This and That: No June Gloom, please.

June 15, 2025June 16, 2025 Elizabeth E.11 Comments

First off: Happy Father’s Day to the men in your life, and especially the men in mine: my husband, Supreme Quilt Holder, three sons, and one son-in-law, then a gang of grandsons. Here’s a early photo:

(Missing: three more grandsons, three more granddaughters. I just love all those little girls in their beautiful dresses.)

There’s this phenomena about June of every year, when the deserts heat up, drawing cool, moist air further inland from the coast. The locals have a name for it, which I hate. I just call it Reprieve from the Heat for Another Month, or something. because I do love the cool mornings. Yes, I do.

My friend Mary gets too much of this cooling layer and we are always mentioning it in our correspondence, me complaining about the coming heat, and her bemoaning the too-cool summer. Welcome to Sunny California.

So here is my first Posh Penelope for June: all sunny and bright, in a good kind of way.

A little less sunny, but still bright.

Full out fog in these, with all those blues. I’m going to have to ramp up with brighter colors next go-round, but I do like those toothbrushes on the blue fabric.

Here’s the group so far. 41 blocks are planned, and I’ve made 27, more than halfway. But I probably said that last time. You should see Carol’s stack — they are wonderful!!

Here’s Sherri’s Block of the Month for June. It’s a fun series and I’m using all her fabrics (picked up one more new last week). But alas, the Friendship Star and I are NOT friends. Nor do I like these stars:

I also don’t like sour gummies or the smell of coconut shampoo, but I don’t think that has anything to do with quilting.

So I substituted this: I have no idea what Sherri has planned next, so I may be moving other centers of hers around, but since I’m allergic to the star she chose, here’s my spool of thread.

And here’s the back of it. It’s fast: sew the sides on, sewing only between the dots. Then sew from the dots to the corners.

And yes, here’s your free PatternLite. And you’re welcome. Click below the spool to download.

Six-inch Spool_OPQuilt Download

Here are the six I’ve made so far:

This is me, making a mess. It’s good to document messes once in a while. I was learning a new way of making circles. (Last post) I know these photos drives one of my friends crazy; she is a very tidy sewer, but her sewing room is also about 4x as big as mine; a lot of stuff gets piled up in mine. I have learned to focus and ignore the periphery, a skill I learned when I had four small children and had to get the quilt done:

Like this one, from the Early Years. My son Chad now has this Sunshine and Shadow quilt — somewhere, he says — but even if it’s lost in his attic, I still have photos. Machine-pieced, hand quilted with a layer of flannel inside…not batting.

For a fun click, head to this write-up of the kimono exhibit at the National Gallery of Victoria in Australia. The article shows both traditional and more modern kimono.

I think I kind of jumped the shark a couple of posts ago, writing about sewing nightgowns and stuff, but things are going better this week. The New York Times must have known I needed a creative tune-up, and published a five-day “Creativity Challenge.” (If you don’t subscribe, here’s a link to the first article.) In it they note that “Research links creativity to happiness and well-being, and a 2021 study found that older people who participated in creative activities showed less cognitive decline than those who did not” (Passarella, NYTimes).

In an earlier missive, Elizabeth Passarella, the writer, said “You are all creative in some way. There’s a definition of creativity that researchers use: generating something novel that is also useful.”

Generating something novel that is also useful. I need to print that out and tape it to my sewing machine. The first exercise was doodling:

We had to begin with a circle and go from there. I’m do not consider myself a hand-drawing-artist, so I did the best I could with a screen and a mouse. Don’t know where that second drawing came from–maybe from the state of politics in our nation today (doesn’t it make you crazy, too?).

So take a listen to Amie McNee if you need a shot of “why should I create.” Her TEDx talk was something I happened on this week, and I found inspiration in many things she said [words in brackets are mine]:

We need to be at the piano [or the sewing machine] making our art more than ever as we navigate these incredibly difficult things. Art is not just for kids; art is not just for adults…we need it now. [One reason is that] creativity is the missing pillar of self-development. [Another reason is that] when we create, we have agency.
Another beautiful reason to create is because it reclaims your most valuable resource…our attention in a society that profits from you being stuck on your phone. We are a culture of consumption and we’ve forgotten how to make. We need less consumption, more creation.

The act of making art is inherently generous.

I’ve been slowly working on this. There are a lot of thread changes, and some unpicking, as it’s been a while since I was at the quilting machine. I don’t quilt every day, so I like to keep track with the labels.

