Classes · Live-Online Classes

Finger Paints Quilt-A-Long • Painter’s Palette Solids

I saw this online and immediately jumped. This was one of my favorite quilts at QuiltConTogether, and yes–I’ll take one for myself.

Delta Breeze, by Cindy Wiens

These two quilts, Finger Paints and Cindy’s Delta Breeze, are definitely cousin-quilts, but oh-so different and I’ve had Delta Breeze on the mind for like a 100 years. And the fabric all chosen and set aside in the cupboard, but I can always use another quilt that combines style and color and cool ideas.

Laura Loewen is a relative to another favorite online friend (the Medallion Queen!). Laura has two versions of this quilt: one made straight up, with rulers, etc. and one that is a bit more improv. I decided to jump on the improv class, so am signed up for August 28, Saturday. If you are in that class, come and sit by me! I’m kind of shy as we’ve been in the house like forever, and I don’t quite know how to deal with real people anymore, but I’m sure you know what I’m talking about.

I’m a Painters Palette Solids gal, and Laura doesn’t list these fabrics, so I set out to figure out my colors. Long ago I grabbed one of Paintbrush Studios’ charm packs with all the colors, broke it apart and wrote the number of the color on the small square. But I also wrote another number: one referring to the column on the fabric swatch chart, so I could find them easily. I never understood everyone who cut up their color charts (I mean, I understood why they said they did it, but didn’t understand how it would be easier to find colors), but this system works for me.

(And you can win a complete set of Painters Palette charm colors at the end of the post, if you are a Painters Palette user, or want to be.)

So here’s three photos, showing my chosen colors. You can’t see the Black, but it’s written in pencil beside it: 004. And a quick tip: if you go to Pineapple Fabrics and want to order your Painters Palette Solids, just type in 121- and then the color number in the search bar. It finds it a LOT faster than wading through their menus. (So Black would be 121-004 in the search box.)

The neutrals. I laid the squares over Laura’s cutting instructions so as not to give away any info from her pattern. Again, if you can’t see the number written on the swatch, most are in pencil beside the colored square in her pattern.

Purple is 080. I couldn’t decide on Fabric C–it calls for a light purple and I have two that could do that: a light pinky lavender (084) and a periwinkle lavender (012). I’m holding off on cutting until I see where they go and what will work. Since I think this is sort of the warm colors, it may have to be 084 vs. 012.

Sorry–navy is hard to read, too: It’s Fabric W: 008; Dark Green is 074. I went back and forth on the navy, as to me that color is a bluey-black, but in her original quilt, the color appears much brighter. (The quilt on the cover of her pattern is made up in different fabrics than her original, shown below.)

This is a screenshot from the MQG Website, showing all the award winners from QuiltConTogether 2021, if you want to go and look at the rest. I love what Laura wrote on her blog about creating this quilt: “I had been in a sewing rut, as many of us found ourselves mid-pandemic, and I knew I needed a splash of color and playing with fabric to get back into sewing. I decided on a simple bear paw quilt block but wanted to put a modern spin on it with improv piecing.”

While I did notice that she pressed open all of her seams, I don’t know if I can follow her down that rabbit hole. We’ll see. I’m a press-to-the-side sort of person, because I like the dimension.

Here’s an IG quick movie to show you my mess when I was choosing. Above is my version of the Painter’s Palette Solids color card. Because I’ve been collecting solids for a while, I only had to buy two more colors from Pineapple Fabrics. Hooray for sewing from the stash. (Hooray for collecting!)

This is my Criss-Cross Color pattern. Obviously I like this sort of quilt! Now to get busy on cleaning up the sewing room. We cleared out a lot of my stuff out of the guest room because — oh, gosh — we had guests, and I need to finish cramming stuff onto shelves organizing to get the detritus off the floor.

UPDATE: Giveway closed. Thanks for entering! If you want to enter the giveaway for the charm-packs-color swatches, mention it in your comment below. (Domestic USA only.)

Happy Quilting!

