300 and Beyond · PatternLite · Patterns by Elizabeth of OPQuilt · Quilt Finish · Quilt Patterns · Quilts

Pursuit of Craft with Spring Dots & Stripes • Quilt Finish

One of the challenges in our modern life is to deal with disruptions, distractions, and never letting us have a minute without someone telling us the five steps to a better life, to better breathing, to being a better whatever. Or as tech, culture and political writer Derek Thompson observed on his podcast Plain English, these voices tell you “everything is figureoutable. And if I just listen to these five steps, I can figure out all my life’s problems” (from here).

But for me, I escape to quilting to not figure everything out. I mean, yes, sometimes just cranking out on a pattern and whipping up a quilt is a good time and I like that as much as anyone. But hopefully, as Thompson noted, “you can have intimacy with a craft.” The challenge “is if we are constantly being distracted or interrupted, it’s hard to find that intimacy. It’s hard to get into the slipstream or the pocket of a creative project” (same source as above).

I like my pursuit of my craft. Of taking a well-known-to-me pattern like my Blossom, and seeing what I can do with it that sends me into discovery, of finding a new way to see what I’ve seen before. Because, really, haven’t we all seen it all before: make a cut, stitch a seam, sew it together, quilt it, and don’t forget the label?

For this quilt (Spring Dots & Stripes), I chose to work with just two elements:
• dots and stripes (had to be white dots on bright colors),
• Tula’s Tent Stripes (in only four colorways).

It was this challenge that coaxed me into flow.

What is flow? The Czech psychologist Mihaly Csikszentmihalyi coined the word “flow” to refer to the psychological state of optimal performance.

“He recalled in an interview how he would watch painters in their studios and how he was fascinated by their ability to forget everything while working. He was also surprised by what happened when they were done: They’d finish a work of art, and instead of enjoying it…they would put it against the wall and start a new painting. They weren’t really interested in the finished painting. What these artists were after, Csikszentmihalyi realized, wasn’t the finished work itself but the experience of full immersion and absorption in the act of creation” (from here).

To understand it better, I watched several videos online, and liked the one from John Spencer, titled “What is Flow Theory?” He highlighted it like this (click arrows to advance):

Since no matter what I tried, the slides kept getting out of order, the basics are:

  1. The task has to be intrinsically rewarding;
  2. The task has to have clear goals and a sense of progress;
  3. Clear and immediate feedback is critical;
  4. It’s a balance between the challenge of the task and the set of skills needed to complete it; and
  5. The person in the flow state has an intense focus on the present.

I cut out pieces in certain colors — the ones I thought I would want — and started putting them up on the design wall. And then in an a-ha! moment, I could see that I could group them differently to create a pattern of interest. Maybe that came from trial and error, maybe it came from being in the flow? I was able to discover a different way as I grouped the petals into colors, cutting and discarding and pinning up and sewing, as I ignored all that was going on around me.

I took the finished quilt out into the garden for some photos this week.

Side Note: I’ve decided there are two categories of fabric design that I don’t like on the front of my quilts: the first is sharp things, like anything on this fabric. The second is insects, so these often end up on the back. (Cute small bee prints are the exception.)

I needed a mini-quilt of just the right size to fit in a specific space (photo near the end), and it needed to be spring colors.

So when I turned to the Blossom pattern (which in turn has it beginnings in the traditional Flowering Snowball block), I didn’t have the right size. Because…

…last spring I discovered that over half of my computer files were corrupted. Not a virus. Just gone (it’s complicated). And 50 percent of those were my more recent pattern files. So many patterns that I’d written could never be updated. Unless…unless…I recreated all the missing, corrupted files to revise the pattern. Like this one:

So I have been busy re-drawing the files I lost, and while I was at it, adding a new size (7″ block), and re-writing the pattern. If you’ve purchased Blossom from me before, you can go to the email you received with the pattern and re-download it. And for those who haven’t made one of my patterns, and want to try it, I put it on sale for a few days if you want to grab it now in my pattern shop.

This a photo of another quilt, Aerial Beacon, that is stuck in re-write-land. I was about a month away from the release when I discovered the corrupt files. Talk about a way to stop the flow! I’ve slowly been re-creating this one, too. (Slowly is the operative word here, but it’s coming.)

Yes, I should have had it done by now, but this is what I call a “reverse flow” task. All those glowing ideals in the list in the beginning have their counterpart: discovering and ferreting out and crying inside over lost work and then redoing the lost work, I would say are just about the opposite of the bliss of being in the flow.

