Quilts

Punching the Creative Buttons

IttyBittyScissors

{NOTE: If you are looking for the teensy scissor giveaway, you can find it *here.*}

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Manhattan Skyline

If you’ve never traveled to New York City, the question of whether that city is worth all the hype may cross your mind.  I can’t answer that one, but  from a quilting perspective, the stimulus provided by this “town,” as the cabbie called it one time, gives me a chance to look at things in a different way.  I’ve had the unique opportunity to travel there three times in the past year and half and have come at the city as a tourist, not as a resident, so can’t answer whether it would be lovely to be there 24/7. Is my experience so different from any travel, anywhere? Don’t know that, but here are three things that punched my creative buttons this past week (along with some quotes on creativity).

“Creativity now is as important in education as literacy, and we should treat it with the same status.” –Ken Robinson

Five Pointz, Queens, New York–scheduled to be demolished in September of this year (2013), so hurry if you want to see it

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Take the 7 train from Grand Central towards Queens, and as you round the curve, the elevated track passes an old factory, completed decorated with street art.  Yep, like you, I don’t really want this on MY house, but here in its urban setting, it was amazing.

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On Memorial Day when we were there, the area was deserted and quiet, with only a few tourists like ourselves strolling around, cameras clicking away.  I put quite a few of these up on my Instagram feed and within hours, the street artists were identifying each other’s work, noting for me who created these and in some cases, which country they were from.  The taggers (but most of these weren’t really tags, but full-fledged art) have to get permission to put their art up here, and I felt like I was interacting with a community as tightly-knit as our quilting community.

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Detail of above

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I liked also how people interacted with the art.  This family was from France.

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This young woman was there with three of her friends (can you see her in the middle?), and they did yoga poses in front of several pieces.  We talked to one set of spray paint artists (the best paint is apparently purchased from art stores–no Home Depot for them) as they worked, and they said this building could look completely different next week, as it continually being painted over.  There is one man who kind of runs the place, and to be able to paint here, new artists have to work their way up from scraping and cleaning the site, in order to adorn a wall with their creation.

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As quilters, we have quilt shows, blogs, and places to show our art.  And while the street art at 5Pointz may not be your thing, I thought it was interesting how this community had evolved in this particular place and time.  I hate the blight of graffiti on my town, the tags scrawled across buildings, defacing them.  But I loved coming here. My takeaways: passion for your art, dedication to completion, ability to put it out there and let it go, colors, shapes, novelty.

“You were probably steered benignly away from things at school when you were a kid — things you liked — on the grounds that you would never get a job doing that: ‘Don’t do music, you’re not going to be a musician. Don’t do art, you won’t be an artist.’ Benign advice — now, profoundly mistaken.” –Ken Robinson

El Anatsui–exhibit at the Brooklyn Museum  (click on this link and watch the video of them putting up the pieces–reminds me of hanging a quilt show.  Sort of)

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El Anatsui is a Ghanian artist working in Nigeria and is a master at using materials at hand to create his art.  These squares are all bottle tops, bent and shaped and then put together to create massive “quilts” of color and form and shape.  In a video at the exhibition, he used the word “patchwork” to describe his work of creating pieces and put them together.  There are a lot of similarities to what we quilters do, only ours are cloth, not liquor bottle tops.

ElAnatsui bottle tops

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My sister had gone the week before and said it was an amazing exhibit.  Be sure to watch the video on the Brooklyn Museum’s website about how they installed these pieces.  Although they are huge, they look as light as air. Takeaway: explore all kinds of colors, materials, shapes and forms.  Don’t be afraid to reshape or move things around to get a different result.

“Human life is inherently creative. It’s why we all have different résumés. … It’s why human culture is so interesting and diverse and dynamic.” –Ken Robinson

Punk: Chaos to Culture–showing at the Metropolitan Museum of Art

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Like the above street art, I am not drawn to punk naturally, but this exhibit at the Met I thought was brilliant, because it talked about the influence of punk fashion on the greater world of fashion–and it brought together some of the things I’d been seeing this week in my touristing. [All photos are from the internet.]  To get a fuller perspective on the show, watch the video, narrated by Andrew Bolton, the curator.

