300 and Beyond · Free Download · Free Quilt Pattern · PatternLite · Quilts

Did Vasarely get there first?

Maybe. Maybe Victor Vasarely got there first in the art world, but I’m guessing the origin of circles on squares, or even squircles on squares, may have come from all the mending the first woman did on her children’s clothes. Just a hunch. I really have no way of knowing this, but when my friend Dot mentioned the artist Vasarely as being reminiscent of our #backtosquircles project, I believe she was on to something. Have fun looking at his art.

My Tips and Tricks

Caveat: If you would rather fold laundry or scrub out the bathroom than do hand appliqué, I have a post on how to do nearly invisible appliqué on machine, using monofilament thread. It’s quick! It’s easy!

To cut out the shape: I would often iron on my freezer paper version of the pattern (I just printed it directly from the pattern). Other times I would just use a pin. Always I used my rotary cutter to slice around the fabric, and usually I was working with four layers of one polkadot fabric. (I learned in this project how many many many polkadot fabrics I have.)

In my past appliqué lives I have always cut out a bunch of the shapes out of freezer paper and pressed the fabric onto that. I would place shiny side up, and nudge the edges onto the shiny stuff and they would generally stick. When it was cool, I would take the pattern out and use it again.

This time I tried Old School Methods: spray some spray starch into the lid, and using a small brush, stroke it around.

Like this.

You can just see where it’s damp from the starch. Don’t use too much. I always lay down a piece of cloth on my ironing board to catch the dribbles.

Place a template (here I used mylar and punched holes in it — more on that later), pressing the corners and sides up over the template. The starch should dry and hold it in place. Let it cool, then remove the template. Duh.

I finger press some marks at the centers.

Then I arrange the cooled, pressed squircle by eye and pin it down. Sorry if this is repetitive for you experts — feel free to leave a comment if you have more tips; this is always helpful!

Sometimes you’ll get a little bump out. That just means underneath the seam allowance has its knickers in a twist. As you stitch along to this spot, with your needle, sweep the seam allowance away from the bump (in the directions of the arrows) and it should ease up and smooth out.

Sometimes I just put four pins.

Other times that squircle isn’t going anywhere.

I use the Thread Conditioner from Riley Acres, and I like the Super Bobs Bright Thread Collection. Rachel uses her own bees’ beeswax to make the conditioner, and I like how it feels, and it never gets hard.

I’ve sort of started evaluating my polkadots for this project. The ones on the left are rejects. The ones in the middle I was thinking about, but in the end, I only used the ones on the right: regularish-shaped dots, with not too much else going on.

Twenty-two done. I’m ahead of schedule, happily.

I made you a chart to keep track of our squircles. I added it to the pattern, and tweaked the pattern a bit, if you want to download it again:

Okay, that’s it for my squircle tips and tricks.

The mylar sheets can be found on the Great Store in the Sky, and I just slipped the pattern underneath and traced it off with a fine Sharpie marker. The Mylar cut easily with scissors. I punch holes in my Mylar so the steam doesn’t build up and warp the template. Although with the starch, I didn’t use steam this go round.

This little project will sink into the background for a while, so I promise, no more squircles posts for a while. But the pattern (free!) and the tips and tricks will stay here on the website for your use.

keyword search term on this site: squircles
hashtag on Instagram: #backtosquircles

I could listen to Rose talk about her job in the hardware store every day.

300 and Beyond · Free Download · Patterns by Elizabeth of OPQuilt · Quilts

Squircles

You knew this was coming, right? After you saw that last post about squircles, I’ll bet you knew I’d go hunting and fall down a rabbit hole. You are very perceptive.

This is a squircle grapefruit from designer Tai Tan. I found it on Dribble, which is also a website I didn’t know about before.

A squircle is not a rounded square, apparently. There is some design technique that can explain it, and it has to do with the flat edges. In a rounded square there are flat edges. In a squircle, they may LOOK flat, but they are every-so-slightly rounded (from here).
John Uttley also has a nice grid of squircles to admire, and here’s more to see if you want.

Lisa, my quilty friend in the previous post, was as happy as I was with these quilts, so we thought we cook up a project. It went like this:
1st idea: make blocks and swap
2nd idea: swap backgrounds but still do your own appliqué
3rd idea: set up a challenge to do *so many* each month, and check in with each other.

Third time’s the charm. We’re doing a Squircle Challenge. So I went looking and besides the designers, I found some quilters:

Marla Varner’s blog, Penny Lane, feels like the OG.

I did an image search and was able to source this image to Zippy Quilts, my friend Mary’s blog. This quilt alternated squares on squares, and squircles on squares. It was made by Carolyn Brown.

This is from the Instagram feed of laurispringer.

Last quilt I found was from Amanda Jean Nyberg’s website, and she calls it “dot your i’s quilt.” This is different because of the low-value backgrounds.

So here’s the story. I started the PatternLite with using a 5″ block (5 1/2″ with seam allowance) and that’s the first one in the pattern. But then in my stash box, way in the back of the closet, I found a stack of Charm Squares in Painter’s Palette Solids, my favorite brand. The 4″ squircle just looked too crowded.