That plastic bag in the Messy Room photo? I pulled it off this pile of gorgeous goodness from Stash Fabrics. I wish I could say I was influenced by all the pansies I saw in Krakòw, but the truth is I ordered these before I went. But maybe I could see into the future?

In the NYTimes creative series mentioned above, I especially liked how they talked about a form of daydreaming:
“You’ll be more likely to capture original ideas if you’re in “atypical salience processing mode,” which is a fancy term for a state in which you’re focusing on the unconventional. Look at a piece of abstract art, or stare out your window in a way you usually don’t, paying attention to the space between buildings or the shadows formed by trees.”
(You can read the article with this gift link: here)

Happy Day Dreaming!

Layer your summer salad into a bowl:

Cook a cob of corn in the microwave, wrapped in wax paper, for 4 minutes. Run under cool water to cool it down then slice off the cob.
Tomatoes (smaller and flavorful like Campari tomatoes)
Romaine lettuce, sliced
Bit of arugula
Radish chunks
Cucumbers, cut in half lengthwise, then sliced 1/3″ thick
Chunks of rotisserie chicken
Focaccia (my favorite recipe is here — I make it every other Saturday night (10 minutes to whip it up in the evening and in the morning, 10 minutes to prep for the baking, plus rising time).
Drizzle Lemon Vinaigrette over everything.

Anywhere you travel in Europe, they call arugula “rocket” for some reason. Here’s a little joke for you from the internet.

EPP · Quilts · Travels

Catching Up, Keeping Myself Honest

May 11, 2025May 6, 2025 Elizabeth E.7 Comments

You could skip this post like you might want have to skipped Weight Watchers checkins back in the day…it’s a post that charts progress, keeps me honest and helps me admit my defeats as well as my successes. I watched a well-known recipe developer on Instagram bake her own wedding cakes last week, and I was like…I think I need to go and lie down for a while. It all looked amazing, and I wish I knew her personally so I could taste all her layers and fillings and crumbles.

Is making a quilt like that? We have layers and pieces and threads and in the end, we put a binding on it and call it a quilt? Those who aren’t quilters are amazed, but we just smile and pick the threads off our sweaters.

One of the Important Things is to get your machine serviced once a year.

So I drove out to a neighboring city, and dropped off my machine which caused me some grief (it’s how much?).

To recover, I went across the street, where the delightful ladies of this shop made me feel welcomed. They are in the process of moving, and I look forward to their Grand Opening in June, in a new location. With better parking.

The strawberry quilt was in their back room. Some red, white, and blue fabrics came home with me, and then I popped them in a mailer and sent them to my daughter who is making lots of small, very cute flags. That link will take you to some Stories, and I really like what she says in the last one, that sometimes we have to do a lateral move to keep the creativity flowing. Truth.

Yes, it cracks me up that she still has the wrapping on her ruler, but if that’s how she rolls, I’m happy. She confessed on another story that she purchased some fabric and then her eyes got really wide and she said, “Fabric’s a mood right now!” Translation: It’s expensive. (I’m loving this.)

Mary, of Zippy Quilts commented on her Tony’s Chocoloney Bar. Here’s ours. We buy it at Whole Foods, when we go there (rarely), sometimes Sprouts. Sometimes Walmart, but check the expiration date. We chunk it up and keep it in a covered container for an after-dinner treat.

Sherri dropped her free BOM block for May. I’m using an old line of her fabrics, but I love them, so I’m happy.

Here are the first five. They are giant blocks, like 18″ big.

A new Molly arrived…on her Vespa. The price has jumped about 20% in case you were wondering what girls-on-Vespas-from-China cost now that we are having a tariff fight. I’m sadder about the chaos, the destruction, the cruelty — why NPR? Why PBS? According to a poll about the bias in news sources, they come down just about in the middle of the range from right to left. And why the National Parks? Why are they savaging the science funding? The arts funding (including the Quilt Index)? Have we lost our minds? (Yes.)

I fear for my grandchildren’s world.

(a childhood book)

Starting on this to keep my mind off the news. It’s my New York Beauties quilt.

If you are on Instagram, I’m sure you’ve seen that I’m on a trip in another city, so yes, I did all this before I left. I’ll be home soon. No I didn’t visit EnergyLandia, but I’d like to bottle what they have and bring it home. My brain is most likely overloaded with new sights, new sounds, and all the quilt projects are waiting for me back home.

