Classes · Quilt Shows · Quilts

Long Beach Quilt Festival: Getting Ready

I believe in taking classes, when they interest you or teach you a new skill.  I’m headed to the Long Beach International Quilt Festival (or LB-QuiltCon, as I like to call it) and I’m taking three classes: two from Karen Stone and one from Kaari Meng, of French General.  Here are snapshots of the projects:

I discovered today that there is a Preview Night on Thursday night, where we get access to the quilt displays, vendors plus they have a Take-It-Make-It sort of set up of learning new skills.  I finally got organized this afternoon, printing out class supply lists, which led me to notice one curious thing.  I need no fabrics for the Stone classes, but did have to pay for a kit.  And they’ll have sewing machines for us to use (and charge us for, of course).  When I went to Houston a few years ago, I dragged a roller suitcase full of fabric with me to each of the classes I took.  What a change.

What a very nice change.  (I may sneak some of my fabrics in anyway.)

Creating · Quilts · Textiles & Fabric

Working in a Series

I think part of my discouragement this week was fatigue.  I’m working a stack of Kaffe Fassett fabrics.  There’s probably 40 to 50 different fabrics that I’ve collected over the years, and in this pattern it’s a challenge to get the fabrics to talk to each other within the block.

I can see, though, that working in a series has improved my ability to see what works, as I change out the leaves and some other smaller pieces, as well (above).  I found that I was less enamored of one of the earlier blocks, but it was already appliqued down and I would have been crazy to mess with it.

Here’s the final version of that block.

But I did mess with this one.  The brightly colored circles with red in them are a different line of fabric, Amy Butler, and they stand out among Kaffe’s florals. (Although I am using some Phillip Jacobs, and others from the Westminster line.)

I think the Anna Maria Horner fabric does harmonize well in terms of detail and color (the aqua circles at the top, and the second large circles down from the top, with feathers and berries).

All in all, I am glad I pushed on.  I do love looking at them on the pin wall, although now I’ve turned my eye toward the borders — with more design decisions.  When I went to the Springville, Utah quilt show last summer, a version of this Kim McClellan pattern was done up in softer greens, a lovely quilt and a contrast to the bolder hues usually seen.  In this, you can see the border design.


It was certainly deserving of its blue ribbon.

And you are all blue ribbon readers–many thanks again for your encouragement!

Quilts · Something to Think About

Lollypop Block Quilt Swamp

Existential Crisis this morning.

I don’t know how you choose what you’ll make for a quilt, whether it be the fabric pulls you in, or you see a design on someone’s blog or in a magazine.  I chose this for both of those reasons, and now, more than halfway through getting the blocks assembled, I’m thinking: Really?  You really want to make this?  Because even though you’re getting the blocks pinned together, you still have to sew them down.  Then make the sashing (another slew of piecing) and the borders (I’m simplifying the pattern).  Then back it, quilt it, and just how big do you want this to be?  Bed sized?  Wall-hanging?  Who’s going to quilt it–you?

So you could say I’m knee-deep in the quilty swamp.  This is how quilts become UFOs.  Somewhere along the line your fervor for a quilt begins to wane, another fabric group comes along that calls to you from the fabric store, you spend soooo much time on something that you just get sick of it.

No good answers today.  Here are the eight so far: three appliqued down onto the fabric and five pinned together.

A photo of eight with the sunlight streaming onto the blocks in the late afternoon.  I was tired.

Still tired today.

100 Quilts · Quilt Bee · Quilts

Heart Houses–Far Flung Bee

Krista received her Far Flung Bee Blocks, so now I can write about them.  Like a pregnancy, I figure it’s not my news to tell, so I like to let them do the Woo-hoo! thing and then I’ll follow up.  Since I’ve only done In-Real-Life Swaps, it’s probably all wrong, like when I sent in my Polaroids. . . Whoops, did it all wrong.

She wanted a wonky house.  And trees, if you please.

But I thought about how she recently got engaged, and so I drew from a quilt I’d made a couple of years ago (one block is up in my blog header), and made her a block that featured a heart made of two houses.  Aw.  I’m of the mind you should always celebrate love.  Especially “goofy love,” as Krista refers to it.  (I remember those days with great fondness.)

This is Number 68 on my 100 Quilts List.  A version of this quilt was on the cover of a quilt magazine some time ago, and I had searched my hard drive for the downloaded file, but couldn’t find it.  I started drafting it again, then tried the internet.  No luck.  Finally it was in the last place I looked. (Sorry for the wobbly lower edge — for the photo, I had it on a quilt rack extended yea-high and the wind interfered.)

Here’s my PDF of the block that has all four blocks–click to download: heart_houses

They show it for paper piecing, but no way was I going to do that.  The blocks on my quilt are about 12″ on the short side because I wanted JUMBO houses in among my pine trees.  I took it to the local copy shop and blew up the PDF  and taped the pattern pieces together.  I just cut them out and use the pieces as a pattern, sometimes just measuring then cutting.

I made the long blocks for the border sort of randomly, first making the tree tops, then gauging how long those trunks needed to be to fit.

I backed it with some Mary Lou Weidman fabric.

That was the year I was in charge of a camp for young women ages 12-18, which was held up in the pines in the San Bernardino forest near Big Bear Lake.  It’s a LOT of work, and I was working with a camp director who I found out later was brilliant in working with recalcitrant teenagers, but not so brilliant in doing the grunt work that has to be done to get a camp organized.  Her team was also untested, but were very strong-willed about what should and shouldn’t be done.  I had been to a similar camp when I was a girl, had gone back as an adult counselor for several years, so I came at it from a different angle.  Needless to say, that was a challenging spring as we tried to quash all our personality quirks in order to get the camp planned.

And on top of all that, it was my only my third semester teaching at a community college, and they’d given me a new level of class to figure out, and I felt like I was nearly underwater all the time just on that issue.

So, what else to quilters do?  They make a quilt.  I called this Hearts in the Pines.  I finished the top and with only a few weeks to go, the semester ending, I called my quilter and she did stitch-in-the-ditch to stabilize the quilt.  I stitched the binding on, but didn’t have time to sew it down.  I took it to camp and in the few free minutes I had in between kitchen crises (oh, didn’t I tell you that two of the cooks backed out at the last minute and so I was in the kitchen too?), visiting with the girls, my husband (who I’d recruited to join me) and my angel daughter who drove in from Arizona with a friend to help her mom, I finished stitching around the quilt to get that binding on.  And much later, I finished the quilting around all the houses and trees.

I always like how quilts have a story behind them.  Whether it’s just one of those quick quilts that you throw together for a baby shower, or one that represents a time in your life, the story — I believe — makes the quilt.  Just like Krista will hopefully remember the summer she was engaged, when she looks at the quilt she made from a few wonky heart blocks.