300 Quilts · Mystery Quilt · Something to Think About

A Wild Night, A New Road • Quilt Finish

Emily Dickinson’s phrase, Dying is a Wild Night and a New Road, accompanies me at times in my life. Dickinson first said it in a letter: “I know there is no pang like that for those we love, nor any leisure like the one they leave so closed behind them, but Dying is a wild Night and a new Road.” This past year, I said this phrase to my father, as we sat in the living room of where he lived with mother, who was on her own New Road that week. Life felt like a total slog in those early weeks after we lost her. I tried to get it together, but I felt so strange. Many of you wrote notes, send letters, welcoming me into this new club, and reminded me to give it time.

After a soggy winter and spring, this summer I let myself be pulled into this. I had no idea what it was going to be, or what kind of work it was. Yes, time does heal all wounds, but perhaps a little quilting wouldn’t hurt, either.

The first thing was to watch a video on how to choose fabrics, which was a great video. I could do this new thing. And when the first steps were to cut strips and sew them together, yeah — I was totally in.

Week by week, I cut and sewed and soon my file of print-outs and blocks was full:

It was like I was back in school, in a good way. In school, there’s always a syllabus, a raft of homework, a goal, a test, a completion. Working on this quilt I felt like I was accomplished something that wasn’t a duty. During this time I was getting quilts finished, but usually I have a lot of ideas and sparkles of creativity and things I want to say, but…it not this year. We had our kitchen torn apart, and then rebuilt. It was actually a relief to choose doorknobs, tile and countertop: a welcome distraction.

This article helped a lot with the sadness, letting me know that what I was going through was normal, would take time. Talking to my husband, my sisters, daughter, friends and my family was a solace. It’s all normal, yes, normal, normal, normal…but I wanted my old normal back, of happily diving into color and cloth, of not missing someone terribly.

I began to screenshot memes on Instagram, like this one, or the one below:

I retreated from life for awhile, but kept working on this Summer Camp quilt. Weeks Ringle and Bill Kerr, of the Modern Quilt Studio (who were running the Sew-A-Long) held “campfire talks.” Sometimes goofy, but always authentic, warm and interesting, I would join them a day or two late, and read through the posted comments. This project became my through-line.

I ended up with 52 blocks ( photo 1) which when placed on the wall revealed themselves to be Not Enough (2) and so I chose some of my favorite prompts and made more (3). I couldn’t see how this would ever become anything but a mush of color and line, just like I couldn’t see how I would ever feel like a life without my mother was something I wanted to have. She died at age 94, on November 13, 2022, a year ago. I’d had her all my life. I burst into tears at odd moments.

Finally, the Summer Camp Quilt-A-Long project turned a corner. Now I had to make something of these small blocks. I chose this layout, It’s a variation of one of their variations, with some changes suggested by my husband.

I finished quilting it this month, and made this label.

On the anniversary of her death, my husband and I drove to Utah. We picked up my father and drove to the cemetery in Paradise, Utah to see her gravesite, to remember her. Dad’s very old, and I’d forgotten to bring lawn chairs, so we were there about 3 minutes, 20 seconds. No lie. After he got back in the car, I took a few photographs, feeling a bit strange having such a cheerful quilt in this setting. While we were driving there, my father kept saying little tidbits like, “When she was a senior in high school, she was the editor of both the newspaper and the yearbook.” And, “She lived with her grandmother for a year the year before that.”

Hyrum Reservoir, by D. Eastmond

When we drove along the road beside this reservoir, he said: “We came along this way some time ago, and got as far as this bridge before we had to turn back. It was under construction.” They’d driven up there nearly every Memorial Day — or as they called it, Decoration Day — to put flowers on the gravesites of all those who had gone before. It felt very circular this day, me with my quilt, thinking about my Mom, as she always thought of her mother, her grandmother and others before her.

Back home several days later, I threw the quilt in the wash, and of course, it changed as quilts do, becoming something soft and cuddly and maybe perfect for a baby blanket? In the end I didn’t put the label on. I’ll send it out in the world without its history, letting it find its own way and purpose. I’m grateful for projects like this which are small bites at a time, helping me become reacquainted with why I like cloth and thread and quilts. I can’t always put my finger on where I am on this new road, but I feel better. I doodled a new design last night and I’m looking forward to making it.

My mother taught me to sew, first doll clothes, then enrolled me in a class at school where I made my first dress. Recently, I’ve had a couple of moments of deep remembrance, times when her presence has popped into my life, seemingly a reminder that she lives on, and still loves her daughter, and her quilts.

Thanks, Mom, for everything.

