Bee Happy QAL Progress • June 2019

BeeHappy_June_1The wheeled devices in the So Very Cute Project I  lost my mind and decided to do are completed.  It’s nice to see it before it goes to a Time Out in my closet, so I can get some Real Quilting Work done.

But before I tell you about the basket of flowers in the back of the truck, you need this chart from Whip Stitch:

WhipStitch Bias Tape Cutting Guide

Head to her website to read all about it, or download it here.  Trust me, you’ll want this, as the weensy little instructions with the Clover bias tape makers will drive you batty.

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This is Lori Holt’s logo for this delightful project.  Notice the dog in the back of the truck.

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Notice how the people who live in my quilt realized that they needed the space in the back of the truck for hauling baskets of flowers.

Make 1/2″ mini-hexies for the flowers, fussy-cutting a couple. Cover some triangles, sized in relation to the flowers, then give each a pleat in the lower edge before sewing them on.  I used three “leaves” and five flowers.  I used the lower edge of piece D8 as a pattern for the basket, then turned it upside-down to get the wider edge at the top.

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It is really dense in that section, with the layering of fabric.  I’m one who cuts away from the back whatever I can to lighten it up for quilting:

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one more wheel to cut out

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Here’s the Guidesheet for this week: Bee Happy Sew Along Week 4
See you later, Bee Happy-Sew-Along-gator!

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I’m still working on this quilt, which I call Ladybird, because it reminds me of a ladybird beetle (sometimes called a Ladybug).

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I finished the first book (long, but good) and am now onto another:

SAVE ME THE PLUMS -- cover

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And this happened. Yes, no more PT. Now I’m getting ready for my project for tomorrow, Flag Day, the day when we find our rolled up flags in the front hall closet, and hang them out front, a prelude to the month of July, when it’s all red-white-blue all the time.

Betsys Creation Wallhanging

Okay, my wannabe flag quilt morphed into this flag-like wall hanging.  I say flag-like, because I read one Instagrammer say that she had to make another less flag-looking quilt because her family didn’t want to lay hers on the ground for picnics.

Flag wall hanging

Another version

I opened up my QuiltPro program, guessed out the proportions and figured it out.  There is no pattern in my worksheet, because I do assume that you’ll figure out how to make this, if you really want to.  Again, if either of my arrangements bother you, make one that you like.  I was inspired by a lot of what I saw on this post from Quilt Inspiration, where you can find lots of free flag and flag-like quilts for your patriotric needs.

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Here’s my worksheet, with all the dimensions, in a downloadable PDF file:
Betsy’s Creation_OPQuilt I named it after the original creator of the flag: Betsy Ross.

Happy Flag Day!!

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Scrappy Radiant Star

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Mary, of NeedledMom, chose this block for her June turn as Queen Bee of the Gridsters.  Originally found on Wombat Quilts website as a free illustration, I redrew the block to Mary’s specified 6-inch (finished) size.  Four of these blocks are put together to make Mary’s larger 12-inch block.

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Scrappy Radiant Star Illustration

Click on the download PDF file here:

Scrappy Radiant Star

You’ll need four copies to make one 12-inch block, as shown below:

scrappy radiant star_4

sketch I made to keep the colors organized

Notice there are FIVE colors per Mary’s larger block.  Four corners have the same color, which when sewn together make that center star.  But in looking at the way she designed it, the colors are to be distributed throughout the quilt.  You can see her initial thinking about this version on this blog post (where you’ll also get a glimpse into her gardens and cooking.  I love reading her blog).

Peek Marys Chart

Just a peek–download below.

Mary gave me permission to post the chart she drew up to keep her ideas straight.  You can download this as a PDF:Mary’s Chart_ June Gridster Bee

You can see that she’s diagrammed the main stars (in the center), and the secondary stars in the corners.  We Gridsters each chose two blocks, identifying our choices using her coding on the sides and are now sending them to her.

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To further my tributes to Mary today, I’m making her bread recipe to go with my version of Italian Wedding Soup.

