300 Quilts · Affinity Tutorial · Appliqué

Wrapping Up the Leftovers • Affinity Tutorial

Far Away Doors, Quilt Number 216 • Merrion Square Pattern

Do you ever finish a quilt, but not quite finish it? Like forget the label? Or find scraps that needed to be put away from a quilt that is two years old? Or do you have tasks that still await you even as you transfer them from list to list to list? Or do you add tasks to your list of things to get done? Or do you feel like you spend so much time working off your list that you have no time to think, to create, to play, to imagine?

Signature Blocks: lost, then found, then lost again, and now found once more!

All of these are types of things that plague creatives, as we are known now. The list is endless, and we can keep adding to it. I was quite intrigued, then, with Mark McGuiness’s solution: a 3″ x 3″ Post-It Note. Actually, he uses two of them. On the first one — as outlined in this article from 99U — he writes one main task in the upper left corner, and then adds the rest of the day’s chores to the Post-It Note. Since it is only 3″ by 3″ it can’t get overrun. McGuiness writes: “But what about all the rest? All the phone calls, emails, and requests that come in during the day? Not to mention all the new ideas that pop into my head as I work? Good question. There’s a place for all of these things, and that place is the second Post-It on the stack, a.k.a. my to-do list for tomorrow.”

He then quotes Mark Forster, noting the idea of an “open” and “closed” list. The first Post-It Note is closed. The second one, is open.

Signature blocks sewn together, then pinned onto the back of the quilt

Here are some of the things I did this week that were on my list, putting together disparate parts of my life. I made this quilt with the help of the Gridster Bee, but had misplaced the signature blocks. And then when I would find the signature blocks, I couldn’t remember which quilt they went to. But we put a new shelf in our closet to hold the stack of quilts, and in the shuffling, I was able to put the two together.

I did the bulk of the little houses on the front of the quilt, but it’s fun to look at all the different houses my bee-mates and others sent to me. I often keep my quilts hanging up around my house, because I enjoy them finished.

That is something that Janet Choi might appreciate: “The simple act of pausing to reflect and acknowledge your efforts provides valuable boosts of motivation, focus, and insight that would otherwise be lost amidst your busy day.” It’s like the other side of the To Do List…it’s the Done List.

“Your done list acts as a signpost, a manifestation of all that day’s hard work. This flips an overwhelmed mindset into action mode to correct course, learn from mistakes, and ultimately make better progress” (Choi).

I tend to write my “Dones” at the end of the day in my journal, made for me by Amy, an artisan book maker. I was in a workshop of hers at Camp Create, and she made me this. It’s a treasure, but not only for what it is: it holds a lot of my Dones, but I also like reading backwards to find out what I thought about things a year ago, or even a month. Although I don’t write every day, I write enough that there is a general trend.

I also write my Quilt Dones up on my master Quilt Index at the top of this page, cataloging them on this blog, and then listing them one by one. I know several of you have started a Quilt Index of your own, judging by my emails.

Choi says to count our smaller wins, too: “Don’t wait until you’ve hit big goals like completing a project or getting a promotion — which happen only occasionally and make it difficult to appreciate small but important advancements. Don’t dismiss all the smaller things that fill out your days and are building up in the long run.”

Which brings me to this: the little rotary cutter in the illustration above. I was making images for my new workshop, Blossom, and I always like to have a visual header as to what is going on in the paragraph where it links to the instructional video, and gives tips. I had the scissors in my digital image file, but when I went hunting for a rotary cutter, I thought: I could make my own. So I did. I have the how-to’s below for those of you who are so inclined (including a video!), but for the rest of you, I leave you with this: I hope you will now not only consider not only a To-Do List, but also a Done List. Isn’t that why we started quilting in the first place? To have things stay done?

Happy Quilting!

How to Make a Digital Rotary Cutter in Affinity Designer, by a Verified Amateur.

  1. Start the program. Open an artboard. If that already feels like a foreign language, an artboard is basically just a big scratch pad. I can open multiple artboards in one file and save them all under one name. So I can have a scratchpad for rotary cutter, a scratchpad for a quilt block, etc.
  2. Open Affinity Designer, click on “New.” A screen will show up with lots of sizes to choose from. I usually go with 9 x 11 as I can always resize it, but it fits on my laptop screen neatly. I choose “inches” not pixels from the set-up screen and I like mine sideways, so I click on Landscape. Don’t forget to click “Create Artboard.”

