo. The first photo is beside the car from Colorado, with two photographers, five cameras, boatloads of gear and who still called themselves “amateur.” To our left was Tim from Temecula (about 35 minutes from our home in California), and on the other side of him was an Astronomy teacher from Murrieta (about 45 minutes away from our home). I did a roll call video, as people were stationed all around the sports park in Beaver, Utah. Near the end of the eclipse, the car just beyond Colorado (they were from Hurricane, Utah), opened up two portable burners and invited us to have tacos with them, since two of their group were having birthdays. When the moon was exactly in the center of the sun, cheers erupted around the park. It was wonderful.

Oh, and here’s an earlier trip to an eclipse in Utah.

Other than that, what have I been doing? Quilt-prepping. Watching news. Struggling with social media. But first, some quilts.

I fell in love with a Quilt Kit for a quick Christmas Quilt, although as usual, I changed it up, leaving off the word Christmas from the front. I just wanted a nice TV quilt, and didn’t need the drapey-wordy-thingie across the front, although it would be cute if you were hanging this. And I am quite fond of this designer’s fabrics. I finish up a quilt top and I think, oh good! I’m done! but I’m not. These are steps I go through to prep it up for Jen, my Longarmer.

Lay out the batting on the top of my bed, and cut the batting 6″ larger all the way around. I have a roll of my favorite batting, and Jen is okay to use what I like. The Eclipse quilt is waiting in the wings on the pillows.

I smooth the quilt back up on the design wall and construct a backing that’s 6″ larger all the way around. On the right, I climbed through the stash and cut-and-sewed to create a back. The blue swath is fabrics concerned with planets, moons, outer space and rabbits. When you are shopping the stash, you get what you get, even if it means rabbits.

I do a sheet like this for every quilt. It travels with the quilt, but it is also a record for me. It took me ages to pick out the panto for Merry (my title). My long armer has some good sources on her website, but often it’s just me clicking through a site. For this one I chose “Boujee” from Intelligent Quilting, designed by Melissa Kelley.

So I make the background transparent in my Affinity Photo program, then copy and paste it onto the quilt image, enlarging it or smallerizing it until it’s how I like it. This panto reminded me of stained-glass windows from France, and I thought it might work. I like SoFine thread, and I have a thread card (and many spools) so I can tell her what color I like.

Eclipse was a bit harder, because I have that yellow and orange and then the dark blues and black. So I spooled off some thread over the top, letting it fall over the areas to see how it will look. I’ve also heard of others who sew a bunch of different scraps together and then stitch down the pieced strip with different thread to see how it will look.

Finally the parts are ready. I sometimes will wrap up the parts for a quilt together, as the batting isn’t labeled. I do put little signs at the TOP of every piece, so that if I have a certain direction I want the top to go in, Jen will see that. (She always sends the little signs back to me.)

Then it’s find a sturdy box, put in a giant plastic bag, placing the quilts inside the bag. I include a paper with both of our addresses, and then tape the label on the outside of the box. I re-use bags, keeping them in my quilt closet so I know they haven’t held the lawn clippings from outside. Kidding. We recycle our lawn clippings. And our table scraps. And our cardboard, bottles, etc. And I reuse a lot of my quilting scraps and make Frankenbatting, so I’m good on that front, too. Geesh, I sound like I live in California, or something.

Recently the news came out that QuiltMania magazines (shown above) won’t be on newsstands for you to snatch up and enjoy. If you want to get their fine publication, you’ll need to subscribe. I’m writing this everywhere (on our local guild blog, too), with links to QuiltMania, Simply Vintage and Simply Moderne, so you can welcome this subscription into your home. We let our beloved Quilters Newsletter slip away from us; let’s keep these magazines around. I love that I get a glimpse of various quilt shows, how quilters around the world are doing, and different trends that can only come with a global viewpoint.

On the left is my very first Instagram post, on June 8, 2012. On the right is a screenshot of how Instagram 2012 really looked, with those blue banners. This is a screenshot of a quilt from QuiltCon, in 2013, and it’s when the power of this app sort of came alive to me–I could see all these quilts at a show where I wasn’t. I don’t remember much about comments early on, although clearly we could make comments. I remember that we mostly concentrated on how many heart-likes we received. Many months later, one quilter that I followed was diligent in replying to each and every comment, and I remember thinking: “We’re supposed to do that?”

