Quilts

Personal History of Quilting

March 16, 2025April 3, 2025 Elizabeth E.9 Comments

“Hope is a discipline and…we have to practice it every single day. Because in the world which we live in, it’s easy to feel a sense of hopelessness, that everything is all bad all the time, that there is nothing going to change ever, that people are evil and bad at the bottom. It feels sometimes that it’s being proven in various, different ways, so I get that, so I really get that. I understand why people feel that way. I just choose differently. I choose to think a different way and I choose to act in a different way. I choose to trust people until they prove themselves untrustworthy.”
~~Mariame Kaba

I first read about Kaba’s idea of hope being a discipline in an interview with Ed Yong, who also confirmed that hope “is a practice that you cultivate through active effort.” [Link should give you access to the interview.] And then ideas about hope kept popping up everywhere.

My friend Melanie shared:
“We must accept finite disappointment, but never lose infinite hope.” ~MartinLuther King Jr.
“Hope is like the sun, which, as we journey toward it, casts the shadow of our burden behind us.”

We start out any journey with hope: hope the car won’t get a flat, hope the plane won’t be delayed, hope the hotel room is clean, hope the people on the other end are okay, and so on.

Likewise we start all our quilts with hope that we like the fabric we chose, or that we hope we have the skills to complete the quilt. But a lot of the time, hope is not that obvious. We pick up cloth or brush or pencil or paper, urged by a need to create beauty or explore or solve an internal riddle. We just keep working, sometimes unable to define the goal or endpoint, as the work itself meets a need inside. Sometimes I create because if don’t, I’ll slump into a depressive mood, unable to rouse myself, unable to console that unbidden sorrow inside. Sometimes I create because it’s just a good day and I can hardly wait to cut into that new (or old) fabric. Sometimes I create because I need to have to figure out a structural puzzle, or solve for the x in the quilt to get the y.

A selvage is a bit of the fabric’s dna-ish coding: colors, alignment, a manufacturer and a designer. Sometimes there is a phrase or a quote. Often instead of a line of color registration dots, there might be houses, or shells or flowers. It gives a clue to the person (mostly a woman) who was behind the beginning of this piece of cloth. I’m building on her work, and by the people in the future choosing how this quilt will be used, someone else will carry us both forward.

I took the first stitch on this quilt eleven years ago, in March of 2014, and finished it this month. Did I “cultivate through active effort” my forward journey, hopeful that one day I would finish? Perhaps. Whatever propelled me, it’s lovely to look at this, to see my personal history of quilting writ in cloth, each selvage a clue to where I was, who I was, placing me firmly in time and space in a mostly unknowable past.

And with a bit of discipline, I will carry hope forward into an unknowable future–

(My own version of a selvage is above, if I were designing fabrics. Which I’m not.)
Quilt #305 Title: Personal History of Quilting
Quilter: Nancy Bahner; the pattern is Funky Fans by Urban Elements

Other posts about this process & quilt, in no particular order:

WIP Wednesday (Selvage Blocks)
Selvage Block-A-Long
Selvages
Incomplete
Goals for Fall 2014
Straighten Up and Sew Right

This backing reminds me of the Very Large Array in New Mexico. A peak experience.

If you’ve read this far, here’s the free downloadable Tip Sheet for this Selvage Quilt:

Selvage Quilt Blocks_OPQuilt Download

Two Quilt Finishes • March 2025

March 7, 2025March 9, 2025 Elizabeth E.11 Comments

What is this mess? My exploded Orphan Quilt Box. I’ve been putting things in here for nearly two decades (the little airplane blocks are for my grandson’s baby quilt, and he just went off to college), and it was time to excavate and see what to toss and what to keep.

I pretty much threw out all blocks with red fabric. I love reds, but that color of fabric went through a hard time for a while, bleeding every time it was used. I started to test the blocks one-by-one, but then just tossed them all. What’s that old song say? Know when to hold ’em and know when to throw ’em away. Yep.

