300 Quilts · Patterns by Elizabeth of OPQuilt · Temperature Quilt · This-and-That

This and That • January 2024

Sometimes the title for these posts can nudge toward the trivial, but the first thing I want to talk about was anything but trivial.

My family.

Our four children do not live near us, for some, the far-away is very-far-away, and for others, it’s a bit closer. My husband proposed taking me out to dinner for my milestone birthday, but to “prepare for photos.” And “maybe don’t wear your sneakers.”  We went to our local Fancy Dining Place, The Mission Inn, which was still decked out in holiday lights. When I rounded the corner to our table, the kids were all sitting there. Oh, My! I was quite touched that they would come to celebrate with me, and they spent the next day with us, too. Quite the loveliest of birthday surprises. By Sunday, they had all gone home, and the house was very quiet.

When an opening became available, I rejoined the Gridster Bee. It was one I’d started several years ago, but I’d bowed out last year. Patti, ever capable, took over and has been a steady hand in keeping it going, as many bees dissolve after a short time. We had our kick-off Zoom call at the beginning of the month (one positive from the 2020 pandemic is this technology):

I loved seeing Carol’s Christmas quilt, one done in an earlier iteration of this Bee.

I finished this. It’s a free pattern, here on the website (keep reading). I’d started writing it ages ago, but who knows where time flies? Inside is the color key for both this 2023 (softer) version of Painter’s Palette fabrics, as well as the (bolder) version used in 2019:

I haven’t yet finished the 2023 quilt; for one, I’m still embroidering the temperature range numbers onto the Circle of Geese block that I’ve used for a key.

And about this geese pattern. It was originally made by Kelly Liddle of JelliQuilts. If I could find her again, I’d link to it. She seems to have vanished without a trace, and it’s a pretty good pattern for this sort of thing. I’ve even written to the last email I have from her, when I paid for and downloaded the pattern: Zip. Nada.

Which brings me to the podcast I listened to this past week, where Ezra Klein and his guest, Kyle Chayka, talk about how the internet isn’t fun anymore. Boring, too. And part of it is what Chayka calls the SEO-ification of the algorithm. Everything resembles everything else, as we use Search Engine Optimization (SEO) to get a wider reach. While this can have benefits, Chayka and Klein argue that we seem to be homogenizing our world, as every website looks like another as the robots send you to whatever you’ve liked before, and assume you will like again.

I’m fine with that, especially when I do a search on Temperature Quilts on Instagram. But I’m also not fine with it as it seems to have flattened out what we see. Like hashtags used to be an interesting way to get a range of images, from temperature quilts that began as crocheted blankets to the most recent version of houses, leaves, and birds. Now we just get the “TOP” images. Are they the top “eye-ball-getting” images? The most colorful? The most interesting? And how will we ever know what the robots, aka: algorithm, have come to choose what they are showing us.

Chayka says he misses the curated web, where various people wrote random things, like a writer went flying through a rainbow and put the colors up on a blog. A blog!?! Who writes those anymore? Well, I do. Maybe that is why I also write about quilting, but also more-than-quilting, trying to avoid being boring, and maybe to avoid having to clean up my sewing room:

(from 2020, but it still looks the same)

One more thing: this week is Road to California, a local, national quilt show. I’m signed up for two classes: one from Lori Kennedy (FMQ on Monday) and one from Annie Smith (Design Your Own Appliqué on Thursday). I’ll also go one more day, Saturday, so I can stay to get my quilt that is hanging in the show: Aerial Beacon.

I would take a closer photo of this, but it will have to wait until next week, when I get some pictures of it hanging in the show. If you are headed there, find me and say hi!

UPDATE: The patterns (both Santa’s Ride, and Aerial Beacon) are now up online in my pattern shop on PayHip.

Here’s the Temperature Pattern download. It will stay here on my website for a bit, then move over to my Pattern Shop on PayHip. Enjoy!

