Quilt Shops

Elaine’s Quilt Block–Salt Lake City, Utah

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Whenever we go to Utah to visit relatives, I try to find a quilt shop to visit.  Elaine’s Quilt Block quilt shop is very close to my sister-in-law’s house, which could be verrrry dangerous, as you’ll see once we step inside.  Featured in the Quilt Sampler edition of Fall/Winter 2011, the building was built to be a quilt shop, and it is a delightful place to visit.  The address is  6970 South 3000 East, Salt Lake City, Utah 84121, and their website is *here.*  Their phone number is 801-947-9100.  They are located inthe Cottonwood Heights section of the city, up on the southeast bench of the mountains, if you know your way around, and are just off the 215 belt route freeway.

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This is the view as you step inside the front door–bolts and bolts of fabrics, notions, light and bright, tall ceilings, a welcoming staff and so much to see!

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Elaine’s has three levels and this is the stairs headed up to the upper level, which I’ll show you in a minute.  The lower level is classrooms and I didn’t visit there, but wanted to post this photo so you can see the cute displays they have tucked around the shop.  There are many project and quilt samples and they are all such good ideas–I want to make so many of them.

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I’m still standing in the doorway, looking to my right. . .

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. . . and a little further inside.

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At the back of this main room/entryway, they have all their magazines, some more displays and samples.  The main room is flanked by two other large rooms with dramatic high ceilings–the better to show off quilts!

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Entryway into the left room, which trends to Thimbleberries, Civil War and reproduction-style fabrics.  They have a huge selection.

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The room to the right is where my heart resides: Kaffe Fassett fabrics, Australian imports, brights, batiks.

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There are tables everywhere so you can lay out the fabrics for selecting colors for a quilt.  I loved the small decorative motif at the top of the shelving units.

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The black and white section.

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Rows of batiks.

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And underneath the lines of fabrics are folded fat quarters.  I had a fun time with those, as I had a limited time and had to pick quickly (note to self: leave more time for Elaine’s in the future).

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Upstairs are children’s and sale fabrics and Christmas and I believe, solids.

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No, I didn’t have to carry my bolts downstairs to be cut–there is a large cutting table right in the middle of this room, and they cut it for me there.

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At the main register, where I checked out, was this board of Block of the Month quilts they are running through the store.  I snatched one more pattern to add to my selection of fabrics, because of course, I need another project like I need a hole in the head, but it was the Thimble Creek Christmas quilt Santa’s Village pattern and it was charming (see below).

SantasVillage Thimblecreek

And that to me is one of the values and advantages of shopping at a local quilt shop like Elaine’s.  When you physically step inside, you are energized by all the creativity and samples and ideas that the shop owner has brought to their store.  I do both LQS and online shopping, but I feel more inspired by visiting a shop and seeing the fabrics, touching the samples and projects, turning them over in my hand and in my mind.  I hope you feel the same!

Quilts

Saturday Check-in

Four-In-Art quilts hung up

We put the Four-In-Art Quilts up above my window in my sewing room.  I like seeing them all lined up.  I don’t really live in a jungle.  It just looks like it from this window, with the mature trees in the background, the silk oak tree on the side, and my wild wisteria vines in the foreground.

Sewing skirts

I keep putting this off, but I’m desperate for a new skirt for school.  Anna Maria Horner’s feathers in linen-cotton need to be sewn up.

Lori Holt's newest

Fabricworm is tempting me with their Bundles Sale.  I have this in the basket as well as as:

ContempoDwellingsGuestHouseContempo, Dwellings in the Guest House colorations, and. . .

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Tule by Leah Duncan for Art Gallery.

Whether or not I’ll press “purchase” remains to be seen, but it’s fun to look at what’s new and do some dreaming!  What are you doing?

Quilts

Amish With A Twist Progress

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I’ve been working on the Amish With A Twist, Series Two, and I’m happy to say I am all caught up now.  Above is Flying Geese.

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Bowtie was next.

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Rolling Stone, and I while I should re-do a join here and there, I’m not.  I looked at the big quilt again (I’m always looking at that picture) and I really believe a seam that is a quarter-inch off won’t be noticed.  It’s like a metaphysical thing: I know it’s a 1/4-inch off, so therefore I am peace with my block, peace with the piecing, and at one with the world.  Whatever.  I’m not unpicking it.

AWAT2-Mosaic Star

I had to make five of these Mosaic Stars, but that was nothing like the first batch where I made twelve blocks with umpteen little pieces in it.

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Tips for the blocks?  True up the inner pieces.  That almost sounds a bit metaphysical as well, but I’m referring to trimming off those stray bits of the inner units before you build the bigger block, if you want to be happy.  I didn’t do that with Rolling Stone (but lets not go there again).

Jacaranda Tree

We just finished the jacaranda blooming season, and I thought I’d show you this photo my husband took on one of his bike rides, the tree in full bloom.  I love these trees.

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We have had my son and his family here over the July 4th holiday, when we got together with some friends and ate some barbeque, saw some fireworks, and hung out as much as possible.  It is wild–their family of four girls (ages 2 through 10) likes nothing better than a party–but they seemed to be surviving the boring old grandparents.

Red White Blue Quilt

  (Info on quilt found *here.*)

Hope you had a great Fourth as well.

Quilts

City Quilter Gallery

I love to visit City Quilter in New York City, for not only do they have amazing fabrics, they also have an attached art quilt gallery.  The exhibit when I was there was Deb Hyde: Sunshine and Shadow.

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Sunshine and Shadow–Yellow

All the quilts were made of tiny pieces of fabric, fused to a grid, sewn then finished.  That makes it sound so elementary and perhaps the technique is, but it is Hyde’s use of color and pattern that elevate these quilts to a new level.

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The above are increasingly detailed photos of the opening image, and it’s easy to see that she makes good use of fabric that we might relegate to the side of the fabric closet.

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One of her talents is the way she defines the body, the shapes, but also makes the background interesting with varied tones and values.

IMG_8366Sunshine and Shadow–Turquoise

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Check out the use of batiks to make the eye realistic.

IMG_8375Wishful Thinking

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IMG_8379This quilt was up over the desk at the front of the gallery so I couldn’t get a good shot, but I love the way the light falls on the shoulders.

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I became interested in how she quilted these.  In my recent post I talked about Colorwash quilts and how we sewed millions of little squares together.  The newer method — of fusing them down —  is an easier way, but it does make the quilts stiffer, so I wondered how the quilting would enhance and become a part of the composition, since it would be more noticeable in the thicker texture.  This is a simple diagonal quilting style.

IMG_8373Random box pattern.

IMG_8381All over.  This piece (not shown in its entirety) is interesting because the grid appears to have been appliqued on top of the darker borders, with a scuffly, random stitching adhering and melding the two pieces into one.

The New York Times recently profiled the shop in this video:

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And while there, I glimpsed Amish With a Twist II, the newest Block of the Month quilt; I signed up for it, and the two installments of this BOM were waiting for me on the doorstep when I arrived home.  Quilting has kind of come to a halt around here, as my daughter and her three children have arrived for a week (circus circus, but really fun).  Yesterday, while I watched waaay too many episodes of Wizards of Waverly Place (with Selena Gomez as the star witch), I started cutting out the first two kits.  Other than losing my marbles with trying to figure out which color was which (Putty and Williamsburg Blue gave me extra fits of crazy), I successfully finish up the cutting last night.

Now I’ve got to run–time for breakfast for three little people and their Mom!