I found several blocks that were orphans of a different quilt. Baby Hurren is getting a little sibling, and we don’t know yet whether it’s a boy or a girl, so I tried to make a jolly quilt that could go either way for his mother. (I need to change out the February quilt behind it.) Here’s a wee pattern for it on my pattern shop–for a tiny price!

A simple outlining of the blocks did the trick. It was a fun project to sew while we feel like we are watching our world collapse. (Baby Hurren’s mom is Canadian, and I feel like I need to apologize all the time.) The last time I felt this chaotic was when I had three teenagers living at home.

Now to switch gears: when we stayed in my daughter’s home last time, in our room were these cute cactus pots. In fact there were several of them. So yes, that cactus quilt you’ve seen being made is to hang out in this room, which has huge shelves on one side, filled with pillows and blankets and quilts, as the teen uses the room to watch movies with her friends, and to hang out (it also has a small kitchenette, complete with microwave and fridge — Teen Haven!). I thought this next quilt could join them all:

She’s received it now, so I can post about it.

We took Kingman Cacti out to a neighboring street where the cacti were in wild profusion.

It was a dance…close enough to get the quilt with the cactus forest, yet far enough so as not to get stuck. And to get a photo with an almost-in-bloom yellow cactus flower (in the upper left).

Thanks, always, to my Quilt-Holding Husband, Dave. He suggested the location and it was perfect.

I tried a new-to-me edge-to-edge pattern: Edgy from Intelligent Quilter. I like how it almost looks sharp-edged and then it doesn’t. I make a diagram so my quilter knows my preference on size:

I have two or three long-armers I’ve used over time, and Nancy is new; we are still getting used to each other’s vibe. She really rocked this one — I’m so happy how it turned out.

My friend Lisa is teaching me how to do binding by machine (shown here being attached to the back). I’ve started using it on quilts I think will get a lot of abuse/use as I’m hoping it will make them nice and sturdy. I think I’m getting the hang of it.

The cactus quilt in process–so many tiny pieces! And the quilt “packages” all wrapped up in selvages, with the edges to go at the top all marked with a removable and reusable tag. Yes, that’s my selvage quilt on the left, and the next post will feature that one, and that’s all I’ll say about that. Baby Hurren is Quilt #303 and Kingman Cacti is Quilt #304. I’m not trying to hit a goal or anything. Writing them down on my Quilt Index is more about keeping track.

And since this will publish the weekend of March 9th, Happy Daylight Savings Time Day, haha. I’m a morning person, and the thought of being dragged back to dark mornings is not a fun one. The sun will do what it does, and I’ll get up when I want — the blessings of not having to awaken to an alarm.

A reminder: turn your clocks forward on Saturday when you go to bed–

Happy 50 Years!

February 23, 2025August 23, 2025 Elizabeth E.9 Comments

First, a continuation of a story. Remember this quilt? And how when I went to find the binding, I couldn’t…and then a friend wrote to say, “Oh, you sent me that fabric!”

Then that friend, Mary of Zippy Quilts, performed her usual magic and using that fabric and my Criss-Cross pattern, made this up in no time. Or at least it seems like that. And then, she didn’t have enough for an outside border, but went with what she had in her stash. She wrote it up on her blog, Zippy Quilts, which is always worth reading.

Oh Mary!! Look what I found!!

While clearing/cleaning out in another spot, I found this bag of –yes– cut binding for that quilt. But now all that fabric is really gone — to a good home in the guild grab bag. So that’s the end of that story.

Here’s my version of Criss-Cross Color, done all in richly colored solids. One of my children now has this quilt, and I hope it gets lots of use.

In keeping with my discovering more and more WIPs from Days Gone Past, I found seven selvage blocks (mentioned in an earlier post). And since I’m playing the News Avoidance-Call Your Congressman game, I figured it was as good a time as any to finish up this stray project.

Since the universe served me up this quote (which is unverified at this point) I knew what had to be done: write up a free tipsheet on how make these blocks, just in case you might want to sew some up. Keep reading for my final thoughts on this (at the end).

