300 and Beyond · New York Beauties · Patterns by Elizabeth of OPQuilt

New York Beauties • Quilt Finish

New York Beauties took a long time to get here: about three years. Started in 2022 from the spark of an idea, with a pillow of four New York Beauty blocks, it quickly morphed to quilt size, with a series of block tutorials. Then it moved from there to the new rage of freezer-paper piecing, tired as we were of ripping off papers from the back of our precision piecing.

While that took some time, to get all those blocks designed and drafted, then figure out a tutorial, then make the required number — it seemed to take longer to quilt it myself. Every block called for a new idea, a new way to outline the rays, or fill in the backgrounds, or sculpt the arcs. Many times I seriously doubted I was up to the task.

I unpicked some areas and re-did them. I’m still not sure about some of them, but it’s time to let this rest.

Quilt #300
Started June 2022 • Finished September 2025, with the label being sewn on this afternoon.

I’ve learned a lot about what colors are my favorites (butter yellow seems to be right up there, along with a bluey aqua).

I found out my machine’s limitations. Neither it — nor I — are high-precision longarm machines, although we do our best.

I remembered that sometimes simple borders are best, and that a ruler and a disappearing marker can get those designs sewn into cloth.

I thought about my very own New York beauty, born in the Empire State. She has fallen in the love with the Big Apple (New York City’s nickname) and tries to go there often. This quilt is for her….

…from me, her mother.

I was stitching the binding down while we were at her house this past week, so yes, you do see little binding clips. Kinda’ adds to the color, don’t you think? But I didn’t want to leave without a picture of her with this quilt, since the full title is:

Usually I do a round-up of blog posts at the end of a Quilt Finish, but this time I’ll just send you up to the New York Beauties page with everything listed, including a free block or two. The rest of them are in the pattern, found in my pattern shop on PayHip.

I will say that the border was cut 5″ wide, then mitered on. I will probably update the pattern at some point in the future, complete with new photos, etc. If you have purchased it, you can re-download it. I’ll announce it on here.

Lastly, I am now working on a visual index for my quilt blog. It’s called Blog Index, and it’s up at the top.

Take a look!

300 Quilts · Something to Think About

Crossing the Divide • Quilt Finish

The phrase, crossing the divide, has haunted me for a while now, ever since my husband Dave and I crossed the Continental Divide twice on our April road trip.

While I was driving, and saw this sign, and knew it was coming, we did not take a photo of the actual moment we crossed. And this is like some recent experiences: somehow I crossed a dividing line and found myself in new country, and was not entirely sure how to behave or act.

Crossing the Divide • Quilt # 294

I long had wanted to make this quilt, using some positively ethereal, painterly fabrics from Shell Rummel, William Reue, and snippets from Deborah Edwards & Melanie Samar. I had to modify the pattern, because it called for an older panel which was now out of print. I sewed it all up. I picked apart every seam and re-sewed it (like Crossing the Divide…again). I got stuck on how to quilt it, and Dave talked it over with me: follow what’s in the fabric. I think that’s kind of like going with the flow, an attitude I am always working on/struggling with.

This quilt has a divide in it, with the soft pastel interrupting the more rock-like, stream-like bars of fabric in the top and bottom.

(see detail at end about fabrics)

Back.

Crossing the Divide waiting to cross.

Crossings are everywhere. Some I’ve recently noticed:

  • We honored my mother’s death this week, a two-year anniversary.
  • My father’s one-year anniversary of his death is coming up.
  • There are no baby grandchildren.
  • I wake up every day with something aching.
  • A milestone birthday was celebrated earlier this year, and the further I get from it, the more I realize I have no idea how to behave in this new place. I get many more condescending comments from people who don’t wake up with something aching. Which is annoying.
  • I no longer worry about flossing my teeth or cholesterol — it’s a different mindset, but it’s hard to explain. That doesn’t mean I’m not aware of those things, but I just don’t freak out about them.
  • I do freak out about other, more trivial things (you can ask my husband).
  • I also freak out about the time left to me in this world to do what I want before I cross over permanently, but this post isn’t about that.
  • There are divides in this life. While I cross over most of them without being aware, other demarkations come blaring at me like a train rumbling through the night, and I scramble across the tracks as best as I can.

It’s also about seeing the line that keeps divided from each other. Sometimes that line is physical distance. Sometimes it is an age difference, or a political distance, or an emotional distance. It’s also about time-as-a-line: there is much more behind me than in front of me, by any calculation. And all this started with a color and texture division in my quilt.