UPDATE: The pattern is now over on PayHip, so head over to my Pattern Shop to download your copy.

300 Quilts · Patterns by Elizabeth of OPQuilt · Publications

Santa’s Night Ride • Quilt Finish

This quilt has been on quite a ride. A Santa’s Night Ride, to be exact.

It has flown over to France, to the QuiltMania people, who publish three fine magazines: QuiltMania, Simply Moderne and Simply Vintage.

It has flown home.

And it will be making its debut in one of the QuiltMania magazines: Simply Vintage!

I know my friend Carol will like the Corgi on the bed. I do too! My quilt, Santa’s Night Ride will be in this issue, Number #49, which should be out about now. For those of you not aware of the THREE Mania magazines, let me introduce you to this one. While it says “Vintage” on the top, you might instead think of it as more traditional than vintage. It has a lot of our favorite quilt designs, as well as some new ones. I’m just pleased as punch to have my quilt published, and you can buy it from them directly here. Just click on the newest issue, with the Corgi on the front.

label

The center blocks are Foundation Paper Pieced (FPP) and they go together quickly.

I also made the border with FPP, and here you see my favorite roller. Instead of running to the ironing board, just use this tool, an automotive tool, with ball bearings — I prefer it to the old wooden one I used to use, and it’s $cheaper$.

I always print out a light version of my quilt and map out my quilting. Then I will often use a disappearing pen to transfer my ideas to the quilt.

I even sewed on the binding by machine. It seems like every December, when I’m deep in the Christmas season, I get the bug to make a quilt, but I always finish it up in January. Not this one! This is Quilt #272 in my Quilt Index.

Some tips on using scraps: Keep them in similar values for the center blocks. All my blocks are different, but they “read” the same because I used the same red/white for the inner triangles, and while I used four different greens for the large triangles, they are distributed evenly throughout each block.

Go for one fabric for the light background for both the center blocks and the outside little tree-triangles in the border, as it helps tie the quilt together. You can see above all the different fabrics I used in the outer tree-triangles: cut loose and cut from your scraps.

This has been in the works for nearly a year, so while you may have had a glimpse or two of this small quilt, I was waiting for the day when I could share the happy news, of this publication.

Happy almost December!

Other QM published quilts:
Riverside Sawtooth (in QuiltMania)
Elizabeth’s Lollipops (in QuiltMania: a photograph from a quilt show, but I’m counting it!)
Crossroads (in Simply Moderne)

During the pandemic, I agreed to let them share my blocks with readers of the QuiltMania newsletter. The patterns have now come home to stay, and most are free (see tab, above).

300 Quilts · Patterns by Elizabeth of OPQuilt · Something to Think About

Crossroads

What is the difference between achievement and accomplishment? asked Adam Gopnick. That question has set me thinking about it ever since. We quilters work hard to get our quilts finished, our patches pieced and all the little scraps of fabric marching in order toward our vision. Are we achieving? Or are we accomplishing?

class taught for South Bay Quilters

Achievement,” writes Gopnick, “is the completion of a task imposed from outside — the reward often being a path to the next achievement. Accomplishment is the end point of an engulfing activity we’ve chosen, whose reward is the sudden rush of fulfillment, the sense of happiness that rises uniquely from absorption in a thing outside ourselves.”

“Our social world often conspires to denigrate accomplishment in favor of the rote work of achievement,” write Gopnik, and many of us are “perpetually being pushed toward the next test or the “best” grammar school, high school or college they can get into.” The result of this is that we drive the young (and maybe ourselves) toward achievement, toward “tasks that lead only to other tasks.”

Guild challenge fabric in front

Our Guild recently handed out their yearly challenge fabric, chosen by someone who loves purple:

While the challenge (due in September) is divided up into four categories (wallhangings/runners, quilts, wearables, bags/totes), for me the real challenge was working with this fabric.