Have fun making these blocks!

EPPing again with French General

Sometime ago, I glimpsed this quilt in an Instagram feed:

The description says it’s from the North Country of England, so I’ve taken to calling it the North Country Patchwork Quilt.  The more I looked at it, the more I liked how those red squares just kind of blended into the background on the outer rings, but floated over the foreground in the middle.

I tried to convince my husband to buy it.  That was funny, as he made some comment about didn’t we have enough quilts?  Seriously, he’s nearly perfect, but in the end, I decided to go ahead and make it.

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Because I sure need another project.

But the project I need is a hand project, really–one that can be toted around in the car.  I finished my hexies project, and I finished (thankfully) my millefiore quilt, so now what am I going to do on long car rides?  Just sit there?

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So I drew up the block, working between two different pieces of software: QuiltPro and Affinity Designer, and have created this pattern (click on the following link for free PDF file): North Country Patchwork Quilt

This quilt has 624 pieces in it, and if you divide that by four, you’d have to print out gazillions of the pattern page. So here are my tips for making that go more quickly:

Print off several of the free North Country Patchwork Quilt page.  Like 10.

Stack each printed page with about 4-5 plain pieces of paper.  Staple them together inside the pieces, as shown on the left.

Cut them apart in chunks, like the image on the right, using an old rotary cutter that you’ve dedicated to paper; or, a guillotine paper cutter; or, your paper scissors.

Then further cut them into the individual shapes: a honeycomb and a square.  Remove the staples.

That ought to get you started. No, I didn’t use cardstock, but I had some 24 lb printing paper that I used.  And yes, I’m gluing the fabric to these pieces of paper.   I used this paper when I did my Shine EPP quilt (most blocks are free on this blog) and it worked out just fine.  Repeat this process as you need to.

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I’m going to vary from the fabrics in the original quilt, as I fell in love with this Vive La France line of fabrics from French General.  I’m over the moon for those dusky blues and strong reds.

I worked out some variations of this quilt in QuiltPro software, and they vary by how much of a border is around the central rectangle.  Here they are:

I also had some fun with putting the blocks in more contemporary colors (lower left), but decided I didn’t like that version.  The top three are sort of in the colors of the original quilt and it looks like to me, it was someone who was making do with cast-offs from her household clothing, as well as men’s shirtings.  But I’m anxious to get going and trying this out in the Vive La France fabrics.

I have no idea how I’m going to sew this together, but I will be concentrating on those arms that come into an X, and somehow I’ll do the red square.

Lastly, a reminder to pre-wash your fabrics: working with reds can be tricky.

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See you in a couple years!

Flowers! (and Rules)

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My nephew’s wife, Grace, wrote to me and asked for help.  She is a young quilter, who makes awesome gooseberry jam (she shared a jar with me), so I wanted to help. The quilt was for someone close to her who had just been diagnosed with breast cancer, and she thought a quilt was needed.  I agree.

She sent me the screen shot you see above, and since it was on Pinterest…and you know how much I LOVE their search engines (NOT), I thought it was easier to draft it on my computer using QuiltPro than try to find the original design (I tried…and failed…but kudos to whoever dreamed it up).  Besides, that was one of those “barn” quilts, painted on wood, not a cloth quilt.

This is what I came up with.  But I knew Grace wanted to move quickly, and yeah–all those pieces?

I thought about my Home Sweet Home mini quilt, and how she could make fewer blocks, but bigger blocks, and I modified it as on the left.  Nope.  Those middle petals look like cookies or fingers or something.  I left the pattern in the same, but just colored it differently, and came up with the one on the right.  I sent it over.

Grace wrote back.  She loved what I’d done, but now they were thinking poppies. She sent me a sample of a quilt she’d seen.  I drafted it up in my QuiltPro program, drew up a quilt.  But I thought I should test out my own pattern, so I made a Poppy Block:

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trimming snowball corners

Poppy for Grace

I think it will be cute quilt.  This is a 10-inch block and I thought you’d like to have the pattern, too.  Each is a PDF file which you can download.