So I redrew the squircle, to be more squircle-y, with slightly rounded sides. Then I resized it to fit — making it a 3 1/2″ (finished) size. That seemed to fit the backgrounds much better. So you have two sizes and two shapes in the free pattern.

I spotted my purple/lime green polka dot fabric at the top of this photo of Machelle Preston’s quilt, in the current Springville Quilt Show (see previous post).

I have been hoarding collecting polka dots for years now. This is why: Come A-Round, from earlier in my making (Quilt #90).

However…I noticed that I seem to have plenty more dotty fabrics, so why not use them again, borrowing Machelle’s idea?

So here are the first three, courtesy of one of those sleepless nights that come along once in a while (if you haven’t seen Melanie, you are missing out). Now I just have about 177 more to go, but don’t worry, in the pattern there are two sizes (the 5-inch requires fewer blocks), and a helpful chart so you don’t panic. Just tote this project around to doctor’s offices, pick it up while watching TV, or while you are hiding from your family in a quiet room.

Because we dreamed this collaboration up in August, and everyone’s going back to school, that’s our theme. Our hashtag is #backtosquircle, a play on Back To School. We have an easy schedule, for who needs more pressure in their lives? The drill:

  • choose your block size/quilt size
  • make a bunch
  • every 20 blocks made, post it up on Instagram with our hashtag #backtosquircle (if you use that social)
  • take it slowly!

Here’s your free 5-page Squircles handout. It has the templates for the 5″ blocks, for a 4″ block and some basic directions.

You know the usual: send your friends over here to download it, rather than making copies for them.

CLICK ON DOWNLOAD BUTTON, below.

Happy Squircling!

(This is the squircle-ish font I could find.)

Bibliography


300 and Beyond · Patterns by Elizabeth of OPQuilt · Quilts · Something to Think About

The Zeigarnik Effect: the Power of the Unfinished

Adrian Zumbrunnen, a human interface designer, wrote recently about how “Blooma Zeigarnik [on the right] and her professor of Gestalt psychology were having coffee at a bustling restaurant…While waiting for the check, the two eagerly discussed an odd observation they both made. Somehow waiters seem to better recall bills that were still open than the ones that had been settled. It seemed like the moment a bill was paid, it vanished from the waiters’ memory. Based on this simple insight, Zeigarnik conducted a series of experiments that showed that unfinished tasks loom larger than finished ones.”

As I was fascinated by this idea, and after chasing down a few rabbit holes (see complete bibliography at the end), I came to learn that the unfinished has a certain power that finished items do not.

The term for this is the Zeigarnik Effect.

This is not hot news for quilters.

Joshua Everts defines it as the “power of unfinished business or interrupted or uncompleted activity to hold a privileged place in memory,” in other words, those undone tasks just won’t leave us alone. He notes that they “create a cognitive burden, weigh more heavily on the mind, and are more easily recalled than completed tasks.”

In another unsigned article, it states that the “Zeigarnik Effect explains why people are haunted by unfulfilled goals and may be more apt to recall what they haven’t achieved than what they have. Some have speculated that the cognitive burden of unfinished work causes some to see themselves negatively and contributes to such problems as impostor syndrome.”

But while it is not hot news for us, the people who coined the term UFO (Un-Finished Object), how do these unfinished objects affect us?

Zumbrunnen notes that “Unfinished tasks lead to cognitive tension, a feeling of restlessness and discomfort that makes us seek closure and come back to it again and again. This effect goes beyond remembering individual items on a bill. It affects whether we achieve our goals, our creative output, and how we pay attention.”

Carol and I were discussing our progress on our Posh Penelope blocks, and I wrote:

Public Service Announcement:

Another Public Service Announcement:
The Zeigarnik effect should not be confused with the Ovsiankina effect, an urge to complete tasks previously initiated. Maria Ovsiankina, a colleague of Zeigarnik, investigated the effect of task interruption on the tendency to resume the task at the next opportunity.

Yes, let’s not confuse the two, although maybe what I was experiencing this week was more of the Ovsiankina effect? Nah. I’ve been working on this Posh Penelope quilt for forever, like since 2020. In my mind, the Ovsiankina effect is more like finishing making dinner. Or changing loads of laundry.

Yet Another Public Service Announcement:
What does the Zeigarnik Effect teach us about multitasking?
The Zeigarnik Effect makes a powerful case against multitasking. Focusing on one task at a time will avert intrusive thoughts of unfinished work that will only create delays in finishing all the tasks. Completion of each task approached sequentially instead of simultaneously will clear mental space for the next task.

Will you please stop with these Public Service Announcements:
Yes. But you should know that taking the first step on a project, no matter how small, can create enough tension when the task is interrupted to motivate the resumption of the task, doing an end-run around procrastination. (I can’t help you if you are addicted to your phone. That’s a whole other blog post.)

