New York Beauties took a long time to get here: about three years. Started in 2022 from the spark of an idea, with a pillow of four New York Beauty blocks, it quickly morphed to quilt size, with a series of block tutorials. Then it moved from there to the new rage of freezer-paper piecing, tired as we were of ripping off papers from the back of our precision piecing.
While that took some time, to get all those blocks designed and drafted, then figure out a tutorial, then make the required number — it seemed to take longer to quilt it myself. Every block called for a new idea, a new way to outline the rays, or fill in the backgrounds, or sculpt the arcs. Many times I seriously doubted I was up to the task.
I unpicked some areas and re-did them. I’m still not sure about some of them, but it’s time to let this rest.
Quilt #300 Started June 2022 • Finished September 2025, with the label being sewn on this afternoon.
I’ve learned a lot about what colors are my favorites (butter yellow seems to be right up there, along with a bluey aqua).
I found out my machine’s limitations. Neither it — nor I — are high-precision longarm machines, although we do our best.
I remembered that sometimes simple borders are best, and that a ruler and a disappearing marker can get those designs sewn into cloth.
I thought about my very own New York beauty, born in the Empire State. She has fallen in the love with the Big Apple (New York City’s nickname) and tries to go there often. This quilt is for her….
…from me, her mother.
I was stitching the binding down while we were at her house this past week, so yes, you do see little binding clips. Kinda’ adds to the color, don’t you think? But I didn’t want to leave without a picture of her with this quilt, since the full title is:
Usually I do a round-up of blog posts at the end of a Quilt Finish, but this time I’ll just send you up to the New York Beauties page with everything listed, including a free block or two. The rest of them are in the pattern, found in my pattern shop on PayHip.
I will say that the border was cut 5″ wide, then mitered on. I will probably update the pattern at some point in the future, complete with new photos, etc. If you have purchased it, you can re-download it. I’ll announce it on here.
Lastly, I am now working on a visual index for my quilt blog. It’s called Blog Index, and it’s up at the top.
Since today is the 30th, I slid August’s This and That right under the wire.
For those who are new here (and thank you for subscribing) I often do a “This and That” post that contains a lot of small bits, updates on projects and pieces that don’t warrant their own post.
In other news…this is post number 1300. I started writing this blog in January of 2007. Thank you all for reading. And for your comments. And for being a part of my life for many quilty projects!
First up, on America’s Labor Day Weekend (Happy Labor Day, everyone!): a cool and calm photo my husband took near our home. He has a fascination for the flight of herons, and I loved this one, with all its blues.
I made my July block (churn dash, lower left) and August (star), both in this month. I’m using all my collected Sherri & Chelsi fabrics, some from her first lines. Sherri has started putting her quilt together, but I’m not sure how I’ll want to do mine.
I saw this while scrolling through some reels. As she tells it, when you turn 50, you are assigned a hobby.
I am so glad I was assigned Quilting, although I’m getting more and more interested in Geneology. And that group about travel actually sounds sort of interesting.
I went through my house and packed up four boxes of quilt books to send up to the Utah Valley Quilt Guild. My friend Lisa is the Librarian, and she said they’ll keep some and put others up for sale in their fundraiser.
Happy to for them be put to a good use.
And I’ve been putting these up for far too long. With this last one, I am at the end of the quilting on the center. And this is what I’ve sketched out for the borders of this New York Beauties quilt (yellow thread on the yellow border): We’ll see.
I’m sure I’m not the only person in the world that decides to (1) clean out a drawer or (2) lay on the sofa or (3) start a new project or just (4) doomscroll when there is a task awaits that is larger-than-my-tiny-brain-can-handle. After running out of things to procrastinate with, I finally started quilting the border this week. Big sigh, big relief.
I created a new page dedicated to this quilt so its easier to find the free patterns to make this. You can see “Economy Quilt” in the header, above.
Now here’s a random topic for you. I’ve been reading a lot about AI, and present here some clothing examples of bad photos, with arms that look like they were cut-out paper dolls, weird colors of skin, same model in same pose, clothing that fits oddly around the neckline. This is what they call AI Slop.
“Slop, at least in the fast-moving world of online message boards, is a broad term that [is] in reference to shoddy or unwanted A.I. content in social media, art, books and, increasingly, in search results,” wrote Benjamin Hoffman in a recent article in the New York Times.
While that article focused on searches done on a search engine, I found Kristian Hammond’s comment interesting: “You search for something and you get back what you need in order to think — and it actually encourages you to think. What it’s becoming, in this integration with language models, is something that does not encourage you to think. It encourages you to accept. And that, I think, is dangerous.”
Like we’re supposed to accept that this illustration above is a quilt? Hardly.
When an AI visual-creation platform first landed in 2022, I tried to tell it make a nine-patch block (on the left). That was a joke. I wrote in the email to my friend; “My first one was pretty weird, but I tried to improve my text commands, and the illustrations got a bit better.” My commands are in the text box, above. I tried it again this week, even though I’m sort of basically opposed to the use of AI these days (keep reading). The command was “nine-patch quilt block.” The results:
AI-generated
Nope. Couldn’t find one nine-patch in the mix. This is a serious illustration of AI Slop, which is pretty ubiquitous these days.
