300 and Beyond · First Monday Sew-day · Quilt-A-Long · Quilts

A Life Full of Yes

Candy Clark, who has just published a book of Polaroid photographs of her younger life with the Hollywood stars of her era noted in a recent article that looking backward to this time wasn’t “necessarily a bad thing. I found out who I was putting this book together,” she said. “It’s a life full of a lot of yes.”

And then I saw this. Here.

And I said yes.

And with that, I met a whole other world of quilters, who do hand-sewing, EPP, have repro in their stash, spend a year to make 900+ wee little blocks, and think nothing of it. They say yes on an enormous scale.

Thank you Taryn, for introducing me to another leg of the three-legged quilting stool: traditional, modern, and art. I don’t know quite where I fit into that schematic, and it’s not like I’ve not known about traditional, but really…I haven’t known about this.

Gladi’s blocks drew me in (1); Anna has used EPP for her blocks (2); Susan hand-pieces hers and they travel with her, and writes the location where the block was sewn. I’ve been looking for a travel project, and so this intrigues me. I might say yes to this.

My tiny start (click arrows to advance the slides):

Initially, I’m trying it out with freezer paper, but I might use all methods of construction. I like the idea of carrying it around for a bit, but I also like sitting at the machine and sewing, too. Here’s the little video I put up this week showing my enthusiasm. Whether it be for this new project, or an enthusiasm for avoiding all the tasks I had on my To-Do List that day, I don’t know.

Before the pandemic hit, we had a little beginner’s sewing group going (called First Monday Sew-day — more beginner lessons are found at the link). I did samples of all every size of the Square-in-a-Square blocks in yellow and blue then sewed them up into a table runner ( so this is not my first Thrift/Economy Block rodeo). Here is the free downloadable 2-page handout we gave out to help the group learn to sew these blocks, with lots of sizes:

illustration of the front page

And below is the free downloadable Economy Blocks handout to go along with this version of Taryn’s wonderful gathering of happy quilters. The first page has some tips and tricks for freezer paper piecing, if you haven’t tried it before:

NOTE: This does not in any way replace Taryn’s handout, nor include you in the group of quilters she has gathered (use the Instagram links above). The pages with all the blocks, however, may also prove useful if you are using paper-piecing, as you can print off more blocks at once. I put it up here in case you might find what I worked up helpful in any way. As always, I include my request: Please do not print off millions for friends, but instead, send them here to download their own copies. Thank you.

I figure if I decided to do EPP, I can print out the page of blocks onto heavier paper, and use that. For the record, I’m making 3″ blocks, as the smaller size is just too much for my tiny brain to process right now.

Lastly, I had fun watching this video of Karen, from Just Get It Done Quilts make these blocks in three different ways. She’s amazing! And please note my tip for keeping the freezer paper on the block in my Economy Blocks handout (above).

I know this is being published a bit earlier than usual, but I’m heading out to see these cuties, now mostly all-grown. See you when I return!

300 Quilts · New York Beauties · Patterns by Elizabeth of OPQuilt

Double Header for New York Beauties: Remembrance (6) and Waking (7)

Okay, think on that quote for a while. Found while doomscrolling (is that one word, or two?) on Instagram, I wanted to read the whole article, but then I’d have to buy a subscription to the Atlantic. Which may still be worth it, since I have an “open” slot for subscriptions since the QuiltMania magazines sadly left us.

I opened with this because I’ve been a beginner all the way along on these New York Beauties. I mean, since I been sewing for about a bazillion years, I feel like I can tackle most anything except upholstering sofas, especially since I’ve watched *those* videos, too, and while they make it look easy, it’s a whole different set of tools.

But I have had fun with all twelve blocks. I did four blocks as a free giveaway a couple of years ago, then decided that THIS WAS THE YEAR to finally finish them all. As of today, in this moment, I have completed them. Since I have loaded up the beginning posts with scads of photos, and I don’t need to teach the freezer paper method anymore, here are the last two blocks in one post: Block #6, Remembrance, and Block #7, Waking.

Block 6: Remembrance

I colored and re-colored the block #6, as I wasn’t really too fond of what I’d done in the past.

I ended up with this one: a little ombre effect through the wedges (background) on the first two sets of rays, and then a jolt at the outside with that bright lemon-yellow. All the colors are identified in Painter’s Palette solids from Paintbrush Studios (and I purchase them from Keepsake Quilting, to just give you all the info.) You can download the color sheet for free, on the pattern. Look for Preview just under the title/buttons.