Since I was in the Blossom flow, I re-made the larger 12-inch block version as well, especially since I found that outer border fabric at Road to California this year. It’s in the needs-to-be-quilted stack.

Quilt #316 • 28″ square, shown in that space where I needed a quilt

I’ll let this paragraph from Mihaly Csikszentmihalyi’s book, flow The Psychology of Optimal Experience, close up this post:

I wish you all a week of flow, of enjoyable quilting, and a most happy Easter–

Other posts about Blossom, the pattern and quilts:

The newly updated Blossom Pattern (on sale), can be purchased in my pattern shop.

6″ block version: Hanagasaku, made in honor of the Olympics held in Japan

Hanagasaku: Flowering Rings • Quilt Finish

For a while I was a traveling quilter, teaching and visiting at Guilds in Southern California. During the covid shutdown, I taught several classes of this pattern, and the one above is Robin’s quilt — a study in the tones of autumn — a very successful one! You can read about her quilt here, and more, if interested.

Lastly, a post about how I moved from the simple traditional block to the larger quilt is found in this post.

I think Easter is a good time to sit in the garden.

Creating · Quilts · Something to Think About

Yes, and…

Yes, and… was a phrase that came tumbling into my life from two different sources, one of which was a podcast. Yes, and… is the idea that to move an idea along, first you acknowledge that idea, and then add something to it. It can work in creating. It can work in setting up your day. It can work in relationships, in collaborations.

Some related excerpts from the podcast were also about creativity, so let me just throw these here, too, at the top of this post:

“[A]n important part of creativity is that it’s joy experienced in the present, and you have to be fully present to be able to have that experience and to be there. If you are distracted or you’re not fully in it, it is not the same experience.”

“Andrew Hooverman defined creativity as two phases, divergent, which the wider you explore things, the better. Nothing’s wrong there. You are exploring everything. And then the convergence, when you look at it and go, not all this is great, you know, and editing out, but you don’t get to the one without having volume and mistakes and figuring it out. I think it’s important to keep, you know, open to possibilities, at least early on.”

And finally, “[S]ome creative pursuits are outward facing, and some are in solitude.”

(from a podcast conversation about creativity and spirituality, with Lisa Valentine Clark and James Rees)

Which led me to explore some art galleries online, a very “yes, and…” experience as I see one piece of art, and say oh yes, and…I want to see more. Here’s one example:

Rebecca Klundt, in her artist statement on the David Ericson Fine Art website, talks about using the unusable, and that “I believe that when you are driven to create, you begin to see things around you in a different light.”

Perhaps Klundt takes the yes, and… approach, and in looking at her art, filled with squares and bits and rectangles, it reminded me of our drive to take our squares and bits and rectangles and try to see them with new eyes.

Pep, by Caroline Hadley of geometriquilt

Where is the yes, and… in the quilting you do? Perhaps I am just in the divergent phase (as described by Hooverman above, but sometimes after finishing a big project like last week’s SAHRR 2026, I like to clean up the sewing room, tuck away the remnants of a project, evaluate how it went, what I might change.

Or maybe I’m feeling the “resistance to premature closure,” something tested for in the Torrence Test of Creativity, and I don’t want to close it down or wrap it up. Is that the source of a quilter’s UFO? Haha, I don’t think so. [For more yes, and…on this test, head here.]

All I know is that this week I:

  • sanded and varnished and sanded and varnished a stair rail bannister (and it’s still not done)
  • finished prepping the rest of my squircles, after putting them all up onto a wall to try and get some sense of the color and value shifts.
  • visited San Diego (husband’s scientific conference) and while there, hit three different fabric shops and kept squircling
  • hosted a daughter and granddaughter for a “flash visit” (less than 24 hours)
  • celebrated a significant birthday of someone I love, with other people I love.

Even though I’d spent a lot of the last few weeks in “keeping the closure open,” thinking a lot of yes, and…. while working with the different SAHRR prompts, I am still using the yes, and... approach to figuring out what I want to do next.

Stay tuned.

(The art in the featured image at the top of the post, which some may see, is also by Rebecca Klundt. Head to the Blog Index — listed in the header — to see all the featured images in this blog.)

300 and Beyond · Creating · Free Download · Free Quilt Pattern · Journal Entry · Quilt Finish · Quilts · SAHRR 2026

Earth Was Once A Garden Place • Quilt Finish

One Sunday morning, mulling over the stunning news from the day before, I drove to church along a residential road. I had a view of the low mountain range in my city, the hills turned verdant green from the winter rains. The sun was bright and clear, the sight was glorious. A favorite hymn was playing as the choir sang “This earth was once a garden place, With all her glories common.”

