Christine’s Philadelphia

At the last post, we were in the bakery section of Bottega Louie and I had a big surprise for my sister Christine.

ChrPhilly all wrapped up

 It was  Christine’s Philadelphia, a quilt celebrating her life and her newly adopted city.  She moved to a Philadelphia row house this past year, after ten years in transition.  First, she raised all her children, then began a new section of her life as an artist, returning to school.  Settling in to this life was not for long, as her husband died of cancer in a quick and wild two years.  She went on a mission for our church to New York City, and resumed a friendship with Doug, who had also lost his wife.  They married after her mission and she moved from the West Coast, where she’d spent most of her adult life, to the East Coast (Delaware), then finally to a lovely home in Philadelphia, within walking distance of art museums.  She resumed her art, but one more mishap: while biking to her studio one evening, she was hit by a car, but has now mostly recovered from that accident.  She is taking on new challenges all the time.  So you can see why I wanted to make her a quilt.  I had lots to cram into one tiny creation of mine.

She was surprised.  And I think, delighted.

ChristineESE Row Quilt

I’d been planning it and working on it for a few weeks, and when she came out for her son’s graduation, I knew I could give it to her then and see her face, and then mail it back later (which I’m doing).

Christine's QuiltSketch labeled

This was the sketch I made in QuiltPro.  I knew that I wanted to alternate bold solids (for the roofs) with other patterns (for the houses).

Christine's Row Quilt labeled

This was the quilt, all sewn and smoothed up on the pin wall.  I think I was able to execute the vision I had fairly successfully.  I also wanted to emphasize the chevron effect, but didn’t want a steep 45-degree angle on the roofs, instead I went with something more sloping (drawing my own pattern to get this done). I often thought about making this just in solids, like the sketch, but I’m all about richness and texture in my quilts.

Pulling fabrics

This was the first pulling of fabrics.  I was worried about mixing the moderns (used mostly for the houses and the row above, as well as the sky) with the densely colored, floral Kaffe Fassett fabrics.

ChrPhilly on pinwall 1

I sent a photo of this around to some friends and asked them what they thought.  Cindy of LiveAColorfulLife said, “Oh, go for it.”  So I did.   (Like all my junk on the sides of my pinwall?  Sometimes I treat it like a giant cork board.)

ChrPhilly on pinwall 2

Swapping out roofs on the right side to see if I like the orange down on top of the yellows any better.  I don’t.

ChrPhilly on pinwall 3

But I tried the whole row and added in the doors and windows.  You’ll notice there’s a bold blue sky piece which disappeared in the final version.  I keep trying to refine my design as I go, snapping a digital picture, evaluating, moving things around, and repeating the process.

First glimpse on wall

I am not a fan of when people say “Oh, I am working on this but I can’t show you.”  Then just don’t show me.  I hate keeping quilt secrets, but I had to keep it secret from my sister as it was a surprise, so I tried this sideways artsy shot on Instagram one day, hoping it would disguise the basic design.  I didn’t want to put it anywhere on my blog since she’s a faithful reader.

stitching on windows

I formed the windows and doors over a piece of stiff paper (like what is in a calendar) so they would be all the same size, then topstitched them down.

lined up for piecing

I sewed the narrow roof/house sections row by row; here’s one row lined up for stitching.

ChrPhilly piecing 2

Then I would add the house, then the sky. The “row” on the right is all done.  I’ll do another post on sewing those Y-seams, but later.

ChrPhilly pressing

I like this shot.  It reminded me of the AMH feather block I’d done for my Mid-Century Modern Bee.

ChrPhilly piecing 1

I pressed the seams open — a rarity for me.

ChrPhilly top

I took it outside to photograph the top, and just by draping it over the fence, I could see how valuable that deep plum-colored roof was to the whole composition.  This partly influenced what color I chose for the binding.