Here’s the Poppy Block:  Poppies for Grace

And here’s the quilt instructions: Poppies for Grace Quilt

It can be made in reds and greens and be thought of as poinsettias for Christmas.  Or made to commemorate Anzac Day in April, for the Australians.  Or red and white for a bouquet of posies for Valentine’s Day.  Have fun, but please don’t print off dozens for a class or for your friends–send them here to get their own free pattern.  Thanks.

About QuiltPro: they do not pay me or give me free stuff.  I started using that quilt program eons ago, and they are still going strong.  If you are struggling with the current software (I know, I have it and love/hate it too), consider trying this software, as it’s based on making shapes, not connecting lines.  I find it pretty intuitive, but as with anything, there is a learning curve–it’s just that theirs is not quite as steep.

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Making that block added to my collection of red and white triangles (ignore the interlopers in the upper right corner).  I trim them to whatever measurement’s closest, without it being a weird number, and save them.redwhite triangles2

Every once in a while, I sew them into four-patches.

I haven’t decided yet what to do with them, but a couple of questions arise: do I include the Christmas prints?  Or do they get their own collection? (I think so.)

Do you ever quilt with “rules”?  It’s about all I remember from my beginning art classes, ages ago in college.  The assignments laid out rules to create by — an edge to the sandbox — if you will, and went something like this:

  • Take an old piece of clothing, adhere it to a canvas and paint it like something else.
  • Use three shapes only.
  • Create a composition by taking a square of black paper, cutting out some shape and using the negative and positive pieces.
  • This assignment will use only two colors, but you may use any range of those colors.

And so on.  There are many books out there in the marketplace for guided creativity, but they all start with a rule.

Sometimes I find little bags of treasures in my sewing room, with pieces inside that have been collected according to some rule.  Like the red and white triangle rule.  Or the 3-inch square rule, but I kind of think that last one’s a bit of a cheat.

About seven years ago, I saw this on Jan Burgwinkle’s blog, Be*mused, and fell in love with it.  Maybe that’s why I started making little HSTs.  (While she doesn’t seem to update her blog much these days, it’s still amazing to read through the archives.)

So that’s my rule and I’m sticking with it: red and white triangles, although seeing this quilt again does make me wonder if I should break it.

PS.  I did adhere that old piece of clothing to a canvas and paint it.  It was a maternity shirt, which I stuffed and painted it like a landscape: three mountains and a river.  Somewhere I have a photo of it, but the original was mercifully carted off to a dump somewhere.

 

Christmas Tree Block Swap

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My friend Leisa saw a Christmas Tree Block Swap that was going on online, and said “Why don’t we do one like this with our group?” Sure, why not?  We don’t have anything else going on, do we? (right)xmastreeswap_1

I drafted a pattern, just drawing this way and that, then made up a test block.  My graphic design guru Simone approved it, and we were off.  I transferred my dimensions to Quilt Pro, my quilt software program and here it is for you to download: christmas-tree-gdhrtqltrs-swap_pattern  That’s FREE, no charge, but as usual, please don’t print off one for your mother or your sister, but instead, send them here to get theirs.  Many thanks.

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AND…as a reminder.  Please be sure to set your scale to 100%, as shown above in the red oval.

Now, the tutorial.  I apologize in advance for the pitiful lighting.  Chalk it up to working on a deadline, because our swap is in a a week and a half, and I need to get this to my quilt group for our Flash Mob Quilt Night.  (I hope they bring Christmas cookies to share…just saying…)

I also apologize for filling up your mailboxes with two posts so close together.  But then again, you might need this too, to spread a little holiday cheer around your sewing room.xmastreeswap_2

This tutorial is for one block.  It took me a grand total of about one minute to make one block.  Choosing and cutting the fabrics took a little longer.  For our trees we are using clear bright tones/prints, such as green, yellow, pink, aqua, purple/lavender, orange, red.  For the backgrounds, we are using black or white prints.  For the tree trunk: something trunkish, please.  Here are all the pieces laid out. xmastreeswap_3(Thank you Mary, for my cool board.)

