Travels

Eclipse Road Trip 2024

This is a picture-book post of our recent trip in the Southwest of the United States of America, partly to see the total eclipse (it was cloudy where we were, but we made the most of it). More text and descriptions are on my Instagram; both my husband (who is a great photographer) and I posted using the hashtag #SW_eclipsetrip

More quilty posts begin again next week (if you are new here, they are usually on a Sunday morning.)

Gallery 1 (click to advance): Salton Sea, Felicity The Center of the World, stitching on my quilt Twilight Garden (a constant throughout the trip), Gardens of the LDS Temple in Tucson Arizona, wildflowers, roadrunner at the Las Cruces rest stop.

Lunch in El Paso, tiles that intimated an eclipse.

Hotel El Capitan in Van Horn Texas, Love’s blue sky.

Gallery Two: Eclipse Quilt made for my son and family, still stitching, beginning of eclipse, Texas hill town wildflowers, the old courthouse in Brady–which calls itself the Heart of Texas, a quilt shop (it wasn’t open yet).

North Texas prairie, with the red soil of that land.

Roswell sign, White Sands National Park.

Trinity Site Marker: I can’t separate the events on Trinity from what followed about a month later.

Gallery Three: One of three big reasons why we wanted to take this trip (family and the eclipse, the other two): The Jansky Very Large Array (VLA). Here are three shots, culled from the many that I took of this place, but it is incredibly difficult to have photos give a sense of that New Mexico high desert, ringed by dark mountains, with these twenty-eight giant dish antennas spread out (sometimes as far as 13 miles), aimed high into the heavens. As I write this, I have on the soundtrack from the movie Contact, where the main character (played by Jodi Foster) uses the VLA to make a life-changing discovery. The three people standing next to the fence (to the right) of the dish help give you a sense of its size.

Mural in Magdalena, New Mexico (about 27 miles from the VLA)

San Miguel Mission in Socorro, New Mexico, founded in 1598.

Kingman Arizona train with four engines. Trains are everywhere along Highway 40.

My son-in-law built these quilt racks for my daughter’s collection of (my) quilts. Some were made by her children, though, with my help. Out of all my grandchildren, only these have come to see me and make quilts, so I’m happy this family loves them.

A very happy view this early morning, welcoming us back to our home state.

Statistics
Elevation range: from 1258 feet above sea level to 7200 feet (Ruidoso, New Mexico)
Overall Mileage: 3301.4
Days: 12 and a half
Gas Mileage: 27.3 mpg on average
Repairs: only an oil change in Albuquerque
Quirkiest: Roswell, New Mexico, with the giant pistachio near Alamogordo a close second
Weirdest: Felicity, The (self-declared) Center of the World, a little collection of buildings, and long granite slabs with engravings; near Yuma, Arizona
Prettiest Wildflowers: Sides of the Road in Hill County about an hour outside of Austin, with the fields in the Mojave a close second (with totally different terrains and flowers)
How Many Times a Day We Were Cranky: I’ll never tell.
Stories on Instagram with more on our trip

Happy Road Tripping to you–

In case the website link above fails, here is the info on the Roadrunner Sculpture (from Jennifer Bourn, from Inspired Imperfection):

The Roadrunner, designed by artists Olin Calk and Dan Smith, was created in 1993 as part of a recycling education program for the Las Cruces Foothills Landfill. The large-scale artwork was meant to draw attention to the landfill and the issues regarding consumption, the potential reuse of some materials, and the recycling of mass consumed packaging residuals.
The giant Roadrunner has become an icon of Las Cruces and in 2001, it was moved to the Scenic View Rest Area. Unfortunately, over the years the harsh desert climate negatively affected the materials of the sculpture, which were never designed to be permanent, and vandalism by visitors who wanted to put their own spin on the artwork took its toll.
In 2012, the Roadrunner Statue was dismantled and moved to Olin Calk’s farm so it could be refurbished. The renovations were completed in 2014 and the statue was returned to its place at the Interstate 10 Scenic View Rest Stop, this time placed atop a giant base designed to look like a big rock.
The current version of the Roadrunner Sculpture uses multimedia recycled elements like Volkswagen headlights, used sneakers, golf clubs, a trophy, old plastic toys, metal from the City of Las Cruces’ recycling center, and things gathered from local thrift stores.

free motion quilting · Something to Think About · Temperature Quilt · Travels

This and That: October 2023

Of course I took my quilt titled Annularity up to the Annular Solar Eclipse, and took its photo while the eclipse was going on.

