300 Quilts · Patterns by Elizabeth of OPQuilt · Quilt Finish · Travels

Azulejos • Quilt Finish

Azulejos Quilt_2

Azulejos • Quilt #227
61 1/2″ wide by 75 1/2″ long

It was a rainy, wet day in Lisbon, and we’d made our way by bus to the Lisbon National Museum of the Azulejo, or the Tile Museum.  We were rewarded for our efforts as I began to call it the Quilters’ Resource Center.  If you are a grid enthusiast, as I am, it was heaven to walk through, with all sorts of interesting ways to think about what’s in a grid, as well as how to use color and negative space to make a design.  And so, from a small sketch on that day in 2016, I created this quilt.

I was also inspired by a beautiful fabric created by Alison Glass from her Handiwork Collection.  It was just so….azul (or blue, in Portuguese).  I filled in with other treasures from my stash, and got to work trying to make it easier to construct.

Cathy Kreter, my quilter, did a nice tight design for the quilting.

Azulejos Quilt_6 label
Azulejos Quilt_9

So why if I finished it in November, have I not put it up here until now?  Two reasons: one is I was seeing if my favorite magazine was interested (not this time, they said), and secondly, it was slated to hang at Road to California with a collection of modern quilts made by my guild, the Inland Empire Quilt Guild.  We were honored to be able to have our quilts hung in the atrium as quilters entered, so I kept it quiet.  There are more pictures on our Guild’s blog, taken by our President’s husband, a professional photographer.

Azulejos Quilt_9a

On Sunday after Road was over, I had to wait like forever to pick up the three quilts I had at Road.  My husband snapped this as we were leaving, Ladybird in my hands (well, the backing for Ladybird — a stellar print by Jane Sassaman).

Azulejos Quilt_10

Today I took some more photos of Azulejos, laying it down by the tools of the painters who were working at our home that day, scraping popcorn ceilings painting.  It’s nice how a quilt can brighten any corner!

 

 

300 Quilts · Patterns by Elizabeth of OPQuilt

City Streets Pattern Release

City Streets_1

City Streets now has another rendition.

City Streets_B1

I made it up in a 15″ block pattern, and broke into my meager Tula stash to create a colorful quilt.  This pattern is made for beginners, with no triangles anywhere.  I envisioned the 15″ block to sew up quickly for baby quilts and other times when you need a quilt.  Fast.

I cut and sewed this all in a long morning, which leaked a bit into the afternoon.  It’s a pretty quick sew if you are experienced, but a bit longer if you are a newbie.

City Streets Pattern Cover

City Streets, with both sizes included, is now for sale on PayHip. (Get coupon, below.)

Yardage City Streets

I also learned a few new things in my Affinity Publisher Software, making the pattern more colorful and easy-to-read.  Above is the yardage chart for both versions.

You’ve seen a photo shoot on the first version of this quilt, but more pictures of the new version (not yet quilted) are below:

City Streets_B3

Here’s a coupon code for you in case you want to pick it up. Head over to PayHip and use CITYSTREETS20 — it will get you 20% off the price for a little more than a week (it expires on September 17th).

Happy Sewing!

300 Quilts · Quilt Finish

City Streets • Quilt Finish

City Streets_1

Recently my husband and I took my latest quilt, City Streets, out to a small branch library in our town for some photos.  It was a deserted Sunday afternoon, perfect for us to find interesting shadows and backdrops.

City Streets Quilt_1a
City Streets_2
City Streets_front

City Streets, 2019
Quilt No. 224, 47″ square

City Streets_3

I made this with a fat quarter stack of Vanessa Christensen’s ombre confetti dots: I wanted to see if it was possible for me to work with one line of fabric.  I almost made it, but pulled in some white grunge and a solid to offset the colorful squares.  I quilted it on my Handquilter Sweet 16 using Art Studio Color 101, which looks like gold, but it’s not a metallic thread.  I did the background using So Fine color 401, which is a white, but not stark white hue.  I only mention these details because our last guild meeting had a speaker who emphasized this point: we should tell people what thread  and fabric we quilt with.

City Streets_5
City Streets_back

The back, and the label:

City Streets_label
Ginza Scramble

Maybe my original design was inspired by this scramble intersection in the Ginza area of Tokyo, or by this view of Tokyo from the Government Building (below)?

Tokyo Skyline
City Streets_4

Thanks to my ever-supportive husband for holding quilts, and helping find great locations for photography. Pattern coming soon.

300 Quilts · Gridsters · Patterns by Elizabeth of OPQuilt · Quilt Finish · Quilts

Far Away Doors • Quilt Finish

FarAwayDoors_1

Doors opening, closing on us
by Marge Piercy

Maybe there is more of the magical
in the idea of a door than in the door
itself. It’s always a matter of going
through into something else. But

while some doors lead to cathedrals
arching up overhead like stormy skies
and some to sumptuous auditoriums
and some to caves of nuclear monsters

most just yield a bathroom or a closet.
Still, the image of a door is liminal,
passing from one place into another
one state to the other, boundaries

and promises and threats. Inside
to outside, light into dark, dark into
light, cold into warm, known into
strange, safe into terror, wind

into stillness, silence into noise
or music. We slice our life into
segments by rituals, each a door
to a presumed new phase. We see

ourselves progressing from room
to room perhaps dragging our toys
along until the last door opens
and we pass at last into was.

FarAwayDoors_2

Far Away Doors
Quilt No. 216 • 49 1/2″ wide by 43 1/2″ tall
Some blocks sent to me by the Gridsters Bee

Finished!

I originally named it “Home-keeping Hearts” but that was just its milk name as it had just been born and I was in a cheezy mood of  Hearts and Deep Meanings and All That.  Marge Piercy said it best about doors, even quilty ones inspired by far away doors from Dublin, Ireland:

“the image of a door is liminal, / passing from one place into another / one state to the other, boundaries // and promises and threats. Inside / to outside, light into dark, dark into / light, cold into warm, known into / strange, safe into terror, wind // into stillness, silence into noise / or music.”

The photograph on the truck?  It went like this: on our way to get some Vietnamese bùn châ for lunch, we trekked down to our newest neighbors’ home to ask if we could please pose the quilt on their cool car, and so I knocked on their door and it opened to a crying baby in the other room and a smiling baby in his father’s arms and good-natured parents, owners of a new-to-them truck and the mother’s name was Genesis and the father’s name was Nate and we introduced ourselves and they said yes, of course, and then they headed back inside because it was about a hundred degrees outside, as they smiled and waved and shut the door behind them, the  lovely music of a home with a young family and a Ford Ranger just made for quilt posing.

FarAwayDoors_7

And so, this variation of Merrion Square is finished.  I pass out the how-to sheet as a freebie when people take my Merrion Square classes, so hopefully you’ll be in one soon.  Check my schedule to see if there’s a workshop near you.

Far Away Doors_LABEL

And finally, many thanks to all who entered the giveaway for the ruler.  The winner has been notified by email and I’ll get the ruler off to her this week.  I am leaving the post up because there are so many great responses to my question.  You are all a significantly talented and experienced group of quilters — thank you for your ruler advice!

FarAwayDoors_6