3. And then I realized I would be writing a book, so instead, I made a video.

And then I uploaded the video to YouTube, where you can watch it. (And I do not know why the full-screen version is blurry. Working on that.)

It runs about six minutes, if you have that much time. Of course, it took me three Google searches to figure out how to record from screen (pretty nifty, once you learn it), then I uploaded into iMovie so I could cut off the end where I keep saying, “How do I stop recording this?” over and over all the while critiquing my voice. I then uploaded titles on the front and back and even a little Title Card saying Thank You For Watching. Yes, sirree. I’m a rank amateur trying to act professional.

But there you go. Obviously I should have majored in graphic design in college, but that was some years ago when it was Photoshop Version 1.0. (Now, I’ve left Adobe behind and moved over to Affinity where there are NO monthly subscription fees. I’m just saying.)

Illustration from Newest Project…coming in October

I’m most excited about how Affinity Designer now has a gazadget that will let me automatically draw quarter-inch seam allowances around any shape I make (called a Contour Tool). So, so happy with this!

Happy Drawing! Happy Quilting!

300 Quilts · Patterns by Elizabeth of OPQuilt · Quilts

Azulejos Pattern

There’s this interesting explanation in a Wrinkle in Time, or at least I remember it and hope it’s there, where the main character tries to help the children understand this concept of a shortcut in time, and she demonstrates it with a string and a crawling ant. Or maybe that’s not in the book at all, and I just remember if from somewhere, but at any rate, the point is that I’ve had a wrinkle in time with this quilt.

This photo was taken in January 2020 at the end of Road to California, where my quilt Azulejos hung in a special exhibit at Road to California. It was this one that recently prompted Catherine H, a reader, to get in touch with me asking for the pattern. I’d made several stabs at it, but now I really buckled down to writing. So there’s the shortcut — a bridging of time from January 2020 to July 2022 — a shortcut not unlike those found in novels with children (and where were their mothers??) and IKEA warehouses, where you are trying to get out of there and pay for all your impulse purchases, and yet you still have to go through chairs and desks and lighting and rugs…unless you can find the shortcut.

I had some other ideas about what this pattern could do though, so got busy and made this blue/yellow/aqua/sea/glints of sun wallhanging, calling it SeaDepths. I had fun making it in solids:

It’s still a flimsy, though. Looking forward to sandwiching it together and getting to the quilting.

This block was supposed to be another version of the pattern, done up in scrappy red-and-white, like this sketch shows:

But, alas, the sprained ankle/broken bone/cast-or-boot-or-what problem persisted, so instead of sewing up a storm at the machine (it’s a quick and easy pattern, with the cleverness in how you trim it up), I kept my foot up and edited photos of an earlier photo shoot of the first rendition of Azulejos, with photos taken near some of the old greenhouses and lab buildings for our university:

So, Catherine H, I’m finished!

I’ve already loaded it up on my PayHip pattern site, and it’s ready to go.

It has a basic set of instructions for the version of Azulejos above, as well as SeaDepths. I illustrate two other versions, one in Cheddar and Indigo, and the one you saw above in scrappy red/white. Or at least that’s how I evisioned it. So three sizes, three versions, two sizes of block templates and a wall-hanging. Not bad for one pattern, I’d say. A free downloadable Preview sheet on PayHip will give you the rundown.

The technical name for this shortcut between two different times is an Einstein-Rosen bridge, more colloquially known as a wormhole. Jody Foster, in her role as a scientist who hunted for “little green men” on a SETI project, famously traveled in one in the movie Contact, a film I can watch over and over again. Actually I have a whole collection of space movies, from the goofy one that got me through grad school, Galaxy Quest, to Interstellar.

Sometimes I have my own version of an Einstein-Rosen bridge when I un-earth an older project, abandoned for lack of time or interest (or both) and when I come back to it, I find it interesting or even something that juices up creative connections. When I first made Azulejos, I thought it was a one and done, as it was the shapes in the quilt that interested me. Then, taking it up two years later, I found my way to other variations and then to SeaDepths, whose colors I could get out of my mind. It was like there was a wormhole between those two variations.

I’m always surprised when a creative journey takes these kinds of twists and turns. It usually happens when I try to box something in, with a dismissive, “Oh, I know all about that,” with a sniff and a tilt of the head. To counter this attitude of immediately sizing something up prematurely, Xavier Encinas noted that “If there is something I’m learning over the years it is this: Take your time while setting up your ideas and take time to distance yourself from what you have done.” So maybe completing this pattern, finding the missing link to getting it done took some distance.