Challenge accepted. When I was in Utah, I stopped by The Quilters Lodge and they helped me pick out some hues not readily observable, as well as a bold and sassy turquoise polkadot. Was this merely another task that led onto a task, “the point of it all never made plain,” as Gopnik asks?

I remember that Bonnie Hunter, master of the scrap quilt, always said that if a fabric is ugly to you, then you haven’t cut it up into small enough pieces. I didn’t find the fabric ugly — no Philip Jacobs fabric ever is, to my way of thinking. But the colors were definitely a challenge. So…I cut it up small. I chose one of my older patterns that I’d had previously published in Simply Moderne to be my guide through this. It has never been published as a stand-alone pattern, and I knew it was really versatile and strong enough to handle any fabric thrown at it. And it was fast and easy…also a requisite for this Guild challenge, to my way of thinking.

This could have been a series of exercises, dictated-from-the-outside, as so many guild challenges are. I’ve seen some so constrained that it really is ridiculous: how many of you have done the “crayon” challenge, or the “scraps in paper bag” challenge, or the “page number in a magazine” challenge? (However constraining, I happen to like that one.)

But on the other hand, says Gopnik, we’ll head towards accomplishment by looking at this big self-assigned task and “breaking it down into small, manageable tasks” that later lead to the final result. This experience of breaking down, then building up can also inform later professional work, even leading to a vocation. And my guess is that Gopnik meant these as self-directed tasks, with enough time and little enough direction, so that we can roam far and wide and back again in order to find that accomplishment.

“Self-directed accomplishment, no matter how absurd it may look to outsiders or how partial it may be, can become a foundation of our sense of self and of our sense of possibility. Losing ourselves in an all-absorbing action, we become ourselves.” (from here)

I spent the better part of a day cutting, arranging, sewing, finishing the top in a short amount of time. I recognize that I now have the opportunity to do that, and the support of my family. It was not always so easy, and when I was in graduate school (can we say “outside task” to “outside task” to “outside task”?) trying to get a degree so I could launch my professional life, I didn’t sew or quilt for two years. But I returned to it, and when I retired from teaching, my days of quilting — coupled with my education — allowed me to move into teaching Guilds, and writing this blog (“inside” tasks).

“Pursuit of a resistant task, if persevered in stubbornly and passionately at any age, even if only for a short time, generates a kind of cognitive opiate that has no equivalent. There are many drugs that we swallow or inject in our veins; this is one drug that we produce in our brains, and to good effect. The hobbyist or retiree taking a course in batik or yoga, who might be easily patronized by achievers, has rocket fuel in her hands. Indeed, the beautiful paradox is that pursuing things we may do poorly can produce the sense of absorption, which is all that happiness is, while persisting in those we already do well does not.”

So what is achievement? What is accomplishment? Maybe the words don’t fully articulate the slender difference, but we know it when we push through something hard, to end with something beautiful. We know it when that pursuit doesn’t end, although we may leave and come back to it after a time. We know it when we finally finish the quilting or the binding or the label, having worked our way through color choices and fabric choices and design and cutting and stitching, and hang up that quilt and stand back to look.

We most certainly know it then.

Other posts about Crossroads

Its Inception, long ago
Guild Visit, and a little stitching for NASA’s JPL Mars
Do You Tweet?
Crossroads & Simply Moderne Magazine

The pattern is now on sale in my PayHip shop.
Did you notice the new cover design? Just freshening things up a bit around here.

300 Quilts · Patterns by Elizabeth of OPQuilt · Quilt Finish

Double Star • new pattern

Kolob Canyon.

We were about mid-point in our drive from the Salt Lake City area to our home in Southern California, when we turned into the Kolob Canyon parking lot, in the upper section of Zion National Park. Ever since I sewed the binding on my newest quilt, Double Star, on the drive up to see a grandson get married, we’d been trying to find a place for a photograph. Kolob Canyon, with its red rock and green foliage, called to us.