Sew the Upper Background piece onto the tree.  Leave that tiny wedge of 1/4″ goodness at the bottom right corner (shown in the red circle), and let the top of the upper background just hang off the tree.  Stitch 1/4″ seam.

xmastreeswap_4Backside of that piece.  Now the 1/4″ wedge of goodness is at the lower left, and the extra background is at the top.  Press seam towards the tree.xmastreeswap_5 xmastreeswap_6

Repeat with other side.  xmastreeswap_7

Trim off the extra point.  Press towards tree (see below).xmastreeswap_8 xmastreeswap_9

Seam the Lower Background pieces on either side of the tree trunk.  Press towards the trunk.xmastreeswap_10 xmastreeswap_11

Line up the tree trunk with the tip of the tree, to get it on straight.  I’ve left a bit extra on either side, so if you want it wonky, feel free.xmastreeswap_12

Press all seams toward tree.  You can see here the extra I’ve left you so you can adjust the trunk as needed.
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Trim the block to 6 1/2″ by 7 1/2″ like this: Leave space above the tree tip, roughly 3/4″.xmastreeswap_14

Then whack off the bottom, so the total height is 7 1/2″.  This tree will finish at 6 by 7″.xmastreeswap_15

Fussy cutting is always encouraged.xmastreeswap_16

Now if you want to cut out a lot of Upper Backgrounds at once, do this:

1-Layer two pieces of fabric with wrong sides together (like it comes off the bolt).

2- Cut a square 5 1/4″ by 6 1/8″.

3- Measure up 1 1/8″ on opposite sides, and draw or cut a diagonal line.  It should be the same size as your piece B or D.

Remember that these pieces are opposite of each other, so don’t layer up your fabrics with all right sides up, or this won’t work.

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Here’s my first batch.  Now I’ll go do this some more.

Have fun making a forest!

tiny nine patches

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I do not know about, nor choose, the content, nor do I receive any money from these ads.
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Mini House Quilt Finished!

Mini House_frontlabeledMy mini houses quilt is finished!  I know you’ve heard that line before, but let me go back in time to a galaxy far far away, to this:

Fail Mini House

Mini House Fail.  Yep.  That center certainly is puckery, demonstrating clear signs of the Training Bra Effect. Evidently, something, somehow was just not right.

Sewing Skeleton

It feels like I’ve been sewing on this for ages. . .

Mini House Redo

But, armed with new templates, I persevered.  I cut six different combos for the center before I was finally happy.  If the center fabric was too busy. . . fail.  If the center was too washed out. . . fail.  The yellow and the pink below are really strong colors, but the visual texture is “flat.”

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Everything seamed and pressed.

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To quilt a small  quilt, I use straight pins to baste, sinking the point into the batting.  First stabilize the quilt by sewing the strong verticals and horizontals (think: nine-patch), then sew around the rest of the straight line pieces, using a walking foot and fine thread.  (I use Bottom Line by Superior Threads for this work as the thread is nice and fine and disappears.)

Mini House_front detail

I stitched in clapboard on the houses, horizontal on the flatter houses and vertical on the squares, but broke out into curvilinear on the dotty houses.  I swirled in a bush, did a curvilinear on the front porches and the yellow points of the Lemoyne Star, then outlined and stitched in the sky in a random fluffy cloud effect.  A strong binding finished it off. Mini House_back detail

To help with hanging, I cut giant 6″ squares, folded them in half diagonally, then attached them in to the corners; I’ll insert a dowel cut to size, insert in the corners, and suspend the quilt from a push pin.

Mini House_frontlabeledThis is quilt # 147 on my 200 Quilts List and is 18″ square.

Houses Label

I still feel this way about my home!

Tiny Nine-Patch

Note: For an excellent video with tips for the traditional construction of the Lemoyne Star, head *here.*