The song finished, I went into church, but the idea of a place so beautiful and fresh lingered.

I wrote in my journal that night: “All day I couldn’t help but think about Eden, and how much we mortals seem to have missed the boat. To live with ‘glories common’ would be the best….I thought then — realized then — that perhaps it was I who was below my best abilities in bringing about ‘all glories common.’ “

I paused, reflecting: the best of the earth, the most beautiful flowers, the clearest streams and tallest mountains — our glories. Shared all together, without rancor, viciousness, greed, cruelty and just plain old revenge and stubbornness. It felt like too big of a task; I closed my journal and went to bed.

With this experience as backdrop, I sat in the quilting room the next morning, trying to tackle one of the prompts in the Stay At Home Round Robin. I knew I wanted to figure out how to write those words of the hymn, and to let this quilt be a garden quilt, a reminder that I could bring about my own version of Eden in pieces, in bits, in my best moments. I struggled with the “how to” of the words, working it out letter by letter. Many times I was discouraged. With encouragement from friends and from my always-supportive husband, I finally finished and pinned the word borders up around the existing quilt.

Then I looked at the center: it didn’t work at all. So I took that out, went to remake a new one but couldn’t find the pattern. So I drafted up my own, remade the center and carried on. (There’s a metaphor here somewhere, I think.)

So here it is: Earth Was Once A Garden Place. And it can be again, day by day, moment by moment, with gallons of forgiveness, bushels of forbearance, and volumes of truth and charity. It’s that dailiness that can be the hardest: to not cuss out the driver who cut you off, to be more patient with those you live with, to speak up when necessary and to find stamina to do the hard tasks in our lives. I often turn to quilting to have a respite, as well as to be a part of a community of others who are exercising their creativity, planting their seeds, growing their quilts and creations.

Over time, working steadily at the task, we may yet find a way to have our glories common–

Earth Was Once a Garden Place Greatest Hits

First, a huge thank you to the co-hosts of the SAHRR for 2026 (names and links at end of post). It was wonderful! The final Link-Up Party of all the participants’ quilts can be viewed *here.*

Beginning: choosing the center
Round 1: Hourglass
Round 2: Double
Round 2, Part 2: I made it a Double
Round 3: Animal Kingdom
Round 4: Curves
Round 5: Two Color
Round 6: Quilter’s Choice

This is the SAHRR 2026 Final Quilt.
I’ve revised and cleaned-up the free tip sheets I made for this journey, plus a couple more new ones for the final quilt. Click to download. Please do not copy or digitally distribute, but send anyone who wants one to this website to get their own. (NOTE: The tip sheets will live here on this post; the earlier versions will soon be removed.)

Many thanks.


#1 Free Download: Double Square Border


#2 Free Download: Trees for the Neighborhood
(Houses are from my pattern Merrion Square Mini Quilt, enlarged to the size of the finished trees)


#3 Free Download: Curved Leaves All Around, aka Orange Peel Blocks


#4 Free Download: Making Letters/Words


#5 Free Download: Center Propeller Block 9″


Quilt # 315, 62″ square

The founder of the Stay at Home Round Robin is Gail. The other cohosts are listed below:

Quilt Shows · Quilts · Road to California

Road to California 2026 • Part II

The first post for Road to California 2026 was published previously. A downloadable show guide is here, but they do remove things from their website with frequency, so if you’d like it, get it now. Here we go with more beautiful quilts.

For those who are interested in coming out for Road, their website is here. They’ve already announced dates for 2027: January 20-23, and their website says “Classes begin on Monday, January 18. Preview Night is Tuesday January 19, 2027.” Sign up to on their website to get their announcements as they are good reminders.

This is what we all see when we arrive: the tall atrium filled with hanging quilts, chosen from a local guild.

I’ve had this one on my list of quilts to make like forever. So, not only can we see quilts in the show, we can see them in the sky, in the vendors’ booths, in the hallways…everywhere.

It’s an abundance, so I’m leading with this quilt, Abundance, by Linda Steel, from Australia — a riot of color and shape and a feeling of you-had-to-be-there.

(Click to view any photo, or right-click to see it enlarged in a new tab.

Crocker’s quilt harks back to the fused art quilts of the previous post, but in a dramatically different way.