And my new Eclipse quilt also got a photo. The first photo is beside the car from Colorado, with two photographers, five cameras, boatloads of gear and who still called themselves “amateur.” To our left was Tim from Temecula (about 35 minutes from our home in California), and on the other side of him was an Astronomy teacher from Murrieta (about 45 minutes away from our home). I did a roll call video, as people were stationed all around the sports park in Beaver, Utah. Near the end of the eclipse, the car just beyond Colorado (they were from Hurricane, Utah), opened up two portable burners and invited us to have tacos with them, since two of their group were having birthdays. When the moon was exactly in the center of the sun, cheers erupted around the park. It was wonderful.

Oh, and here’s an earlier trip to an eclipse in Utah.

Other than that, what have I been doing? Quilt-prepping. Watching news. Struggling with social media. But first, some quilts.

I fell in love with a Quilt Kit for a quick Christmas Quilt, although as usual, I changed it up, leaving off the word Christmas from the front. I just wanted a nice TV quilt, and didn’t need the drapey-wordy-thingie across the front, although it would be cute if you were hanging this. And I am quite fond of this designer’s fabrics. I finish up a quilt top and I think, oh good! I’m done! but I’m not. These are steps I go through to prep it up for Jen, my Longarmer.

Lay out the batting on the top of my bed, and cut the batting 6″ larger all the way around. I have a roll of my favorite batting, and Jen is okay to use what I like. The Eclipse quilt is waiting in the wings on the pillows.

I smooth the quilt back up on the design wall and construct a backing that’s 6″ larger all the way around. On the right, I climbed through the stash and cut-and-sewed to create a back. The blue swath is fabrics concerned with planets, moons, outer space and rabbits. When you are shopping the stash, you get what you get, even if it means rabbits.

I do a sheet like this for every quilt. It travels with the quilt, but it is also a record for me. It took me ages to pick out the panto for Merry (my title). My long armer has some good sources on her website, but often it’s just me clicking through a site. For this one I chose “Boujee” from Intelligent Quilting, designed by Melissa Kelley.

So I make the background transparent in my Affinity Photo program, then copy and paste it onto the quilt image, enlarging it or smallerizing it until it’s how I like it. This panto reminded me of stained-glass windows from France, and I thought it might work. I like SoFine thread, and I have a thread card (and many spools) so I can tell her what color I like.

Eclipse was a bit harder, because I have that yellow and orange and then the dark blues and black. So I spooled off some thread over the top, letting it fall over the areas to see how it will look. I’ve also heard of others who sew a bunch of different scraps together and then stitch down the pieced strip with different thread to see how it will look.

Finally the parts are ready. I sometimes will wrap up the parts for a quilt together, as the batting isn’t labeled. I do put little signs at the TOP of every piece, so that if I have a certain direction I want the top to go in, Jen will see that. (She always sends the little signs back to me.)

Then it’s find a sturdy box, put in a giant plastic bag, placing the quilts inside the bag. I include a paper with both of our addresses, and then tape the label on the outside of the box. I re-use bags, keeping them in my quilt closet so I know they haven’t held the lawn clippings from outside. Kidding. We recycle our lawn clippings. And our table scraps. And our cardboard, bottles, etc. And I reuse a lot of my quilting scraps and make Frankenbatting, so I’m good on that front, too. Geesh, I sound like I live in California, or something.

Recently the news came out that QuiltMania magazines (shown above) won’t be on newsstands for you to snatch up and enjoy. If you want to get their fine publication, you’ll need to subscribe. I’m writing this everywhere (on our local guild blog, too), with links to QuiltMania, Simply Vintage and Simply Moderne, so you can welcome this subscription into your home. We let our beloved Quilters Newsletter slip away from us; let’s keep these magazines around. I love that I get a glimpse of various quilt shows, how quilters around the world are doing, and different trends that can only come with a global viewpoint.

On the left is my very first Instagram post, on June 8, 2012. On the right is a screenshot of how Instagram 2012 really looked, with those blue banners. This is a screenshot of a quilt from QuiltCon, in 2013, and it’s when the power of this app sort of came alive to me–I could see all these quilts at a show where I wasn’t. I don’t remember much about comments early on, although clearly we could make comments. I remember that we mostly concentrated on how many heart-likes we received. Many months later, one quilter that I followed was diligent in replying to each and every comment, and I remember thinking: “We’re supposed to do that?”