Well, all but one.

I read this one post on Bluesky where a quilter she said she would just stumble around until she figured out what direction she was going in, and boy did that resonate. I started sewing hexies because I was on a car trip; yes, that’s the whole reason. But this week, I stumbled into the next idea, and what colors I want to use.

I cut some squares a bit bigger than my hexies. I’m using Painter’s Palette solids in lighter colors. Then I creased the fabric square lightly to get them centered, put a small appliqué pin in the center to hold it, and stacked them up.

I cut a manila paper folder to size, as I have to be able to transport them and use this set-up in a small space, like a seat-back table on an airplane or a train. The mini-folder fits right into that blue bag. I’m taking this for a hand-work project on trains and planes, and to help me keep my sanity when everything I own is in two small bags and I’m trying to shove in more. (I modified this idea from Becky Goldsmith, who uses a slightly different folder set-up to transport her pieces for appliqué. She explains it thoroughly in this video or more simply in this post.)

Just so you know it’s me, here’s what I went through to cut hexies to sew:

I exploded my scrap basket, but in the last photo — having gone through it all — I stowed it all nicely back in the bottom drawer where I keep my scraps. I’m cutting one last yellow, below (and no, I’m not taking the tin box — too bulky for overseas travel):

See you in a bit–

If you are in the States — Happy Mother’s Day!

300 and Beyond · Quilt-A-Long · Quilts

Flying Through Rainbows

April 29, 2025 Elizabeth E.11 Comments

In a series of interviews with new poets, they each expressed their confusion, discussed their work ethic, and acknowledged the daily drudgery — and joy — of being able to create and work. (See some quotes, below.) Do I wish I’d saved the source information for my series of quotes from these young poets at the beginning of their career? Yes, but knowing the internet, it is probably gone. I copied and pasted them into my digital calendar, and they pop up like clockwork every January. Fitting. We all begin creating at the beginning.

We seem to go full-steam in January, the new year giving us a fresh start. But lately, on Bluesky and Instagram, I am hearing often how the well some quilters usually dip into has run dry, that their “sewjo” or “mojo” is just not there. Is it because we are tired of winter? Or that we have early spring fever? Or just that creativity runs in spurts, and we have to step away every once in a while and get back to “real life” with its rainbows, as well as its tornadoes and sudden squalls?

In a slightly related idea, my husband’s father hung crystals in his window so they could flash rainbows around in random ways when the sun came shining through. Today, as my hands fly over the keyboard, typing this post, rainbows are dancing on my fingers, courtesy of two crystals hanging in our window right now from my husband.

Carol and I made a pact to apply our rotary cutters to fabric and our noses to the grindstone and Make This Quilt: Posh Penelope by Sew Kind of Wonderful. While I usually like to be sewing my own designs, this year, this level of drama, this level of chaos has sent me to “let go of the pressure to be innovative,” as Jane Freilicher puts it (qtd. in Emily Skillings, below). We committed to making four blocks per month.

But even in creating between someone else’s lines, there is room for fabric choice, pawing through the stash or scraps — for as Carol noted this week, all our fabrics are soon going to cost a bazillion dollars — and this month, I went for blues. I thought the blues might calm down the riot of colors I had going on, with their steady approach. After all blue is the color overhead in our sky and of the water that surrounds us and we’ve been crazy for blue way before Yves Klein first mixed up a batch of his trademark Klein Blue. Klein noted that:

“Blue has no dimensions. It is beyond the dimensions of which other colors partake.” Fascinated by … it, [he made] …roughly 300 monochrome paintings in his signature International Klein Blue” (qtd. in article linked above).

(These blues read a bit more red-blue, or purple.)

All of these notes are to say, take a look at these young poets’ advice on if you get “quilter’s block,” or “writer’s block” and just give it time. Take a break to breathe in some of the blue overhead, or swim in the watery blue. Or catch a rainbow on your keyboard, courtesy of a defracting hung crystal.

Block by block, I’m making a quilt. I’m up to 23, and the goal is 42.

Advice if you are going to make this pattern: Do more than one block at a time. Do…like four. It’s easy, but complicated, and better if you don’t have to remember all the bits every time. And I say, make the “petal blocks” but before you sew it all up with the sashing, choose your itty-bitty center then, when you can see if it needs a pop, or if it’s okay to just have a fabric from one of the petals. Or do as Carol is, using a single fabric in all the centers. Hers is a black and white linear pattern, and it looks great.

