Quilts

Halloween Banner

My niece-by-marriage, Stephanie, has decked out her house with spiders everywhere, along with Halloween decor.  She is a young mother with small children.  I, however, drape one thing around the house and call it done.  I am an old mother whose children have grown and gone, and there are no grandchildren around to witness my pathetic Halloween decorationing.

Halloween Pennant Banner_1

I started this in August, hoping to have it finished by October 1st.  I finished it last Monday, so just barely by the beginning of Halloween Month.

Halloween Pennant Banner_2

In the other post, you can read about how I put the striped fabric on the edges.  To finish it off, I cut five  1-1/2″ WOF strips of spooky fabric, and used a bias seam to join them all together.  Then I arranged my pennants how I liked the order, and sewed the binding right-sides-together, overlapping the corners of the pennants slightly, and sewed it on.

Halloween Pennant Banner_3

I decided to slip in some really narrow cording (used for pulling up blinds; you can find it at your local all-purpose fabric store) in the black binding, in order to strengthen it and so it wouldn’t stretch out.

Halloween Pennant Banner_5

Halloween Pennant Banner_4Halloween Pennant Banner_6

I folded the binding up and over the pennants, and pinned the edge.  It gaped slightly, so I used a stiletto to help coax the folded edge over.

Really, it’s a clay MudTool, specifically a Mudshark.  I saw it last week when we were in DC at Michael Sherrill’s exhibit.  I like how the needle tool folds up into the Mudshark: no stiletto caps to lose. Who says museum gift shops don’t have items for quilters?  You just have to think creatively.

P.S. I decided to mail it home via USPS because I didn’t know if it would clear airport security.

Halloween Pennant Banner_7Halloween Pennant Banner_10

You can see the backing fabric here, also by J. Wecker Frisch.  I left a tail of about 14″ and also added a loop of fabric (cut 5″ long) so I could tie it up somewhere, and call our house decorated.

If I can find the box in the garage, I also have some spooky crows that will work with this scene (more importantly:  IF I feel like getting it all out). Maybe if I stocked in the Halloween Candy early, I’d get into the season?

Maybe.

Below is a link to a video clip of Michael Sherrill talking about his work.  I found all the videos in the exhibit fascinating, as he is an artist who is also articulate, and can talk about the creative process.

Michael Sherrill.png

Link to video.

 

100 Quilts · Quilts

Revisiting the Red and White Pinwheel

RWP Illus_1

Interestingly, I get a lot of mail about this quilt.  It must be on a boatload of Pinterest boards, but the pattern for this quilt has gone missing.  It was originally published in a national magazine, but in searching for it (my old link to the pattern is kaput), it seems to have disappeared.  The original was in a lot of different colors, but my friend Rhonda chose to make it in red and white for a class she was teaching seven years ago. I liked hers so well, I made one of my own.  The original pattern was an 8″ block, but I made the pattern to finish at 7 1/2″ (mostly so I could get it all on one page).

Since it’s not my pattern, and it’s disappeared and I get a lot of mail about it, I decided to draw it up in my QuiltPro software, rework it in Affinity Publisher software, and have it here for you for download:

Red & White Pinwheel_OPQuilt

It’s not really a pattern, but more a loose set of instructions.  It’s meant to be a scrappy quilt, but I did include a yardage chart if you are using three reds, and a white.

You can read more about it here and here.

So you don’t go away empty-handed, if you’re not interested in a two-color quilt, here’s a chart that came to me in a Guild newsletter.  It shows how much yardage is in a particular precut, and what that costs per yard.

Precut Yardage Chart

Happy Quilting!

EPP · Guild Visits · Quilts · Travels

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Perhaps the UCR Science News was looking for something other than Nobel-prize generating stories or research about saving the world from cancer, but I’m happy that the editor liked my quilts, sent to him by my favorite guy (my husband).  The quilts were displayed around University of California’s campus near some of the science buildings (and in the Botannic Garden).  Thank you!

DAR Library.jpg

In other news, we visited the (tiny) exhibit at the DAR museum this past week (their library, above) in Washington, DC.

DAR exhibit sign.jpg

More on the exhibit in another post, but I met three quilters while I was there:

From the top left: Beth, a long-time friend (we always meet together at this particular science meeting of our husbands), Rhonda (who I met when I lived in D.C at the local quilt guild), and Bette (who I met online and since have become good friend with via correspondence and phone calls and occasional meetings). But that’s not all the news.

National Press Club

I spoke at the National Press Club, after I was proclaimed Queen of England.
Full story, below.

Headline Queen Elizabeth

Kidding, of course.  I merely posed, and the other photo is a leather-embossed rendition of a famous headline, one in a row of famous headlines.