I started with the outside, one night (which explains the lighting on these photos). I’m showing how I press to the dark, when freezer paper-piecing. In photo 1, I pull the paper back, only slightly. Smack that seam with the iron (2), then smooth the freezer paper back into place (3). In (4) I’ve pressed down the next section, ready to go.

Block 2, in the Master Page of New York Beauties, gives really concrete directions on how to use freezer paper, if you are interested.

Happy little things, aren’t they? And happily you only have to make TWO of this block, but it’s the most complex, with three rows of rays/wedges. Do one set a day, and don’t wear yourself out.

I know in the basic pattern I tell you to tape together the two-part rays of this enterprise before sewing, but really, you don’t need to. Just make them separately, then sew them together at the end (moving the paper out of the way, of course).

Oh, if you can’t play around with the shapes, what fun is this anyway? The ombré background for the smallest set goes dark-light-dark, which is the opposite of the middle rays (light-dark-light). You can see how I marked a-b-c in the photos just above (trying to keep myself on track — I only had to unpick it once).

For a fun photo, I overlapped the two blocks. This feels EPIC!

Block 7: Waking

Here we go. I saved one of the easier ones for last. Make five of this block. I became nervous last night: did I count correctly? Here’s my cheat sheet:

I’m okay, in fact I made an extra somewhere…

I cut out and marked the quarters of the bands, center and outside corner.

I sewed the band on the center. (I love the colors periwinkle and lemon yellow together.)

This is to remind you to crease on the lines one way, then the other way (reverse fold) (forwards-backwards) (I don’t know how to describe this, but every line gets creased twice).

In the first photo, I am trimming the full 1/4-inch past the folded freezer paper to set myself up for the next step. I add the next piece behind the assembly (see the link above for more detailed instructions), stitch alongside the freezer paper fold, then I trim that one to a scant 1/4-inch. I like a little less bulk.

Trim. Trim. Then play:

Now get to sewing those parts together.

Mega Space Molly keeps watch from the windowsill.

Press, then trim down to 9 1/2″ square.

Maybe you didn’t catch the other new kid on the block: Ocean Gleam, Block four.

I simply updated the blog post for that one from a couple of years ago. Those of you who aren’t making New York Beauties might be saying, okay, enough, what else do you have in that messy sewing room of yours? So I didn’t make a separate post.

All twelve, pasted in. There is a Bonus Block in the pattern, but I’m happy with these. I’m going to celebrate the 4th of July holiday, then maybe I’ll start figuring out how I want to sew these all together. But for now, they’ll rest easy, eye candy all around.

Here was the original pillow cover, from long ago. Now there will be a quilt!

300 Quilts · New York Beauties

Blooming • Block 5 • New York Beauties

I don’t know. Maybe she’s right.

Annie Dillard, in The Writing Life, says “how we spend our days is, of course, how we spend our lives. What we do with this hour and that one is what we are doing.”

It was a hard week, with me unable to sleep one of the nights and in the wee hours, I tried reading until exhaustion. I tried the cup of hot chocolate in a darkened kitchen, looking out at the city lights in the distance. I tried going back to bed and pretending to sleep. I tried designing a quilt, for they are like putting together puzzles and couldn’t that make me sleepy?

I tried more reading until my brain couldn’t focus, then tears and exhaustion and the just worn-out-from tryingness slid me into slumber. I slept in until 9 a.m. when my husband, always the golden light in very dark hours, went with me on a short walk, but it was enough. It was a way to spend an hour that seemed a good way to spend a life. He talked to me about a difficult group meeting I’d had the night before, with hard realizations about my limitations. We talked through all the slights, the snubs, the hurts — the usual sort of stuff that happens when a group of 80 different women get together. We talked about who the true friends were. We walked and talked.

I spent the day in idleness, quiet. We had a simple lunch.

Then in the late light of the afternoon, I picked up this and sewed it together.

Then this. And then it was dinner. When I talked, my voice wavered. Speech can sometimes be too hard. Better to go back to the quiet of stitching. And of course there are always about fourteen things converging all at once: broken expectations of my place in an organization, lingering sorrows from family deaths, missing people who I love, failed assumptions and so on: a heady list. I’m sure you’ve been here. Bad days come for everyone.