AI-generated
Like what is this??? (Also from my “nine-patch” prompt.) Love the “quilting needles.”
According to Natalie Fear, “A Google image search screenshot has ruffled feathers online after it showed more AI-generated results than real-world examples of baby peacocks…[T]he screenshot has sparked mass debate online, with many creatives calling for stricter rules for AI-generated search results to mitigate the spread of misinformation.”
This was published last year, and it’s only gotten worse.
Because of AI slop, I rely less and less on Google search, and type in -ai at the end of my search query quite often. I don’t want to be just “accepting” what is served up to me. And I use DuckDuckGo a lot more now, and even Reddit, as search engines.
Again, use -ai if you want a cleaner search.
Commenters on Reddit had this to say about AI Slop: 1) Slop is just a slur that you say after “AI” to show that you don’t like AI. 2) [Slop] refers specifically to AI generated creations that are clearly low effort engagement-farming spam. 3) Some people call everything that’s AI-generated “AI slop” as an insult, while many other people only use it to describe low effort, low quality content.
And lately, we’ve been hearing more and more and more about the downsides to AI.
The problem is that AI, a general term, is integrating itself into our world.
For example: • I like the clean-up tool on my iPhone photos. Is this AI? • Doing a search on a search engine. Is this AI? (It is, if you don’t type the three digits -ai after your search terms.)
• Reading on social media and liking that picture of a young woman at a sewing machine. Is this AI? (from here. Be sure to read Weeks and Ringle’s text on this Instagram post.) I think AI will slide in all around us, whether we are cognizant of it or not, and whether we need it or not. And might make mistakes that could be hard to fix. I love Kyla Scanlon’s recent post about how people feel about AI.
For me, it’s mixed.
Is AI all bad? Perhaps not. Genealogy research is putting it to good use. Here in the quilting world, we already have an “AIQuilter.” I enjoyed reading Sherri’s take on this subject, on her SherriQuiltsALot blog. Julia Wachs, on her website, also does an analysis of a few AI “quilts” and how to avoid purchasing AI-generated quilt patterns, which are sketchy at best in the instructions aspect. But to balance it out, this blogpost goes all in on the AI-design concept.
I just know that when I sit down to design, when I open up my Affinity Designer software, I’m not using 10x energy. Or 10x water.
Finally, Lastly, CanWePleaseStopTalkingAboutThis, my favorite definition of AI’s LLM (Large Language Models, such as ChatGPT) is that it’s “just a bag of words,” so no need to make it your friend, or take it seriously. I’m sure it does have its benefits, which we will discover as time goes on, because whether we like it or not, AI is here to stay.
When my brain is futzed out from all of this, I return to earth, to retreat to the fascinating brilliance of this real world. I return to the human level of making. Like quilts.
Or like a dress, or something. My sister’s been hot on this clothes-making for some time (inspiring me) and you know I’ve been sewing, too. But now I have a couple more pieces of fabric and want to make something else. Oh, what to choose? Hart’s Fabric has an extensive pattern collection, as does Oak Fabrics in Chicago (plus they both have fabric). Another place for both fabrics and patterns is Harmony, a fun shop in Provo, Utah.
Or a piece of writing for the Carrefour Quilt Show? It is being held next month in the Alsace region of France. This year is their 30th Anniversary, and since I’d written about it here in this space, they contacted me to see if I’d like to write something for them. I would! and I did. You can find the first post on their blog.
It’s in English, as well as French and German.
Maybe I’ll see you there?
In the meantime, I’ve got a border to sew, squircles to prep, and everything in between. And I’m not using AI for any of it.
Happy sewing!
NOTE: None of the illustrations or photographs you’ll find on this blog are AI, UNLESS I LABEL THEM AS SUCH (like the silly raccoon, above). None of my quilt designs or patterns are AI, either. It’s all home-grown, here!
New York Beauties is like an old friend: we’ve hung out together, we’ve been sad together, happy together, goofed off together, and are now celebrating together a milestone: this flimsy is finished.
I cut the yellow borders 5 1/4″ because I couldn’t decide between 5″ or 5-and-a-half-inches. So many seams! I found it easier to lift up the seams on the outside curves, and not sew those down. When I couldn’t do that, oh well.
This view always appeals to me: New York Beauties stained-glass. I put it up after our dinner, and waited for the sun to go down, for that golden hour.
Now it will go away for a while to quilting purgatory, as I’ve decided to quilt it myself and I’ve got two in line ahead of it.
As it has hung up on my design wall for the last little bit, I’m kind of in love with it. Yes, I can see all the flaws, but I can also see all the beauty. My sister posits that the spikey part of the design might have been inspired by this lady:
This, from a project in my very first digital art class, long long ago. I looked up the block origins and the sources are crickets on where it started, but, that crown! I’m going to go with my sister’s idea, I think.