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This gallery, titled Bricolage, was where the culmination of recycling trash to treasure was noted, and I loved what what used in the skirt and shirt below:

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Bottle Tops!  Couldn’t believe it. They also had dresses that had graffiti sprayed on them, and how graffiti can be incorporated into T-shirt and dresses.  I thought of the current obsession we have with text on cloth, and wondered if we were also feeling a wave of punk influence, in a more refined way.

“If you’re not prepared to be wrong, you’ll never come up with anything original.” –Ken Robinson

I won’t show you any more of that exhibit, as it was punk-ish, after all, better seen in context, as is all art.  But I will leave you with one more picture:

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This is the grave of Elias Howe in the Green-Wood Cemetary in Brooklyn (hey–it was Memorial Day, after all), in the who we all owe a great debt, as he was the inventor of the modern sewing machine.  Apparently the biggest sticking point was where the eye of the needle should go, and this account from a family story, tells how he came to invent this (from Wikipedia):

“He almost beggared himself before he discovered where the eye of the needle of the sewing machine should be located. It is probable that there are very few persons who know how it came about. His original idea was to follow the model of the ordinary needle, and have the eye at the heel. It never occurred to him that it should be placed near the point, and he might have failed altogether if he had not dreamed he was building a sewing machine for a savage king in a strange country. Just as in his actual working experience, he was perplexed about the needle’s eye. He thought the king gave him twenty-four hours in which to complete the machine and make it sew. If not finished in that time death was to be the punishment. Howe worked and worked, and puzzled, and finally gave it up. Then he thought he was taken out to be executed. He noticed that the warriors carried spears that were pierced near the head. Instantly came the solution of the difficulty, and while the inventor was begging for time, he awoke. It was 4 o’clock in the morning. He jumped out of bed, ran to his workshop, and by 9, a needle with an eye at the point had been rudely modeled.”

Wikipedia also notes that “Howe received a patent in 1851 for an “Automatic, Continuous Clothing Closure.” Perhaps because of the success of his sewing machine, he did not try to seriously market it, missing recognition he might otherwise have received.”  In other words, he invented the zipper, too.

Sorry for the long post, but sometimes it’s interesting to note where we get “refilled” when we’ve run out of ideas, or are tired, or have too many UFO’s lurking in the closet and have lost our creative mojo. (Plus, we had a great time in The Big Apple.)

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Quotes are from Ken Robinson, who has given many TED talks on creativity and our educational system.

Quilts

Pins and Needles, in New York City

PinsNeedlesDoor

I’ve been in New York City for a week, and while there I discovered a new quilting/fabric shop, on the upper East Side, a few blocks from the Metropolitan Museum of Art.  It’s called Pins and Needles.

Map to PinsNeedles

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Ring the buzzer, and they’ll let you in.  Head up the stairs to the second floor, and their door is on the left.  It’s like going up to fabric heaven from the gritty bustle of the streets.

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I am standing at the window overlooking the street, and photographing toward the back.  It’s not a big shop, but it has such a variety of modern fabrics and ideas and even a little classroom area, that I felt it had a lot to offer.

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The classroom and looking out the window.  There are basically three fabric stores that cater to quilters and home sewists in New York City: City Quilters (midtown), Purl Soho (Soho, or lower third of Manhattan) and now this gem of a shop.

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I was immediately welcomed by two very friendly women: the owner Rachel Low (on the left) and Lauren Rucci; Rachel gave me permission to take photos. She also maintains a Facebook page for the shop, if you’re interested, as well as a blog.

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Though compact, it felt spacious.  They have a wide variety of modern fabrics, well-edited, and I could see lots I wanted to take home.  But since I had practically sat on my suitcase that morning to get it closed, I was constrained by space.

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While most of us diehard quilters approach fabric with a fair amount of gluttony (unless you are sitting on your suitcase to get it closed), in the shop Lauren has taken more of an arts and crafts approach, as opposed to quilting, even using the term “patchwork,” as their clientele is more geared toward sewing.  Smart move, as you can learn to do the quilting after a good knowledge of fashion sewing has been established.  One of the most successful things a shop can do is to know who their customer is.