Click below to download the file:

Selvage Quilt Blocks_OPQuilt Download

(Don’t click on the illustration—>)

So I had seven, but made two more in the last few days, so here are all nine. I keep wondering about that white in the middle, but I’m in the business of rehoming my orphan blocks, not creating more. It will stay white.

What kept me going in ripping out all those papers:
I’m now going through the fourth book of Osman’s and have the fifth one in my wish list, but it’s not going to be released until September. I think you can also get them through public libraries, too.

Basic Tips for Selvage Blocks

(Tips are also in the free download, above, but here’s some different photos)

The triangles are cut and pinned, and now I’m ready to add my first round of selvages. I check to make sure I’m overlapping at least a 1/4″ and then sew it down, keeping my needle about 1/8″ from the edge.

Since I have a range of blues ready to go, I add more. On the upper left, I pieced the selvage so the pears would end up next to the words. It’s not the most perfect piecing job, but the bright side is that it allows you to see that I did piece it. I do try and arrange the markings (words and designs) when I’m cutting and arranging the strips, so they don’t get cut off. And in the last photo, I’m happy that the bright blue will run around the very center of the block (more on that in the Tip Sheet).

In the top left (I assume you are reading this on a desktop, but if you aren’t, it’s probably the first photo in this group if you are reading on a mobile), I noticed I was not as careful as I should have been in getting the strips on straight, and it was only going to get worse.

So I threw in a “half-length” of selvage on the right and stitched it down. Then the next strip would be more straight and level, and I could move forward. This process is pretty forgiving, so try not to sweat the small stuff. The rest of the photos show an early phase (half done), then a fully covered square. Notice that the “tip” has a rather large piece of selvage on there. I have been known to grab a length of fabric from my stash and cut a selvage to fit.

Flip over your completed piece, and trim to 10-1/2″ square.

Four of them, sewn together, yield this pretty thing.

One last tip: I did plan to keep the paper on until the very end, but hey — paper doesn’t move, stretch, or give. [Or if you’ve been watching all the Saturday Night Live (SNL) videos this week, it also doesn’t kick…stretch…or kick.] While some of these selvages are from 25 years ago, they aren’t as old as Sally O’Malley (she’s 50!).

Although, if you need a good laugh, let me stop you right now and remind you to watch the More Cowbell skit. We burst out laughing one early morning, and in spite of the News (shudder), had a smile on our faces for most of the morning.

The other night I couldn’t sleep so wandered into my sewing room. I typically don’t sew in the middle of the night (you know, sharp things) but I decided to piece together my big blocks. I had some repairing to do after taking all the papers off, so did that, then started –very carefully — pinning and sewing the blocks together. It was a wonderful time to think of the fabrics that I’d used, from baby fabrics to bright bolds, to textures. I found repeats in different color ways, backings (they give the longest lengths of selvage), and bits and pieces of other fabrics.

I realized this quilt is now kind of like a fabric journal, a history of my materials and where my quilting journey has taken me over the last fifty years. Just as SNL is celebrating their 50 years of doing comedy sketches, I guess I should celebrate my fifty years of quilting.

Happy 50 to me!

Guess I’ll go and sew something!

300 and Beyond · Quilt Finish · Quilts · Something to Think About

Duck Creek • Quilt Finish

February 17, 2025August 23, 2025 Elizabeth E.9 Comments

Duck Creek • quilt #302

I know you are really here to see the info on this beautiful mural. It’s by Rosy Cortez, and was done under her guidance by a team of helpers. (Links point to her Instagram page as well as to the website for the mural.) I really love that it’s three different ages/stages of women, honoring our local native tribes. I’ve been two of these ages, and am now in the third (hint: I’m not pregnant).

Sometimes the title of this mural, We Are Still Here, reminds me of all my quilter friends. We cut and piece and hang out in our sewing rooms, studios, basements, garages, spare bedrooms. Every once in a while we pop up with another quilt top finished, the binding on another, and still another in stages of quilting. Dedicated, we follow in the way of artists everywhere: we have the vision. We have to see it through.