Christines Philadelphia Quilt Front

Christine’s Philadelphia, front

Christines Philadelphia Quilt Back

I rigged up a clothesline on my back fence to take photos, as my husband wasn’t home and I wanted to get it ready to go with us to the graduation.  I used a Jane Sassaman for the backing (above), and my quilter was lickety-split on the quilting (thanks, Cathy!).

ChrPhilly detail 1

ChrPhilly detail 2

Christines Philadelphia Quilt Label

I didn’t want the quilt label to stand out too much on that background, so printed it on yellow.

Giving Christine the quilt

Here we are again, in an uncropped photo.  You can see all the bakery goodies in the background.

ChrPhilly on sofa 1

When you sew on a quilt that is destined for someone, you spend a lot of time thinking about that person, in essence sending good vibes out into the universe for them, I think.  I remembered the time she had mononucleosis when she was going to Stanford, and moved home (my dad was a professor there so we lived in the area). I was in high school at the time, and we shared a room while she convalesced.  She hates it when I say this, but she has served as a great example for me and my other sisters, as all four of us are close together in age.  All of my sisters are amazing.  I am beyond lucky to be able to say this, and I know it.  I made a quilt with Cynthia, made one for Susan, and now, with this one, they all have one of my quilts.

And with each quilt, I send them my love.

****

This is Quilt #115 of 200 quilts, and I’m publishing this post on my mother’s 85th birthday.  Happy Birthday, Mom!!

(Don’t worry.  A long time ago, I made her a quilt too.)

21 thoughts on “Christine’s Philadelphia

  1. Your posts always warm my hear and make me smile! This one is no exception! Happy birthday to your dear mother- I am certain she will have loved reading this story. And the quilt, with love in every stitch, will hold a special place in your sister’s life! Thank you for sharing the story of the quilt and its making…

  2. Once again, you’ve done such a wonderful job on such a special quilt! And I think this one should be a pattern in the making – to be sold, ok?! Am glad you clarified the location for the pic with Christine and the quilt — my first thought was “how interesting to take a picture in the perfume/cosmetics section?!”

  3. Wow; it is a piece of art! I agree with Betty; you should copyright and publish your pattern. Y our sister sounds like an amazing woman, full of strength and resilancy! Beautiful work! She will treasure it for sure.

  4. I enjoyed reading about your sister’s journey and seeing the quilt in the making. You are a clever one, Elizabeth….and a wonderful sister, I can tell!

  5. And the story of four sisters continues. We are lucky to be such good friends as well. Love to you. I treasure my “Riverside” quilt. XX. C

  6. I really enjoyed reading about your process. The quilt is gorgeous. I also have 3 sisters, though we aren’t very close in age (the youngest turned 18 on Sunday), but they all have a quilt from me and I agree that the process of making something is a great opportunity to think about that person. Making something with someone in mind is one of my favorite things about quilting.

  7. What a wonderful story and your quilt is fabulous. I love the row house concept and how you executed the idea with the little windows and doors added. Very fun and certainly very special. Your sisters are lucky to have quilts full of love made specially by you.

  8. Wonderful post, Elizabeth! Such a clever quilt design, I love everything about it. I like how you go through the process step by step, it’s so great to read the details!

  9. Oh, just wonderful. It is so special when you are making a specific quilt for someone. I love the houses ‘morphing into the overall design. Great job.

  10. What a neat quilt! The three most striking things to me are the necessity of the deep plum, the green belonging on the lower row of roofs, and that you got rid of the dark blue in the sky. And although I love all solid quilts, I think your alternating solid and print was a good move to separate the rows of houses more.

  11. Wow – I have to say that is an amazing quilt. But I especially love the stories about your sister(s) – I have 2 who are also very special to me. I hope they know how lucky they are to have your for a sister – and an artist.

  12. I think this is a perfect “sister” quilt. The zig and zag can represent the two personalities that come together to form a wonderful design. Lovely quilt, but even lovelier sisters!

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