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I loved their wall displays.  Rachel has worked in the fashion industry, including a two-year stint at Prada, so the shop incorporates these themes into their decor.

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I loved their wall with fashion pictures, fabric swatches–so many ideas!  I have noticed the trend towards sewing; many quilters are trending towards making dresses and clothes not only for themselves, but also for their children.  I just happened to do it the reverse, majoring first in Clothing and Textiles, then discovering quilting later. I say, no matter how you come to it, sewing something for yourself or for your home is extremely rewarding, and this shop brings all of those ideas together.

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Crafting table.  They hold several classes for children’s crafts.

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I loved the window overlooking the stree, with a comfortable banquette with cute pillows.

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And what did make it into my suitcase? Three cuts of fabrics, some Itty-Bitty Scissors, all done up in a very cute bag.  These scissors are about 1 1/2″ inches long, have a point cover; Rachel says her customers have been successfully taking them on airplanes to do their stitching.  I bought an extra, and would love to share it with you.

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Leave me a comment below and I’ll choose a winner on Tuesday morning.  In your comment, tell me where you’ve traveled recently and have needed a pair of teensy scissors, as well as which color you’d prefer: turquoise or pink.  And if you are not a winner, I’m sure that Rachel of Pins and Needles would be happy to ship you your own.  Contact her at her Etsy Shop, or by email (rachel@pinsandneedlesnyc.com).

FAL · Finish-A-Long · Quilts

FAL Progress: not much

This is one of those I-think-I’ll-beat-myself-up posts.

I’m participating in the Finish-A-Long this quarter, after having such a gang-busting last quarter.  Really, I was hot hot hot.

FAL Q2_2013These were my goals.

1. I glimpsed the Hunter’s Star quilt top when I was finishing up the vacuuming after my sister and her husband left (they stayed with us for a few days and we had great talks).  It’s still hanging there, waiting for a border or two and then a trip to the quilter.

2. Hey! I finished something–the Four-in-Art * Fire quilt, titled Doloket.

3. Hey!  Something else was completed.  Guess I might not have to hate myself so much.  Yes, I did finish the Italy quilt — a Schnibbles quilt — part of Another Year of Schnibbles on Sheri and Sinta’s blogs.  Title: Take Me Back to Italy.

4.  I can’t finish this one, as the sample is hanging in the shop — the shop owner likes it unfinished so she can show people what machine appliqué looks like from the back.

5.  Oh, right.  Next.

6. Finished this one, woohoo!  Title: Lollypop Treat.

7.  What was I thinking even listing this?  Next.

8. Sigh.

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So, I guess it’s not total loathing here in Riverside, just partial.  But the one good thing about this FAL is that keeps me honest, and usually focused.  But I had to add in another Schnibbles (above, as I know no post is good without photos), and I slipped in Christine’s Philadelphia because the idea was burning in my brain.  Okay, confessional over.  I guess I should get to work.

200 Quilts · Creating · Family Quilts · Quilts · Something to Think About

Christine’s Philadelphia

At the last post, we were in the bakery section of Bottega Louie and I had a big surprise for my sister Christine.

ChrPhilly all wrapped up

 It was  Christine’s Philadelphia, a quilt celebrating her life and her newly adopted city.  She moved to a Philadelphia row house this past year, after ten years in transition.  First, she raised all her children, then began a new section of her life as an artist, returning to school.  Settling in to this life was not for long, as her husband died of cancer in a quick and wild two years.  She went on a mission for our church to New York City, and resumed a friendship with Doug, who had also lost his wife.  They married after her mission and she moved from the West Coast, where she’d spent most of her adult life, to the East Coast (Delaware), then finally to a lovely home in Philadelphia, within walking distance of art museums.  She resumed her art, but one more mishap: while biking to her studio one evening, she was hit by a car, but has now mostly recovered from that accident.  She is taking on new challenges all the time.  So you can see why I wanted to make her a quilt.  I had lots to cram into one tiny creation of mine.

