Quilts

Change, a Four-in-Art Quilt

Change Art Quilt_front(2)

Change
#3 in the Urban Series, Landmark Quarterly Challenge
Quilt #131

Y Mountain Provo(Y Mountain.  Photo courtesy of Judy Cannon)

This is the landmark I grew up with, a letter on a mountain in Provo, Utah.  Known as the “Y,” there are annual hikes, and a lighting of the letter on Homecoming.   I thought everyone had a mountain with a letter on it, but as I grew up and moved around, I found out that most of the world, and certainly the East Coast of the US, doesn’t.  Since I chose this idea for my landmark, I found there’s a whole Wikipedia page about these hillside letters.  Also known as “mountain monograms,” as one professor wrote in an article about the origins and the spread of these letters, I discovered that University of California-Berkeley was the first. And here’s a map of these letter landmarks, mostly in the mountain west.  (Maybe because we have mountains?)

529px-Mountainmonograms

RS Mountain with Town

The movie Cars even used hillside letters on the mountain above Radiator Springs, the fictional small town in the movie.  The RS is just to the right of the stoplight.  (Sorry for the weird image, but I had to take a photo of my computer to get this shot.)  The mountain from another view:

RS Mountain

Columbia University in New York does have a “C” painted just above their boathouse on the Hudson River:

NYC_Hudson_Bridge_C_rock

Yet most people think of this when I say hillside letters. . .

800px-Aerial_Hollywood_Sign

. . . but to me, neither of those counts.  A letter needs to be embedded on a hillside or a mountain to count as a landmark.  So that was the genesis of the quilt.

BigC_Box_Springs_Mountain

Our landmark hillside letter is a C, an imitation of that first University of California-Berkeley letter, which was set onto a hillside about 1905, the granddaddy of all the other mountain monograms.  This is a blurry image from Wikipedia of our local mountain (our letter isn’t really yellow).  I tried to photograph it, but couldn’t get a good vantage point, so this will have to do.

Change Art Quilt_Big C block

Here’s my little art quilt with its C on its mountain.  (Note: although I like to photograph outside, today we are having raging Santa Ana winds, so inside it is.)

Change Art Quilt_E block

What is the significance of these other letters, spelling out the word C-H-A-N-G-E?

Change Art Quilt_label detail

As Longfellow observed, “all things must change.”  And I keep my mother’s advice that “A change is as good as a rest” close to my heart, for that’s a truth as well.  But the C-for-Change  linkage came to me one weary night, when I had to go and do one more pick-up and one more errand when teenaged children were still at home.  It must have been during our University’s Homecoming Week, for when I rounded the street corner at the base of the Box Springs mountain, I could see the “C” all lit up. I pulled over and gazed at the glowing letter with that tired-behind-the-back-of-the-eyes fatigue, wishing that that I could go home and be home, like I could when the children were little and weren’t off at some activity that required me to be out and about picking them up.  I thought back to the “easy days” of tucking them in after a story and prayers and a drink, and about how wonderful those times were.  Why did things always have to change?

But I realized that change is the law of the universe, and instead of being at war with that constant mutability towards “something new, something strange” I should just accept it.  Change and I are now uneasy companions.  I know it won’t always be like that, for experience has taught me that change can come in steep cliffside drop-offs and hair-raising turns on a winding road.  But for now, I’ll be content gazing at my quilt where it hangs in the corner of my kitchen.

Change Art Quilt_on wall

4-in-art_3button Please visit the rest of our Four-in-Art group, and see how they’ve interpreted the Landmark Challenge:

Amanda  at whatthebobbin.com
Betty at a Flickr site: http://www.flickr.com/photos/toot2
Elizabeth at opquilt.com (you are here)
Leanne at shecanquilt.ca
Tiny Nine-Patch
And come back for the next post, with instructions on how you can make your own little art quilt.
Change Art Quilt_back
Quilts

Friendship Cross-X Block Swap, March

April Cross-X Quilt Blocks stacked

Krista and I decided we were impatient about getting these done, so we sped into hyper-quilt-drive and did a double batch for this month’s swap.  Above is one set, all stacked together. . .

