300 Quilts · Patterns by Elizabeth of OPQuilt · Quilt Patterns · Quilts

Annularity

Annularity_May 2018LabeledAnnularity
Quilt #203
Began October 2017 • Completed May 2018

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I use Magnifico thread as it has a nice sheen without being shiny, and it lays down a lovely line of stitching.  In the bobbin is So Fine thread (both by Superior Threads).

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I made a duplicate of  Annularity II — which was a quilt I designed and made for Paintbrush Studios (which hung at QuiltCon, and most recently, Quilt Market) — because I thought the first version had been lost in the mail en route to the quilter. It hadn’t, and now I had my own top.

Then I decided to quilt my own, trying out different ideas as explained in an earlier post. But thanks to my quilt holder Dave, I can now reveal the fully quilted version to the world, as well as deliver some great news about this quilt.

Recently I’d been talking with Rick and Dot Kimmelman of Pineapple Fabrics about this quilt, hoping they’d want to use it for their booth, as they carry the full line of Painter’s Palette Fabrics. In between Point A and Point B of our discussions, they purchased Keepsake Quilting, which made many of us in the QuiltWorld very happy.  And so, beginning this summer, Keepsake Quilting and Pineapple Fabrics will be the exclusive sellers of my Annularity pattern.   Both Keepsake and Pineapple will also have kits available that include all the fabrics for the top and binding.  (You can check Pineapple Fabrics.com to purchase within the next month, and see Keepsake Quilting’s Fall catalogue, due out the second week of August.  You can bet I’ll put something up on here when I first lay eyes on my quilt in their catalogue!)

Annularity_4Back_fixedThe wild and crazy back.  It’s “prairie house” from the De Leon Design Group, for Alexander Henry Fabrics.  I thought it might disguise any oopsies, but I was happy to note that I actually had very few.  I guess maybe after ten years I’m getting better at the quilting?  Much credit belongs to the Sweet Sixteen machine I use, and the threads, which always seem to balance so well.Annularity_4bBackScrap

After one quilting session, when I turned it over to check the back, I noticed I had quilted in this wedge-shaped scrap onto the back.  I started to try and cut it out, then decided I kind of liked this nod to the process, so left it in.  Really, you can’t see it, when looking at the overall back. (Well, NOW you do, but you didn’t at first, right?)

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So, thanks for being my cheering squad, motivating me to finish up my quilt.  And I hope you enjoy making yours!

Frivols Quilts · Quilts

Child’s Play • Frivols 5

I am continuing with my determined goal to make all my Frivols tins this year.

Because this one was quite small, finishing up at 29″ by 32″ (different than what was measured on the tin), I finished it early, so I get to put an X on the circle of Frivols.

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Child’s Play • Quilt #202 • Frivols Quilt #5
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As mentioned in the last post, the fabric is by French General, and while it looked really dark in the tin, with the black and white four-patches added, it is fairly lively.  It reminded me of an extended game of checkers, and since the quilt is small, like a doll’s quilt, I titled it Child’s Play.

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I quilted it with a stylized flower.

ChildsPlay_Frivols5_4Every doll’s quilt needs some dolls, and I just happened to have my mother’s play tea set from when she was a little girl.  She’s celebrating her ninth decade this month, and because she’s turning ninety, she’s always saying things to me like “You’re not old.”

She’s right.  I’m not yet up to her age, but I am one lucky girl to still have a mom here to talk to when I need a cheering up.

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Because I’ve been thinking about my mother today, the chair above is an antique from “the farmhouse,” a place where my grandmother (my mother’s mother) moved when she married grandpa, a widower with a passel of children, and adopted — and adapted herself to — a life as a farm wife.  And then she had three more children, my mother being one of them.

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Mom, at age 12, holding her birthday cake

A photo of my mother when she was in college. My daughter, who is named for my mother, is with her on the left.  And below is a photo of my mother’s Magnum Opus, a quilt with cross-stitched designs, all hand done while we lived in Peru for two years.

Mom and her quilt

Since it is also Mother’s Day here in the United States, I hope you treasured some memories of your mother, and if she is still here — I hope you called her or visited her.