Why am I strolling down memory lane? Because Instagram did this to my account:

And they aren’t kidding. The “Tell us” button is bogus. It does nothing. So I’m back to a decade ago, liking things, posting things, but unable to have a conversation. If I really need to get through, I send a DM. It’s kind of weird, but also very freeing — meaning that while I miss our little conversations we had every day — I’m not included in the IG universe for a while. I don’t really know how to describe this, but it feels very much like how I felt at the beginning. And now this little meme is how it feels now (watch out, there’s one bad word), and it takes a minute to figure it out, but it’s so good.

Couple that with the warning I saw last week that if we have any Jewish or Palestine feeds, we should stay off Instagram for a while, as the Hamas terrorists are plan to air videos of those they took hostage, and it won’t be good. The whole incredibly horrendous attack on Israel has me aware, but admittedly, hiding. I know what’s going on and am not turning a blind eye to the suffering, but I am careful where I click, what I watch, all the while keeping the prayers going, and wondering which charity to donate to to help. Our church partners with many non-profit organizations around the world, and I know that soon we’ll find our avenue of action and a way to help. As Elizabeth Spiers wrote for the New York Times, “Sitting with uncertainty is hard.”

I imagine you are all in the same boat I am. So I write seemingly blythe posts like this one, but know that’s all I can do at this moment. I remember that even Christ was “troubled in spirit” as he contemplated what would befall him, when he considered the betrayal that would come. And the children in that area of the world, and their families, have certainly been betrayed. Wherever you find solace, I wish that for you, because for many of us, “peacemaking means that we resist the impulse to respond and instead…remain quiet” (from here). This does not mean quiet forever, but actively looking for the right moment, the right time, and in the right way. During this time of waiting, I will continue to post about quilting, and my life and the things that infuse joy, working to steadily to loosen the roots of evil where I can.

So, last quilt to report on. Progress on the temperature quilt for 2023, as I’m pretty much caught up. It’s a whole different color scheme than my first one, and the jury is still out on whether or not I like it. And yes, speaking of juries, I was summoned to Jury Duty for this next week, but since I’m going to be here…

(from here)

…I moved my summons day until after Christmas.

See you when I return from our trip–

Free Motion Quilting · Free Quilt Pattern · Gridsters

Tiny Envelope & More Blocks

Gridsters January 2020

It all started, this idea of Tiny Envelopes, when a) I came down with a bad cold and everything I’d ever done in the world seemed lame and stupid, and b) Carol, our Gridster Queen Bee for January had us all make wee televisions for our signature blocks, in order to match up the larger block of Lori Holt’s vintage TV.

Okay, maybe I exaggerate on the first reason, but this is my THIRD cold of the season, and I am sick and tired of being sick-and-tired.  And I live in sunny Southern California, and no one ever feels sorry for you in the winter.

Then, last night, when the cold and sniffles had interrupted my sleep and I lay there, pondering this (can you tell I’ve been watching Jane Austin’s Sanditon on PBS, where they belabor every point, and examine everything to the point of madness?), following in Carol’s footsteps seemed the way to go.

Tiny Envelope

This little 6″ finished block will be my signature block for when it’s my turn, which is coming right up next month.  Last fall I spent many hours making a variety of my chosen bee block in my quilt program, in preparation for my turn at Queen Bee.

And it was that, which all of a sudden seemed so inane.  So last night this made perfect sense.

Tiny Envelope Illustration

So here are my instructions for making Tiny Envelope blocks, in downloadable PDF form (it’s slightly different than the illustration above):

Tiny Envelope Flier

(The usual caveats apply: don’t download for classes, parties, or your best friend.  Please send them here to this blog to get their own copy.)

Here are a slew of pictures to go along with the Tiny Envelope blocks flier:

TinyEnvelope_1

All the bits.

TinyEnvelope_2

I sewed one slender envelope strip on one side, trimmed it; then repeated the process.  Press.

TinyEnvelope_3

Now take that square that you cut in half and sew to one side, letting the tip of one side of the triangle extend 1/4″ past the edge.  The other side will really extend.  (Pay this no mind.)

TinyEnvelope_4

Sew the other side on.  You can see the 1/4″ bit of the tip extending on the upper left side. Thankfully, it does the same on the bottom.  Stitch, trimming off that excess first triangle.

TinyEnvelope_5TinyEnvelope_6

Now for the background.  Same idea.  Look for 1/4″ on the lower right edge, and let the rest of the triangle flow off the top.

TinyEnvelope_7

Sew the other triangle on.  Trim and press.

