300 Quilts · Red, White and Blue · Shine: The Circles Quilt

I Hear America Singing

I finished the red, white and blue version (top only) of Shine: The Circle Quilt and I did it by the time of the Inauguration of our new President, my goal.

This is not my first red, white and blue quilt, nor my first Inaugural quilt. In 2005, I attended the Inauguration of President Bush while we lived in Washington, D.C.

It was a really cold day that day, and being from California, I wore long johns underneath my pants, two sweaters, gloves, a hat and scarf and I was still frozen as I spent most of the day in the 20-degree cold. When it came time to find a bathroom, that chick in the red coat behind me accosted me, admonishing me for leaving this site while the Inauguration was going on. Okey-dokey. Fevered believers, everywhere.

Fancy ticket from my Congressman, but then I scored a better one, thanks to my Congressman’s staffer:

Waaay less fancy, but lots closer to the action, as I was in North Standing, which meant I was in front of the Capitol Reflecting Pond. Unfortunately it also meant that I couldn’t see much of anything because of trees, but it was very cool to be there, anyway.

Two quilts came out of that time. The first one was a quick flannel quilt which I spread out on the floor of our apartment in Virginia and tied together while we were watching the returns come in from the Bush-Kerry political contest.

Flannel Squares on Point, quilt #58

Really stunning (haha), but I use it to this day.

D.C. Dots and Dithers, quilt #60

And this one, D.C. Dots and Dithers, which you can read about here.

But this post is about finishing the quilt top for my red, white and blue version of Shine: The Circles Quilt. I’m really happy to be at this point, and already have the backing picked out.

Because I knew I wanted to write about this on Inauguration Day, January 20th, 2021, we took it down to the most traditional government building we could think of: our very own Riverside County Courthouse. Some skate-boarding teen boys gracefully cleared out when we showed up.

I titled it after Whitman’s poem of the same name, where he asks us to listen to America, with its varied carols, and then goes on to identify the different workers he imagines, all building this great country of America (and which is always under construction). Yes, in the poem there is someone sewing, but I can imagine many more songs and carols in 2021.

Whitman probably couldn’t have imagined a female Vice-President in his day, nor women in Congress or the Senate. He wouldn’t have thought we would have women doctors, as they tend to covid-19 patients lined up working hard to breathe, a rhythmic straining that populates too many places these days.

We have carols of discord, tunes of tumult and shouting. While some of this has existed in my own home when the teenagers lived here, it feels harder when this cacophony surrounds us in our public lives during a pandemic. When it’s this noisy, it’s hard to put my head down and stitch a seam, concentrating on my own tune of color, patches and cloth.

We have our own carols, we quilters: the whir of the machine, the click of the scissors, the slice of our rotary blades through the cloth. Whitman’s genius of a poem is that he stretched to include all different kinds of work and workers, yet give us an insight into their lives, with “each singing what belongs to him or her and to none else.” Yet in our singularity, we are drawn together, “blithe and strong” all of us with our “strong melodious songs.”

I honor our tradition of presidential inaugurations. When I was there in Washington DC in person, there was a sense of excitement, of an event, of something happening that was bigger than my own tiny quarrels in my life. Being there all day made me lift my head, look around and see all those people and to realize that we can come together whether our guy won or not, and commit again to this great experiment of democracy.

And that’s why I made a red, white and blue quilt.

from here

I Hear America Singing

by Walt Whitman

I hear America singing, the varied carols I hear,
Those of mechanics, each one singing his as it should be blithe and strong,
The carpenter singing his as he measures his plank or beam,
The mason singing his as he makes ready for work, or leaves off work,
The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck,
The shoemaker singing as he sits on his bench, the hatter singing as he stands,
The wood-cutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown,
The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing,
Each singing what belongs to him or her and to none else,
The day what belongs to the day—at night the party of young fellows, robust, friendly,
Singing with open mouths their strong melodious songs.

I scanned that North Standing-Green ticket and used it as part of my label on that quilt.

300 Quilts · Family Quilts

Dave’s Cozy Quilt • Quilt Finish 2020

Gerbera Garvinea, Sweet Surprise • photography by Dave Eastmond

My husband takes walks. Daily walks where he brings home dozens of flower and leaf photos. He specializes in color, in contrast, in finding whatever others pass over as they zip by in their cars, Southern-California style. He brings a lot of joy to my life and to those who know him.

He also single-handedly decorates our house for Christmas, with lights and a forest of little pine men: his nutcracker collection, gathered from far and wide. And so this Christmas, even though he was always around the house (due to covid and being newly retired), I decided to make him a quilt, a cozy flannel quilt — his favorite.

I’d had my eye on Bonnie Sullivan’s Woolie Flannels Over and Down Under pattern, and had purchased the pattern, the jelly roll and border fabric waaaaay back in March, thinking I’d sew while he was at work. Hahaha.

So December 8th, I cut the bazillion little squares from a jelly roll then lost my mind once or twice trying to get it up on the design wall. (Yes, that little stitchery does say “Choose thy Love…Love thy Choice.” It’s from my cross-stitch days and I still believe in the saying.)

How to sew this together? I decided to do it in nine-patches, and then sew the outer rectangles together. I listened to audiobooks, kept sewing.

Still sewing after several days, I made a sign and taped it to my sewing room.

I realized after I finished the center, that it would not be nearly tall enough for him. I ordered some more black herringbone woolie flannel, praying that the dye lots would be close enough. The order got caught in the Great Christmas 2020 Mailing Slowdown, and I checked my email everyday to see where it was. Finally, after a loooong (felt to me) wait, it showed up a few days before Christmas.