It wasn’t until I grew up that I realized that my mother (and father) gave me the greatest gift of all: a young life where I could pretend, and get dirty and dress up and have imaginary tea parties and fight with my younger brothers, and go to church, and roam the neighborhood, time to read books, and to hope to be like my older sisters.  While soon enough I would discover that there were real sticks and stones out there, she gave me a life sheltered from the world’s harsh realities.

She gave me Child’s Play, every day.

Happy Birthday, Mom, and Happy Mother’s Day!

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Giveaway · Quilts

Go with the Flow

I’ve been thinking about what it takes to keep me interested in what I’m doing, and better yet, to find that creative task, that, when I check the time, I realize I’ve been absorbed in this task for hours, not minutes. When I used to manage the black-and-white photo lab at my local university, students could stay in there for hours, developing their prints, discussing them, claiming they were in the “zone” and didn’t want to leave it.

I’ve been on a pretty intense creative output flow, and I can feel myself wanting to wind down, and take a breath.  So I thought I’d look into this idea–of being in the “zone” or “flow” and see how it would apply to us quilters.

Mihaly Csikszentmihalyi’s book,  Flow: The Psychology of Optimal Experience has much to say about the idea of “flow” or “being in the zone.”  He stipulates certain conditions present during flow:

(1) engagement in an activity that is both challenging and attainable

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If you ask me to make simple HST quilts forever, I’ll be incredibly bored, as my skill levels have gone beyond that.  It was fun for a day, though, in Jenny Doan’s class at Road to California this past January.

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On the other hand, if you ask me to talk at QuiltCon 2018 in front of a crowd of eighty quilters with a big screen behind me, I’ll be incredibly anxious. I made it through, thanks to kind quilters.Flow chart.png

The left to upper left shows what happens if your skill level is low, but the challenges are too high.  The bottom to lower right is when the abilities are high,  and the challenges are too easy.  Of course, we should all try to shoot on a diagonal path from low to high, to get to the flow, but often we are stuck with patterns that don’t work, or run out of fabric, or can’t figure something out, or feel frozen in our progress.

(2) the ability to keep concentration focused on the activity, and
(3) sense of control over your own actions

I lumped these two together, although they really are separate ideas.  For me, these can sometimes be hard to attain, especially if you have young children, or fighting health issues, or don’t have the right physical set-up that allows easy access to your tools/fabric/machine.  I also love seeing blank calendar days, without the distraction of appointments or errands.  I can stay in the zone for hours on those days.

(4) clearly defined goals that are within the individual’s control

Writing down a goal that says something like winning “Best of Show at Paducah” is not something within our control, because we can’t award that ribbon.  Perhaps that why we see a proliferation of techniques Finish-A-Longs, or goal-setting posts, to help us identify our goals.  I’ve found this helpful, but more often than not, it leads to a list of tasks — which we call UFOs — rather than list of goals.

(5) immediate feedback

According to the book, our psychic energy tends to atrophy without some verification we’re on the right track.  I think that’s also why Guilds and Quilt Groups are so valuable, but often we resort to snapping a photo and texting it to a friend.  However, I might argue that too much immediate feedback, such as our faces glued to our tiny screens checking our Instagram likes, being fixated on the number of likes can pull us out of the flow.

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(6) deep, effortless involvement in the activity which removes from our awareness the worries/frustrations of everyday life.

I love it when I can forget what’s going on out in the world, listen to a book, and just sew and sew.  Or it’s like when we have to glue fabric on 500 one-inch hexies for our quilting booth at an upcoming Heritage Day Festival, and I took this task to my quilt group and we had a great time eating fresh strawberries, chocolate treats, and solving all the world’s problems. (We did get a little goofy, I must say.)

(7) non-self-conscious individualism, or you lose yourself in what you are doing and eliminate all self-criticism. His book states that “loss of self-consciousness does not involve a loss of the self, and certainly not a loss of consciousness, but rather, only a loss of consciousness OF the self.”