Quilt #282 • 45″ wide by 60″ long

Heart's Garden · Mystery Quilt · Quilt-A-Long

Heart’s Garden • Mystery QAL Part 2

Here we go again, this time for Part 2 of Heart’s Garden.

How did I arrive at this design? I thought I was going to go for a whole quilt of EPP circles, yes I did. But I became increasingly unhappy with the quilt that was up on my screen, so I scraped all the pixels off the computer and threw them into the trash. I wanted to expand, yet honor, the circle but leave enough room in the design to go where I wanted it to go.

First, some eye candy:

Lisa was the first to send me a photo of her completed circle. I love this group of fabrics, and Lisa’s placement of colors.

Susan’s was next, a photo grabbed from her IG feed. Can hardly wait to see how this one evolves, as I love those deep colors playing all together.

I’m keeping to one bundle of Sherri and Chelsi’s Sincerely Yours fabric line, so that helped determine what I chose next. I went with one fabric for all the arcs, and a variety of fabrics inside the arc. I’m keeping in mind how I want the quilt to flow outward from the colorful center circle, and this made the most sense to me.

back of the first part of the assembly

The arcs are sewn together, then the seam allowance on the outside large arc pressed under. I made a template of the large arc pattern out of freezer paper, and used that to help me get that pressed edge, but you can also eyeball it. Don’t burn your fingers with the iron!

I put the arcs to the feed dogs, so I can help manage everything from the center circle side, keeping a straight seam when the presser foot hits the center circle and wants to wobble.

The twidgiest part is where the arcs meet the corner. You can just stop sewing at the larger arc’s pressed outer edge, or you can sew the seam (photo #2 and #3) and then unpick those four stitches later. I did that method. Both methods work.

Then you’ll appliqué the whole unit to a larger square. Tips are in the pattern.

Cut out the back and save it for more uses.

(Hint: Yes, there will be more uses–coming in March!)

I had a pretty good idea of what colors I wanted for the inner appliqué hearts (pinned on here), but I dithered on the outer circles, ending up with red. My advice: wait until you choose the border before you decide on those circles.

I have had fun working with this group of cheery fabrics, but after seeing Susan’s and Lisa’s I’ll want to try some different fabrics, too.

I have a hashtag going on Instagram (yes, with the heart on the end):

If you are making this, please tag it when you post, and I’ll draw from there for some photos next month.

[UPDATE: The entire pattern is now live and living in my online pattern shop.] Hope you enjoy making this second part–post them so we all can enjoy them. P.S. If you can’t manage another project, feel free to download for another time.

Happy Quilting!

Mystery Quilt · Quilt Shows

Road to California 2022 • Part II

Road Two of Road to California Quilts. You may want to do this in two bites, but we still have Part III coming, focusing on some specialty exhibits (it’s shorter). Click on any image to make it larger, then hit the small X in the upper right to return to this page.

Thought I’d lead with a high-impact quilt.

I just want to know how she kept track of all the circles. Sometimes I wish they’d tell us how long a quilt took, but maybe I don’t want to know.

I liked the shape of the White Spotted Rose Anemone, by Kelly Spell. I kept wondering what the next wave of covid quilting was going to look like, and perhaps these curves against those lines might be an indication: texture?

Now I know what to do with all those labels in my notions drawer that I’ve been saving. I’m pretty sure I could get a pincushion covered…

Road to California has lights at the base of each quilt, and those lower lights really give a sculptural quality to the stitching.

I have a such admiration for all the detail in this quilt:

All those little houses everywhere, and patchwork flags! As a reminder: click on any image to make it larger, then hit the small X in the upper right to return to this page.

Click to see the teensy-weensy strips in this pineapple block. It was in an exhibit labeled Pride.

I appreciate the humor in this quilt. The exhibit was titled Conspiracy Theory Challenge, and most were clever but political (so.tired.of.that). So I focused in on this scene with cows being lifted heavenward by UFOs.

A perfect quilt for this year, but I think the message does not just stop there. That’s one of the interesting things about quilt shows. I see the expression of quilters being themselves, making their art the way they see it. We have all kinds in a show like Road (which is why it is one of my favorites). They strive to represent art, modern, traditional and I like that many quilts which I’d never see are sent to this show. I get to “meet” a lot of new quilters who have chosen the motto “Be You.”

Love the phone in the back pocket, along with scissors.

Pretty sure that fish lady is made of milagros, but not certain. This one and the one below appear to be about 17″ tall, a foot wide, but I’m guessing.

I love the little peoples everywhere.

Last of the smallish quilts. I thought her treatment of the “fringe” was lovely.

This was such an interesting quilt, made with six colors, and shades of gray, black and white.