TinyEnvelope_8

The sides were bugging me.  I laid a 4″ ruler, so that the 45-degree angles matched up perfectly with my inner envelope, and trimmed both sides.

TinyEnvelope_9

I sewed on the strips for both sides, then evened up the top, too.

TinyEnvelope_10

Lower strip is on.  True the whole thing up to 6″ square, or leave it for me to do when you send it.  Either is fine.  And also for my Gridsters, use a background that is lively (no low-volume stuff), but that still reads “light,” like this one.  The envelope part will match the color of your eventual choice next week.  Like that makes any sense, but soon it will.  The rest of you can just make fun little envelope blocks.

In other news blocks…

Tri-Ball

My friend Simone designs new and interesting blocks for our chapter of the Modern Quilt Guild.  This is the Tri-Ball block that’s coming up to submit to the March drawing.  I really love this one!

Extra HSTs from Tri-Ball

Snowball Triangle Example

Since this has some snowball corners, if you double-sew that seam 1/2″ apart, then cut in between the two lines of stitching, you can get some fun HSTs.

Orange Fields HSH

I’m also re-writing, re-freshing my Home, Sweet Home pattern, and changed up some of the construction techniques, so I made up a new version.  I call this my Orange Grove Houses, especially now that its January and all the citrus is popping out in Southern California!

Quilted My Small World

Lastly, before this cold hit, I was able to finish up the quilting on My Small World. It’s good to hit the pause button now and again, to enjoy the (here comes my Jane Austin voice) fruits of our labors, the blessing of our handiwork.

Now I’m going back to the bed to practice some fainting and work on handling those nasty spells that come over a Victorian woman.  But boy, do I love all the clothes they wear.  It’s worth watching that show, if only to catch a glimpse of Miss Heywood’s dress with the pineapple sleeve caps!

sanditon-charlotte-heywood-sidney-parker-1571036275.jpg

Happy Quilting!

300 Quilts · Free Motion Quilting · Quilt Finish

Field Flowers • Quilt Finish

Field Flowers_1

One of the challenges of finishing a quilt is figuring out where to photograph the thing.  So one night last week my husband and I went over to University of California-Riverside (UCR) to find some places that would set off the two quilts I was toting around.

I’d originally thought about the Botannic Gardens, with all their lush greenery and wooden benches; I’ve snapped photos in this place before, and Field Flowers, with its scalloped edges is so old-fashioned looking I wanted to head there.  It was closed.  As we walking back to the car to leave, I spotted this old greenhouse.  UCR is noted for its agricultural emphasis, as we breed a lot of the oranges you are eating now (Cuties, anyone?).  This greenhouse seemed the perfect place, for my husband, with three broken ribs, to be able to hold up the quilt.  (By the way, he has a Qh.D: a doctorate in Quilt Holding.)

Renaissance Figures Holding Ladybird

I also recruited two bystanders from the museum in Berlin to help me show off Field Flowers. Although their expressions are a little wooden, they held it in place without moving, so I was able to get a good photograph.

Field Flowers_2a

The center of this quilt was quilted by my regular quilter, Cathy of CJ Designs.  She left the basting in the borders and then turned it over to me to finish up those scalloped edges.  Since the pattern is by Sherri McConnell of A Quilting Life, I knew she’d have good ideas of how to finish the quilt, so I pretty much mimicked what her quilter did.  More information about the pattern can be found on *this post.*

Bias Binding.jpg

I followed Sherri’s directions for cutting bias binding, but used a 20-inch square as I’d added more hexies to my quilt.  I needn’t have, as her directions would have provided enough length.

Field Flowers_2b

The single fold binding went smoothly around each curve, and didn’t add too much bulk.

Field Flowers_2c

Earlier that day, we’d gone over to Gless Ranch, a local purveyor of oranges, as they had old farm equipment around their property, and lots of (newly trimmed) orange trees:

Field Flowers_3a

Field Flowers_3
Still my favorite place.

 

When we got home, I noticed it had gotten dirty from traipsing around, so threw it in a cool-water wash with a couple of color catchers (first invented in the UK, by the way), and dried it until almost dry on a low heat.  Like all other quilters everywhere, I love how the washed quilt looks (although I also like unwashed quilts).  Lay flat to dry, so there is no transferring of ink to other damp spots.  (As me how I know this.)

Field Flowers_6Field Flowers_6a

Field Flowers_5
Me, standing with Field Flowers in a field of ferns.

Happy Photographing!