Now I’ll put these all away in their box until next month, along with a a few scraps and bits and bobs, and it will wait for me until next time. After all, as Fatimah Asgha notes, “you’re on no one else’s timeline.”

One Last Thing

A friend had a new baby boy and I made them a quilt.

Pattern is Azulejos, from my pattern shop on PayHip. I just used fewer blocks to make it baby-sized. (And she gave permission for the photo.)

Happy Waiting-Until-You-Feel-Like-Stitching!

Quotes from Young Poets

Emily Skillings–
One question I am still grappling with is how to negotiate a balance between “innovation,” constraint, and intuition. The painter Jane Freilicher put it best, I think, when she said, “To strain after innovation, to worry about being on ‘the cutting edge’ (a phrase I hate), reflects a concern for a place in history or one’s career rather than the authenticity of one’s painting.” There’s also, I think, a quieter quote somewhere about her letting go of the pressure to be innovative, and that she felt she could really paint after that, but I can’t seem to find it anywhere.
This sounds a little strange, but I like to think of my life so far as a writer as a kind of oscillation between states of openness and movement and states of stillness and solitude. There are islands of production, productivity, and then pockets of…nothing. I think I am grateful to my depression in this way, in that it often forces me to be still.

Phillip B. Williams–
Writer’s Block Remedy: I go for months without writing and then write nonstop for about a month or so. An impasse for me is a sign that I simply have nothing to say, and that is fine. I had to learn that it was fine not to write. As far as what keeps me going, I’m still not sure. Something just clicks on and stays on until it runs its course.

Mario Chard–
Writer’s block remedy: The impasse is never with the writing itself; it is with the reasons to keep going.

Fatimah Asghar–
Writer’s block remedy: I take a break. I think that if you bang your head against the wall trying to create, you’re going to resent the process of creation. Usually when you reach an impasse it’s a signal to move on to another thing. Maybe you haven’t slept in a while. Maybe you need some time to ponder, to just stare at the wall. Maybe you need to live, truly be alive for a little and not near a computer [or sewing machine]. Maybe you need to read, see, watch—to refill your well.

Advice: I’d say you’re on no one else’s timeline.

Solmaz Sharif–
Writer’s Block Remedy: If the causes are perfectionistic, I pull out the collected poems of a poet I greatly admire and flip through to remind myself how many mediocre poems their oeuvre contains. It is my duty, I remind myself, to write even those mediocre, messy poems. These failures are the ones that create openings in the conversation for subsequent writers and poets to enter—I’m not trying to kill the conversation, after all. I pull out journals—André Gide’s, Franz Kafka’s, Susan Sontag’s—to remind myself how long the process is and how often the sense of failure or impasse hits. I watch a movie. Advice: Write a book you want to fight for. Fight for it.
I don’t have answers about “how to be an artist”; I’m not trying to make it sound like I do. But I do want to have that conversation. What do you want to do as a writer in the world? What do you see the arc of your writing life to be?

My corollary: Make the quilt you want to fight for. Fight for it. Acknowledge the arc of your quilting life.

Quilts · This-and-That

If I Do This, Can I Do That? April 2025

April 18, 2025April 17, 2025 Elizabeth E.9 Comments

If I go to see all my kids, will I be able to recover from the trip? If I buy this, can I buy that? If I choose to sew this project, will I have energy to tackle that other thing? Or, this is all another way to title a This-and-That post for April 2025. First, the mundane and then the sublime. (Hint: an introduction to one of my favorite artists.)

Feeling a lot of the time like a blue-footed booby; this photo was harvested from Bluesky, from the #naturesky tag. Bluesky is also where I have a new account. We need more quilters over there (tag: #quiltsky) so come on over. If you set up an account, I’d love a follow: OPQuilt on Bluesky. (If you need to know more about this platform, search, and research, buy this book, or ask me a question.)

Apple’s Photo app has a new fun toy: Clean-up, behind the three sliders at the bottom of a photo (apparently not on all phones, my husband tells me). I click on that, then follow the instructions. Can you see what I did in this next pair of photos?

I probably wouldn’t use it to clean up everything, as that can give your photos (this one, of my neighbor’s cactus flower) a sterile and weird look. Life is messy, life has hoses in the foreground and angels in the background.