But luckily the hard work of piecing was over, so I sewed a great large swath of the border fabrics on the sides, top and bottom, then moved the Mrs. Claus sign over to our guest bedroom, also known as the Quilting Room. I pinned it all together on my kitchen counter, took it back upstairs and went to town on the quilting. One long day later it was done. I chose to do a very large meander on it, because I wanted it to feel soft and snuggly, and I knew that loosely quilted quilts feel that way.

One day when he went back up to his office at the university, I bound it, then machine-stitched that down, and even got it wrapped and put beside our tree (the large red package).

Of course, you all know Dave from the great job he does supporting me in my quilting adventures, as well as scoping out great photography locations. He is a premier member of the Husband Holding Quilts Association.

Dave’s Cozy Quilt
Quilt Number 240

Here is the finished product, about 85″ high, 65″ wide. I ran it through the washer and dryer to crinkle it up a little bit before giving it to him. Merry Christmas, Dave!

And here’s his gift to you: a couple of more beautiful photos, published on his Instagram account of @toxdae (he’s a toxicologist by profession). Follow if you want a bouquet in your feed.

Winter Berries • photography by Dave Eastmond
Geranium • photography by Dave Eastmond

300 Quilts · Patterns by Elizabeth of OPQuilt · Sawtooth Stars

Sawtoothmania • Reflections on Fertile Ground

Sawtoothmania, Quilt no. 239

All the signatures of the Gridsters, who contributed blocks to the quilt top.

the label

All photographs above by my husband or I, taken from a frontage road on the 680 freeway, to the west of Grizzly Bay and the Cordelia Slough, off Lopes Road near the Bay Area in Northern California. We just can’t resist those Northern California hills, as he and I have significant history there.

He went to UC Berkeley for his doctorate in Environmental Health Sciences (aka Toxicology), and when he wasn’t in the lab or studying his brains out, he was out in his vintage Dodge Dart exploring the Bay Area, Muir Woods and other areas. I, on the other hand, spent my teenage years in Portola Valley on the other side of the Bay, my father a professor at Stanford. We’d just come back from two years in Peru (and how we got there is another story about the life my charmed parents lived) and instead of returning to the mountain-west states, our family landed here. That was when houses were dear, but not astronomical, and somehow they pieced together a way to get a house on a professor’s salary. I grew up in the wooded hills, the large California Oaks standing alone in the the golden grasses in autumn, just like they were this day, when we went hunting for a place to photograph my quilts.

One of my children was born not too far from this place; however, my husband and I didn’t know each other then. As we drove down to my brother’s house from the Sacramento area (where this same Mr. Claus took this Mrs. Claus to get her Christmas present…more on that later), I narrated where I used to drive this child to the orthodontist, where he went to the surgeon to correct his cleft lip and palate, where I visited the attorney for my divorce. Then my husband took his turn in narration: the place where he used to go to school, his tale of arriving for grad school on a Friday, then heading to San Francisco on Saturday, to see what was there, all before beginning his studies on Monday. We drove by the Oakland Temple, of the Church of Jesus-Christ of Latter-day Saints, where we first met on a hot July evening, and gradually fell in love, sitting on the low stone wall around the property on summer nights, just talking, and watching the shimmer of lights from across the bay as we figured out how a newly-divorced woman with four children could fall in love with a single, brilliant young man, and about how they could take the leap together into a new life, the fertile ground of the northern California hills under their feet.

And so we did leap: into a life of raising children, of tracking the academic life, of quilting, of learning. It’s been a good journey, with lots of love, a few intense discussions, a life of forgiveness and kindness, a happy and creative life together…all of this reminiscing while finding a place to photograph a few Sawtooth Stars.

Other Posts with Sawtoothmania:
Sawtoothmania! – the beginning of this quilt
Some Thoughts on Our Nation’s Milestone — where Sawtoothmania makes an appearance at the end
stars shining brightly — a sister to this quilt
The Ides of March — where a few blocks show up after we build a new design wall, and I write about possessions, and an old recipe held together with a straight pin
Tiny Envelope & More Blocks — where I wrote you a free tutorial to make those very cute signature blocks on the back of the quilt

The quilts above, are Criss-Cross Color and Sawtoothmania, both available in my pattern shop.

300 Quilts · Patterns by Elizabeth of OPQuilt · Quilts

Criss-Cross Color • Quilt Finish

Criss-Cross Color, quilt no. 233
49″ wide by 68″ high

The quilting by Kelley of Wolf Girl Quilts really looks lovely in this light.

IKEA fabric, from back in the day: a series of numbers. It was what I had.

the label

All photographs above by my husband or I, taken from a frontage road on the 680 freeway, to the west of Grizzly Bay and the Goodyear Slough, on Lopes Road near the Bay Area in Northern California. I like how the shadows are playing with the quilt in this image.

These last two photos were not taken on Lopes Road, but at my brother’s, as I knew they had a picturesque playhouse from when their girls were tiny.

I listed this as Quilt #233, as I got over-eager when the quilt top was done. Kelley, a long-armer friend, did the fabulous loopy quilting texture on the quilt. It’s been a good series for me, challenging me to think differently about color, texture and size.

The pattern is sold in my pattern shop on PayHip. There is a discount running on this pattern right now, until January 15th, if you are interested in purchasing it. Details are at the pattern shop.

Other Posts about the Criss-Cross series of quilts:
Criss-Cross Color, completed top, Criss-Cross Autumn, and the follow-up to the workshop
Criss-Cross Autumn
Christmas Criss-Cross, quilt finish
Criss-Cross, the genesis