Here’s to making your way across the divide, in all ways–

Other posts about this quilt:

This and That • October 2024
Instagram October 22, 2024

Sad news: small-size Space Molly was sold out, so I posed by this one instead. (She stayed there.)

300 Quilts · Creating · Totes and Purses

Keep Kalm-a-La and Carry On-A-La

Well, my candidate didn’t win.

However, I was making this bag the whole last week of the election, and because I was inadvertently using the Keep Calm and Carry On (only it was Press On, Quilt On, etc.) and they had a skit on Saturday Night Light Live with Maya Rudolf and Kamala Harris that had a lot of joy and lot of play on words (including the title of this blog post), you really can’t blame me for merging it into the effort, can you?

I say it’s okay to name things after current events, as I’m just fitting in with my quilting ancestors (thinking of all the quilts I saw in the DAR exhibits while I lived in DC that were named after election things like the Henry Clay Campaign Quilt or the Fort Sumter Flag Quilt and such). Really I just call it the Black and White and a Pop of Color challenge project for my guild, and I’m done a full 6 weeks early, for which I am celebrating! And no, no one from my Guild ever reads this blog, so I’m safe to write about it.

This took me ton of time, because of all that cord-loop business inside.

The pattern came from a book I picked up in France, which was all in French, but it was a Japanese designer, and yes, I made some shortcuts and mistakes and no, we aren’t going to talk about those. But thank heaven for Google Translate. Isn’t that colorful one on the cover a lot of fun?

I used some handles I’d purchased ages ago in Japan at Yuzawaya (and attached with little cloth loops), but it took me numerous shopping expeditions both at brick-and-mortar stores and ETSY, to even get something resembling the cord I needed, and I raided another bag for the clasp. Like I said, if I were in Japan, all these parts would be at the local Yuzawaya store. I still think I need to order thicker cord for the right look, but oh well.

Side, side, and bottom. Since it took me as much time as some of my quilts, it has a number (293) and is indexed in my Indices, above. I do think it’s clever how the cord draws up the bag to give it shape, but just don’t know if it will work long-term. At any rate, the Guild Challenge is due in December, and I’m DONE!

While I was out shopping for cording — in early November — Christmas music was playing. I couldn’t get out of there fast enough. November is a time for gratitude, fall colors and fall quilts.

Autumn: The Chestnut Gatherers, 1894 by Georges Lacomb. Seen at the Norton Simon Museum.
Autumn Leaves, original design More autumn quilts seen here.

Why do I bring up autumn quilts? Because we’ve all seen these blocks from the #sweaterweathersampler2024 in our Instagram feed, an offering from some very talented women. I like the 2024 quilt offering better than their 2023, but they are fun to see pop up (check out this exhibit from some quilters in Germany). The one above is from Iva Steiner, an incredibly talented longarmer and quilter.

But, given the general season of thankfulness and thanksgiving, I’m happy that I like the autumn quilts that are in my house.

Given the general anxiety we all felt the past two weeks, I’m glad that the election is over and I don’t want to hear anymore about it for a long, long while. I was also feeling anxiety over quilting a very organic quilt that I’d made, and all my usual doodling wasn’t cutting it. My husband suggested just going with the flow, meaning following the lines of the organic fabric.

I guess I knew that in my heart, but it took my sweetheart to state the obvious: all those fancy geometric designs I was familiar with in my usual fmquilting just weren’t going to cut it with this one.

The back, a conglomerate of leftover fabrics. I have great light in my bathroom, so I take progress shots in there a lot.

Even in the border, I went organic, like blocks of waving grain, or striated boulders, or I don’t know what. Full reveal after I get the borders on.

I only have three hours left in this novel. I almost can’t stand to stop, but this morning I’ve got a lesson to teach to the church ladies, so things will slow down on the listening for a while.

But a good book can really get me to sit down and get the quilting done. I’ve got my eye on getting this one and this one quilted up and finished, too.

We’ve spent so much time in the last few months looking ahead, so I thought I would leave you with this quote, from Adam Miller from his book Original Grace: An Experiment in Restoration Thinking:

This quote has made me think, and ponder a lot. When our Instagram feeds are blitzed full of other people’s achievements and when we are battling one demon after another, it can make us long for days when we used to be super-charged in making, or looking forward to days when we can get to the machines and roll like crazy. But, as Miller notes, creation unfolds in the present. All that we take in now will be fuel for the creativity when we sit down and enjoy the stitching in a present-not-here-yet. We need days when we can stop and notice the autumn colors. Or take a few days to practice forgiveness. Or linger on some days to fill our heart with thanksgiving.