And maybe it just took some time.

Pattern available on PayHip.

Good luck with your wormholes and quilting this week!

300 Quilts · Family Quilts · Free Quilt Pattern · Patterns by Elizabeth of OPQuilt

Keagan’s Quilt • Quilt Finish

The year 1666 was the first recorded use of the word “minimal.” That was also the year, according to the Merriam-Webster Time Traveller feature, where the word “pandemic” was first turned up.

I looked it up because I was thinking about Minimalism — a word that showed up much later, in 1926 (the same year as estrogen, garlic salt, preemie and trick-or-treat) — and is defined as a style or technique (as in music, literature, or design) that is characterized by extreme spareness and simplicity.

[And speaking of words, did you know that “fewtrils” was one of the words in the final rounds of the recent Spelling Bee? It means things of little value and first showed up in 1750, the same year as frosting, steering wheel and unimportant. I totally have to use fewtrils again.] I digress, but be warned, I have the Spelling Bee on my mind today.

Modern quilters seem to love this style. Gimme a bunch of squares, a field of white and we are in business. So I was surprised to note that my granddaughter Keagan was also a lover of minimalism, when she asked me to make her a quilt for her queen-sized college bed. I found out from her mother that Keagan is also an avid follower of a famous trendy store, so I wasn’t too surprised when, as we began to trade photos of possible quilts, that this one showed up. I tracked the origins of this one using Google Photo search, and sure enough–it’s listed in that famous trendy store, is made in India, and is hand-stitched. We are all familiar with these quilts.

Keagan’s only requirement besides: minimalistic, gray with touches of forest green, and queen-sized, was “snuggly.” I sent the completed quilt top, with some cotton-wool batting (pre-washed) to Wolf Girl Quilts, and she sent it back a couple of days ago, all finished.

Since breaking my ankle, I’ve had a few more hours of down-time, and since my past self was very kind to my future self, I had the binding all cut out and ready to go. So I sewed it all down yesterday: broken/sprained ankle up on a camp stool on the left, while the right foot worked the sewing machine pedal on the right. Today we took it out for photos, with Dave moving around, me gimping around (no cast on the foot, yes, the referral and call are in to ortho, I just keep it elevated except when I’m out photographing quilts).

The back is all white: Painter’s Palette Solids. I ordered a whole bolt of that stuff.

We usually use a contraption of two clamps held out on sticks, but the sticks broke, so the quilt is in the washer (we kept meaning to put on sturdier sticks…). I’ll press it lightly, wrap it up and mail it off to one of my two granddaughters headed for college this year!

Keagan’s Quilt
Quilt No. 253
Began April 18, with designs showing how it will drape on the bed (below)
Finished July 9, 2021
89″ wide x 92″ long (approximate)

I worked it up in Affinity Designer. There is no pattern, but you can figure out the gist of it from what’s in the sketch above.

Apparently “snuggly” is not a word, but “snuggle” is. It showed up in 1687, along with birdhouse, trigonometric and yawner. I hope all these words haven’t been a real yawner for you, but just in case…I’ll stop this post here.

Happy Quilting!

300 Quilts · Patterns by Elizabeth of OPQuilt · Shine: The Circles Quilt

I Hear America Singing • Quilt Finish

Where does patriotism come from? The title for my quilt, “I Hear America Singing,” is from a poem by poet Walt Whitman. Today he might have been considered a type of patriotic American — one who saw and acknowledged the multitudes of regular Americans — and heard them sing their song of daily work (poem is at end of post).

“The United States themselves are essentially the greatest poem,” said Whitman, and the poem, written in 1860 and published shortly before Lincoln’s inauguration, was a celebratory poem, lauding you and I — she and him, and those people over there. Karen Swallow Prior, in an article from The Atlantic, makes the observation that “Whitman’s claim stemmed from a belief that both poetry and democracy derive their power from their ability to create a unified whole out of disparate parts—a notion that is especially relevant at a time when America feels bitterly divided.” She goes on to say that:

“Notably, Whitman’s grammar (“the United States are”) signals his understanding of the country as a plural noun—not one uniform body, but a union of disparate parts. Whitman was centrally concerned with the American experiment in democracy and its power to produce “out of many, one,” even at as great a cost as the Civil War and the faltering Reconstruction. Whitman thus celebrates in his work the many kinds of individuals who make up a society as well as the tensions that bring individuals together in a variegated community.”