Recently an article titled “The Art of the Steal,” discussed the number of original book plots possible. In 330 B.C. Aristotle thought there might be just two: “simple (change of fortune) and complex (in which the change of fortune is accompanied by setbacks and reversals)” (by Emily Eakin, link above should allow you to read the entire article). By 1892, Rudyard Kipling thought there were 69 plots. Between Kipling and our current day, the number fluctuated, and by 2004, Christopher Booker proclaimed there were just seven: “the quest, vanquishing the monster, rags to riches, voyage and return, comedy, tragedy and rebirth” (Eakin, ibid). Not to let the number lay there, another group used a computer in 2016, and proclaimed that the “world’s stories boiled down to ‘six basic shapes‘ (Eakin, ibid.)

So how many original quilts are there in our quilting world? Like the novelists, do we have just six basic shapes?

Two of these are triangles, the rectangle is just a stretched-out square, and the curved wedge is just a segment of a circle. We have rectangle triangles, skinnier triangles, ray-shaped triangles. You’ve used them, I’ve used them. Are we like novelists then? Taking a few basic shapes (boy meets girl, etc.) to make our quilts? I have a child who really likes triangles. Another of mine just likes big quilts, bypassing design altogether. Another likes red quilts, and the last child just wants them all (bless her).

I can satisfy all their requests, for sure. And like my children, some of us are attracted to medallion quilts (my hand is the air), others like samplers, and still others would be happy making intricately pieced quilts for the rest of their lives in a blissful sort of who-cares-about-shapes-let’s-throw-them-all-in-at-once attitude, and come out with spectacular pieces of art. The reality is we take, we borrow, we steal, we adapt, we climb on top of, we turn it around, and then make it ours. Here’s one of my recent favorites, from Linda Hungerford, of Flourishing Palms.

*Feelin’ Groovy*, by Linda Hungerford (used with permission)

So the bottom line is for me, at least, I think there may be very few original quilt designs. No one gets to claim copyright on a triangle, or a circle; we all know that. But where our creativity comes in, and why we are still here, sewing machines humming, has to do with how we use those shapes, those fabrics, and how big we make it and how small we make it.

I have two copies of Barbara Brackman’s Encyclopedia of Pieced Quilt Shapes, and I also have her version of that for Appliqué. Sorry to say that I feel the same about appliqué: most of us are imitating the vines, swirls, flowers, stars and animals of the appliqué world that we’ve seen before. I have twice had famous quilters threaten me with a lawsuit because they believed I was making money off their designs (seriously?). One was well-known for pinching other people’s designs, too. I pulled that pattern, and have made it free for those who are interested, for who needs a lawsuit? The other quilt I never went far with, but I’ve seen variations of it. One last episode of being accused of plagiarism left me shaken, and I lost a good friend over it, even though the design was available freely online. I really hate run-ins with famous territorial quilters, as most of the time I’m just in my tiny world, doing my thing.

The Duck Creek quilt is made of Cat’s Cradle blocks, sashed with cornerstones and pieced rectangles, and it is the design of Lisa Alexander & Susan Ache, from their book Celebrate with Quilts. I saw this pattern at our Guild night, when Char brought her book to show a couple of us. I was hooked on this design, bought the book and went for it.

The subtitle of the Times’ article has the phrase “Copy that” as in, we get it. But sometimes we quilters seem to be the least able to “get it,” I think. I have seen some incredibly original and interesting quilts this last year, and yes, most all used the shapes above. But they are originals because of the way they used the shapes, colors, negative space and so on; maybe we don’t need to get so territorial about our shapes? We quilters can be “original” even when working with those basics, like Linda’s amazing Feelin’ Groovy.

Nobody can “copy that!”

Keep making, keep quilting, keep being here–and have fun at QuiltCon this week, everyone!

UPDATE: Some truly unique and original quilts were hanging this year at QuiltCon 2025. Here’s a post that will show them off. And here. And here. And here. And here. And here. And here. And here.