Happy Autumn, y’all!

Free Motion Quilting · Free Quilt Pattern · Gridsters

Tiny Envelope & More Blocks

Gridsters January 2020

It all started, this idea of Tiny Envelopes, when a) I came down with a bad cold and everything I’d ever done in the world seemed lame and stupid, and b) Carol, our Gridster Queen Bee for January had us all make wee televisions for our signature blocks, in order to match up the larger block of Lori Holt’s vintage TV.

Okay, maybe I exaggerate on the first reason, but this is my THIRD cold of the season, and I am sick and tired of being sick-and-tired.  And I live in sunny Southern California, and no one ever feels sorry for you in the winter.

Then, last night, when the cold and sniffles had interrupted my sleep and I lay there, pondering this (can you tell I’ve been watching Jane Austin’s Sanditon on PBS, where they belabor every point, and examine everything to the point of madness?), following in Carol’s footsteps seemed the way to go.

Tiny Envelope

This little 6″ finished block will be my signature block for when it’s my turn, which is coming right up next month.  Last fall I spent many hours making a variety of my chosen bee block in my quilt program, in preparation for my turn at Queen Bee.

And it was that, which all of a sudden seemed so inane.  So last night this made perfect sense.

Tiny Envelope Illustration

So here are my instructions for making Tiny Envelope blocks, in downloadable PDF form (it’s slightly different than the illustration above):

Tiny Envelope Flier

(The usual caveats apply: don’t download for classes, parties, or your best friend.  Please send them here to this blog to get their own copy.)

Here are a slew of pictures to go along with the Tiny Envelope blocks flier:

TinyEnvelope_1

All the bits.

TinyEnvelope_2

I sewed one slender envelope strip on one side, trimmed it; then repeated the process.  Press.

TinyEnvelope_3

Now take that square that you cut in half and sew to one side, letting the tip of one side of the triangle extend 1/4″ past the edge.  The other side will really extend.  (Pay this no mind.)

TinyEnvelope_4

Sew the other side on.  You can see the 1/4″ bit of the tip extending on the upper left side. Thankfully, it does the same on the bottom.  Stitch, trimming off that excess first triangle.

TinyEnvelope_5TinyEnvelope_6

Now for the background.  Same idea.  Look for 1/4″ on the lower right edge, and let the rest of the triangle flow off the top.

TinyEnvelope_7

Sew the other triangle on.  Trim and press.

TinyEnvelope_8

The sides were bugging me.  I laid a 4″ ruler, so that the 45-degree angles matched up perfectly with my inner envelope, and trimmed both sides.

TinyEnvelope_9

I sewed on the strips for both sides, then evened up the top, too.

TinyEnvelope_10

Lower strip is on.  True the whole thing up to 6″ square, or leave it for me to do when you send it.  Either is fine.  And also for my Gridsters, use a background that is lively (no low-volume stuff), but that still reads “light,” like this one.  The envelope part will match the color of your eventual choice next week.  Like that makes any sense, but soon it will.  The rest of you can just make fun little envelope blocks.

In other news blocks…

Tri-Ball

My friend Simone designs new and interesting blocks for our chapter of the Modern Quilt Guild.  This is the Tri-Ball block that’s coming up to submit to the March drawing.  I really love this one!

Extra HSTs from Tri-Ball

Snowball Triangle Example

Since this has some snowball corners, if you double-sew that seam 1/2″ apart, then cut in between the two lines of stitching, you can get some fun HSTs.

Orange Fields HSH

I’m also re-writing, re-freshing my Home, Sweet Home pattern, and changed up some of the construction techniques, so I made up a new version.  I call this my Orange Grove Houses, especially now that its January and all the citrus is popping out in Southern California!

Quilted My Small World

Lastly, before this cold hit, I was able to finish up the quilting on My Small World. It’s good to hit the pause button now and again, to enjoy the (here comes my Jane Austin voice) fruits of our labors, the blessing of our handiwork.

Now I’m going back to the bed to practice some fainting and work on handling those nasty spells that come over a Victorian woman.  But boy, do I love all the clothes they wear.  It’s worth watching that show, if only to catch a glimpse of Miss Heywood’s dress with the pineapple sleeve caps!

sanditon-charlotte-heywood-sidney-parker-1571036275.jpg

Happy Quilting!