Why am I strolling down memory lane? Because Instagram did this to my account:

And they aren’t kidding. The “Tell us” button is bogus. It does nothing. So I’m back to a decade ago, liking things, posting things, but unable to have a conversation. If I really need to get through, I send a DM. It’s kind of weird, but also very freeing — meaning that while I miss our little conversations we had every day — I’m not included in the IG universe for a while. I don’t really know how to describe this, but it feels very much like how I felt at the beginning. And now this little meme is how it feels now (watch out, there’s one bad word), and it takes a minute to figure it out, but it’s so good.

Couple that with the warning I saw last week that if we have any Jewish or Palestine feeds, we should stay off Instagram for a while, as the Hamas terrorists are plan to air videos of those they took hostage, and it won’t be good. The whole incredibly horrendous attack on Israel has me aware, but admittedly, hiding. I know what’s going on and am not turning a blind eye to the suffering, but I am careful where I click, what I watch, all the while keeping the prayers going, and wondering which charity to donate to to help. Our church partners with many non-profit organizations around the world, and I know that soon we’ll find our avenue of action and a way to help. As Elizabeth Spiers wrote for the New York Times, “Sitting with uncertainty is hard.”

I imagine you are all in the same boat I am. So I write seemingly blythe posts like this one, but know that’s all I can do at this moment. I remember that even Christ was “troubled in spirit” as he contemplated what would befall him, when he considered the betrayal that would come. And the children in that area of the world, and their families, have certainly been betrayed. Wherever you find solace, I wish that for you, because for many of us, “peacemaking means that we resist the impulse to respond and instead…remain quiet” (from here). This does not mean quiet forever, but actively looking for the right moment, the right time, and in the right way. During this time of waiting, I will continue to post about quilting, and my life and the things that infuse joy, working to steadily to loosen the roots of evil where I can.

So, last quilt to report on. Progress on the temperature quilt for 2023, as I’m pretty much caught up. It’s a whole different color scheme than my first one, and the jury is still out on whether or not I like it. And yes, speaking of juries, I was summoned to Jury Duty for this next week, but since I’m going to be here…

(from here)

…I moved my summons day until after Christmas.

See you when I return from our trip–

300 Quilts · Quilt Patterns

Eclipses: Aren’t we so lucky?

Way back in the darker ages, eclipses were thought to run the gamut of Should Never Be Looked At, to fear and terror. Nowadays, thanks to NASA and all the people like me who love the heavens, eclipses are a big deal, and rightfully so. Way back in the day, I made this quilt and titled it Annularity, never dreaming I might be able to see an a real-life annular eclipse, but it’s going to happen in a week!

And. . . I made another quilt to celebrate. This one is called Eclipse, and is an easier –much, much easier — quilt to whip up to watch the Real Annular Eclipse. Next week! (Have I mentioned that before?) Here’s proof:

Yeah, I’m pretty interested in this.

I missed the big one a few years ago, and I’m determined not to miss these two, and am hoping that the weather in Southern Utah will cooperate. Historically, we have a good chance:

(Who makes up these charts? I don’t know, but I’m all in.)

Scenes from the Missed Eclipse in 2017:

We stayed in Southern California, and I doled out glasses and made eclipse cookies and friends came over. I hear libraries are passing out the solar glasses this year, but you can also rustle some up on Amazon, if you hurry. You HAVE to have them to gaze heavenward. If no glasses, then look at shadows:

Even the shadows in a far-away eclipse are cool. I’ve read advice to take colanders or steamer inserts to hold over white paper to see all the quirky shadows. Yes, I will. Okay, back to threads and fabrics and eclipse patterns.

This was my first thinking: to have the narrow sashing do a dance of colors, too. My husband helped me decide, and yeah — it’s fun, but you lose the eclipse blocks.

So I took out all the colorful bits in the sashing, and then put a narrow black border on it.

I will send it to the quilter when I return home, and get it ready for April 2024.

The ubiquitous swirled quilt top photo

And because you might want a dedicated eclipse quilt, too, I put them both on sale. The Eclipse pattern you will have done in two days. Anularity will be finished by the next solar eclipse. These sales are on until the end of the Annular Eclipse — like in a week. So head to my pattern shop if you want to score a half-off, quick and easy (or many pieces, but beautiful) pattern.

And in case you aren’t the least bit interested in the heavens, but love a field of flowers, I illustrated this version just for you. All you Kaffe lovers, those centers are calling out for some fussy cutting. All info is on the pattern.

I hope you get a chance to wander outdoors next Saturday, and either with your glasses, or a sheet of white paper, take a look at the dance in the heavens.