300 Quilts · Classes · Digital/Virtual World · Patterns by Elizabeth of OPQuilt

Criss-Cross Color

Criss-Cross Color • Quilt [Top] No. 233
49″ wide by 68″ high

It has been a good month, a month of Criss-Crossing with the Criss-Cross Quilt pattern.

Criss-Cross Autumn • Quilt No. 232
35″ square

After getting over my terror of Zooming, and finding I really quite liked it a LOT, I jumped in with both feet to prepare for the class that the Glendale Quilt Guild had chosen. To teach, I had to make some new samples — not to be sent around this time, but for short videos for their class.

So, these two quilts came from those endeavors.

Okay, I take it back. Maybe Criss-Cross Color started here, when a series of photos showed up on my Instagram. I pulled colors of Painters Palette Solids to mimic what I saw. (Yes, I’ve had this series of photos for over a year. Sometimes quilts take a while to percolate up to the top.)

This is what was on my design wall when I started my Workshop with the quilters from Glendale last Saturday:

This group is on fire! They were engaged, enthusiastic and even the most beginner of the bunch dived in and got to work on their quilts. This morning we had a follow-up session, where they showed off what they’d sewn and talked about their quilts.

Follow-up Workshop

I like to do a follow-up Zoom one week later, as it’s close enough to the time of the Workshop that the event doesn’t drag on and on, yet gives a few days to cut and sew. And these ladies did just that. Here are the quilts from the slide show I put together for them (they all gave me permission to share them). From the top, the owner/makers are: Cindy, Joyce, Flo, Annie, Nancy, Caren, Beth, Kathy, Rebecca, and Mary.

Some of these are under construction, some are completed tops, and one is all quilted, finished and bound! It was a most lovely follow-up session, and they had great insights about the quilt, working with pattern, finding ways to make this idea their own. I’ve been floating all day.

Thank you to the fine quilters of Glendale Quilt Guild for a wonderful time!

Classes · Quilt Finish · Travels · Trunk Show

Golden California (Small World) • Quilt Finish

Golden California_1

Golden California (Small World)
Quilt #229 • 55″ wide by 36″ high

I mean, you already know what this quilt looks like, having seen various permutations of this on my blog, on the web, on Instagram.  It’s kind of like the quilt that keeps on giving, rolling out forward from the talented mind of Jen Kingwell, and until we all finish up all those My Small World UFOs, it’s likely this quilt will become a quilter’s version of eternity.

[Aside: a cook’s version of eternity is defined as a ham and two people.  An old joke.]

I had a Before…back when the pattern was in the magazine and it sold out like hotcakes.  Then this quilt languished until I had vowed to make Three Hard Quilts in 2019.  It was mostly finished then, but I didn’t have binding sewn on until just before Road to California, where I was taking classes with Ms. Kingwell, herself, and wouldn’t you know it?  I don’t have ONE photo of myself with her and this quilt.  I thought I took one, but, nope.  Can’t find it.

Breaking News!!  My friend Lisa sent me a photo of the quilt with me and Jen Kingwell, so here it is.  Thank you, Lisa!

Small World_ESE_Kingwell.jpgmysmallworld2019_final full topGolden California_2cQuilted My Small WorldGolden California_2d

To keep myself sane when working on a long project like this, I take little snapshots of progress, title and date them, and keep going.  It reminds me that quilts — like children — will one day be all grown up.

Golden California_5Golden California_2

My photo shoot locator (AKA my husband) suggested we head out to the neighboring town where they had some cool tile murals of different parts of that city.  We battled the shadows, however, but he was right: they were cool murals.

Golden California_3frontGolden California_7 detailGolden California_4back

For the backing, I chose something that had cities in it, and two pieces that represented quilters.

Golden California_8

See that golden sun?  One of California’s monikers is The Golden State, so Susan suggested to me that instead of just taking on Jen Kingwell’s name for the quilt (based on the drawings of the Small World ride in Disneyland), I should incorporate something to suggest this quilt’s origin.  So I did.

Each of my posts about this quilt have the tag “My Small World” so you can click on them to be taken to other posts about this, if you are still making yours.  Carry on!  Keep on! and soon yours will be finished, too.

