Basic String Piecing • First Monday Sewday Lesson (and a few other things)

July 19, 2020January 4, 2025 Elizabeth E.14 Comments

This month’s First Monday Sew-day Lesson was on teaching the newbie quilters about String Piecing, or Strip Piecing, or whatever you want to call it, but it involved laying out a shape on paper, arranging fabric and stitching through the paper. Foundation Paper-Piecing? except that we are using long strips of fabric. So I’m going with String Piecing. And the block I chose to teach was a traditional Spider Web Block.

For the handout for the Making a Spider Web block, click to download a PDF file:

firstmondaysewday_7_2020 Download

It’s bit longer this time: multiple pages instead of just one sheet. There were a lot of illustrations for teaching this, like this one:

Since it is free, please don’t distribute — send your mom and your kid sister and your friends here to download the handout. (If you are a quilt shop or quilt guild, and need a virtual activity, please ask first before distributing.)

So this was my final block, taken at night, when all the lighting is really mellow. I chose low-volume prints for the centers, a deeper blue for the first strips near the center, and then circus-circus after that.

I did a virtual layout after that, trying to approximate how interesting this block can be in a quilt. More discussion of this is on the handout.

My “string bag” was left exploded on the floor after all this mucking around, but I just wadded everything back into it and threw it back in the closet.

I also made two sets of Gridster Bee blocks: first one was for Mary, for June. She requested a whole lot of little houses, and we used the free download pattern from Moda.

Kelly was up next, and for July she chose to miniaturize a flag, using the Grand Ole Flag handout from Pat Sloan as a starting point. These are tiny little things, finishing at 4″ x 7 1/2.”

Here’s a whole slew of them, all laid out together.

I was tipped off to two new mask patterns, and the Creative Grids mask template also arrived at my house. Updates are on my Face Mask Info Post, up there under Projects for 2020 tab at the top of the blog.

So this was interesting to see all week. Mancuso Brothers surprised me by using my Ladybird quilt in all their advertising for their online show in August. I had entered Ladybird in their Pacific International Quilt Festival, held in Santa Clara, California last fall. The picture they are using is my image, I must assume, as the lighting is good and the colors are bright (the lighting in that show was problematic). Most of the time my name and the name of the quilt were attached, but often I saw it with the orange lower banner chopped off, so no accreditation whatsoever.

Should I be honored and flattered that someone wants to take my artwork/quilt/work and use it for their ad campaign without asking permission or offering some compensation, like a teaching spot or something? (The real irony is when they use my quilt to announce another teacher.) I am very happy that, most of the time, my work is acknowledged. Should I just let this roll on by, knowing that I get “free publicity” — which is always what is said — although I don’t have a pattern for it, and I’m not teaching it anywhere, so it’s hard to know what good the free publicity does.

It’s a tricky proposition. I am not angry. I might be perplexed. Mostly I don’t yet know how I feel about it, but I do think it would be nice to be asked. I’d be curious to know what you all think. (Leave your comments below.)

Thought I’d show you the Betsy’s Creation quilt on the bottom of my bed for July. The smaller one is hung in the downstairs hallway. That pattern (which includes both, and really more like a handout) is free, found here. Hope your last few days of July find you quilting!

300 Quilts · Patterns by Elizabeth of OPQuilt · Publications

Made to Withstand the Proof of Time

July 12, 2020July 13, 2020 Elizabeth E.23 Comments

As quilters, we have an relationship to time. We begin something, knowing it won’t be done for days, or months or even years. We work towards a daily or weekly goal of finishing the quilt, even though we might sometimes abandon the effort. But there is always this gap from beginning to end.

I started this quilt in December 2015, the design inspiration taken from an antique red and white quilt I’d seen in a quilt show. I couldn’t figure out how that quilting sister from 150 years ago put her quilt together, so I modernized it, and then in January 2016 sent the instructions to a bee I was in, asking them to make some blocks. Then I made more blocks, thinking about how that woman so long ago might envy our ability to have such an array of fabrics, to sew like the wind on our modern machines, to have such a distant circle of friends still gather together in a quilting bee.

I wrote about the finished quilt top, and then it sat. Time passed.

I wrote a pattern, but when QuiltMania accepted the quilt for publication, I took it down from my PayHip shop.

Time passed. And then some more time.

This week I received this picture in an email, along with the picture of the cover:

From December 2015 to August 2020 is nearly five years. In that time I’ve counted off changes in our family, health issues, deaths in our family, births and birthdays, personal highs, and personal challenges, a pandemic and now extremely grateful to have a quilt published in a respected quilt magazine. And to quote a common phrase seen in our quilty culture: I have #allthefeels.

Which brings me back to that photo at the top of this page. Several designers and architects were asked to “reflect on a changing world, their creative process, and the future of design.” I enjoyed reading their thoughts, as they echoed some of my own feelings about the creative life. Here’s two:

Pierre Yovanovitch (Provence, France) said: “I try to look at the silver lining and see this as an opportunity for a creative reset, taking a pause from our overly scheduled lives to tap back into what inspires us.”

