quilt #257 • 34″ wide by 25″ high
Guild Challenge: Use the Churn Dash block, but make it “modernish.” Reams have been written, umpteem digital slides have been presented over what “modern-ish” means. I decided to just do what I want and roll from there.
This was first base: overlapping churn dash blocks with blocks in the corners. I’d already left home plate long ago (which would have been a single Churn Dash).
After I’d merged the two blocks, late one night (tired) I sat and studied it. The deep blue color was strong and I liked the aqua color and I really liked where they merged in the middle, retaining something of themselves, but blending by giving a little of their color to the other, making a new hue. Yep, I thought, reflecting on our recent thirty-second wedding anniversary, this little bit of a quilt is just like marriage.
So now how to get the numbers in script onto it? I’d done this once before, so I went at it again. That’s the beauty of all those art quilts I made; I was schooled in many techniques. I wrote it in my Pages (word processing) program, then scaled it up, and printed it out on freezer paper (I had to tape the paper to some card stock to get it through the printer). The most tedious part is cutting them all out; I left them joined by a small bridge of paper, knowing I could just quilt through it.
I pressed it well. Yes, I pinned the quilt together first, quilted the center, then added the letters.
I wondered what to do for the fill. This is why I take lots of photos of quilts at quilt shows (remember those?).
I decided to play around with this shape digitally:
I stacked them up, then mirrored two more to the side.
This could be fun. I wanted to really play with changing out the colors, but I was on to other things.
If you want to play with a snuggled-up Churn Dash Block duo, then click on the link below to download my rough guide (PDF):