April Cross-X Quilt Blocks4

. . . and the double set all together.  As one commenter on Instagram said, it’s interesting how the switch in fabrics can make the block look so different.

Mar Cross-X Quilt Blocks stacked

This is the other set, with a few Mirror Ball Dots worked into the mix (I still have LOTS of those scraps left).

Mar Cross-X Quilt Blocks4

And the foursome, all in a row.  Looks like I was on a blue kick here, doesn’t it?  I didn’t get everyone out of their bags for an overall progress shot, so that will have to wait until the next round.  Come and see us on our Flickr Group where Krista has put up a picture up all of our blocks together.

Quilts

Quilting the Lollypop Tree Quilt, I

Still working on the lollies, or my Lollypop Tree Quilt.

Lollypop Tree Quilt Block_2

Quilting Lollypop Tree Quilt_1

I took the quilt to my quilter and she basted it together for me, which has actually worked pretty well.  Usually I crawl around on the floor on my hands and knees and pin the quilt sandwich to within an inch of its life, but went this direction this time.  It’s been nice not to have to navigate those safety pins, but I still don’t want to sew over the basting thread, so I’m pulling it out as I get there.

Lollypop Tree Quilt Block_3

Finished up this one last night.  I’m trying to do a different filler in the background of each block.  It may not last, but this one is leaves.  The background filler on the first one is a rounded double loop in all directions.  When I look at these photos, it reminds me that there are still some details to go over (like the brown stems need to be quilted down at the trunk), but I’ll do the brown thread quilting all at one.

Lollypop Tree Quilt Block_4

And then I started on this, and got almost done, but had quilted myself into a corner with extra fluffiness.  After I quilted a tuck into the quilt, I stopped and unpicked for a while, and will take it up again today in better lighting, and when I’m not so tired.  This background is an oval double teardrop.

Lollypop Tree Quilting detail_1

Diane Gaudynski advises free-motion quilters that a little marker now and then is a quilter’s good friend.  Like in that run of white thread on the blue batik.  The thread I’m using is So-Fine white #401, and in the bobbin, I’m using the Bottom Line in a soft yellow.  I’ve lowered the tension on the top to nearly half of normal (2.2 or 2.0) and I have really good balance in the thread.  This thread from Superior Thread is quite fine, as the name states, and it just sews up beautifully. I switched to a size 14 topstitch needle which allows lots of thread movement, so no shredding.  (I had been using a size 12, but the 14 is working better.)

Lollypop Tree Quilting detail_2

Lollypop Tree Quilting detail_3I like the way the appliquéd pieces pop up.  This *post* by Sandra Leichner is invaluable for explaining the process.  I have a permanent link to it from the home page of my blog, as well as to Diane Gaudynski’s website.

I figure I still have about 5 days left of quilting time in my February/March goals, which clearly states: “Quilt Lollypop Trees.”  I’ve been able to cross of all but one of my projects, so am still trying for a completion here.

Linking up to Lee’s Freshly Pieced blog.

 

Quilts

FMQ Lollypop Tree & A Beauty Shot

FMQ Lollypop Tree

I started free-motion quilting my Lollypop Tree quilt.  It has sat for nearly a year while I did Life and thought about how to start.  I had quilted my Christmas Treat, but the spaces there were more wide open with fewer appliqués, so this one was a bit of a challenge, managing the quilt bulk and keeping the density of the stitches evenly spaced.  I still have a few more details to take care of, like stitching around the trunk of the tree and across the leaves where they join the trunk, but after two-and-a-half hours, one block is done.  Look at the tab above if you want to see the entire quilt.

Helpful sights: a Pinterest board with lots of filler ideas, Leah Day’s commentary on filler backgrounds, and multiple videos (not linked).

And I promised you a beauty shot.  Here’s my Sol Lewitt’s Patchwork Primer quilt top, in my outdoor “photo studio.”

Sol Lewitt's Patchwork Primer

I also put this as my home screen on my phone.  It makes me smile.  Hope you are smiling, too, as you enjoy your weekend.