200 Quilts · Four-in-Art · Quilts

Eclipse, deconstructed

This is the post where I reveal all my beauty secrets.  Kidding.

This is the post where I tell you how I made my Four-in-Art quilt, showing a technique   I’d read about this technique somewhere, but that crazed-woman-at-the-computer didn’t bookmark it or file it away neatly.  So I had to wing it, which is okay.

First, cut yourself a square of black fabric.  I used the wrong side of a fabric that I hoarded about 15 years ago, and I’m still trying to get rid of it.  (It’s a great fabric, really.)  Then get yourself some Steam-A-Seam II, the fusible applique stuff that will be sticky when you lift up the transfer paper, after you’ve ironed it on.

I did check to make sure that I adhered the non-release side of the Steam-A-Seam II, leaving the side that would release easily facing me.

Gather together some scraps in the colors you want to place on your background.  Since I was doing the eclipse, I basically had three: yellow, black, blue.  Throw in some related colors, just to keep it interesting.  For me, that meant some lighter blues, and orange.

Pile up your color, then randomly cut through the fabrics, and then do it again.  You need some bigger pieces (1-1/2″), but also lots of smaller pieces (1/2″).

I traced a circle on my paper, slightly off-center — because none of us saw that eclipse dead-center — and cut out a hole out of the paper backing.

I laid out my black scraps, making a loose circle. Then I tucked my yellow/orange sun flares behind the circle, pressing down with my fingers to make them adhere to that sticky surface.

Then I oopsed:

I went to the ironing board and ironed it all down.  WRONG.  While this seemed like a good idea, you know–to make sure all those pieces were not going to go anywhere — in reality it prevented me from lifting up the edges and tucking in more yellows,  and the blues.  So maybe if you can protect the edges of your design from the hot iron it might be a good idea?  Or just wait until the end?

Milky Way MJA
Star Fields, by Matthew Anselmo of MattsClicks

Then my son Matthew, who is an expert landscape photographer, put up pictures of the Milky Way on his Instagram, MattsClicks.  This gave me to freedom to really add in color to the heavens, so I pulled a greater variety of blues (and some with purples) and started scattering them around, trying to keep a “street” of lighter blues to represent the Milky Way. (Thanks, Matt!)

Eclipse_4inart_methods8Add in your bits and pieces, filling up the background in a random, organic way.

NOW go to the ironing board, lay your transfer paper over the design (the crackly sheet that came with your fusible), and press, lifting up and down, not sliding, until you think it’s adhered.

Eclipse_4inart_methods10

I used three different colors of thread, and just scribbled free-motion-quilted the pieces down.  I did a series of circles in black in the moon, the followed the shapes for the solar flares, then a random loopy design in the heavens.

Eclipse_4inart_methods9aThis is where I notice that the moon has two eyeballs staring right at me.  And this is where I go get some more scraps, use a regular old-school glue stick and paste more fabric scraps over the eyeballs (you don’t see it in the first one, do you?).  Quilt, again.  And then I thought that the moon looked more like a black lump of coal than the moon (even though it does have a mountain-y horizon…it’s not THAT bumpy).  More scraps glued on, more FMQ. I finished up by going in giant circle around the perimeter of the moon, to reinforce that Orb in the Sky thing.

Well.  Not quite.  But that’s what my work table looked like after I trimmed it up, bound it, and made the label.  I’m a total believer in a clean workspace at all times.  I’m a total believer in a clean workspace at least once every couple of weeks.  I mean, I’d like it to be all the time, but I create in small room, and I decided to adjust to the life I have.

Hope you’ve enjoyed the Deconstruction Post for the Final Four-in-Art Quilt.  I probably won’t leave the art quilt in the dust, though, as it’s a quick way to make a quilt while trying out a new technique.  Given that it is often smaller (most of mine were 12″ square), you can crank one out in a day, or an afternoon, if your design is not too complicated.

Thank you for coming along on this five-year journey.

~Elizabeth, of OPQuilt.com

Rewards for WorkingCreatively

Four-in-Art · Mini-quilt · Quilts

Eclipse: Final *Four-in-Art* Art Quilt

 

Eclipse_fourinart_frontEclipse • Quilt #189
Four-in-Art, Series Four: Light
12″ square

Click to enlarge any photo.

This is the final post of our Four-in-Art Art Quilt group.