Making a whole cloth quilt seems like such a challenge.

I loved the eyes, so I made that the big image in this gallery of Road quilts. The full quilt is on the lower left. I never saw the back of the piece; wish I had!

Not square! (big smile)

Colors!! No, they don’t have chains to keep the quilts from running away. Something about protecting the quilts and fire-marshall-said-so business.

Simple shapes, bold colors, value contrast, great design = smashing quilt.

This quilt, made and quilted by Zena Thorpe, is titled Connectivity. I kept zeroing in to see the quilting, as well as the appliqué. She doesn’t say how she did it, but it looks handsewn. Beautiful work.

We’re almost done!

I also wish they’d put the size of quilts on the title card. I’m guessing this is about 24″ tall. Gorgeous work by both artists.

I’ve been focusing on gardens lately [with the Mystery Quilt of Heart’s Garden I’m hosting (free! on this website!]) so I really loved all the details of Hanne Lohde’s quilt in memory of her summer home in Denmark.

And the final quilt in this post is from Janet Stone–who else to lead us out? By the way, it was also a big prize winner at Houston 2021, and their photo is quite a bit better than mine.

And that’s a wrap for this segment. Next post I’ll have the Cherrywood Diana Quilts, a few pieces of clothing, and quilts from artist Linda Anderson.

Thanks for all your comments last go-round. I tripped on my stairs and slugged the wall accidentally, so haven’t had use of my right hand for a few days, but I didn’t want you to think I hadn’t enjoyed your comments. The hand is getting better. I said to my husband, I may be older, but now it is obvious to me that all the guys in the movies are pulling their punches and not making contact. Now that we never leave our homes, does this mean we’ll have higher incidents of injuries in the home? Hope not. We don’t need to add one more thing to our list of Bad Stuff for the Covid Years.

And speaking of that, I also find it interesting that I didn’t see any visual representations of covid. Not one. I’ve always enjoyed Becky Goldsmith’s covid quilt (above), made right at the beginning of our pandemic, and since we are just past the 2nd anniversary of the first diagnosed case of covid, I thought we’d see more. I once drew up a sketch, but decided I didn’t want to spend my time making it. If I do anything, I’ll do hers (it’s a free download on her website; link above).

I’ve had several hundred downloads of the free mystery quilt-a-long of Heart’s Garden, so those of you who are making that, good luck with your EPP sewing. Our hashtag Instagram online is:

Yes, with the heart. I’m finalizing Part II of the mystery, which will drop in February.

Happy Quilting!

200 Quilts · Mystery Quilt · Quilts · Quilts-on-the-Bed

Belle Etoile du Jour

BelleEtoileduJour_4gardenBelle Etoile du Jour
Quilt #181 of 200 quilts, 88″ square
Began December 2016 • Finished May 2017
BelleEtoileduJour_1unquilted

A couple of weeks ago, I had my son and grandson hold up the unquilted top of this creation, and I include it here so you can see the quilt top.  I was late starting this quilt, as everyone else in the world began making it in November when Bonnie Hunter announced her En Provence Mystery Quilt for 2016, based on colors she’d seen in her trip to France.  BelleEtoileduJour_5BelleEtoileduJour_1front

I decided that if I made the various units, as described in the mystery, then stowed them away, I might be able to get back to the quilting even when I was convalescing from the planned rotator cuff surgery.  I was able to finish all but two steps.  When it was time for me to do those, I figured out how to sew one-handed, and my saintly friend Lisa trimmed up 60 blocks for me. BelleEtoileduJour_3back

I did my best to get it up on my garage-door-photo-studio today, but I had a wrinkle in the quilt that I just couldn’t manage to ease out, so I have to resort to other photos to show it off.  I like looking from the back of the quilt outward, like it’s stained glass.  I had purchased about 5 yards of backing fabric, unable to remember how big the quilt top was.  I needed more, so spliced in a yellow coordinating print, then took it all over to my Cathy, my quilter.BelleEtoileduJour_6BelleEtoileduJour_7

She was a good sport and let me choose a new pantograph for her collection, which I think really works well with the quilt.  The original quilt called for purple fabrics in those 18″ blocks, but I went instead with periwinkle, a favorite color of mine.BelleEtoileduJour_8label

The title comes from an old poem, where the poet calls flowers “Day Stars.”  I had Google translate “beautiful day stars” into French, then ran it by my French-speaking husband who said it was fine. (I didn’t want to be swearing in French, or something.)  I don’t really believe there is a top or bottom to this quilt, so I sewed the label on an angle, just for fun.BelleEtoileduJour_2And again, if you haven’t started your listing of your quilts, start now!