Quilts

Gone Fishin’

Not really, but I just returned from a family reunion in Zion National Park in Southern Utah.  This was just after the rainstorm, and the Watchman Mountain was reflected in a puddle.  It is glorious waking up to, and going to sleep to this sight, as our campground is just below its colorful beauty.

Not only was the place beautiful and with wonderful people, which were made all the better when I discovered that an in-law (the wife of one of the young cousins) loves to quilt!  I dragged out the quilt I had on my sleeping bag to show her.  “Brights,” she said.  She likes the Reproduction fabrics, a more subdued palatte than the one below.  I keep this quilt in the car as it’s smaller.  It was really cold that first night (43 degrees) so I was glad I had brought it along.

This was a mystery quilt done by my guild, and I had a stash of fabrics from Me and My Sister Designs, which all worked together just fine. I have never named this one, but generally refer to it as “the bright mystery quilt.”

True confession: I generally HATE mystery quilts.  I’ve done several and I feel totally constrained by not knowing how the fabrics will work together, or where the darks/lights/colors will end up.  Some of the rows in the above quilt worked okay, and some didn’t.  Maybe that’s why I keep this in my car!

Creating · Quilts

Lollypop, Lollypop

I have struggled to find time to work on this quilt this week.  It wasn’t that there weren’t the hours, but that it was a struggle.  I just was a bit mentally worn out and this block requires some enthusiasm.  As Mary Poppins would say, “Well begun, half-done,” or something like that, so I thought it best to begin the task.

First, decide on which blocks.  Check.

Then lay out the first one and trace it onto freezer paper.  I completely did NOT think about if it were to be reversed, figuring whatever I started with I would end with and so it would be okay.  Plus I knew that these flowers/plants were symmetrical.

Cut out on the lines.  No, wait.  There are WAY too many pieces!

Number all the pieces on the pattern, then number all the pieces on the freezer paper, then cut out.

That funky stamen/petal-y thing in the middle is going to require a different sized piece of freezer paper so it can tuck under those outside petals. Can you tell I never studied botany?

The pattern calls for 4 different background colors in the blocks.  I’ve decided to make 12 squares (but am rapidly backpedaling to maybe only 9) and here’s my fabrics. They are all sort of gridded in a way–from mini-checks to a bubbly-looking print, upon the advice of Kathy from Material Obsession.  She’s done all this and so could give great advice.

I laid out the stems on the back of my brown fabric, placing the matte side of the freezer paper DOWN, and anchoring the freezer paper with a little bit of glue from a glue stick.  Then I trimmed the seam allowances to about 1/4-inch and using the tip of my iron, eased the seam allowances onto the shiny, waxy side of the freezer paper, letting the heat of the iron stick it down.

I found I could do the first method (above) on the big circles, but the little circles required a few more steps.  First, sew a running stitch around the outer edge, then draw it up over a plastic template.  I like to use gray thread–it just blends and blends.

Like so.  Give it a squirt of spray starch (I lay a scrap piece of fabric on my ironing board to catch the build-up) and set the iron down onto the circle for a few seconds, helping to dry the spray starch and flattening all those little pleats into place.  When dry and cool, ease the plastic template out of the circle and put it into place.

While doing some of the eight billion little circles this block called for, I decided this may take me the rest of my life to finish.
I also decided to only do one block a month, otherwise this summer will ONLY be Lollypop Tree blocks and I’ll get nothing else done.

I lay the pattern over my pieces and use it to nudge the pieces into place.


TA DA!!  First one laid out.  I haven’t decided whether or not to hand-applique this, or machine-applique with mono-filament thread.  While the hand method is very portable, if you have creaky hands (like I do) the thought of doing 12 of these makes me wilt.  But, with the machine, I will be tied to it–never able to take the block downstairs to watch Foyle’s War, our current BBC-TV favorite.  If I ‘m doing 12, I could get a lot of TV watched.

  Decisions, decisions.

I learned on Come A-Round ( my dotty circles quilt) not to obsess over every little piece, but instead go with the flow and realize that any quilt is greater than the sum of its parts.  In other words, don’t sweat the small stuff.  Get it done.  Remember Mary Poppins and that nursery clean-up.  Snap!

Creating · Quilt Shows · Something to Think About

Quilt Festival Entry 2011

Welcome to those who clicked over from the Blogger’s Quilt Festival!

Heart’s-ease

I made began this quilt in a class from Ruth McDowell.  For those who have taken her classes, you know you only begin there, but then go on to spend a good amount of time chasing down just the right fabric to go in a particular spot.  It was a four-day class and by the end, we were all dragging in–our creative juices spent, our bodies dead tired, but our vision–changed.  For Ruth (who by the way didn’t look tired at all!) had changed us.  I was then, and still am now, a quilter who is enamoured with the grid.  I love nine-patch, stars, crazy about sashing, and love love love Log Cabin.  Maybe it’s my orderly nature or something, but when you finish a grid quilt it’s like having cleaned out a drawer or a closet or two.  You’ve restored some order to the universe with your neat rows and sharp points (even if you have cut off a few in construction–who notices?).

Heart’s-ease is the old-fashioned name for a pansy.
Ruth suggested I use a fabric that my husband brought me from Zimbabwe as the center; she was right–it really works.

So trying to do this quilt–which is a strictly right-side of the brain, pile on your fabrics, cut those pieces of freezer paper and go go go sort of process–humbled me.  The angles–none, except a few around the border–are that blissful 30 or 60 or ninety-degrees cut over and over.  The picture I’d brought in of the pansy determined her own angles, her own coloring and background.  I think I cornered the market on yellow-green fabrics that year.  But after a year and a half–it was finally done.

It had been on my pinwall while I finished my undergrad, earning my degree in Creative Writing.  So in a way, both Pansy and I grew while she lived, unconstructed and grid-free as I wrote short stories and the beginning of a novel and struggled through having my own brain cracked open and reformed.  No tidy endings for either the stories or the pansy, but only a dark, broken border to contain our tales, our thoughts, a few dreams and a degree.

Heart’s-ease label.
When Amy asked for a quilt that taught me a lot–this just HAD to be the one!

Thanks to Amy for hosting this.  Some of the other quilts I’ve been working on are:

Come A-Round (which is at the quilter right now)

Spring/Life’s Alive (I just needed a light, happy quilt)

Christmas Star (Whew! Made it before Christmas arrived last year)

You can read about these and others by clicking on the collage of words in the right margin.

Hope you find more inspiration and ideas. I’ll be looking at yours as well!

Thanks for visiting,

Elizabeth E.

Click here to return to the 2011 Quilt Festival, and come again!

Sewing

Sewing ADHD

I’m convinced I have sewing ADHD.  Yes–in all likelihood I could easily be diagnosed with this myself, or so say some of my relatives.  But I’m so easily distracted now by all the possible projects that I could sew.

Here’s a case in point: Wallet-to-Tote On The Go.  Sew, Mama, Sew is putting a series of tutorials on their blog for summer sewing, and this one has caught my eye. These little wallets fold out into . . .

. . . these bags!

Head over to Sew, Mama, Sew to follow along with their summer tutorials.