We have a hymn in our church, If You Could Hie To Kolob, which is a fancy way to say “If you could get to Heaven.” The rest of the first verse sort of opens up the possibility of seeing where It All Began, and indeed, as we began the drive up the road to the Taylor’s Creek trailhead it does feel like you are in different space. There weren’t too many people, perhaps because of the threatening storm, or the advent of the Fourth of July weekend. But whatever the reason, it was bliss. We began to sing the hymn, then wondered how many other visitors were singing that same hymn, too, on their way up the canyon? And how many more of them were looking for a quilt photo?

A willing, helping visitor provided answers to both those questions: we were the only ones looking for a quilt photograph, but yes, he (on the right) and his wife did sing the first verse to that hymn as they drove up the canyon. The music is based on an old English tune, Kingfold, which figures because many of the early pioneers in this state hailed from England (including mine and my husband’s ancestors).

We struggled in the canyon’s wind, chatted with them, and wanted to go farther into the canyon, but the upper road had been closed because of winter damage.

The label notes the quilter, Jen Boyer, and that it is from my newest pattern, Double Star. This was a quick one for me, given my languid pace of the last six months, but to be fair, that doesn’t include the two years the bag sat sitting under my ironing board full of black and cream fabrics, collected bit by bit.

I love the curvy quilting pattern, but hate the name of the e2e pattern (Target Practice).

It was quiet up in the canyon with the road closed, with only a handful of visitors to these beautiful finger canyons. I hummed the tune, and was reminded that the last verses talk about how “Improvement and progression / Have one eternal round.” That is a good thing, given that I am always striving to be better, not only in quilting, but also in kindness, grace, and all those other perfectly wonderful attributes that the author Phelps wrote about in the 1850s. Revisiting some of those ideals helps ground me, and encourages me to live well in today’s world, where Phelps might have scratched his head about all the challenges that we face.

Back home, trying to finish up the writing of a pattern, I realized that while we’d had a grand time out in nature, none of those photos would work for the pattern front. So we headed to the California Air Resources Building, which was close by and that we knew had a dramatic entry, shielded from the windy day.

I promise my Quilt-Holding Husband is behind there, but it does look like the quilt is floating.

So now it is finished. You probably recognize that smaller bonus quilt from another post of mine. I included two versions of the smaller quilt in the pattern — one with the border, and one without the black/white triangle border (but it’s not hard to make). The whole pattern is pretty straightforward in the making so it earned at Beginner Plus label.

You can get the pattern in my PayHip shop, and if you act before July 17th, you can get 20% off with the code in the speech bubble, spoken by some rando with a black-and-cream quilt in red rock country. Glorious red rock country.

UPDATE: On JULY 20, 2023, the coupon will expire. I added a couple of extra days.

I guess I was just kind of taken with the place, and always have been since I married my husband when I was 34, bringing four kids to the marriage, and like the saint that he is, he brought us all on a trip when we’d been married about a couple of months, and that’s where I first saw Zion National Park, and Kolob’s finger canyons.

Maybe I was taken with the place because on this beautiful day in windy Kolob canyon, we’d just been to my grandson’s wedding the day before; he holding his bride’s hand, both their faces glowing as they said their vows. These two have an easiness about them, and it was lovely to be the grandmother and not have to worry about the arrangements, or the dress, or the tuxes, or the refreshments, but to just be able to sit and enjoy the radiant happiness of this young couple.

I take much hope in the hymn’s words written well over 150 years ago, their ideals firmly rooted in another time; however, they are still good for us.

No end to Love: Chris and Maya

Other Posts about this Quilt

Time Let Me Play
Flashback
Link to the pattern on PayHip

Write up about the canyon, and how it got its name.

The Tabernacle Choir at Temple Square sings the hymn.

If You Could Hie to Kolob
Text William W. Phelps
Tune: Kingfold, arranged by Ralph Vaughan Williams