Maybe it’s not best to continually evaluate ourselves as we work, given the rhythm of this chart:

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Finally, (8) some alteration of time (either “hours feel like minutes” or vice versa)

Being IN the flow, is definitely not the same ask GOING WITH the flow.  But to be truthful, I mostly feel like Sarah Cannell, when she said: “I’m either hurtling down the track not noticing the passing countryside, or standing on the platform having missed the train… The two extremes seem to smoothly flow into each other.”

Giveaway Thanks

Thank you for all your comments on the Giveaway for the Northern Star curated stack of fabrics.

I used two different Random Number Generators (actually, three, if you count when I asked my husband to pick two numbers randomly, and interestingly, one of his was nearly the same as one of these) to pick our two winners:

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Jamie was #7: “I have not seen the Northern Lights. However if I win, I could make your quilt (you’re writing a pattern for us to buy right?) and then have my husband hold it above me so I can see it in the night sky. Pretty clever eh? hahahaha”

(I laughed out loud)

and Joan was #71: “Oh, yes, I have seen them and should do so more often, but I’m usually asleep in the middle of the winter nights when they are most visible, and I just can’t drag myself out of my nice warm bed to stand in the frigid nighttime air to watch! Summertime viewing would be perfect, but it’s just too light outside to see the aurora even at 2:00am!”

(I’m going to visit you, Joan, and really soon.  Joan?  That okay?)

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I did love these reminiscences:

The first one is from Barb: “I grew up in Winnipeg Manitoba Canada and my parents home backed onto a field so there was no obstruction of view. We could watch the Northern Lights dance across the sky many nights from our kitchen window. I didn’t realize what a special experience that was until we moved to a large city where the only thing I can see in the sky is the Moon and a few bright stars and planets!”

Another one from Edith: “I used to be able to see the Northern Lights in my hometown of Medicine Hat, Alberta when I was a young girl. I used to sit on the park swing and be able to see them over the hill in front of me, but since the city grew and more lights were added, I must say I have’t seen them in a long time.”

And last one, from Holley: “I have seen the Northern Lights many times starting as a child growing up in Iowa. We didn’t see them often but we did see them from time to time. I lived in northern Minnesota after college. This was at the time of missel silos and ICBMs so when the northern lights looked like rockets shooting across the sky it was unnerving. When I lived in Wisconsin near Chippewa reservations I was told the lights were the old people dancing and that was the way they looked. I’ve seen lights in Alaska was I was babysitting grandchildren and in the Scottish Highlands when we lived near Glasgow. I have a quilt started that I call Northern lights that I hope to finish one day soon. The colors and patterns vary depending on location and weather but they are all wonderful. Thanks for sharing yours.”

Ladies, you are living our dream.  Thank you all, again.  Guess what?  Another giveaway is coming on Wednesday, when I show you some secret sewing I’ve been doing for Simone.  See you then!

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Mini-quilt · Quilts

Spring Mini Quilt-on-a-Frame

ACK!!  It was 93 degrees today!!

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My snow-covered Orangeman (or Snowman, made of oranges) has his arms thrown up in amazement/horror.  While Rachel and Carol show snow days on their IG feeds, we are already burning up out here.  My newly planted zucchini and spaghetti squash plants are wilting, and it’s only April.

The origin of this mini quilt (tutorial is here) started when I first moved here, and commuted an hour to the Orange County Quilt Guild.  We had a block swap, and the theme was snowman, and since I was a newbie, I think I got all the rejects.  Except this one…which was my own (I made one for myself).  One snowman block was a zig-zagged stitched pair of stacked circles, with two hot-glue-gunned twigs for the arms, and dots of makeup for the coal and eyes.  Yes, I threw that one away.  But in looking for another project in my Orphan Blocks Box, I found this one, and turned it into a Mini-on-a-Frame quilt.

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I bordered it with those fabulous swirls, quilted it and trimmed it up).

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I backed it, and slipped it on its stand.  Now I’m up to four of these mini-quilts-on-a-frame.  Given the success of this one, I may turn other orphan blocks into bits of art to be displayed!

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PS: Swirl fabric is by Valori Wells, “Marks,” design #16354–by Robert Kaufman.  A young mother in church yesterday asked me if I bought fabric for a single project, or if I bought it when I feel like it.  This purchase was obviously the latter.