Our group had its genesis when I saw the Twelve-by-Twelve group at a quilt show. Rachel and I emailed back and forth about maybe trying to make some art quilts.  I think we had done tons of regular quilts, and were looking for something new.  The idea was to put out a theme, create a quilt around the theme and maybe try a new technique while we were at it.  It started with just four quilters who wanted to try something, so we called ourselves Four-in-Art, and I made up a logo, incorporating the idea of four:

Sometime later, we added four more quilters, then switched the scheduling to four times a year, so we were still Four-in-Art.  We created a blog to post our quilts, for once you archive, you are real.

 Here is an overview of my quilts: (By the way, I am following the newspaper convention of captioning underneath my photos, so look there for details.
Year 1: Nature

We took turns coming up with the overarching theme for the year, then again, turns for the quarterly challenges.  The challenges are, from the upper left: Queen Anne’s Lace, Tree(s), Fire, Owl.  It was liberating to craft this way, without getting out too many rulers or drafting things on the computer (see below for a glimpse of my journal).

Year2_FourinArtYear 2: Urban  Quarterly Challenges (from upper left): Maps, Structure, Landmarks, Contrast, Light (we seem to like this topic).Year 3: Literature  —  We could choose what segment of literature to focus on.  Some did a series of novels, Nancy did a series of children’s books’ titles, which she then donated to her local library, and I did a series of poems.  I love the poems, pretty much hate these quilts, for a variety of reasons.  Year 4: Color, and the challenges (again, from upper left): Microscopic, Music, Purple Passion, and I’ve Got the Blues.

And this year’s, with the yearly theme of Light.  The quarterly challenges were: Shimmer,  Light in the Darkness, Stained Glass Shadows, and Illumination.

It’s very satisfying to notice the growth, the steps backward, the consequence of leaving things to the last minute, and how having enough time impacts what you can create.  I also learned new techniques, new ways of doing things, new ways to incorporate design beyond the grid and have it mean something.

A few pages from my notebook/sketchbook.  It really helped to keep one of these, and not just for the journaling.  I was often able to arrive at an idea for my quilt through drawing out (that old mysterious hand-brain connection) and writing out my feelings about the theme and the challenge.

Four-in-Art_book2

(I came back in later and pasted in the four quilts we did under that theme.)

Four-in-Art_book1Four-in-Art_book4

It was also a place to keep patterns, those bits and pieces of paper that led me to the final quilt, as well as notes and thoughts while on the run:

Four-in-Art_book3Four-in-Art_book5Four-in-Art_book6

Pages about this quilt (the second page is digitally pasted on top of the first).  You can see the rejected ideas.

This little quilt, Ted and Maurice at Lorinc Pap Ter, is my favorite, not only for the idea of Contrast which it expresses (and was our challenge for this 12″ square quilt), but also because I learned how to print photos onto fabric [making my own photo-ready fabric, not buying it] and had a great time doing this.

I have more than one that qualifies for the Least-Favorite-Maybe-Even-Hate, so I won’t tell you which ones.  But I can share the why: when I was trying to be too “artsy” and didn’t let the idea drive the design, or when I forced the design, or when I was new at this and just had no clue how to execute the idea.

Four-in-Art Index

I used to have a dedicated page for all the Four-in-Art quilts, but recently I was cleaning out around here and filed them away in the Master Index to my quilts.  Now they are all on the 200 Quilts page, making them easy to find.  Slowly I’m going through the posts, adding the tag “Technique” to those pages that show how I tried a new way of doing things, or a new method.  I hope they will be helpful for you (use my search engines to the right–Wordpress has outstanding search capability).

It’s been a wonderful journey, these past five years, and my hat is off to those who started — and stuck — with me: Rachel and Betty.  They were some of the best companions to have alongside me as I traveled this road.  Other travelers were Leanne (SheCanQuilt), Anne (SpringLeaf Studios), Amanda, Carla, Jennifer, Nancy (Patchwork Breeze), Simone (Quiltalicious), Susan (PatchworknPlay), and Camilla.  Finally, Catherine (Knotted Cotton) and Janine (Rainbow Hare), who were also members, will be carrying this art quilt group forward, through their Endeavorers.  Click on their links to be taken to their blogs. And thank you for reading this WHOLE thing.

Now, please enjoy the final round of quilts for the Four-in-Art group!

Betty        Blogpost on Four-in-Art

Catherine         http://www.knottedcotton.com

Janine         http://www.rainbowhare.com

Nancy         http://www.patchworkbreeze.blogspot.com

Rachel         http://www.rachel-thelifeofriley.blogspot.com

Simone         http://quiltalicious.blogspot.com

All of our blocks are on our blog, Four-in-Art.

 

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