Early warning notice. I did none of those when the earthquake came, but did decide to hold off on getting in the shower. Just in case.

I sewed up my next batch of 25 Economy/Thrift/Square-in-a-Square blocks. In my first post about these, I noticed that one of the quilters I mentioned had sewn each of hers to a background block, so I decided to do the same. Eventually I will sew them into blocks of 10-patch units, as suggested by Taryn, who is running this (9-patch units? 12-patch units?).

To make all my economy blocks, I opened my drawers and just used up old scraps, cut nearly a decade or more ago. It’s a lovely time-travel experience. Most centers are not fussy-cut, but this one spoke to me, as my heart aches a lot for what is going on. Other centers of other blocks also hold meaning, but I won’t detail them here.

I can’t work if all my projects are stacked up around me, calling me to come pay attention. So after completing this batch, I carefully put them away until some time in May, giving me some mental space. (Fun video, here, with a perky little tune.)

So, March’s 25 blocks are done.
April’s 25 blocks are finished, too.

This came out next. It’s Sherri’s BOM for 2025. April’s block is finished, and now I’ve tucked that away, too, until May.

Posh Penelope blocks are up next, but I’ll wait to work on them until after Easter. (It makes a big happy mess in my sewing room.)

Every April and October, our church holds their Semi-Annual General Conference, which we listen to via streaming broadcast. Through all the talks, I sink deeply into thinking about ways to better my tiny life, but this year I also enjoyed the sights of this young choir, dressed much as I did back when I was their age: hair streaming down from a middle part at the top of their head, their dresses all smocked and ruffled and gathered and puffed sleeves, too! I didn’t have a camera when I was 17, nor were many photos taken of me, so you’ll just have to trust me that I looked like them.

I also like to sew while I listen (hence making good progress on the economy blocks!). I tried sewing them without paper, but it was harder to keep them square. So, here I’m using the freezer paper method. Here’s a free handout, in case you missed it on the last post:

Two Sizes Economy Blocks_OPQuilt Download

My husband Dave and I took a trip up to see grandchildren and family, as I mentioned.

We also had a chance to visit some of our siblings. My sister showed me the wonderful tree of life weaving she purchased on her last trip. I love all these birds perched on the branches, with companions flying all around.

Another highlight of the trip was to see a mid-career retrospective of the artist Brian Kershisnik at BYU’s Museum of Art. Kershisnik’s exhibit began with a video of him working and talking and interspersed in between were snippets of his TEDx talk, which is worth watching, ending with something to think about. Kershisnik has long been a favorite of mine; he paints the quirks and slivers of human life that we are all familiar with, but don’t seem to see in traditional paintings. He also has a sense of humor about things, so valuable these days.

In this trio of paintings of women, the titles read (left to right):
Holy Woman, 2001
Climbing Mother, 2013
Madonna and Child with the Infant John the Baptist, 2003. Yes, the infant Jesus is poking young John in the eye.

from title card: “While not undermining his holy nature, the baby Christ (still with a visible halo) acts more like an actual child than most traditional versions. Kershisnik humanizes saints and holy figures, suggesting that perhaps they are not as different from us as we might have previously supposed.”

I found so many paintings that echoed into my life. As my father would have said, it was a peak experience. Since this is the week before Easter, here’s a few more.

Even if you aren’t religious, Christ’s palpable straining to let the souls of hell escape their awful fate helped me understand the whole idea of sacrificing for others in a most visceral way. And Christ gesturing, says, “Go.” Get going, get doing, make something of yourselves. Below is a link to a video clip of Kershisnik below where he says he is reticent about “explaining” the meanings of paintings for others, not wanting to limit them. I also don’t want to limit you. This is just my take, after standing there gazing at this enormous painting, a couple of weeks before Easter.

Death has hung around my life in a significant way in the last couple of years, so yeah, I lingered at this painting.

Are we like these little ones in Kershisnik’s painting, Jesus and the Angry Babies (2014)? Maybe. The angels in the background are there to help. (video clip of the artist discussing this painting) Last one, with a theme pertinent to our sewing experience:

The morning after we arrived home, I took a walk in our local park. Right after that photo I saw that some children (not angry babies, not angry adults) had decorated up the sidewalk with all colors of chalk, including a hopscotch diagram, which I most definitely took time to jump through, before continuing. I conclude one of the artist’s names, below.