Climate Change Protest

We’d done most of the museums in December when we last visited, and I was wondering what to do one day when the Climate Change Activists staged one of their protests right outside my hotel.  I threw on my clothes and went down to watch.  I remember how the police used to break up other protests long ago, with tear gas and heavy-handedness.  This experience was more like a garden party, as slowly, they encircled the boat parked in the middle of 16th and K. While the activists moved on to march around D.C. the police cut the handcuffs and tethers of those who remained, then towed away the boat.  I was quite impressed with the whole experience, both of those who felt strongly about making a statement, and the police officers taking good care of those who they serve.  Another reason why I love D.C.

Okay, I promise more serious quilty stuff soon.  I’m coming home tonight from my niece’s wedding in the Bay Area, hoping to dive into what I’ve left undone while traveling.  Before I left, I did get one quilt to the quilter’s, after auditioning, digitally, many different designs for quilting.

North Country Sept 2019I also cut more pieces to keep going on my North Country Patchwork Quilt, eeking this one out, bit by bit (photo of what I have so far, above).

Temperature Quilt Sept19.jpg

I did get caught up with my temperature quilt, which is turning out to be very different colors than what I expected.  I find it’s easier to do a whole month at a time, than piece-mealing it, day by day.

IE Modern Quilt Guild.jpg

Lastly, this coming Saturday, October 5th, I’ll be presenting a (mostly) modern quilt program at the Inland Empire Modern Quilt Guild in Riverside, California.  They are a small modern guild, with a whole group of interested, dedicated quilters. Maybe you’ll be there?

Something to Think About

Maintain vs. Innovate

I’ve been reading a series of articles by Andrew Russell and Lee Vinsel, two academics who have noted that we tend to focus on innovation and ignore maintaining.  Maintain?  Innovate?  When I insert this into the quilting world, some thoughtful parallels arise.

LIghtbulb moment
some images cheerfully swiped from the internet; find them using a Google image search.

First, some background.  In an article on Aeon, Russell and Vinsel observed that our love affair with the new and the untried has obscured our reliance on, and the need for, the “old things,” those items like the electric fan that have been unchanged for a century or more.  And by letting the new obscure our vision of the old, it has also blocked our view of the humans who do “the work that goes into keeping the entire world going….from laundry and trash removal to janitorial work and food preparation.”  And to no one’s surprise, it’s “women — disproportionately — [who do the work] to keep life on track.”  Russell and Vinsel argue that it is time to bring the work of maintainers into clearer focus.

EPP Stitching

When I first heard this interview on the radio, I let it sink to the background while I worked in my sewing room that morning. But something in me wondered if this idea also applies to quilters.  To see it, come at the idea from a different direction:  Say you have nineteen bins of fabric at home, a list of at least twelve quilts to be made from the above-mentioned bins, yet when you are on Instagram and you see the latest quilt that EVERYONE is doing, you click through to get their suggested fat quarter bundle because that is the most awesome thing ever.  Sound familiar?

To borrow Russell and Vinsel’s terminology, I would suggest this is a classic case of quilter Maintenance vs. Innovation.  We don’t want to do the hard work of re-imagining why we stashed that fabric, purchased that pattern in the first place, preferring instead the WOW feeling (and let’s face it: the easiness) of contemplating sewing up something fresh and interesting.

Fabric Stash

I believe in innovation.
I do like the feeling of a few fresh cuts into the fabric with a new pattern by my side.  And full disclosure: I’m not a “sew-from-my-stash” only sort of quilter, believing instead that occasionally everyone’s stash needs a punch up of energy with a few fat quarters of current fabrics with their current color palettes.

Plitvice Quilt_unquilted

I believe in maintenance.
Having recently I’ve slogged through a few really old UFOs I found out that there is happiness and satisfaction in working through those projects, yet often it didn’t come until that last stitch on the last inch of binding.

Tesla Roadster

Some fall into the trap that Elon Musk did recently, when he outlined a tunnel transportation system in Los Angeles demonstrating that he believed “that the best path forward is to scrap existing reality and start over from scratch.”  Yet, as Russell and Vinsel note, “a clean slate is rarely a realistic option.  We need to figure out better ways of preserving, improving and caring for what we have.”  Although tempting, we can’t torch our fabric stash in order to begin fresh and new and wonderful and exciting.

But the mental tussle between finishing up those UFOs vs. buying new fabric perhaps goes deeper, as Russell and Vinsel describe in their article, “Let’s Get Excited about Maintenance,” when they say that often we “fetishize innovation as a kind of art, [which] demeans upkeep as mere drudgery.”

Innovation=Art?  Upkeep=Drudgery?

  • If I’m buying new, I’m making art?
  • Sewing up my old half-finished projects is drudgery?

The answer might be yes to both questions, but it’s more like often or sometimes, but not always.

EPP 4 cutting pieces

We need innovation.  I can’t imagine making a quilt today without my rotary cutter, mat or ruler.  But we also need maintenance to help us keep our lives in balance and on track.  Make that new quilt, buy that new fabric, but don’t think of it as better than pulling out the quilt you started last year.  Likewise, finishing up a painfully old UFO that would have been better donated to the scrap bag isn’t necessarily more noble, either.

Innovate? Maintain?

We need both.