100 Quilts · Quilts · Something to Think About

Come A-Round: Finishing School Friday

Come A-Round is finished.  This has lived in our house under many names: Crop Circles, Dotty Quilt, Elizabeth’s Masterpiece, That Quilt.  But its real name is Come A-Round. *This* is how I came up with the name.

I finished the top and sent it to the quilter, Cathy Kreter, who quilted the central fan-like circles, and the spaces in between them.  She also ran a line of stitching on the dark green stem and the outer edge.  I was to take over from there, but it went back to her to tackle the middle of the circles–a space about 2″ in diameter, which I couldn’t quilt because of so many layers.  Then back to me and I did the rest of the details.  It’s a good partnership.  The back fabric is about perfect for machine quilting: lots of tiny dots in all colors that hide a multitude of sins.  Just not green thread branches, and no, I didn’t pick them out.  I knew that if I turned back at that point, it would never be finished.  At least not by the end of summer.  And sometimes good-enough-but-done is better than perfect-but-undone.

The circle is simple in its geometry: one continuous looping whole.  Yet most of our lives feel more like jagged peaks on an EKG monitor with little blips of up and down in a rhythmic pattern–peaks and valleys that indicate there’s a life going on–that a heart is beating.  So when my husband’s sister called us early Monday morning with a voice full of peaks and valleys, so different from her usual and we heard the news about her young adult son gone too early, the rhythmic pattern of heartbeat stilled by his own hand, my husband and I sat together quietly for a long while afterward.  The silence between us was thick with emotion and sadness and wondering about whatever could have gone wrong?  We’d start a question, then pause mid-thought, not really knowing where we were headed, but knowing that there was no easy path around this sorrow.  This circle had been rent, broken.

My husband called our eldest son, and now his voice echoed his sister’s; as we called each of our children, we took turns pausing to let the emotion fall away so we could continue with the necessary news.  We went about our day.  We sat stunned.  We fixed dinner.  We took a walk.  We kept talking, thinking about Scott’s widow and his two young daughters.  The couple had recently separated and we wondered how we could let her know that no one blamed her.  I made a cake.  We were more gentle with each other.  We lingered outside after dinner on the patio, the sun falling into darkness.  Then the phone conversations turned to funeral arrangments.  Then the task of travel arrangements, and my voice cracked as I tried to arrange flights, blessing the kindness of the faceless voice on the other end of the line.  We talked with our children: life is fragile.  As people of faith, we believe we will see him again: whole.  After a few days the jagged peaks and valleys of those initial numbing hours leveled out.

It’s really a circle, this thing we call life.  The idea is not a new one, and certainly has a myriad of cliches to accompany the idea: one eternal round, the wedding ring’s symbolism, death to life and back to death again.  You name it, you’ve heard it.  But at the end of the day, we are all encircled about by a sense of going forth and returning, a feeling of beginning and ending, yet sometimes the lines that create those divisions are so subtle that they fade away.  What we send out, we see in return.  What is born, dies.

There’s a famous passage in the Bible, in Ecclesiastes, about a time for everything.  I looked it up again today and interestingly, in among the weightier references of death and life, mourning and laughter, peace and war, it notes that there is a time to rend, and a time to sew.

This week, I sewed circles.

Quilts

Munich’s Garden Gate

Because the experts always say to have a better chance of accomplishing a goal, I have started thinking each week what I want to finish.  I realized that this week, because my red fabric for my Red/White Challenge hadn’t arrived (my planned finishing item), I would have to think of something else.  It was this quilt.

We went to Munich in 2004, and I shot 300 photos, digitally.  And some time in April 2005, I erased them all.  (!)

But I had already planned to use this photo for the center for a project I was working on with my guild: a medallion quilt, so had moved it to my desktop.  It’s the only remaining image. I carried on, blowing it up, figuring out the flowers and what colors I wanted them, as I had carried home a sack of scraps from a small fabric shop in Munich that made dirndls for Oktoberfest.  We had been there shortly after that season, and they sold me the bag for about 25 bucks.  Many of the fabrics in this quilt are from Munich.

Here’s the central medallion, almost finished.  Then the hard work of figuring out the borders–always a dance.  I invested in a couple of used books, and slowly, border by border, I built the quilt.  We were on sabbatical in Washington, DC at the time, and I was able to finish my quilt top before we left to return home; I quilted the top all the way across America, finding more thread in Albuquerque when I ran out.

It sat, quilted, for a while and when I came across it again, I decided to add more quilting.  Back at it with the blue painters’ masking tape until I finally got fed up with it all and started drawing light lines of pencil on the top.  I finished that quilting, then it sat again, until I started the photography project.  I dug into the stash, found the binding, made the label and finished stitching around it in time for this week’s Finishing School Friday.  I HAD to have something finished!

When I went out to photograph it, the wind was moving the quilt back and forth, and it flicked into the sun, creating this translucent effect.

All the hand quilting–think of it as if every state along I-40 has a bit of itself in this quilt!

The labels, all stitched down.

Five years later, we went back to Munich, and this time I didn’t erase all my photos (back it up, people, back them ALL up!).  I didn’t ever find the original gate, but I did see this grillwork alongside a building near the dirndl shop, near the beer garden downtown, with the same central motif.  It felt like I was seeing an old friend.

100 Quilts

Red, White & Blue Quilt

On Memorial Day, I put on the earrings I’d purchased in Washington, DC ages and ages ago on the 4th of July.

And we walk over to our main boulevard, about half a mile from our house, flags in hand and cheer on the West Coast Rolling Thunder, a compliment to the Rolling Thunder in Washington, DC on Memorial Day Weekend.  This year they anticpated about 9,000 participants–it lasted about an hour.

We waved and cheered and then I came home and put up my Red, White and Blue Quilt, made some years ago with my Quilt Night group–before we were zombie-fied.

We each made a block.  The requirements were red, white and blue and it had to be some sort of a star.  We were loose on the definitions, as you can see.  I had heard Margaret Miller talk the year before at Camp Watch-a-Patcher in Orange County, and she said you can tilt a quilt more towards one look or another by how you sash it and border it.  Because I wanted to push this more towards the red and whites, I chose this toile and made more tiny triangle points and densely colored red stars to pull it that direction.

One afternoon, I laid a few of the blocks out for my husband on our bedroom floor and asked him what he thought about them.  He pointed to this one and said he didn’t like it very much.  Well. . . that was the one I made–trying to work the theme of American baseball into our red, white and blue quilt.  (You can see the eagle that Lisa fussy cut for our centers on the block to the right.)  I laughed, then made another one.

He liked this flag block a lot better.

I also like this block, made by Susan, titled Peaceful Hours.  She now lives in Idaho, and I think of her every time I see this block.  That’s the beauty of group quilts: when you look at them, they remind you of your friends.  We used to call ourselves The Good Heart Quilters, but now we just call it “Quilt Night.”

I made up this Master List so I could remember everyone and what they’d contributed.  I also did the quilting, lines one inch apart and switching directions when I thought it was a good time to do so.

We also didn’t put size restrictions (that’s evident) and I like the fact that this made for a more free-form arrangement of the blocks.  I have Quilt Pro quilt software, so after the blocks were chosen, I put them into the program and worked them up for this handout.