Golden California_9
Show and Tell at our Guild’s February Meeting. Now this quilt will go for a long rest, while it waits for me to put on the label.

Small WorldMagScreenShot
Original magazine layout of quilt, from the QuiltMania Special Spring Edition, 2015 (now out of print). Kingwell sells the patterns on her website.

Orange County Quilt Guild Visit_1

Next week, March 10-11,  I’ll be at the Orange County Quilters Guild, giving my Abecedary of Quilts lecture, and teaching a workshop.  Here’s a screenshot from their webpage (kudos to the Communications people for this nice display).

March 2020 Advert_v2

This week I’ll be giving a hands-on lecture at the Inland Empire Modern Quilt Guild, teaching them an abbreviated version of my all-day workshop on English Paper Piecing.  Excited to teach and meet new quilters!

tiny-nine-patches

 

Classes · Quilt Shows

Fabric Collage at Road

Giuseppe Arcimboldo (1527-1593) was an Italian painter best known for creating imaginative portrait heads made entirely of such objects as fruits, vegetables, flowers, fish, and books.  He painted representations of these objects on the canvas, arranging them in such a way that collection of objects formed a recognizable likeness of the portrait subject. (found online)

Azulejos at Road
Above, the main hallway, with quilts from our Inland Empire Modern Quilt guild.

I had my own turn at playing Arcimboldo this past Monday at Road to California, in a collage class taught by Laura Heine.

Heine_Class

We arrived at the hotel ballroom, purchased our kits, and started fusing fabric to Steam a Seam 2. But of course, only one iron worked.  Soon, Laura had rustled up irons from ballrooms that were vacant, so we were in business.

Heine_Class1

Then we started cutting and cutting and cutting.  After lunch she showed us how to start laying out our cut pieces using the pattern shape to help keep us organized.  It was a challenge.  It made me think of Arcimboldo, but I also remembered when I was a teenager in Lima, Peru and the only way we could decorate our walls (big posters hadn’t really been invented yet, for teenagers’ rooms) was to lay out cut out pieces from fashion magazines onto a piece of newspaper, and carefully cover the newsprint to create some sort of art, one piece at a time.  My sister, Christine, excelled at this, but soon all four of us were creating collages, guided by her teaching.

Tokyo Face Collage

Here are two more collages that my husband and I glimpsed in a store window in the Ginza area of Tokyo a couple of years ago.

Tokyo Face Collage2Tokyo Face Collage 2_side

Here it is, from the side.

Heine_Class2

Slowly, the bears around the classroom started to take shape.

Arcimboldo-flora-1589

This is Arcimboldo’s portrait titled “Flora,” a lovely lady made all of flowers…just like I was trying to do with my bear in a classroom at Road to California.

Arcimboldo Winter

His Four Seasons are some of his more well-known works; above is Winter.  I kept thinking of the version I’d seen in more recent memory: a giant sculpture in the National Gallery of Art in Washington, D.C.  Arcimboldo in 3D, rendered by Philip Hass in pigmented and painted fiberglass.

IMG_1537.JPG
This is probably 20 feet tall.

Heine_Class California Bear

And here is my bear.  Arcimboldo would be proud of me.  However, I still have the backgrounds to do.

LauraHeine_Bear

Here’s the class sample.  It is evident I have a lot of work to do yet, but Heine’s artful versions of fabric collage are much more inticing that stacks of vegetables, or retail items.  It was a good but busy day; Heine was a lovely teacher who encourages her students onward.  

Monday marked the official opening of Road to California 2020.  I have two Jen Kingwell classes (Wednesday and Thursday) and Thursday is the day that the show opens, and I’ll be able to finally glimpse my three quilts hanging in the show this year!  Then Friday is the night I get to hear Jenny Doan in an evening lecture.  Lisa and three friends are coming in from Utah, Afton is arriving tomorrow from New Mexico, and I’ll get to meet up with lots of new and returning friends from around the area.

I love Road week!