As Whitman asserts later in the preface to his Leaves of Grass:

The genius of the United States is not best or most in its executives or legislatures, nor in its ambassadors or authors or colleges or churches or parlors, nor even in its newspapers or inventors … but always most in the common people.

We often think that the ideal of “patriot” has an affiliation with war: the machines of war, the fighting and dying and the slogans and the confrontations, which leads in the end to the cemeteries of war, with honoring our war dead. We make that connection easily because we honor those who fought for our freedoms. I acknowledge them and am grateful for them. However, if it is defined only this way, it’s easy to feel separated from the idea of being a patriot, from patriotism, and make “them” responsible for the well-being of our country.

So on this Fourth of July, I wanted to emphasize a different sort of connection to patriot. That it is not found in going to war. It’s not in defined battles. It’s in us, the people. It’s in our going out of our way to take care of our neighbors, with their varied songs and carols and labor and daily work. It’s in going to that daily work, from the work of masons and shipbuilders and deckhands and mothering and washing and sewing: “Each singing what belongs to him or her and to none else.”

Stephan Cushman noted, “Although we hear the words “patriot,” “patriotic,” and “patriotism” all around us … we do not have many useful public models for combining genuine celebration of the United States with constructive criticism of it.”  Cushman gives a nod to the idea that “patriot” is a formal label that can be worn on one’s chest. But after noting that Whitman used that word sparingly in his volume of poetry Leaves of Grass, Cushman goes on to say:

“Different readers might offer different explanations for the paucity of direct references to patriotism in Whitman’s writing, but one that feels plausible to me is that someone so deeply engaged in celebrating various aspects of the United States, and in identifying himself with his image or images of an American ethos, had little need or ability to separate himself from that celebration and objectify it with an abstract term like “patriotism.” Or, to put the matter more bluntly and reductively, Whitman was too busy celebrating himself and his country, and insisting on the connections between them, to spend much time crowing self-righteously about how patriotic he was and how deeply he believed in the value of patriotism.”

Perhaps the greatest patriotism is in seeing each other, in realizing how alike we are and how dissimilar we are, making us figure out how to negotiate, how to keep the peace, how to be respectful. This is why one reason my husband and I photographed this quilt at our county’s 1903 Courthouse, a place administering and honoring those laws that are part of the the thousand daily comprises we make to keep our country stable and thriving. We also chose this place because it’s also really beautiful, with its craftmanship intact; this place generates in me that old-fashioned kind of feeling of pride, and yes, of patriotism.

As I have traveled around the world, I have found patriots in all countries, loyal to the carols they hear around them, fiercely proud of what makes their country the best one ever. It would indeed be a great world if we could all think like that, seeing this similarity as something that can unite.

Finally, Swallow Prior brings another gentle affirmation for this idea of America as a poem by mentioning Harvard professor Elaine Scarry, who “describes the importance of multiple viewpoints, arguments, and counterarguments to ‘political assembly,’ [and wonders] how ‘will one hear the nuances of even this debate unless one also makes oneself available to the songs of birds or poets?’ The basis of poetry is precisely those connections forged between different elements, different voices, and different perspectives. In envisioning the United States as “the greatest poem,” Whitman links the essence of poetry, which is unity within diversity, to the essence of democracy.”

I am a patriot of the singing kind, the poetry kind. I will always love America. And so I present to you my quilt, I Hear America Singing, a celebration of that great American poem that Whitman believed us to be.

I Hear America Singing
Quilt #252
68″ square
Many of the English paper-pieced blocks for this quilt are available free here on this blog. Other blocks and the finishing instructions are in my pattern shop.

The backing was a printed sateen cotton from the designers Minick and Simpson, using the prints from the front of the quilt. The label was attached later and is not visible.

There’s a lot of quilting in this quilt!

Other posts about this quilt, and the blocks that I designed, are found above in the tab Shine: The Circles Quilt.

I Hear America Singing, by Walt Whitman

I hear America singing, the varied carols I hear,
Those of mechanics, each one singing his as it should be blithe and strong,
The carpenter singing his as he measures his plank or beam,
The mason singing his as he makes ready for work, or leaves off work,
The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck,
The shoemaker singing as he sits on his bench, the hatter singing as he stands,
The wood-cutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown,
The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing,
Each singing what belongs to him or her and to none else,
The day what belongs to the day—at night the party of young fellows, robust, friendly,
Singing with open mouths their strong melodious songs.

Happy Fourth of July, everyone!
The above Instagram post is from July 2020, when I began this journey.
#ihearamericasinging_quilt