She was surprised.  And I think, delighted.

ChristineESE Row Quilt

I’d been planning it and working on it for a few weeks, and when she came out for her son’s graduation, I knew I could give it to her then and see her face, and then mail it back later (which I’m doing).

Christine's QuiltSketch labeled

This was the sketch I made in QuiltPro.  I knew that I wanted to alternate bold solids (for the roofs) with other patterns (for the houses).

Christine's Row Quilt labeled

This was the quilt, all sewn and smoothed up on the pin wall.  I think I was able to execute the vision I had fairly successfully.  I also wanted to emphasize the chevron effect, but didn’t want a steep 45-degree angle on the roofs, instead I went with something more sloping (drawing my own pattern to get this done). I often thought about making this just in solids, like the sketch, but I’m all about richness and texture in my quilts.

Pulling fabrics

This was the first pulling of fabrics.  I was worried about mixing the moderns (used mostly for the houses and the row above, as well as the sky) with the densely colored, floral Kaffe Fassett fabrics.

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I sent a photo of this around to some friends and asked them what they thought.  Cindy of LiveAColorfulLife said, “Oh, go for it.”  So I did.   (Like all my junk on the sides of my pinwall?  Sometimes I treat it like a giant cork board.)

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Swapping out roofs on the right side to see if I like the orange down on top of the yellows any better.  I don’t.

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But I tried the whole row and added in the doors and windows.  You’ll notice there’s a bold blue sky piece which disappeared in the final version.  I keep trying to refine my design as I go, snapping a digital picture, evaluating, moving things around, and repeating the process.

First glimpse on wall

I am not a fan of when people say “Oh, I am working on this but I can’t show you.”  Then just don’t show me.  I hate keeping quilt secrets, but I had to keep it secret from my sister as it was a surprise, so I tried this sideways artsy shot on Instagram one day, hoping it would disguise the basic design.  I didn’t want to put it anywhere on my blog since she’s a faithful reader.

stitching on windows

I formed the windows and doors over a piece of stiff paper (like what is in a calendar) so they would be all the same size, then topstitched them down.

lined up for piecing

I sewed the narrow roof/house sections row by row; here’s one row lined up for stitching.

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Then I would add the house, then the sky. The “row” on the right is all done.  I’ll do another post on sewing those Y-seams, but later.

ChrPhilly pressing

I like this shot.  It reminded me of the AMH feather block I’d done for my Mid-Century Modern Bee.

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I pressed the seams open — a rarity for me.

ChrPhilly top

I took it outside to photograph the top, and just by draping it over the fence, I could see how valuable that deep plum-colored roof was to the whole composition.  This partly influenced what color I chose for the binding.

Christines Philadelphia Quilt Front

Christine’s Philadelphia, front

Christines Philadelphia Quilt Back

I rigged up a clothesline on my back fence to take photos, as my husband wasn’t home and I wanted to get it ready to go with us to the graduation.  I used a Jane Sassaman for the backing (above), and my quilter was lickety-split on the quilting (thanks, Cathy!).

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Christines Philadelphia Quilt Label

I didn’t want the quilt label to stand out too much on that background, so printed it on yellow.

Giving Christine the quilt

Here we are again, in an uncropped photo.  You can see all the bakery goodies in the background.

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When you sew on a quilt that is destined for someone, you spend a lot of time thinking about that person, in essence sending good vibes out into the universe for them, I think.  I remembered the time she had mononucleosis when she was going to Stanford, and moved home (my dad was a professor there so we lived in the area). I was in high school at the time, and we shared a room while she convalesced.  She hates it when I say this, but she has served as a great example for me and my other sisters, as all four of us are close together in age.  All of my sisters are amazing.  I am beyond lucky to be able to say this, and I know it.  I made a quilt with Cynthia, made one for Susan, and now, with this one, they all have one of my quilts.

And with each quilt, I send them my love.

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This is Quilt #115 of 200 quilts, and I’m publishing this post on my mother’s 85th birthday.  Happy Birthday, Mom!!

(Don’t worry.  A long time ago, I made her a quilt too.)