In an article I wandered across, I found this comment:

“l’ve gradually come to believe grief is not an episodic event with a beginning and an end, but something indistinguishable from life itself. We may have a brief time in our youth where grief is not part of our daily lives. But otherwise, as humans, we eat, work, sleep and grieve. Grief is not something from which we recover, it’s not a mental illness. It’s as much a part of life as breathing. We are born, and ultimately, we spend our lives letting go. If we are fortunate, we will find moments of joy.”

I returned to myself the next day. I put on a novel and sewed, making space only for the creating, the stitching, the people in the book in my ears, the welcome interruptions from my husband, a simple meal. A luxury, for sure. And after a time, I arrived at this:

Blooming, New York Beauties Block Five. A happy ending of sorts, I think. That scrambled night still needs to be dealt with, as does grief, as do phone calls, and missing phone calls, and doctor appointments, and grocery shopping — all hours that may not make it into a novel, but are my life. The mellow light from this block eased me through a bump (or two) in the road, and I’m ready to go again.


Below are the photos, because by now, you know the drill for the freezer paper construction and if you don’t, scan through the rest of the posts.

I am still failing in many ways in my life, but I am also succeeding. Sometimes the hours spent look like sand slipping through my fingers. Other hours bring me this: intervals of joy.

Hope you find your happy moments this week–

Four colors in this background!

300 Quilts · New York Beauties

New York Beauties • Block 12 • Hopeful

Are we there yet? millions of traveling children must have asked, as the miles piled up. And maybe you are asking if we are done yet with these New York Beauties blocks. Not yet, the happy mother from the seat said. Or maybe after traveling in the arid West with no air conditioning, she wasn’t quite so happy. My sister, Susan Rugh, wrote this book about the golden age of traveling across America — all of us in cars, but probably no seat belts. I love showing off her work (available here).

The schedule of our blocks is up on this page, and we are getting there. Really we are. But I chose to do a more intricate one this time around, which leaves mostly easier blocks at the end. Actually, Hopeful, is one of my more favorite blocks, as I like the twisting effect around one of the outer bands. And that red sun-like center is actually not quite so red, but most cameras struggle to photograph red colors, if you hadn’t noticed.

I like to start with building the semi-circles of rays. This post will give you tips and tricks for making this this block (pattern available here). Cut out around the outer black dashed lines, and then figure out your colors. You can see my penciled-in numbers on the rays (C1 and C2 have a soft green background; B1 and B2 have a white background, so no numbering there).

This girl watches over all my Foundation Paper Piecing. I learned in a class from Verushka Zarate (she is coming to Road 2025!) and I made this girl in that class. Underneath her you can see I’ve clipped swatches and numbered them, from 1 to 7, and then I went a little further and cut ray shapes (I only need three of each) and pinned them below. You can pin a length of fabric underneath, if you don’t want to cut a shape of fabric.

Take time to fold them both on the line, and then reverse direction on the line (hope that makes sense).

I iron down the first bit, then lay the second fabric underneath, making sure to keep the fold like this for a second. I’m checking to make sure that Section 8 will fit on the underneath white fabric. It will.

I sewed that, trimmed it, pressed it, and now moving on to Section 9, again making sure that the blue behind is as large as the next section.

Reminder: stitch along the folded edge of the freezer paper.

Here I’m doing the larger rays, and the same process is the same: fold back the freezer paper so you can see the needed shape. I went ahead cut some ray shapes the needed size before I started, but I most often will just put a hunk of fabric back there.

I usually sew a couple of these sections at a time.

With all the sections sewn (1) they look kind of globby, but trimming them up (2) makes them look neat. I’m prepping in image 3 to join them together, carefully and s l o w l y pulling back the freezer paper. If you rip it off quickly, you are liable to pop your seams. Pin the units together (4) and you are rolling.

Yeah. Whoops.

I used the wrong color. Those who read this blog know that I would probably just leave it, as in the final quilt, it won’t be noticed. But leaving it now…on the first block…while you all are watching? No.

I picked the section apart and cut an exact replica in the correct fabric, weird angles and all.

Better.

And with that, block 12, Hopeful, is completed. Please make three.

There are many more tricks for freezer paper sewing on the other blog posts about these blocks. You can find them listed in order on my New York Beauties page, above. Apparently I’m supposed to make two of these blocks in June; I guess I got in a rush. One more is coming and it’s Block 5: Blooming.

And yes, you are allowed to second-guess yourself on your colors, but you are not encouraged to get stuck. I’d probably make that center sun part a little pinker, than redder, but as you can see in the image below…it’s really just fine.

Eight blocks finished.
Four to go.
And one bonus, if you want to make one.

New York Beauties