Milanese designers Laura Sartori Rimini and Roberto Peregalli, who designed the room of plates at the top of the post:

“Regarding the future effects of this pandemic, on one hand it has been recognized the importance of the house as a center, a place of the soul in people’s life. On the other hand, the inevitable economic impact that will follow this situation will, we hope, generate among people the idea that the house isn’t just an object that follows the trends to be discarded and replaced for the next upcoming thing. You should aim for an object of beauty, made to withstand the proof of time.”

I guess that’s why we quilters are willing to start a quilt in December and nearly five years later, see it completed. That’s why we pick out fabrics and squirrel them away, knowing that sometime in the future — maybe even in a pandemic — we will pull out the projects we’ve collected and start the long process in the midst of the distraction, the sorrow, the uncertainty.

And as always, we will send our quilt out into the world as a veritable declaration of hope, our handiwork created to withstand the proof of time.

Happy quilting. Yes, especially now.

Patterns by Elizabeth of OPQuilt · Red, White and Blue · Shine: The Circles Quilt

Happy Seventh of July Block!

July 7, 2020July 5, 2020 Elizabeth E.7 Comments

Yes, it’s Happy Seventh of July!

On this day in 1928, sliced bread was sold for the first time. What other significance does this day hold? It’s National Chocolate Day! I could just stop this silliness there, but it’s also National Strawberry Sundae Day. The moral of this is if you don’t have sliced bread, you can head to chocolate or strawberry sundaes. Or chocolate-drizzled strawberry sundaes on top of sliced bread.

I don’t have a back of this block to show, but the title of this block is Provoslavni Park, named for where that beautiful church was located in Ljubliana, Slovenia.

Here’s the back of the 6th of July block, shown yesterday.

My mother always says that doldums come predictably after Christmas: in January you can expect a little mopiness as you clean up the glitter and tinsel. It’s just that living such a sustained high — in terms of activity and expectations and hopes and fun and parties — will inevitably result in a series of days where you can hardly drag yourself around.

So what are we to expect after having a series of days, in this Covid-time, where we have covidistraction, covidsludgenergy, or general covidecline–what can we expect after that?

I know we all looked forward to the 4th of July with all that hullabaloo, but given our numbers, if you stayed in the house and didn’t breathe you were to be commended. So that’s why I thought a little silliness these past few days might provide an occasional snort at a bad joke, a roll of the eyes, and yes, I do want to see pictures of your chocolate-dripped strawberry sundae on sliced bread.

And as usual, Pattern Coming Soon. Stay Sane.

The Original Shine: The Circles Quilt, just hanging out.

And that’s it for the Shine re-do-up-do for a while, while my fingers catch up on the rest of the blocks. Happy July, everyone. Only two more years of — what my science-y friends call — mitigation (masks, etc.)! By then this pattern will be out and I’ll have the quilt made, with any luck.

Stay safe and figure out how to do a social distance gathering, so you won’t feel so isolated as we wait out/suffer through this pandemic. And please keep the parts of the country that are exploding in cases in your hearts, and if you are so inclined, in your prayers. And please wear your masks. We’re all in this together by ourselves, Lily Tomlin used to say.

Never truer.

Patterns by Elizabeth of OPQuilt · Red, White and Blue · Shine: The Circles Quilt

Happy Sixth of July!

July 6, 2020July 6, 2020 Elizabeth E.1 Comment

I think I sense a pattern here…

Yes, you do. I’m working on re-doing my Shine: The Circles Quilt pattern in red, white and blue, and this is the third block, titled Ljublana.

I was inspired to make this pattern after visiting a church in Slovenia, and after getting permission from the Guy-in-the-Booth-at-the-front-of-the-Church, I snapped a couple of photos. Many of the blocks in this series are inspired by that exquisite church in that beautiful country.

Now comes the dream story.

In this dream, I was traveling with my husband in a foreign place and it was like, last week — you know, during Covid-time. I couldn’t understand the people and they couldn’t understand me (both wearing masks), and on the bus, people were just too close to me, and I carried giant canisters of sanitizing wipes in my suitcase, and it was all just so unpleasant. Has Covid-19 ruined us for the typical jostling and hustling and bustling of travel?

Don’t answer that. I want to imagine that it hasn’t, and that one day we will all board what my sister calls germ tubes and fly to far-away places and be jostled and bustled and hustled.

Until then, I will do my traveling through specials on TV, through watching videos from our past trips, and by re-visiting amazing painted churches in Slovenia with my quilt blocks, where cheerful and friendly guards encouraged me to take photos.

In Lithuania, the 6th of July is King Mindaugas’ Coronation Day, or Statehood Day. Kind of like our Fourth of July, only not the same day. And their colors aren’t the red, white and blue of this block. This is also National Air Controllers Day, and International Kissing Day…which don’t, unless the person you want to kiss is related to you, or in your pandemic bubble. (I only mention that because the theme of this post is travel.)

Pattern Coming Soon.

A finally, a reminder: there is one week left on the discount for this pattern. Until July 14th, the pattern will be sold at a discount of 20% with the code: minidoublepocketbag20 — that’s all lower case, with the number 20 at the end. When you check out over on PayHip, you’ll see a place to put your code.