So I cut out the rest of the Posh Penelope blocks. Over the next few days, I’ll get to the sewing. Understanding that having this project hanging over my head (like an anvil) was in reality stopping my creative work, helped me get going in going forward.

Other Interesting ideas from Everts to aid in managing these open-ended tasks are:
Create intentional closure points in ongoing projects. Even if an initiative isn’t fully complete, establishing clear milestones allows your mind to experience completion moments.
Develop systematic ways to document and track progress. This helps reduce the mental load while maintaining awareness of important tasks.
Practice regular “mind clearing” sessions. Whether through journaling, team reviews, or simple list-making, giving your brain regular opportunities to process and organize open loops is crucial.

Reading this helped me understand the value of placing little labels (or “intentional closure points”) on my ongoing progress. With the BOM, it will run one year, so I know I’ll be finished with the blocks in December, and the quilt some time after that. With the quilting on my New York Beauties quilt, I mark the days so I know what I have completed as I want to finish this by early fall. With the Posh Penelope blocks, I made a chart to “document and track progress,” coloring in squares. These small signposts help me manage the tension that Zeigarnik identified, and keeps my quilting projects from torturing me with their incomplete state.

Good luck in all that you are working on–

Bibliography, by order of appearance:

Zumbrunnend, Adrian. The Power of Unfinished, blog.

Everts, Joshua. The Zeigarnik Effect: Understanding the Weight of Unfinished Business.

Unsigned article, Zeigarnik Effect, in Psychology Today.

How much does your anvil weigh? question on Reddit, my go-to source for internet information now that Google has jumped the shark and insists on putting resource-intensive AI into every answer.

Ovsiankina effect, discussed in the article on the Zeignernik Effect, Wikipedia.

Multi-tasking discussed in the Psychology Today Article (above), as is Procrastination.

And bonus: a video of Adrian Zumbrunnen talking about talking with bots, if you are into that sort of thing. Starts at 2 minutes in.

300 and Beyond · Appliqué · Patterns by Elizabeth of OPQuilt

Kraków Circles

I have this line of patterns I call PatternLite. Usually they start out as just a block I’m kind of doodling around with and want to share. Then I decide I want to make it, and take a lot of photos, and work out some helps and aids and tips and tricks, and before I know it, it has blossomed into a full-fledged — or at least partly-fledged — pattern.

Kraków Circle started out as a free block on the post about my visit to that city, and touring all the churches. Then I thought it might be interested to try out Sharon Keightley’s circle method, since there are bunch of little circles in this design. And then I added a different view, different color way, and so on. Here’s my first stab at the little circles:

She has you use a long pin as your handle, and then using the shiny side of freezer paper, you ease up the fabric, ironing to make it stick (Iink is below) I usually do the gather-stitch around the outside, and then slip in a plastic circle and press, with some spray starch. That just did not work on these little orbs:

You can see how over-full they are. The first try with this, it took me about five minutes and the circle was a bit of a mess. But after about 7 or 8 tries, they were nice and round, so I re-did the gather-circles.

Here’s my one-minute video and I hope inserting the video works! (I’m trying something new.) I know there is a little bump on the circle’s outside, but when I appliqué that, I can ease it in with my needle.

Here’s Sharon’s version of making circles. And she also has a version for the petal shapes, too, found on her page of Appliqué Video Tutorials.

I use Painter’s Palette Solids, purchased from here. This has been my go-to color scheme for years, ever since this quilt, but I was happy to see that it also drew on the stained-glass windows from Krakòw.

I bagged the pieces for the blocks, so I wouldn’t get lost.

I made a placement guide for the block, which is included in the pattern. I also added a print-a-ton-of-circles-at-once page, at the end.

I printed that page onto freezer paper, the how-to shown on this post. Sometimes, I chunked the 12 circle sections together, layered them up carefully, stapled the pages together, and then cut them out.

I also folded the freezer paper into smaller pieces, layering it up, then traced on a petal. Staple the layers so they won’t shift, as shown.

In the pattern, I give the tips for tracing the placement guide, and here, I’ve slipped the block underneath, taping it into place. (The placement guide is pinned to a board, but you could also tape it to a workspace.)

One all pinned into place, and another ready to come off the pinboard.

I was listening to a book, so I can’t tell you how long it took me to appliquè these all in place (maybe 90 minutes?) but it didn’t feel tedious, as the circles had been prepared.

I flipped over the block when I was finished, and cut out a small circle from the back — and slipped the paper out. Sharon Keightley suggests that cutting it out in a circle (instead of just cutting a slash) will keep the quilt back more intact.

I slipped out the freezer paper from the larger pieces as I appliquéd them.

Here’s the thumbnail of the pattern: it grew from 3 pages to nine. However, I’ve still priced it as a PatternLite — less than a slice of pizza, a pot of basil from Trader Joe’s (ask me how I know), or a Kouign Amann pastry from a bakery in Kraków.

If you like to make circles, here you go–

Pattern can be purchased in my PayHip Pattern Shop. If you have the introductory version, this one may be more helpful.

Other related posts:

Quilting and the Churches of Kraków

When You Can’t Create You Can Work