I had to design/make one more block to get this quilt top to gel. Here it is, a freebie:
You’ll need to download the other free block, Wild Sunflower, to get that outer corner piece. I just couldn’t cram one more piece in here, and I knew you are all resourceful and can figure out how to go to the Main New York Beauties page, or if that fails, head to my pattern shop where I sell the full pattern, if you want to start a relationship with your New York Beauties quilt. But take it slowly at first, while you get your sea legs. For it was Shakespeare himself who noted that “To climb steep hills / Requires slow pace at first” (Henry VIII, Act I, Scene 2, Line 128). On that New York Beauties tab are lots of posts, with lots of tips and hints. One a month might be a good rhythm at first, but towards the end you may want to speed it up. You know how it goes.
There were times I didn’t think I’d ever finish this. Learning how to make it with freezer paper speeded up the process, but so many seams. So many pieces. But what a lovely outcome, hanging from my wisteria vines on a sultry summer evening. This photo shoot took a while, and I savored every minute. I’ve worked with this quilt for a long while, and we’ve become companionable. As I’ve read other people’s blogs, I have noticed this feeling with their long-term quilts. Yes, fast quilts are fun, but there’s something about spending time with one project over many months, savoring the stitches.
Okay, think on that quote for a while. Found while doomscrolling (is that one word, or two?) on Instagram, I wanted to read the whole article, but then I’d have to buy a subscription to the Atlantic. Which may still be worth it, since I have an “open” slot for subscriptions since the QuiltMania magazines sadly left us.
I opened with this because I’ve been a beginner all the way along on these New York Beauties. I mean, since I been sewing for about a bazillion years, I feel like I can tackle most anything except upholstering sofas, especially since I’ve watched *those* videos, too, and while they make it look easy, it’s a whole different set of tools.
But I have had fun with all twelve blocks. I did four blocks as a free giveaway a couple of years ago, then decided that THIS WAS THE YEAR to finally finish them all. As of today, in this moment, I have completed them. Since I have loaded up the beginning posts with scads of photos, and I don’t need to teach the freezer paper method anymore, here are the last two blocks in one post: Block #6, Remembrance, and Block #7, Waking.
Block 6: Remembrance
I colored and re-colored the block #6, as I wasn’t really too fond of what I’d done in the past.
I ended up with this one: a little ombre effect through the wedges (background) on the first two sets of rays, and then a jolt at the outside with that bright lemon-yellow. All the colors are identified in Painter’s Palette solids from Paintbrush Studios (and I purchase them from Keepsake Quilting, to just give you all the info.) You can download the color sheet for free, on the pattern. Look for Preview just under the title/buttons.
I started with the outside, one night (which explains the lighting on these photos). I’m showing how I press to the dark, when freezer paper-piecing. In photo 1, I pull the paper back, only slightly. Smack that seam with the iron (2), then smooth the freezer paper back into place (3). In (4) I’ve pressed down the next section, ready to go.
Block 2, in the Master Page of New York Beauties, gives really concrete directions on how to use freezer paper, if you are interested.
Happy little things, aren’t they? And happily you only have to make TWO of this block, but it’s the most complex, with three rows of rays/wedges. Do one set a day, and don’t wear yourself out.
I know in the basic pattern I tell you to tape together the two-part rays of this enterprise before sewing, but really, you don’t need to. Just make them separately, then sew them together at the end (moving the paper out of the way, of course).
Oh, if you can’t play around with the shapes, what fun is this anyway? The ombré background for the smallest set goes dark-light-dark, which is the opposite of the middle rays (light-dark-light). You can see how I marked a-b-c in the photos just above (trying to keep myself on track — I only had to unpick it once).
For a fun photo, I overlapped the two blocks. This feels EPIC!
Block 7: Waking
Here we go. I saved one of the easier ones for last. Make five of this block. I became nervous last night: did I count correctly? Here’s my cheat sheet:
I’m okay, in fact I made an extra somewhere…
I cut out and marked the quarters of the bands, center and outside corner.
I sewed the band on the center. (I love the colors periwinkle and lemon yellow together.)
This is to remind you to crease on the lines one way, then the other way (reverse fold) (forwards-backwards) (I don’t know how to describe this, but every line gets creased twice).
In the first photo, I am trimming the full 1/4-inch past the folded freezer paper to set myself up for the next step. I add the next piece behind the assembly (see the link above for more detailed instructions), stitch alongside the freezer paper fold, then I trim that one to a scant 1/4-inch. I like a little less bulk.
I simply updated the blog post for that one from a couple of years ago. Those of you who aren’t making New York Beauties might be saying, okay, enough, what else do you have in that messy sewing room of yours? So I didn’t make a separate post.
All twelve, pasted in. There is a Bonus Block in the pattern, but I’m happy with these. I’m going to celebrate the 4th of July holiday, then maybe I’ll start figuring out how I want to sew these all together. But for now, they’ll rest easy, eye candy all around.
Here was the original pillow cover, from long ago. Now there will be a quilt!
OccasionalPiece--Quilt! 