Grace Crocker: Sasquatch

Red, white and blue and a broken heart.

As always, click to enlarge the smaller images, above.
Mimi Ghauri-Young: Heart. Broken.

Sherry Priest: Single Card Keypunch

This is hand-quilted. Check out the closeup shots, below.

This was inspired by an antique quilt. I’d love to know how long it took her to make this.

Jan Frazer: Tangerine Tango

A very large quilt, and it radiated with energy.

Naomi Otomo: Blessings of the Sun

(In case you didn’t know, I’m writing the maker and the quilt title with every quilt for ease in searching online.)

This was a favorite exhibit, since we travel near, and live not to far from Route 66: The Mother Road. It’s celebrating its 100 years this year. The makers depicted various well-known sites along the road:

Click to enlarge any of them. I’ve put the quilts into a slide show (below) which you can advance by clicking the small arrows on either side.

The first two photos are two of the quilters that made the small quilts, and I’ve included some pictures of how the row of quilts looked.

A couple of years ago we were in Chicago, and took a photo of this sign. If you were like me (of a certain age) you were always piling into the car with your brothers and sisters and parents and driving on your trips (airline travel was too pricey).

My historian sister wrote a book about this, titled “Are We There Yet?” which was an often asked question on these trips.

Right across the street from the Art Institute is where the Mother Road begins, and I have a tote bag to prove I was there, and yes, I was toting it around that day at Road to California. So many roads! (Now I need to go find where the END of Route 66 is!) Okay, back to the quilts.

So…this is happening this year. I recently read that my church is donating 250 semi-trucks full of food for 250 different food banks across the nation, in order to “recognize the freedoms established by the Declaration of Independence and the Constitution.” I feel I can honor that, too, and a couple of posts back, I wrote about what quilt I’m considering making.

So we had a quilt exhibit at Road of quilts all around this theme. I put this one also in a slide show, to make it easier to go through (if it doesn’t work on your phone, maybe head to a regular computer and browser).

I’m impressed that they finished up their quilts so early. I really have to start planning ahead.

I visited YLI threads booth…

…did some shopping (this one from here)…had some lunch (great offerings this year) and then got back to it.

This is an exhibit of Modern Day Heroes, a series of quilts honoring notable figures. Again, to make it easier and less scrolling, here it is in a slideshow:

Quilters: Berene Campbell and various Modern Day Hero quilters, who sent in blocks by the dozens. I headed to their website to read more, and appreciated the detail on President Zelensky’s quilt; the write-up also includes a free pattern for the sunflowers.

Sahara Lion by Lys Axelson, won Outstanding Artistry. 

Outstanding Hand Work Award

Sachiko Chiba: To My Father

Another winner was Outstanding Machine Quilting Frame:

(Lighting was tough, but I’m doing my best)

Molly Hamilton-McNally: East Meets West

This won Outstanding Original Design. Her designs are always so happy and they seem to always involve children and dogs.
Hiroko Miyama: My Favorite Things

Glad to finally get her photo!

Best of Show Award
Aki Sakai: Happy Days

The amazing detail in this was a delight, including moving parts, such as doors that open.

(Click to enlarge any photo, or right-click to see it enlarged in a new tab.)

Caryl Bryer Fallert-Gentry: Electric Snails #2

Another almanac of quilting stitches for you.

This year’s Cherrywood Fabrics exhibit was outstanding in all ways, from the colors, the quilts and their designs and interpretations of the Abyss.

Slideshow, below:

Almost done, I promise.

One of our local Guilds had a special exhibit with multiple quilts. Shown here is the quilt made for the Modern Quilt Guild’s Community Quilt Challenge, made by the members of the guild, shepherded by Patti Reyes.

Another special exhibit was from Road to California itself.

A row of their annual quilts.

In the early days, Road would have an annual group quilt, made of blocks submitted by those who were interested; we’d get some cuts of the focus fabrics and then mail it back. One year I submitted a block, but the quilt was never made. I always wondered what happened to it.

Found it this year.
I think this is about 20 years old if it is a day, but I can’t really remember. I do know I was in school in my Creative Writing course of study, so of course, I wrote a tiny poem. I also had to use a very interesting focus fabric (!), but it was all the rage then.

The unquilted quilt has obviously been stuffed in a box for many years.

It was great to see these quilts.

And it was great to see the show. I did put some up on Instagram at the time, which you might have seen, but I think over these last two posts I hope you feel like you saw a good overview.

See you next year!