Textiles & Fabric

Garage Sale

My daughter and her children came last weekend, and then we had a big family party on Saturday.  But early that morning, before we even had to wash off the patio chairs, Barbara (my daughter) and I snuck out to a garage sale.  I’d heard about it the night before, at Quilt Night, and wanted to see it for myself.

Box after box after box after box of fabric.  Most had been purchased from a now-defunct dime store, and most were in pieces less than 1/2 yard.  Some was substandard fabric–cheap gauzy stuff with garish prints.  But a lot of it was worth looking through.

They’d dragged out their ping-pong tables, some sheets of plywood and set out a few stacks of fabrics to entice us.  I found a stack of ginghams.  More for my stash.  There were a few interesting vintage pillowcases/sheets.  I got a few of those.  Actually I turned one of the pillowcases into a bag in case I needed to pick up more.

Can you believe all this?  Turns out the owner of this house didn’t collect it all.  He’s a realtor and to get the listing for a house he was pitching, they made him agree to clean out the old woman’s collection of fabric and books.  He called in a used book salesman and they took a slew. Then he dumped the rest of the books — 3 dumpsters full — which about broke my heart, because I’m a book lover.

There were even some hand-pieced pineapple blocks, but I didn’t pick them up because I want to make my own pineapple quilt, and the combination of fabrics ranged from sheet batiste to a heavy twill.  And strange color combinations, as you can see.  By this time, as I was lugging my pillowcase of ginghams and sheets, the jokes started among the quilters that were there.  Can you see our daughters having to do this when we all kick off?  Poor Barbara, her friend Shawnie said.  Poor you, Barbara said.  Your mom’s a quilter, too.

I had tried to look through some of the boxes, because it was all just HERE waiting for us quilters to collect it.  But I’m used to the high-quality cottons from my local quilt shops and I remembered my husband home with all of Barbara’s kids and at some point, it all became just too much.  So I paid for my fabrics and threw the lumpy pillowcase into the back of the car.

I walked back and found what few books there were, and selected some to go.  Three of a four-book series on 1000 patchwork blocks.  It reminds me of my Encyclopedia of Quilt Pattern by Barbara Bachman, but a lot more home grown.  I’ve had fun looking through them.

So, I left most of the fabric there.  Be real.  Given the paltry amount in my pillowcase, I left all of it there, comparatively speaking. Lately I’ve been trying to shop my stash and to rediscover some of my earlier plans, so I was okay to leave all those possibilities there on the realtor’s driveway.  So noble. Such restraint.

Can’t say I didn’t think about it for the rest of the day, though.

Textiles & Fabric

Wordy Fabrics

I love word fabrics.  I know they aren’t really a design, but I love text and fonts and writing and blogging and reading, and I teach English.  Need any more qualifications?  Here’s some of my latest fabrics, all washed up and pressed and ready to go.

And I love to travel to interesting places.  This is Sweetwater’s latest word fabric (they seem to do one in every line–I don’t mind) and they’ve arranged the words in blocks, as if this were some sort of word-plaid of some kind, sprinkled with numbers.  A local town is on here: San Bernardino, and Flagstaff is visible right there in the middle.  That’s where my daughter used to live.  They also have Montreal (where we will be traveling to this fall) and Paris and Rome and London–all great cities that I have a memory with.  So maybe that’s why I liked this fabric with words–it triggers lovely memories.  And yes, I’ve even been to Lehi (up there in the upper third, middle, in red).

And I’m getting ready for our little quilt group’s Halloween fabric swap, coming up in a few weeks. I think sometimes we quilters like to touch and play with our fabrics, looking at them, enjoying them.  I happened on a couple of posts yesterday for WIP where the bloggers talked about that very thing.  They liked to get out what they had and arrange them in new color combinations and monkey around with them.  I imagine those of us who buy fabric are like that.

But I’ve also wanted to reach out and touch the jacket of the woman in the pew in front of me in church.  Or when I sit behind some teenage girl with long beautiful hair and she’s fiddling with it during the service, I’m jealous, because my hair is short, and doesn’t lend to fiddling.  I like feeling fuzzy things, soft things, corduroy or the hair of my grandchildren, or my husband’s tweed wool jacket.  I guess I just like texture: both visual (the words) and tactile (fabrics).

A Japanese designer, Yohji Yamamoto, said: ‘Fabric is everything. Often I tell my pattern makers, “Just listen to the material. What is it going to say? Just wait. Probably the material will teach you something.” ‘

Amen.

Clothing · Creating · Textiles & Fabric

Dusky Tones on the Comeback Trail?

Over Labor Day weekend, I headed up to my nephew’s wedding and was completely entranced with the flowers on our tables.  No brights anywhere.  Dusky hydrangeas, mossy-textured greens that were soft as baby’s ears, pastel roses, grayed down tones everywhere.  The bridesmaids’ dresses were a pinky-tan color.  The bride was in a rich ivory dress.  This is a couple who is on the cutting edge of everything, including fashion and design. Now consider this:

This is the latest from the Moda design team and the collection is entitled “Little Gatherings.”  While the tones and colors are similar to what I bought in the 1970s, what I noticed was the design: little bitty designs.

So the question that some are asking around on the blogs, as they drag out those uncompleted quilts from the 1970s is: are the dusky tones from that era making a comeback?  I would have said yes to the colors and the tonality but no to the itsy bitty calico-type prints, until I saw the Moda line above.  So, are we returning to that era?  Have we tired of the brights and bolds and large scale prints and heading back to the 1970s? 1880s?  If we look to fashion for inspiration, it’s often said that short skirts are a sign of a healthy economy and that long skirts indicate that we are all in for tough times. Since our economy is pretty much in the tank, I wonder if we can make the same predictions based on fabrics.

And by the way, here’s a view from the runways.  Even those with shorter, body-conscious clothes had a few longer skirts in their line-up.  In many shows, that’s ALL they had.  And judging from some of the fabrics being used, looks like we’re still in love with large-scale prints, although in fashion, I think only those who are 6 feet tall pull them off really well.  That lets me out.  And the colors?  They trended to the dusky, darker tones, but hey–it is the FALL fashion shows, which of course will be shown in deeper-toned fabrics. (Designers’ names are under the picture, newspaper-caption style.)

L’Wren Scott

Chloe

Vuitton

Missoni

Missoni

Quilt Shops · Textiles & Fabric

Dear Fat Quarter Shop

Dear Fat Quarter Shop,

Thank you for sending me a cute little bunch of fabrics today.  It had been a long day, complete with temperatures over a 100 degrees (again), battling the tail end of an illness, a day teaching in a hot room (the gauge said 77 degrees–try exploring the angles and nuances of poetry in that kind of environment!) and a traffic-filled drive home with a guy in a dented white truck who cut into my lane.  Twice.  It had started out well, with conversations with my angel mother and  my sweet daughter and a shared lunch of sushi with a dear and trusted colleague.  But the rest of it was. . . well. . . let’s just say I swooned, happily, upon seeing this box on my doorstep.

Sincerely,

Elizabeth

P.S. Now I can start thinking about that Christmas Quilt!